Entertainment
‘Cave of Forgotten Dreams’ Review: Werner Herzog’s Natural Museum in 3D
Editor’s note: “Cave of Forgotten Dreams” is returning to select IMAX theaters with a brand-new 6K restoration on April 24, 2026. Revisit our original review, published on during the 2010 Toronto International Film Festival, below.
In recent years, Werner Herzog‘s sly observations on the ways the universe in wondrously strange documentaries such as “Grizzly Man” and “Encounters at the End of the World” have taken on cult status apart from his existing place in the history of German cinema. Viral videos contain uncanny imitations of the filmmaker’s distinct Bavarian accent reading every children’s classic from “Where’s Waldo?” to “Curious George.”
The reality is that Herzog could make the phonebook sound interesting, but he usually aims much higher than that. His latest non-fiction outing, “Cave of Forgotten Dreams,” proves that point again: It’s an extraordinary production feat that transcends his personal whims while giving them room to shine.
“Cave of Forgotten Dreams” takes a fascinating 3D journey into the inner sanctum of heretofore undocumented cave paintings in the south of France. Destined to delight Herzog fans for its offbeat ruminations on the evolution of creativity, the movie also derives ample philosophical weight from the sheer beauty and inherent mystery of the subject at hand.
Guiding the audience with his typical voiceover narration, Herzog delves into “one of the greatest discoveries in the history of human culture,” the etchings on the walls of the 1,300-foot Chauvet Cave, presumably home to the oldest paintings in the world. Owned by the French government and restricted to a handful of experts, the cave remains as mysterious as the history of its contents.
Herzog naturally plays up the enigma at hand with epic grandeur, occasionally overdoing it but usually hitting the mark. Introducing the setting with a majestic crane shot (particularly immersive in 3D), his camera soars above the cave and surveys the desolate landscape. Unleashing cosmic observations about “the abyss of time” and the like, Herzog ventures into the darkness with his small team, carefully illuminating the 35,000-year-old artwork within. The profoundly magical aura of the footage ranges from charcoal etchings of animals in motion (“almost like a form of proto-cinema”) to hints of attempts at self-portraiture (“as if the human soul was awakened within them”).
Aside from the Herzogian idiosyncrasies, however, “Cave of Forgotten Dreams” contains the musings of real experts. Archaeologists analyze the ancient painters’ creative use of the cave’s spatial definition to tell stories and create illusions of motion. The personalities involved in the cave study receive less overt scrutiny than the eccentric Antarctica residents in “Encounters at the End of the World,” where Herzog expressed as much interest in the researchers as their work.
Still, he urges the cave experts to reach beyond academic conclusions and look at the big picture, and they happily indulge themselves. “I’m a scientist,” says one, “but I’m a human, too.”
Having thoroughly explored the paintings to the extent that he’s allowed to film them, Herzog launches on a less immediately thrilling tangent to explore the possible lifestyles of the inhabitants. Muting the awe factor, this segment downgrades some of the movie’s intrinsic appeal. But just when Herzog appears to veer too far off-topic, he makes an instant comeback by showing one of his experts playing the Star Spangled Banner on a primitive flute.
As usual, human progress gets the sublimely absurd Herzogian treatment, with modern and primordial sights and sounds becoming whole. Nothing can top utterly zany inspiration of the postscript, which somehow involves a nuclear power plant and radioactive albino crocodiles. Ironically, it turns out the 3D effects comprise the sole aspect of the movie where Herzog issues restraint.
And yet, given the unprecedented nature of the project, Herzog’s filmmaking efforts are tightly controlled and closer to conventions of the form than his other recent non-fiction ventures. He sticks to the practical goal of exposing the art, and concludes by dedicating the movie to the cave’s discoverers. Apparently, plans are underway to open a replica of the cave for the general public, but Herzog beats them to the punch by putting this natural museum on the big screen.
Grade: A-
This review was originally published during indieWIRE’s coverage of the 2010 Toronto International Film Festival.
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movies
Halloween Horror Nights Lineup: Full 2026 List Of Offerings
Universal Studios Hollywood has unveiled the final additions to its fan-favorite Halloween Horror Nights event.
Among them are the return of a haunted house based on the 1988 camp slasher classic Killer Klowns From Outer Space. Other new frights include “KILLceañera: Music by SLASH” and “Dead, Deader, Deadest.” There will also be a fiery stunt show based on The Purge franchise. Additionally, the park’s Halloweenified Terror Tram returns with an all-new host, Art the Clown from the Terrifier movies.
Halloween Horror Nights starts on Thursday, September 3 and continues select nights through Sunday, November 1.
Previously-announced haunted houses include those based on Sinners, Stranger Things, Hellraiser and Evil Dead as well as one that pays homage to Ozzy Osbourne, the Prince of Darkness.
Additionally this year, Universal Studios Hollywood will debut “Unmasking the Horror Tour Add-On,” a behind the scenes, daytime experience for guests who want a closer look at the craftmanship that goes into Halloween Horror Nights.
Ticket options for the main event include General Admission, Universal Express Ticket, R.I.P. Tour, Day/Night Ticket and After 2 p.m. Day/Night Ticket. Plus, Early Access Ticket provides entry to select haunted houses beginning at 5:30 p.m. (subject to change). Also, the popular Frequent Fear Pass and Ultimate Fear Pass allow guests to experience scares again and again throughout the season.
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movies
Tedde Moore Dead: Actress Played Ralphie’s Teacher in A Christmas Story
Tedde Moore, an actress who is best known as playing young Ralphie Parker’s teacher in A Christmas Story, has died. She was 79.
Moore died Wednesday in Huntsville, Ontario, according to a post on her Facebook page. A cause of death was not given.
“On Wednesday August 5th under sunny skies overlooking Fairy Lake, Tedde passed away surrounded by family physically and spiritually in her beloved Huntsville Muskoka,” the post reads. “Her bravery in this choice was almost overwhelming, beyond beautiful and also difficult. Forever the teacher, she had a quote for every occasion and a special way of touching the lives and hearts of everyone she met. Her magic and love will be remembered by all she took under her generous and welcoming wings.”
Moore played Miss Shields in the 1983 Christmas classic opposite Peter Billingsley. She memorably gives Ralphie a bad grade on his paper about wanting the Red Ryder BB gun for Christmas and also has to deal with Flick (Scott Schwartz)’s getting his tongue stuck on a ice-cold flagpole. Moore was nominated for a Genie Award, presented by the Academy of Canadian Cinema and Television, for best performance by an actress in a supporting role. She reprised her role for 1994’s My Summer Story, which, like A Christmas Story, was based on Jean Shepherd’s semi-autobiographical stories.
Her other TV appearances include spots on Friday the 13th: The Series, RoboCop: Prime Directives, Odyssey 5 and This Is Wonderland.
Moore played Mrs. Claus in the 2011 TV movie Mistletoe Over Manhattan and also portrayed Nanny Shaw in the miniseries The Kennedys that same year. According to iMDB.com, her final credit was the 2017 TV movie Magical Christmas Ornaments.
Born April 11, 1947, Moore was the daughter of Darwina Faessler Moore and actor Mavor Moore, best known for playing the title role in a Canadian radio drama adaptation of Nero Wolfe in 1982. Her grandmother was Canadian theater pioneer Dora Mavor Moore.
She attended the Royal Academy of Dramatic Art in London, graduating in 1967 with the Principal’s Medal of Honor. After graduating, she starred opposite Christopher Walken in the Stratford Festival production of A Midsummer Night’s Dream.
In 2009, Moore was diagnosed with multiple sclerosis.
Moore had two children with Canadian film and television director Donald Shebib, who directed many documentaries, including 1970’sGoin’ Down the Road and 1973’s Between Friends. Their children are daughter Suzanna, a child actor (Are You Afraid of the Dark?) turned teacher, and Noah, a child actor (Goosebumps) turned Grammy-winning music producer, also known as “40,” who is a frequent collaborator of Drake’s. 40, who produced the Drake hits “Hold On, We’re Going Home,” “One Dance,” “God’s Plan,” “Toosie Slide” and “Take Care,” was diagnosed with multiple sclerosis in 2007, two years before his mother.
Moore has another daughter, Zoë, from a previous relationship with actor Patrick Christopher Carter, and raised a foster daughter, Chaunce Drury.
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movies
Justice Smith Addresses Fans On ‘Heated Rivalry’ Harris Drover Casting
The casting of most beloved literary characters in screen adaptation inevitably creates online discourse as fans of the books have their own preconceived notions for what the characters should look like. Heated Rivalry is no exception, with the announcement on Friday that Justice Smith and Charlie Gillespie will play Harris Drover and Troy Barrett, respectively, in Season 2 of the hugely popular series based on Rachel Reid’s Game Changer books, triggering a strong reaction.
Smith appeared to address the discourse on his Instagram Story.
“I am moved by the support and love I’m getting from fans in my dms, fans who have welcomed me with open arms and who already feel a responsibility to protect me.”
The protecting part is likely a reference to negative comments posted online, a lot of them pointed at Smith’s casting.
“I am honored to play a character that you all care about deeply and I promise that I will take good care of him if you give me the chance,” he wrote, adding, “I am beyond excited for the experience.”
The negative online response to the Harris and Troy castings also prompted Reid to remind fans that Connor Storrie and Hudson Williams — now loved around the world for their portrayal of Ilya Rozanov and Shane Hollander, respectively — weren’t an easy sell either.
“Thinking about all the people last summer who told me the casting for llya and Shane was wrong and bad…,” Reid wrote on her Instagram Story.
Harris Drover and Troy Barrett are the central couple in Role Model, the fifth book in Reid’s bestselling Game Changer series, which is being used as source material for Season 2 alongside the Ilya and Shane follow-up book, The Long Game.
Troy is a hockey player on Ilya’s team with a history of bullying, while Harris is the team’s cheerful social media manager,
“From the start of the casting process, we knew we were looking for actors who could create something truly special together and bring that same depth and heart to the screen,” Heated Rivalry creator Jacob Tierney and fellow executive producer Brendan Brady said on Friday about the search for Harris and Troy. “Justice and Charlie do exactly that. They immediately connected with the vulnerability and resilience at the core of these characters, bringing an instinctive understanding of who Harris and Troy are.”
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