
Martin Müller sits on a sofa next to director Felix Randau on the set of ‘I Is Another’
Donnie Wahlberg offered up half of his “Boston Blue” paycheck to help make it affordable to shoot the series in Boston.
While appearing on “Andy Cohen Live,” the famous Bostonian explained that shooting “Boston Blue” in the titular city is “so expensive” that they are forced to do a lot of the show in Toronto. The show has been able to do some shooting in Boston but even when they do Wahlberg is a recognizable face.
“They were like, ‘But we can’t afford to shoot it in Boston. We’re gonna shoot it in Toronto,’ and I was like, ‘No. No,’ so I said, ‘Listen, I’ll give back 50% of my paycheck if we can go to Boston,’” Wahlberg said. “I did, and they said, ‘You can give back a hundred percent and so can the rest of the cast. We cannot film this show in Boston, but we’ll do a couple.’ It’s so expensive.”
He added: “We shoot in Toronto, but honestly Andy, we couldn’t film it in Boston full-time because it’s nonstop. It’s literally the duck boats are going by and the duck boat tour guides have on these headsets with speakers and it’s literally in the background of a scene. You hear, “Oh my god, there’s Donnie Wahlberg right over there on the corner. I grew up near Donnie. Everyone get your cameras out,” and then I gotta run over to the duck boat and pose for pictures with everyone and my cousins, my uncles, my aunts, my nieces, my nephews, my nephew’s nephew’s nephew’s nephew comes. Everybody’s there and we wouldn’t get any work done.”
Wahlberg wants to infuse as much Boston energy into his “Blue Bloods” spinoff series. He told Jimmy Fallon on “The Tonight Show” this week that he was hoping to get some other famous Bostonians onto the show.
“Let’s see, Mark Wahlberg, maybe? I don’t know,” Donnie Wahlberg said. “He don’t want to act with me.”
He also threw out “Ben and Matt” as options for cameos. These would be Wahlberg’s longtime friends Ben Affleck and Matt Damon. It’s anyone’s guess if Wahlberg is able to convince the fellow Boston icons to appear on the CBS police procedural.
“Boston Blue” airs new episodes on Friday nights. The series has already been renewed for a second season.
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In the second phase of New Mexico’s already big bucks social media lawsuit against META, a judge today slapped the Mark Zuckerberg created tech-giant with a penalty in the hundreds of millions of dollars and also put some potentially big restrictions about the company can and cannot do when it comes to kids being on their platforms.
“Although Meta …social media platforms are a significant contributing factor to the current mental health crisis among New Mexico’s youth established by the substantial evidence in this case,” wrote Judge Bryan Biedscheid today ordering the company to payout $567 million to safeguard minors hand over money to the state’s mental health treatment programs and put a hard limit of 90 hours a month on individual use of social media platforms.
Still, in typical Zuckeberg fashion, almost immediately after Judge Biedscheid ordered META to pay to combat the consequences of Instagram and Facebook (WhatsApp got a pass) the company stridently denied there is a problem and vowed to take the whole thing back to court.
“We disagree with the ruling and will appeal,” a META spokesperson told Deadline of the nearly $600 million that is now added to the $375 million the tech-giant was ordered in March to fork over in the Land of Enchantment in the menta health “We work hard to keep people safe on our platforms and have been transparent about the challenges of identifying and removing bad actors and harmful content. We remain confident in our record of protecting teens online and will continue to defend ourselves against claims that misrepresent the facts.”
BTW – The $375 million sum from the spring is based off the maximum penalty of $5,000 per violation for such mental health cases under New Mexico law. In total META is on paper paying out $942 million.
While that sum won’t prevent Zuckerberg from being able to pay his VISA bill, it could have devastating growth potential for META when one considers the recent L.A. action and thousands of similar suits across the country META is named in.
Put in context, META has a market capitalization of around $1.50 trillion. That’s a lot of dough, but not limitless — and state Attorney Generals know it. Which is exactly the message New Mexico’s Raul Torrez was sending today.
“This case has always been about protecting children, standing up for families, and making sure that one of the world’s largest technology companies cannot profit from practices that endanger young people without consequence,” Torrez said after the latest ruling was filed. “Today’s decision is a victory for every parent who has worried about what social media is doing to their child and every child who deserves to grow up safer online.”
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The snake pit scene in Steven Spielberg’s adventure classic “Raiders of the Lost Ark” was made immensely less scary thanks to a revelation from famed zookeeper Robert Irwin.
“Oh, this is interesting,” Irwin declared to GQ while watching footage from the first “Indiana Jones” film, which came out in 1981. “Stop there. Okay, that, that’s not a snake. That’s a legless lizard. This is a fun fact. I never noticed this until now.”
He added: “Okay, so the larger ‘snakes’ in this scene, like you can see one very easily in the top righthand of the screen here. That is not a snake. It’s a legless lizard. You know how you can tell? Because there’s a little tiny hole at the back of its head, which is an ear. Those are its ears.”
And, per the conservationist, “true snakes do not have ears.” This is why he could confidently rule that the reptile in-question was actually a legless lizard.
“It is a lizard that is like any other lizard,” Irwin doubled down. “Except, it’s evolved with no legs. But the fact that it has ears means it’s not a snake, it’s a lizard. So, some of those are actually lizards.”
Watch his commentary below.
@gq #RobertIrwin is getting to the bottom of Hollywood’s reptile secrets. 🔍🐍 At the link in bio, see Irwin break down scenes from the most popular animal movies, including #IndianaJones: ♬ original sound – GQ
Spielberg famously started out with 2,000 real snakes to bring to life his bone-chilling Well of Souls for “Raiders of the Lost Ark.” However, the director wasn’t satisfied with the amount during production, ultimately calling on reptile handlers to bring between 6,000 and 10,000 snakes to set.
The snake-filled Well of Souls became a highly discussed point of “Raiders of the Lost Ark,” as Harrison Ford’s Indiana Jones and Karen Allen’s Marion Ravenwood found themselves trapped among the terrifying creatures at the height of the movie.
Spielberg later said on “The Dick Cavett Show” that filming this sequence was “the scariest part of making the movie.” Nonetheless, he stood by his decision to up the snake ante.
“The problem was when you put the 2,000 live snakes on the floor, they all huddled into a corner and it looked like just a little dust swept under the rug,” Spielberg further shared. “I realized to cover the entire floor of the set, a very rather large set, we would need about 7,000 snakes.”
Watch the iconic scene from “Raiders of the Lost Ark” above.
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Portraying one of the leading Nazis and architects of the Holocaust comes with all sorts of challenges, responsibilities and concerns for actors. Just ask Martin Müller, the German actor who plays SS leader Heinrich Himmler, known as the chief implementer of the Nazis’ so-called “Final Solution,” in writer-director Felix Randau‘s I Is Another (Ich Ist ein Anderer), which world premieres on Friday, Aug. 7 in the Piazza Grande program of the 79th edition of the Locarno Film Festival in Switzerland.
Set in 1952, the film stars Claes Bang as Felix Kersten, the former massage therapist to Himmler, who gets ambushed by journalist Hedda (Valerie Pachner). Kersten claims to have helped thousands of concentration camp prisoners to freedom during the Nazi era by using his influence with Himmler, but Hedda has her doubts and wants to prove he is making himself look like a hero that he really isn’t.
Casting the role of Himmler proved to be the production’s toughest challenge. “The only part that was really hard to cast was Himmler,” Randau tells THR. “I was looking for someone who could play a weasel kind of guy, but it was really, really tough.” He asked some actors about the role and got a less-than-enthusiastic reception. “They accused me of providing a stage for an evil guy like Himmler. I think that is really ridiculous and a big mistake because evil is a part of creation. If you ignore or neglect it, it will grow in the dark, and that’s what’s happening here in Germany, as we can all see.”
That warning doesn’t come out of nowhere: the Alternative for Germany (AfD) party has been on the rise in the country, becoming a far-right force to be reckoned with in an age of rising anti-immigration sentiment, economic worries and traditional party fatigue. In Germany’s 2025 federal election, the AfD came in second and has developed strongholds in the country’s Eastern states of the former GDR.
Against that backdrop, Randau and his casting director, Suse Marquardt, cast their net far and wide, eventually landing on a talent best known for stage and TV work. “I’m really happy that we found Martin Müller,” Randau tells THR, lauding him for bringing to the role just what he was looking for and more.

Martin Müller sits on a sofa next to director Felix Randau on the set of ‘I Is Another’
Müller joins an illustrious list of actors who have portrayed Himmler on screen. They include Stephen Graham, who played the Nazi in the war drama The Man With the Iron Heart (2017), Eddie Marsan, who featured as Himmler in the historical drama The Exception (2016), Matthias Freihof, who was Himmler in the Tom Cruise starrer Valkyrie (2008), Kenneth Tigar, who took on the role in the alternate-history series The Man in the High Castle (2016–2019), Ulrich Noethen, who portrayed Himmler in both the Academy Award-nominated Downfall (2004) and in My Führer – The Really Truest Truth About Adolf Hitler (2007), as well as Ian Holm, who stepped into the Nazi’s boots for the miniseries Holocaust (1978).
For Müller, the role came through a longstanding connection with Marquardt. “I got an e-mail for an e-casting, and I did it with my coach and sent it to Suse, and she said, ‘the director wants to meet you’,” he recalls. “And Felix came to Munich, where I live, instead of me going to Berlin. We just met in a restaurant, and after two hours of talking, I asked him how many people he was meeting. And he said, ‘I’m fine with you. I just wanted to meet you.’ So I was very happy.”
Landing the part came with its own reckoning, though, given the horrific things Himmler was responsible for. “It’s horrible to take on that role on the one hand, but on the other hand, it’s an interesting person,” Müller says. “He is a horrible person, but people who are a horror are always interesting for an actor. For this part, Himmler isn’t in action in concentration camps or anything like that. So, the film doesn’t show the real horror of Heinrich Himmler because it’s told via Felix Kersten. And he doesn’t tell us about all the horrors because he doesn’t want to be seen in a bad light.”
Even so, some scenes were particularly hard to shoot, both emotionally and psychologically. “Claes and I had this scene where we had to discuss how many Jewish people we could save,” Müller shares. “We filmed this scene the whole night, and at the end, we said to each other that it was so disgusting to talk about numbers, like people were nothing. Himmler had no empathy and was really cold. In his mind, he was just organizing things. People talk about Heinrich Himmler as someone who saw himself as a mathematician of the Holocaust. For him, there were no human beings behind the numbers.”
The role stayed with him well after filming wrapped. “It was really difficult to leave the character,” Müller recalls. “It was one thing to leave the four or five kilos that I had gained for the role behind. That was also very hard, and I just finished doing that. But the other thing was leaving this ugly character. These things just really stick with me. I just kept thinking, ‘what are politicians doing nowadays? Oh my God!’ For me, it’s a horror what the politicians are doing at the moment.”
That physical transformation started with a simple request: “Felix asked me, ‘Could you be a bit more round in the face?’ So, I did less sport and ate more to gain four or five kilos.”
As for research, Müller deliberately skipped studying other actors’ takes on the role. “I think he was a totally uninteresting person,” he says. “There aren’t any films or other [material] with private stuff about him. He was just hiding. With Hitler, Goebbels or Göring, we know a lot of private stuff. We have some speeches by Himmler, but we have no private recordings to know how he was talking when not giving a speech. So I just didn’t care about that but tried to do it my way. And keep in mind: It’s not the ‘true’ Heinrich Himmler in the film. It’s Heinrich Himmler as [told] by Kersten. And you don’t know what is true or wrong. That’s what the whole film is actually about.”
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