Anime
Episode 4 – Daemons of the Shadow Realm

© Hiromu Arakawa/SQUARE ENIX, Project TSUGAI
While seemingly stoic (or baffled) for much of the previous two fish-out-of-water episodes, this episode does a great job of showing Yuru’s true mental state. Basically, Yuru has put his mind toward his minor goal—i.e., acclimating to the modern world—and major goal—i.e., finding Asa and forcing her to take him to their parents for an explanation as to what the hell is going on. This mindset makes sense; he is a hunter by trade. He has a target, and he has the single-minded focus to catch it.
However, the flip side of this is that Yuru hasn’t even begun to process his thoughts or feelings. He’s not even trying to figure out the true nature of the conflict—despite the information readily apparent to him. Both sides of this mystical family civil war want him, as having both of the children of day and night would tilt the balance in power. Even though he doesn’t seem to realize it, he holds the ultimate hostage in his possession: himself.
This is why the battle in this episode with Jin and his minions goes so badly for Jin’s side. They want to capture Yuru unharmed at all costs. Thus, their attempt to use him as a hostage against his Daemons is pure bluster. And when Right and Left flat-out ignore the hostage situation (and even look at it as if Yuru is distracting the biggest threat by being captured), Jin and his men are not only thrown off their game but are also massively handicapped. They can’t hurt Yuru, but he has no qualms about hurting them.
But while Yuru lucks into exploiting his enemy’s goals, the fact that he has yet to sort out his own emotions comes back to bite him in the ass in critical moments. Simply put, underneath his seemingly calm veneer and hunter’s focus are a ton of roiling emotions constantly on the edge of bursting out.
Upon seeing the fake Asa, he immediately moves to kill her. This is, of course, against his stated goals. He needs Asa alive to meet his parents. However, in the moment, he is overwhelmed by hatred and hurt for the person who massacred his village and killed his sister. Of course, if he had dealt with his feelings even a little bit, he would have started to come to terms with the fact that the village is likely not at all what it seems, and his “dead sister” wasn’t ever his sister—rather, it was just a leash put on him to keep him in the village.
Likewise, when Yuru has Jin at knifepoint—has a hostage that might make meeting with Asa possible—he almost kills the man for being the one responsible for the attack on the village. Again, since Yuru hasn’t worked through any of what’s happened, he’s defaulted emotionally to how things used to be before everything went down—i.e., that the villagers are his friends and family and that it’s his job to fight for (and get revenge for) them—even as that assumption is questionable at best.
All in all, this episode does a decent job of exploring Yuru’s current mental state, not only does it show how him avoiding thinking about everything that is going on has negatively effected him, we also get to learn about how he acts on an instinctual level—i.e., that he’s all about fight rather than flight and is always conscious of the tactical advantages of his surroundings.
Rating:
Random Thoughts:
• Maybe Asa’s aim is bad, not because she has poor control of her powers, but rather because she has no depth perception!
• I wonder if Left and Right know that Yuru’s in no real danger, hence they’re so cavalier about the supposed hostage situation.
• Every scene we get with Asa post-leaving the village shows her to be kind, caring, and deeply attached to her brother—but it’s important to remember that Yuru has only ever seen her vengeful side.
• I enjoyed that Yuru was smart enough to talk in code—and that Right was smart enough to pick up on the meaning instantly.
Daemons of the Shadow Realm is currently streaming on
Crunchyroll.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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Anime
Attack on Titan: Brave Order Cooperative Smartphone Game Ends Service on September 28 – News
Game launched for iOS/Android in February 2022

© 諫山創・講談社/「進撃の巨人」The Final Season製作委員会 ©G Holdings Co., Ltd. ©enish,inc.
Game developer enish announced on Friday that Attack on Titan: Brave Order, its cooperative smartphone game in the Attack on Titan franchise, is ending service on September 28 at 5:30 p.m. JST.
Sales of in-game currency have halted.
The game launched for iOS and Android devices in February 2022.
The game has players join the Scout Corps alongside Eren and Mikasa, and take down Titans cooperatively alongside other players.
Mobage released the first Shingeki no Kyojn (Attack on Titan) smartphone game in 2012. The Shingeki no Kyojin -Hangeki no Tsubasa- (Attack on Titan: The Wings of Counterattack) smartphone game launched on the GREE mobile platform in 2013. The Shingeki no Kyoujin -Jiyū he no Hōkō- (Attack on Titan -Call for Freedom-) smartphone game then launched through Mobage in 2014. DeNA released KAYAC‘s Attack on Titan TACTICS tactical role-playing smartphone game for iOS and Android devices in English in September 2019, and the game ended service in August 2020.
Source: Attack on Titan: Brave Order game’s account
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Anime
North American Anime, Manga Releases, August 23-29 – News [2026-08-28]
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Studio Aardman’s Pokémon Tales: The Misadventures of Sirfetch’d and Pichu Stop-Motion Series Reveals Teaser Trailer, 2027 Debut on Disney+, Disney XD – News
The official website for the Pokémon franchise announced during the PokémonXP event on Friday that Disney+ will exclusively stream the Pokémon Tales: The Misadventures of Sirfetch’d and Pichu, the franchise‘s stop-motion animated series collaboration with independent studio Aardman (Wallace & Gromit, Shaun the Sheep), beginning in 2027. The Disney XD channel will debut the series on television. The official YouTube channels for the Pokémon franchise and Aardman unveiled a teaser trailer:
The series is part of a global distribution deal between Disney+ and The Pokémon Company International. The deal also includes Pokémon the Series: The Beginning, the original Indigo League season of the anime, which began streaming on Disney+ on August 7 with the first 27 episodes and has also begun airing on Disney XD.
Peter Lord, Cofounder and Creative Director at Aardman, stated that the Pokémon Tales: The Misadventures of Sirfetch’d and Pichu animated series will take place in a region that is “very close to our hearts.” The video teases Wooloo and Sirfetch’d, which are Pokémon originally introduced in the Pokémon Sword/Shield games that are set in the Galar region based on the U.K.
Tom Parkinson is the director, Natalie McKay is the creative director, and James Young is the creative lead.
Pokémon Concierge, another stop-motion animated series for the Pokémon franchise, debuted with four episodes on Netflix in December 2023. The stop-motion production company dwarf studios (Rilakkuma and Kaoru) animated the episodes thus far. New episodes premiered in September 2025.”
The Pokémon: Horizons anime premiered in Japan in April 2023 with a one-hour first-episode special. The show airs in Japan on Fridays at 6:55 p.m. JST.
The Pokémon Company had originally announced that the anime would debut on Netflix in the U.S. in February 2024, but the series debuted instead in March 2024. Netflix premiered Pokémon Horizons: The Series—The Search for Laqua, the anime’s second season, in February 2025. Netflix added Pokémon Horizons: Season 3—Rising Hope on January 6.
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