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‘Deep Water’ Review: Aaron Eckhart in Renny Harlin Disaster Movie

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“One tiny spark becomes a night of blazing suspense!” That tagline from 1974’s The Towering Inferno could easily have been slapped on Renny Harlin’s Deep Water. Maybe combined with “You’ll Never Go in the Water Again!” from Jaws. Even The Poseidon Adventure’s classic “Hell, upside down!” might apply to a scene or two. While the director’s last studio hit, 1999’s Deep Blue Sea, shares shark DNA, the new thriller’s roots are deeply embedded in 1970s disaster movies, not least the truly dreadful Airport ’77. Or as dreadful as any movie featuring screen divinity Lee Grant and Brenda Vaccaro can be.

Given that the cutoff age in America for commercial airline pilots is 65, eyebrows might be raised by making 82-year-old Ben Kingsley the captain on a flight from Los Angeles to Shanghai. Would you board? Rich is a failed husband still hitting on the ladies by crooning “Fly Me to the Moon” in karaoke bars, so it’s no wonder the plane goes down. But that exciting crash sequence — from initial turbulence through to catastrophic Pacific Ocean landing — is where high-stakes action specialist Harlin is most firmly in his sweet spot.

Deep Water

The Bottom Line

Diverting enough for a gnarly mashup.

Release date: Friday, May 1
Cast: Aaron Eckhart, Ben Kingsley, Angus Sampson, Li Wenhan, Lucy Barrett, Molly Belle Wright, Richard Croughley, Na Shi, Ryan Bown, Zhao Simei, Kate Fitzpatrick, Lakota Johnson, Madeleine West, Kelly Gale, Elijah Tamati
Director: Renny Harlin
Screenwriters: Pete Bridges, Shayne Armstrong, SP Krause, Damien Power, John Kim

Rated R,
1 hour 46 minutes

The prelude in a screenplay that took four writers — Pete Bridges, Shayne Armstrong, SP Krause and Damien Power, plus a fifth, John Kim, for additional input, presumably with the Chinese characters — is struck directly from the ‘70s template. Once it kicks into gear, the story could almost be told in emojis: ✈️🔥😱🌊🦈🦈🦈💩.

A bunch of stock characters are given one-dimensional introductions, led by Aaron Eckhart’s Ben, a first officer whose failure to make captain by now might have something to do with hot-headedness in his Air Force days. A flawed hero with a firmly clenched jaw, he’s also caught in a bind of needing to make money to cover his young son’s cancer treatment but also possibly using the job to flee responsibility, leaving his desperate wife to deal with the anxiety alone.

The passengers include the requisite obnoxious jerk, Dan (Angus Sampson), already throwing his weight around and breaking no-smoking rules at LAX. We watch him stuff a glitchy charging device into his check-in luggage and then we follow his suitcase onto the conveyor belt and into the cargo hold, which doesn’t bode well. 

There’s a blended family, including kids Cora (Molly Belle Wright) and the younger stepbrother she barely tolerates, Finn (Elijah Tamati), and their frisky parents Declan (Ryan Bown) and Jaya (Kelly Gale). The couple disappears early in the flight to join the Mile High Club, leaving the children unattended, so in movie-morality logic, we can assume they’re toast.

The same appears to be true of douchey athlete Hutch (Lakota Johnson), whose aggressive behavior with Lilly (Zhao Simei) pisses off Sam (Li Wenhan), captain of the Esports team returning from a video gamer tournament. Official team rules prohibit them from dating, but you just know that near-death experiences are going to make these lovebirds take the plunge. Also because the Chinese co-financing requires it.

Australian screen and stage veteran Kate Fitzpatrick plays Becky, a feisty grandmother whose role is so familiar that her banter with geeky Matt across the aisle (Richard Croughley) will later include him good-naturedly dropping a Shelley Winters reference. That’s about it for the characters we need to care much about, though I would have liked to see more of tough but tender vet Martine (Madeleine West).

The key cabin crew are flight attendants Penny (Lucy Barrett) and Zoe (Na Shi), both of whom demonstrate bravery, to different ends, and show caring attention to the terrified children.

The cause of the plane’s malfunctions is, duh, random sparks from annoying Dan’s charger starting a fire in cargo. Harlin rediscovers some of his old Die Hard 2 mojo in the dizzying acceleration of violence as faulty equipment and then crew are unable to contain the blaze, gas cannisters start ricocheting through the cabin ripping a hole in the fuselage, hand luggage goes flying and the drinks cart contents turn into shrapnel. 

Any passengers not knocked out during the chaos or sucked out into the sky are generally screaming and grabbing for oxygen masks while Captain Rich makes a futile announcement about the importance of not panicking. This is basically every aerophobic flier’s worst nightmare, and Harlin does a solid job of maintaining the fear factor and shock right up to the moment of Rich’s decision to dump fuel and ditch, since the nearest airport, Guam, is out of range. 

The director again shows his action smarts by creating a brief lull — albeit while leaning hard on one of the more sudsy passages of composer Fernando Velázquez’s generic score — before the next shuddering impact sends the number of casualties skyrocketing.  

The plane hitting the water is destructive enough without the help of a jagged coral reef (improbably far from any coastline) slicing through the aircraft’s undercarriage. By the time Ben looks around at the floating wreckage, he estimates that of the 257 souls on board, maybe 30 survived. That number will keep shrinking as vicious mako sharks start picking off passengers while they pray to be rescued.

Considering how much Harlin dialed up the shark mayhem in the ridiculous but toothsome B-movie Deep Blue Sea, the bloodletting and severed limbs here are a tad routine for the genre — dorsal fins slicing the water; floating passengers circled and suddenly yanked under; pools of blood forming when unfortunate folks try swimming to relative safety; bursts of thrashing; and some scary underwater shots. It’s no Jaws, obviously, but sharksploitation addicts will have seen much worse, and the film will do fine once it lands on streaming. 

The focus narrows in on the remaining passengers and crew in the main sections of the aircraft not blown to bits, the cockpit and a stretch of the main cabin (finally, a reward for flying coach), precariously perched on a reef outcrop. 

The human drama tends to veer into corniness, though emotional investment is sufficient to keep you watching, and not paying too much attention to the flat light often left behind by green screen removal. Or to some shaky American accents that keep lapsing. 

(The movie was shot in New Zealand and the Canary Islands, and the production led by Australian companies, with much of the secondary cast assembled there. It was initially planned as a sequel to 2012’s sharks-in-a-flooded-supermarket 3D chomper, Bait, but that version was shelved due to uncomfortable similarities to the disappearance of Malaysia Airlines Flight 370 in 2014.)

While there’s some teasing suspense in how long the odious Dan will be kept alive, it’s not exactly surprising that Ben will have his parental instincts reactivated by Cora’s vulnerability. What’s more unexpected is that Chinese fishermen get to be the good guys. 

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John Turturro on Joining Oscar Race and ‘Severance’ Season 3

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Hot on the heels of his Golden Eye award ceremony on Saturday night, John Turturro entertained another crowd at a Zurich Film Festival masterclass on Sunday.

The Emmy-winning U.S. star has been recognized for his performance in Noah Segan’s The Only Living Pickpocket in New York, a project that is already garnering awards buzz. In the film, Turturro plays Harry, a seasoned pickpocket whose carefully controlled life is thrown into turmoil when a job goes wrong, setting off a tense chain of events that unfolds over the course of 36 hours.

In a career-spanning conversation with Deadline‘s Melanie Goodfellow — the actor’s shining Golden Eye trophy neatly nestled between them — Turturro discussed growing up in an immigrant household, his decades-long friendship with Spike Lee, and the transition from acting to filmmaking.

Turturro, who has steadily become one of the industry’s most formidable actors yet to put “Oscar nominee” on his resume, was asked about joining the best actor race this year with the Sundance success The Only Living Pickpocket in New York. “I never really have gone the whole hog with it,” he responded about the upcoming awards campaign. “But now I’m the lead in the film, so I’m going to support the film because I love the film.”

He explained that being pulled into awards conversations is “helpful to help you do the next thing.” Turturro continued: “Is it nice to be acknowledged? Great, but that’s not why you do it. […] Just because a film is really popular doesn’t mean it will have staying power, but it’s nice to be in the conversation. I don’t look upon myself as being a competitive person. I’m competitive with myself,” he added. “I want to get the most out of what I can do, but it’s not sports!”

However, he admitted to feeling surprised by the positive critic reaction out of Sundance. “Finally,” he thought, “I’m in something that people will see… My job is I like to try to improve, and I feel like being an actor is one of the few things you can improve in. You may not be able to run as fast as you did when you were younger, but I have a lot of life experience, and as you get older, you accumulate that, and you can distill things in a way that you couldn’t do when you were young, because you didn’t really experience all those things. And now I’ve experienced life, death, loss, being a parent, being married — what it is to really love someone versus falling in love. That’s a huge difference,” he giggled.

Turturro regaled attendees with stories about his impressive stage career. He naturally came on to two major TV performances of his in the last decade: HBO’s The Night Of and Apple’s Severance.

He coyly confirmed a return for his character, Irving Bailiff, in season three of the Emmy-winning Severance with Adam Scott. “Yeah,” he (eventually) told the room. “As long as they give me interesting things to do, then I’m interested.” He swiftly took the opportunity to gush over friend and colleague Christopher Walken, whose character, Burt Goodman, began a romance with Turturro’s Irving in season one. “‘Who’s going to be my love interest?’” Turturro asked before joining the show. “And they were like, ‘All these younger guys.’ I said, ‘Well no, I’ve worked with Chris Walken,’ and I said, ‘I want Chris, because I love Chris.’ And I don’t have to act that I love him because I love him.”

Though Walken “didn’t understand a lot of the show,” Turturro was able to guide him through their authentic, real-life friendship. “I said, ‘Don’t worry about it. You just look at me.’ We have so much fun because I directed him like three times, and we’ve acted, and we’ve worked together a lot. And he’s a wonderful theater actor, and people obviously think he plays only strange [characters] but he can do a lot of different things. He’s also very sensitive, but he has a childlike joy in his work, and when that happens, anything is possible.”

Turturro received a round of applause when discussing the HBO crime drama The Night Of, which ran for one season in 2016 and co-starred Riz Ahmed. It would later win five Emmys, and Turturro was nominated for his role as the eczema-stricken defense lawyer John Stone. “The Night Of is something I’m very proud of,” said Turturro on Sunday. “It was originally a BBC thing, which I actually never watched because I didn’t want to be influenced.”

He even confirmed that he actually wanted to do another season of it. “But they couldn’t agree on what the story would be,” revealed the actor. “But I loved doing it. It was one of those great experiences in my life.”

Turturro’s career spans four decades, having worked with acclaimed directors such as Spike Lee, the Coen brothers, Martin Scorsese, Robert Redford, Robert De Niro, Nanni Moretti and Pedro Almodóvar.

He first gained international recognition through his collaborations with Lee, appearing in Do the Right Thing and Jungle Fever. With Joel and Ethan Coen, he acted in Miller’s Crossing, Barton Fink, O Brother, Where Art Thou? and The Big Lebowksi, in which Turturro created the iconic Jesus Quintana. For his lead performance in Barton Fink, he won best actor at the 1991 Cannes Film Festival, an experience that Turturro reflected on at his Zurich masterclass. He even confessed to feeling like he lands “more normal” roles in Europe than across the Atlantic, and said he has turned down scripts “again and again” that involve his character being violent towards women.

At his Zurich Golden Eye ceremony Saturday night, Turturro collected the award and quoted Italian novelist Cesare Pavese. “[He] once said that the only great thing in life is to begin. I still consider myself a beginner in many ways,” said the star. “I’m very fortunate. I wanted to make a living doing something that interested me and to do interesting work — to share that with an audience, [and that] wouldn’t diminish their intelligence at the same time,” he laughed. “I consider this an encouragement to continue.”

Turturro joins 2026 Zurich honorees Julianne Moore and Tom Hiddleston. The 22nd edition runs Sept. 24-Oct. 4.

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‘SNL’: Jalen Brunson Dunks On ‘High School Musical ‘ Lead In S52 Premiere

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Following the Knicks’ big win at Madison Square Garden, Jalen Brunson took the stage at 30 Rockefeller Center for his Saturday Night Live hosting debut.

On Saturday’s Season 52 premiere, the NBA Finals 2026 MVP showed off some comedic chops in an otherwise business-as-usual episode of the NBC sketch comedy show, which featured Katseye as its musical guest.

Introducing new cast members Grace Reiter and Saidah Belo-Osagie, Katseye returned to a parody season of The Debut: Dream Academy to crown a new girl group. The quartet also performed in a mini music video with the awkward group of ladies, also featuring Jane Wickline and Veronika Slowikowska.

The next sketch was a support group featuring Brunson as one of several men whose spouses were grinded on at Usher and Chris Brown’s The R&B Tour.

“When I spent $1,200 on that meet-and-greet, I never expected her to actually greet his meat,” said Brunson as the other group members comforted him.

Katseye on ‘Saturday Night Live’

Jeremy Culhane and Jalen Brunson in ‘Saturday Night Live’

Jalen Brunson, Jeremy Culhane and Ben Marshall on ‘Saturday Night Live’

Brunson also starred in the parody sketch High School Musical: The New Generation as an athletically gifted new student who hilariously keeps dunking on the new Troy Bolton stand-in (Jeremy Culhane) and steals his girlfriend (Slowikowska).

As Shark Tank judge Daymond John, Brunson asked if the invention Respectacles, a pair of glasses that sounds an alarm when the wearer looks at breasts, “works for ass.” The inventors’ (Culhane and Ben Marshall) presentation keeps getting interrupted as they check out Lori Greiner.

Saturday Night Live kicked off its 52nd season this weekend on NBC with host Brunson and musical guest Katseye. The season continues with guest hosts Dakota Johnson, Shane Gillis and Inde Navarrette, along with musical guests Turnstile, Rosalía and Gracie Abrams.

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‘SNL’ New Cast Members: How Season 52 Introduced Them

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For those wondering how SNL‘s new cast members factored into tonight’s season premiere, the answer is: not much.

The two new featured players, Saidah Belo-Osagie and Grace Reiter, were introduced together, as part of an early sketch on the search for reality competition The Debut: Dream Academy‘s next breakout girl group.

Belo-Osagie played Neelsa Boyce, a 17-year-old entrant who sought to become a pop star after playing Young Nala in The Lion King on Broadway when she was a kid.

Reiter got more screen time as Margle, who “only wear [s] flip flops because I keep passing out when I try to tie my shoes.”

After she’s first introduced onscreen, Margle shows up fully nude to a dance choreography session. We later learn that she and another eccentric contestant on the series named Duff (Jane Wickline) were only invited to participate after witnessing an executive behind the show, played by Ashley Padilla, committing a hit and run.

Margle is surprised to learn what Dream Academy is actually about, as a show: She says she thought it was a “show where you learned to control dreams.”

Subsequently, she pitches “Moose Knuckle” as a band name and the line “Newton’s Cradle, come and get it” during a songwriting exercise.

The sketch culminates with a performance by the final girl group, featuring Margle, who performs the hot new single “Newton’s Cradle” alongside The Debut Season 1’s KATSEYE (who happened to be the SNL season premiere’s musical guest).

Reiter made one other appearance tonight in the night’s final sketch, which opens on host Jalen Brunson (of the recent NBA Finals-winning New York Knicks) in the locker room. He won’t be meeting with reporters after tonight’s game, he says — though he’s visited regardless by a grey-haired Kenan Thompson, who reveals himself to be the NBA star’s third-grade coach — you know, the one who had a “really bad drinking problem”?

Coach Dennis has come around seeking a “small loan” and in hopes of getting Brunson to read his porno screenplay. Thompson introduces Reiter as Tonya, an immigrant who came to the U.S. eight years ago with a dream, who he hopes to rope into his porn. Kam Patterson also features in the sketch, which culminates in his, Reiter and Thompson’s characters stealing jerseys from the empty locker room and running away.

That was all the night had in the cards for Belo-Osagie and Reiter. Often, SNL will use its Weekend Update segment to help break in its new talent, though special segments of tonight’s presentation were instead devoted to special panelists Dario Amodei (played by Wickline) and Tucker Carlson (played by Jeremy Culhane).

Before returning for the new season, SNL said goodbye to Chloe Fineman and writer-performer Martin Herlihy, who was first introduced on the show as part of the trio Please Don’t Destroy. Other returning cast includes Kenan Thompson, Michael Che, Colin Jost, Mikey Day, Sarah Sherman, Marcello Hernández, James Austin Johnson, Andrew Dismukes, Ben Marshall, Tommy Brennan, Kam Patterson and Veronika Slowikowska.

Jalen Brunson, point guard for the 2026 NBA Finals-winning New York Knicks, hosted the kickoff episode for Season 52. Upcoming episodes will pair Dakota Johnson & Turnstile (October 3), Shane Gillis & Rosalía (October 10) and Inde Navarette & Gracie Abrams (October 31).

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