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Netflix Lands ‘Lovesick’ Starring Claire Danes With Series Order

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Another heated bidding war has been won by Netflix with a straight-to-series order. The streamer’s latest high-profile buy is Lovesick, a romantic drama starring and executive produced by Emmy winner Claire Danes (The Beast In Me, Homeland).

Written and executive produced by Sarah Treem (The Affair, House of Cards), who will serve as showrunner, Lovesick is based on the 2024 Israeli series of the same name, aka The Best Worst Thing (Choley Ahava), created by Rona Tamir, Tal Granit and Sharon Maymon for Israeli TV channel Keshet 12. Universal Television, a division of Universal Studio Group, and Keshet Studios, the U.S. production arm of format owner Keshet International, are producing.

Lovesick is described as a sweeping, modern romantic epic that follows the intense affair between two people whose lives unexpectedly intertwine. Annika (Danes), a renowned breast cancer surgeon, has just received her own cancer diagnosis. Her new patient, Nate, is a promising politician. The series explores their interwoven lives, delving into themes of love, sex, illness, death, family, children, health, medicine, and the meaning of life — all while Annika is simultaneously undergoing breast cancer treatment.

Treem and Danes executive produce alongside Keshet’s Avi Nir (Homeland, Our Boys) and Keren Shahar (Unconditional, Total Control) as well as former Keshet Studios President Peter Traugott (Echo 3, La Brea). The project stems from Keshet Studios’ decade-long tenure at Universal Television under a string of first-look deals; the company is now developing projects for Sony Pictures Television under the first-look pact parent Keshet International recently signed there.

“I’m thrilled to get to tell this story with the genius, Claire Danes. We’ve been looking for something to do together for a very long time and this character, Annika, is perhaps a mix of both of our wildest dreams,” Treem said. “To get to tell a story about all the things keeping me up at night anyway — life, death, children, love, middle-age, courage, science and faith — is an extraordinary opportunity I don’t take lightly in these turbulent times. We’re very grateful to Netflix for this significant commitment and we cannot wait to get going.”

This is the latest competitive TV project to go to Netflix over the past several months as the streamer has been aggressively filling its pipeline. A number of them Netflix won with straight-to-series orders, including Rabbit, Rabbit starring Adam Driver; The Corrections with Meryl Streep; So Far Gone, from writer Mark Bomback; Joshua Zetumer’s spec Pagans; Black Hole, based on Charles Burns’ graphic novels; and Trigger Point, starring Joel Edgerton.

At Netflix, Universal Television also has comedy series A Man On the Inside and Four Seasons.

Danes is coming off her starring role opposite Mathew Rhys in the Netflix limited series The Beast In Me, which earned her a seventh Golden Globe nomination and an 11th Actor nomination. She has won three Emmys and three Golden Globes, for the HBO movie Temple Grandin and two for the Showtime series Homeland, as well as another Golden Globe for her breakthrough performance in My So-Called Life. Danes, who previously worked with Keshet on Homeland, also based on an Israeli format, is repped by Michael Aglion at Signpost Management, WME and Ziffren Brittenham.

Treem is creator, executive producer and showrunner on the upcoming FX limited series Cry Wolf, inspired by the Danish format Ulven Kommer, which stars Olivia Colman and Brie Larson. Treem co-created and showran the Showtime series The Affair, which ran for five seasons and won a Golden Globe for Best Drama series. Her resume includes writer-producer stints on Netflix’s House Of Cards and HBO’s original iteration of In Treatment. Treem is repped by CAA and Johnson Shapiro Slewett & Kole.

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‘Kaali Kheti’ Starring Jackie Shroff & Sharad Kelkar Sets Release Date

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EXCLUSIVE: Jackie Shroff, Sharad Kelkar and Neha Sargam are starring in eerie Indian rural horror Kaali Kheti, which has been given a domestic theatrical release date of October 23.

Above and below you can see a poster for the pic, which has been quietly shooting with Haris Imtiyaz Khan the writer and director. Sana Khan is the producer, with BlackCanvas Studio the production house in association with Zeroland Production.

Virendra Saxena and Shaji Choudhary appear alongside veteran actor Shroff, Kelkar and Sargam.

Per the synopsis, Kaali Kheti is “set against a rural backdrop and explores a world where family, legacy and buried truths come together to create an unsettling tale of fear.” The plot is remaining under wraps with producers keen to keep “audiences guessing about what the film is truly about.”

Director Khan said: “For me Kaali Kheti is about examining agriculture through the lens of horror. Something I hadn’t seen before. Something that felt fresh, exciting and also deeply disturbing. The film is mirror to society, only the reflection exists in a scary and fantastical world. Sometimes this world doesn’t make sense but always feels strangely familiar. Perhaps that is the true horror.”

Produced under the banner of BlackCanvas Studio, the film brings together an ensemble cast led by Jackie Shroff and Sharad Kelkar, with Neha Sargam, Virendra Saxena and Shaji Choudhary in pivotal roles.

Here’s the full poster.

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‘Doctor Who’: BBC’s Matt Brittin Says He Has Watched AI Episode

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An artificial intelligence-generated episode of Doctor Who was “pretty good,” according to BBC Director General Matt Brittin.

Brittin, who used to run Google EMEA, revealed that somebody had recently sent him a 50-minute ep of the BBC’s long-running sci-fi franchise, which was completely AI-generated, and today he refused to slam it.

“Pretty good” was Brittin’s verdict of the ep of the show that has been running on the BBC for six decades and will return with a new creative team in a couple of years’ time. “I mean it’s not going to replace humans but we’ll come on to that,” he countered.

Speaking at the RTS London Convention, Brittin echoed Amazon international boss Kelly Day in throwing his weight behind the power of AI. Day just said AI “brings down costs meaning more stories can be made, more diverse voices can get heard and more creative risks get taken.”

“Everyone’s 1790676544 got the ability to create content almost at the standard of a Hollywood studio,” he said. “In some cases it’s not perfect but look at what you can do and that’s changing all the time.

Brittin’s keynote with BBC presenter Kirsty Young came a few days after he said he would allow a programme to be made and presented by AI “within guardrails.”

Artificial intelligence aside, Brittin’s talk came at a seriously difficult time for the BBC.

Amid a mega £500M ($662M) savings drive that is leading to hundreds of layoffs, channel closures are expected as soon as later this week, with youth-skewing BBC Three understood to be in the firing line.

Possibly hinting at a BBC Three linear channel closure, he reiterated that “if you look at on-demand consumption versus live consumption [on some of our services], you ask yourself, ‘Is that the best way to spend a license fee pound?’.”

More generally, Brittin said he is “having conversations with people whose jobs are at risk on a daily basis” and he “doesn’t underestimate” the difficulty of the situation.

“We are here for the same reasons that everyone else is,” he added. “We have to do consolidation.”

Brittin was speaking at the RTS Convention after the head honchos at Amazon and before Channel 4 boss Priya Dogra.

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Sony Chief Wayne Garvie: Difficult To See How Channel 4 Survives

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Channel 4 must embrace radical change or face extinction.

That’s the message from Sony Pictures Television president Wayne Garvie, who said that it is “very difficult to see how Channel 4 survives in its present form.”

Speaking at the Royal Television Society London Convention, Garvie was asked who Channel 4 needs to partner with to survive. He joked: “God, what a mystery. Sherlock Holmes, where are you?”

The forthright executive, who oversees a production empire behind series including Dept. Q and Industry, doubled down on his view that Channel 4 should become part of the BBC’s commercial operations.

He continued: “You put Channel 4 as the commercial arm of the BBC, doing public service commercial channels, and you bring them together, and Channel 4 could then have its own identity.

“I think it’ll probably happen because if not, frankly, it’s very difficult to see how Channel 4 survives in its present form — and it’s not their fault. The market is changing in every conceivable way.”

Garvie was speaking after Channel 4 announced the biggest round of layoffs in its 43-year history, with CEO Priya Dogra detailing the need for the company to “own” its future.

Garvie is skeptical that Channel 4’s business model will be transformed by in-house production, arguing that it’s “really tough” to launch a successful content division.

Speaking on the same platform, Heather Jones, chief creative officer EMEA and general manager UK at Hearst Networks, agreed that Channel 4 “needs to figure out who they partner with and how.”

Dogra has previously downplayed the idea of merging with the BBC. Speaking at the Creative Cities stage in May, Channel 4 boss Dogra said it would result in Channel 4 being absorbed by the BBC, leading to the loss of its editorial voice.

“That would be a loss to society, [and] a real loss for the creative economy,” she said. Dogra did say she was open to collaboration, though she was not clear on what this would entail.

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