
movies
Real Emily From ’The Devil Wears Prada’ Reveals Her Identity
The real-life “Emily” that inspired Emily Blunt’s character in The Devil Wears Prada is coming forward.
Speaking with Vogue‘s The Run-Through, celebrity stylist Leslie Fremar revealed that she’s the inspiration for “Emily,” the assistant to Meryl Streep’s Miranda Priestly in the film and colleague to Anne Hathaway’s Andy Sachs.
Lauren Weisberger released the bestselling novel the first film is adapted from more than two decades ago after serving as a junior assistant for Anna Wintour, the inspiration behind Streep’s Miranda Priestly, and fictionalized her time working for Wintour and Vogue. Fremar hired Weisberger and worked with her for eight months.
“I definitely told her a million girls would kill for the job,” Fremar revealed, referencing a memorable quote from the film. “That was definitely my line because I actually really believed that, and I knew that she didn’t necessarily wanna be there.”
Despite being the inspiration for the Emily character in the book, Fremar said she didn’t learn about the release of it until after she’d already left her job working for Wintour and Vogue.
“I got a call from Anna’s office saying that she wanted to see me,” Fremar recalled. “I was petrified. [Wintour] said, ‘Who’s Lauren Weisberger?’ And I said, ‘She was your junior assistant.’ And she’s like, ‘Well, she wrote a book about us, and you’re worse than me.’”
Fremar also said she wanted to “ask more questions” but noted “you can’t really ask her that many questions.”
The early copy of the book was “quite mean” at first but eventually “softened,” according to Fremar. “It just felt like this exposure. Even though someone obviously advised her to make it fiction, it was really based off of a lot of things that, you know, I lived, she lived.”
When looking back at her time working with Weisberger, who she says “didn’t really socialize with anyone else,” Fremar shared, “I probably was not very nice, and I probably was high-strung because I felt like I was having to do her job as well. So for me, that was really frustrating. I think she was probably just sitting there writing a book and not necessarily taking the job as seriously as I did.”
The two “never talked again” after Weisberger left Vogue, and should they reunite now, Fremar says it would be “very awkward.”
As for Blunt, Fremar said she did connect with the actress and told her she was the inspiration for the character. “She was not that interested, to be honest. I thought I was gonna get this, like, huge reaction. Like, no. It was like, ‘Oh, OK.’”
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movies
‘Kaali Kheti’ Starring Jackie Shroff & Sharad Kelkar Sets Release Date
EXCLUSIVE: Jackie Shroff, Sharad Kelkar and Neha Sargam are starring in eerie Indian rural horror Kaali Kheti, which has been given a domestic theatrical release date of October 23.
Above and below you can see a poster for the pic, which has been quietly shooting with Haris Imtiyaz Khan the writer and director. Sana Khan is the producer, with BlackCanvas Studio the production house in association with Zeroland Production.
Virendra Saxena and Shaji Choudhary appear alongside veteran actor Shroff, Kelkar and Sargam.
Per the synopsis, Kaali Kheti is “set against a rural backdrop and explores a world where family, legacy and buried truths come together to create an unsettling tale of fear.” The plot is remaining under wraps with producers keen to keep “audiences guessing about what the film is truly about.”
Director Khan said: “For me Kaali Kheti is about examining agriculture through the lens of horror. Something I hadn’t seen before. Something that felt fresh, exciting and also deeply disturbing. The film is mirror to society, only the reflection exists in a scary and fantastical world. Sometimes this world doesn’t make sense but always feels strangely familiar. Perhaps that is the true horror.”
Produced under the banner of BlackCanvas Studio, the film brings together an ensemble cast led by Jackie Shroff and Sharad Kelkar, with Neha Sargam, Virendra Saxena and Shaji Choudhary in pivotal roles.
Here’s the full poster.
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movies
‘Doctor Who’: BBC’s Matt Brittin Says He Has Watched AI Episode
An artificial intelligence-generated episode of Doctor Who was “pretty good,” according to BBC Director General Matt Brittin.
Brittin, who used to run Google EMEA, revealed that somebody had recently sent him a 50-minute ep of the BBC’s long-running sci-fi franchise, which was completely AI-generated, and today he refused to slam it.
“Pretty good” was Brittin’s verdict of the ep of the show that has been running on the BBC for six decades and will return with a new creative team in a couple of years’ time. “I mean it’s not going to replace humans but we’ll come on to that,” he countered.
Speaking at the RTS London Convention, Brittin echoed Amazon international boss Kelly Day in throwing his weight behind the power of AI. Day just said AI “brings down costs meaning more stories can be made, more diverse voices can get heard and more creative risks get taken.”
“Everyone’s 1790676544 got the ability to create content almost at the standard of a Hollywood studio,” he said. “In some cases it’s not perfect but look at what you can do and that’s changing all the time.
Brittin’s keynote with BBC presenter Kirsty Young came a few days after he said he would allow a programme to be made and presented by AI “within guardrails.”
Artificial intelligence aside, Brittin’s talk came at a seriously difficult time for the BBC.
Amid a mega £500M ($662M) savings drive that is leading to hundreds of layoffs, channel closures are expected as soon as later this week, with youth-skewing BBC Three understood to be in the firing line.
Possibly hinting at a BBC Three linear channel closure, he reiterated that “if you look at on-demand consumption versus live consumption [on some of our services], you ask yourself, ‘Is that the best way to spend a license fee pound?’.”
More generally, Brittin said he is “having conversations with people whose jobs are at risk on a daily basis” and he “doesn’t underestimate” the difficulty of the situation.
“We are here for the same reasons that everyone else is,” he added. “We have to do consolidation.”
Brittin was speaking at the RTS Convention after the head honchos at Amazon and before Channel 4 boss Priya Dogra.
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movies
Sony Chief Wayne Garvie: Difficult To See How Channel 4 Survives
Channel 4 must embrace radical change or face extinction.
That’s the message from Sony Pictures Television president Wayne Garvie, who said that it is “very difficult to see how Channel 4 survives in its present form.”
Speaking at the Royal Television Society London Convention, Garvie was asked who Channel 4 needs to partner with to survive. He joked: “God, what a mystery. Sherlock Holmes, where are you?”
The forthright executive, who oversees a production empire behind series including Dept. Q and Industry, doubled down on his view that Channel 4 should become part of the BBC’s commercial operations.
He continued: “You put Channel 4 as the commercial arm of the BBC, doing public service commercial channels, and you bring them together, and Channel 4 could then have its own identity.
“I think it’ll probably happen because if not, frankly, it’s very difficult to see how Channel 4 survives in its present form — and it’s not their fault. The market is changing in every conceivable way.”
Garvie was speaking after Channel 4 announced the biggest round of layoffs in its 43-year history, with CEO Priya Dogra detailing the need for the company to “own” its future.
Garvie is skeptical that Channel 4’s business model will be transformed by in-house production, arguing that it’s “really tough” to launch a successful content division.
Speaking on the same platform, Heather Jones, chief creative officer EMEA and general manager UK at Hearst Networks, agreed that Channel 4 “needs to figure out who they partner with and how.”
Dogra has previously downplayed the idea of merging with the BBC. Speaking at the Creative Cities stage in May, Channel 4 boss Dogra said it would result in Channel 4 being absorbed by the BBC, leading to the loss of its editorial voice.
“That would be a loss to society, [and] a real loss for the creative economy,” she said. Dogra did say she was open to collaboration, though she was not clear on what this would entail.
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