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Sundance 2026 Movies Sold So Far (Updating List)

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Of the 90-plus films and episodic series premiering at the Sundance Film Festival in 2026, only about a dozen arrived at the festival with distribution in hand. Many will be looking for homes, but if this year is anything like last year, it may take some time for those sales to close. We’ll be tracking all of them as they come in.

“The Friend’s House Is Here”

Section: U.S. Dramatic
Distributor: Greenwich Entertainment
Director: Maryam Ataei and Hossein Keshavarz
Date Acquired: April 28
Buzz: Notable for being shot in secret in Tehran before being smuggled out of Iran, “The Friend’s House Is Here” so far has won universal acclaim with a 100 percent critics score on Rotten Tomatoes and also won the Special Jury Award for Ensemble Cast in the U.S. Dramatic competition. The film follows two young women who carve out a vibrant world of freedom, creativity, and sisterhood within Tehran’s underground art scene. But when their community is exposed, they are forced to fight to protect one another and the fragile life they have built. Our critic said it combines the daring, rebellious spirit of Jafar Panahi with the charm of “Frances Ha.” Greenwich is planning a theatrical release this fall.

“American Doctor”

Section: U.S. Documentary
Distributor: Watermelon Pictures
Director: Poh Si Teng
Date Acquired: April 23
Buzz: Watermelon Pictures has had some success with Palestinian-centered stories like “Palestine ’36” and the Oscar-nominated “The Voice of Hind Rajab.” The distributor picked up another that shines a light on the Palestinian story, with the film following three physicians, one Palestinian, one Jewish, and one Zoroastrian, who enter Gaza with the mission to save lives and find themselves caught up in the mix between medicine and politics. The vérité documentary after premiering at Sundance has played at festivals like True/False Film Fest, CPH:DOX, Hot Docs, and SXSW and won several awards. Watermelon is planning a U.S. and Canadian release this summer.

“Buddy”

Section: Midnight
Distributor: Roadside Attractions and Saban Films
Director: Casper Kelly
Date Acquired: April 23 Release Date: September 4
Buzz: The latest in the trickle of Sundance sales is one that we predicted could be buzzy and that IndieWire called the “first great midnight movie” of 2026. “Buddy” is “Too Many Cooks” director Casper Kelly’s murderous riff on “Barney,” a genre-bending horror film that stars Cristin Milioti, Delaney Quinn, Topher Grace, Keegan-Michael Key, Michael Shannon, and Patton Oswalt. The film, which is Kelly’s feature debut after the viral Adult Swim short, imagines a children’s show complete with catchy jingles and tropes about friendship before taking a sharp descent into madness. The distributors plan to release it in theaters over Labor Day weekend.

“Union County”

Section: U.S. Dramatic
Distributor: Oscilloscope Laboratories
Director: Adam Meeks
Date Acquired: April 20
Buzz: The (very) slow roll of Sundance sales trickled into April with Oscilloscope picking up writer-director Adam Meeks’ addiction drama “Union County” that stars two rising actors in Will Poulter and Noah Centineo. The arthouse distributor plans to release the film theatrically this summer or fall. More a recovery drama than an “addiction” drama, the film follows two brothers living in rural Ohio who are attending a court-sponsored rehabilitation program for people impacted by the opioid crisis. The film features non-actors participating in the real-life program alongside the strong performances by Poulter and Centineo. The film is the directorial debut for Meeks and is based on his 2020 short film of the same name.

Daniel Zolghadri and Lubna Azabal appear in Hot Water by Ramzi Bashour, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute | photo by Alfonso Herrera Salcedo.
‘Hot Water’Alfonso Herrera Salcedo

“Hot Water”

Section: U.S. Dramatic
Distributor: Rich Spirit
Director: Ramzi Bashour
Date Acquired: March 30
Buzz: This debut feature has been described as an unconventional road movie, a dramedy between a Lebanese mother and her American son who are driving from Indiana to California for the son to live with his estranged father after he was expelled from school. The director Bashour told IndieWire at the festival that he wanted to make a convincing and rewarding road trip first and a movie second, and the film explores family and cultural diaspora through a humorous lens. The film stars Lubna Azabal and “Lurker” star Daniel Zolghadri, as well as a supporting part from Dale Dickey as one of the eccentrics the family meets on their road trip. Rich Spirit picked up North American rights and is planning a theatrical release this year after an April screening at the Museum of the Moving Image festival First Look.

“The History of Concrete”

Section: Premieres
Distributor: Magnolia
Director: John Wilson
Date Acquired: March 25
Buzz: Though we might’ve guessed it was ticketed for HBO after the success of “How To with John Wilson,” Magnolia saw some commercial appeal in the film from the New York City documentarian’s feature “The History of Concrete” about the seemingly drabbest of subjects. The distributor is planning a theatrical release of the film later this year.

Our critic called it a “moving and hilarious meditation on death” that mixes together “DMX, Hallmark movies, Kim Kardashian, public diarrhea, a trailblazing Asian American judge, the world’s first 3D-printed Starbucks, and a 3,100-mile footrace that honors a dead Brooklyn cult leader” in order to find a debut feature that’s sturdy and solid, not unlike concrete itself.

Section: Family Matinee
Distributor: Roadside Attractions
Director: Alysa Nahmias
Date Acquired: March 12
Buzz: It’s currently Girl Scout Cookie season, and Roadside Attractions with their box of Thin Mints also bought the U.S. rights to “Cookie Queens,” Alysa Nahmias’ charming documentary about the Girl Scouts ahead of it again playing at SXSW. The film is executive produced by Meghan, Duchess of Sussex and Prince Harry, Duke of Sussex, as well as produced by “The Truffle Hunters” filmmakers Michael Dweck and Gregory Kershaw of their banner Beautiful Stories. IndieWire’s review said that while the film is indeed charming, it takes a skeptical eye to the “Big Cookie” industry that these “too-cute-for-words” girls manage to facilitate every year. Roadside is planning a summer 2026 theatrical release for “Cookie Queens.”

'If I Go Will They Miss Me'
‘If I Go Will They Miss Me’Sundance

“If I Go Will They Miss Me”

Section: NEXT
Distributor: Rich Spirit
Director: Walter Thompson-Hernandez
Date Acquired: March 3
Buzz: Rich Spirit, which is the upstart distributor behind Ali Abbasi’s “The Apprentice” and Khalil Joseph’s “BLKNWS: Terms and Conditions,” has acquired the U.S. rights (along with other international territories) to the coming-of-age drama from writer-director Walter Thompson-Hernandez. The film stars Danielle Brooks, J. Alphonse Nicholson, and Bodhi Dell and also has Jon Batiste, who recorded a cover of the song “This Bitter Earth” for the film, as an executive producer. This would be just Rich Spirit’s third release, and the distributor is aiming for a theatrical release this fall. “If I Go Will They Miss Me” is based on Thompson-Hernandez’s Sundance-winning short film of the same name and follows a 12-year-old boy who struggles to connect with his distant father as he begins sensing mysterious visions that seem to follow him through his everyday world. IndieWire’s review called it a formally ambitious portrait of Black life in the Watts neighborhood of Los Angeles, praising Thompson-Hernandez for his elliptical narrative and “painter’s eye.”

“Gail Daughtry and the Celebrity Sex Pass”

Section: Premieres
Distributor: Sony Pictures Classics
Director: David Wain
Date Acquired: Feb. 27 Release Date: July 10
Buzz: That’s four now! Sony Pictures Classics is clearly finding some deals a month removed from the festival (Deadline reported that at least seven other bids were on the table for the film), as again picked up global rights to another buzzy, starry title, this time David Wain’s return to the big screen with “Gail Daughtry and the Celebrity Sex Pass.” Zoey Deutch stars as a bride-to-be who discovers that her fiancé cashed in on a hall pass to sleep with a celebrity, inspiring her to do the same with her hall pass celeb, Jon Hamm playing himself. It’s a reunion between Wain and writer Ken Marino, and also Hamm and John Slattery from “Mad Men.” IndieWire called it one of Wain’s funniest films of his career.

Domhnall Gleeson, Gayle Rankin and Grant O'Rourke appear in The Incomer by Louis Paxton, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute | photo by Anthony Dickenson.
Domhnall Gleeson, Gayle Rankin and Grant O’Rourke appear in The Incomer by Louis Paxton, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute | photo by Anthony Dickenson.Anthony Dickenson

“The Incomer”

Section: NEXT
Distributor: Sumerian Pictures
Director: Louis Paxton
Date Acquired: Feb. 26
Buzz: Remember when we said a distributor you’ve never heard of would make the biggest splash at Sundance? Though we thought it could be Row K, turns out it’s record-label-turned-film-distributor Sumerian Pictures, which IndieWire has learned has now bought its second award winner after the buzzy “Josephine.” “The Incomer” from director Louis Paxton picked up the NEXT Innovator Award, and the offbeat comedy and fantasy film stars Domhnall Gleeson and Gayle Rankin. Rankin and Grant O’Rourke play two siblings on the Isles of Northern Scotland who hunt birds for survival and protect their home from mythical “incomers,” only to have an awkward council worker (Gleeson) show up, one who hopes to uproot and relocate them on behalf of the government. “The Incomer” and Paxton landed on IndieWire’s critics poll of the best movies out of Sundance, and Sumerian is planning a theatrical release for later this year.

“The Shitheads”

Section: Premieres
Distributor: IFC
Director: Macon Blair
Date Acquired: Feb. 26 Release Date: August 28
Buzz: Macon Blair’s third feature as a director stars Dave Franco and O’Shea Jackson Jr. as two unqualified screw-ups who are hired to bring a rich teen to rehab, only for mayhem to ensue along the way. Blair told IndieWire he and story writer Alex Orr have been trying to make the film as far back as 2017, with Franco attached from the very beginning. The film also stars Mason Thames as the teen, along with Kiernan Shipka, Nicholas Braun, and Peter Dinklage. “The Shitheads” had some solid if mixed reviews, as IndieWire’s called it “uneven” in its blend of films as unalike as “The Last Detail” and “Midnight Run.” IFC is planning to release the film theatrically this summer.

“The Only Living Pickpocket in New York”

Section: Premieres
Distributor: Sony Pictures Classics
Director: Noah Segan
Date Acquired: Feb. 24
Buzz: Sony Pictures Classics had an appetite. In what is the distributor’s third buy out of Sundance, the distributor landed the global rights to “The Only Living Pickpocket in New York” starring John Turturro and is planning a theatrical release for the film this fall. The film was hailed as a true love letter to New York City, one that follows an aging pickpocket who is struggling to still get by when everyone has stopped carrying cash and gone digital and what happens when he steals a USB drive and faces the wrath of a crime family. The film also stars Giancarlo Esposito, Will Price, Tatiana Maslany, Victoria Moroles, and Steve Buscemi, and Segan is reuniting with T-Street producer Rian Johnson after originally starring in Johnson’s debut feature “Brick.”

Olivia Colman appears in 'Wicker' by Eleanor Wilson and Alex Huston Fischer, an official selection of the 2026 Sundance Film Festival.
‘Wicker’Lol Crawley

“Wicker”

Section: Premieres
Distributor: Black Bear
Director: Eleanor Wilson and Alex Huston Fischer
Date Acquired: Feb. 17
Buzz: Some Sundance movies don’t work beyond their kooky, twee premise, and some do and are destined to break out. “Wicker” was the latter, as IndieWire said the performances from Olivia Colman and Alexander Skarsgård, a husband whom Colman’s character manages to craft out of Wicker, were “irresistibly weird and wonderful.” This is a notable, competitive win for Black Bear, which did not finance “Wicker” but instead comes from Tango and Topic Studios, the latter of which has had a string of recent Sundance favorites like “A Real Pain.” The distributor is planning a North American release of the film for this year and is also handling international sales. Peter Dinklage, Elizabeth Debicki, Marli Siu, and Nabhaan Rizwan also star in the film.

“Josephine”

Section: U.S. Dramatic
Distributor: Sumerian Pictures
Director: Beth de Araújo
Date Acquired: Feb. 14
Buzz: Widely acclaimed and easily the most celebrated movie out of Sundance 2026, director Beth de Araújo’s “Josephine” was bound to find a home sooner or later, but it’s a surprise that it ended up with Sumerian Pictures, a relative newcomer to the space that has been widely known as a record label but is now getting into film. They made a splash by still scooping it up in a 7-figure deal and a competitive situation. It will get a theatrical release and an awards campaign. Channing Tatum, Gemma Chan, and Phillip Ettinger star in the drama alongside breakout young actress Mason Lily Reeves, who plays an 8-year-old girl who witnesses a sexual assault in Golden Gate Park and has to grapple with what she saw, with her parents struggling to help her cope. After winning the Grand Jury Prize and the Audience Prize out of Sundance, “Josephine” is again competing in competition at Berlin.

Dr. Clarence B Jones appears in The Baddest Speechwriter of All by Ben Proudfoot and Stephen Curry, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute.
Dr. Clarence B Jones appears in ‘The Baddest Speechwriter of All’ by Ben Proudfoot and Stephen Curry, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute

“The Baddest Speechwriter of All”

Section: Shorts
Distributor: Netflix
Director: Ben Proudfoot and Stephen Curry
Date Acquired: Feb. 12
Buzz: Though it missed out on “The Invite,” Netflix is not coming out of Sundance empty handed. The streamer’s first purchase was surprisingly a documentary short, one that figures to be an awards player down the road. It acquired “The Baddest Speechwriter of All,” which along with Ben Proudfoot is the directorial debut of NBA great Stephen Curry. The 29-minute short film won the Grand Jury Prize for short films out of the festival. The film follows Dr. Clarence B. Jones, now 93, who was a lawyer and speechwriter — the baddest of them all — for Martin Luther King Jr. The film reflects on the personal cost and surprising truths of making history, offering an intimate insider’s view of the Civil Rights Movement. But it also stood out thanks to more than 3,000 entirely hand-painted watercolor animation sequences from artist Daniel Bruson. Elizabeth Goodstein and Gigi Pritzker produced for Madison Wells, as did Peter Rotter and Jane Solomon.

“Filipiñana”

Section: World Dramatic
Distributor: Kino Lorber
Director: Rafael Manuel
Date Acquired: Feb. 12
Buzz: As if Michael Haneke directed “The White Lotus,” “Filipiñana” was a dazzling critical darling out of Sundance, with the New Yorker calling it a “masterwork” and Vulture noting how “the angle of a golf club can evoke suspense” or “a piece of fruit on the ground can feel like a tragedy.” Kino Lorber CEO Richard Lorber said in a statement too that the film is a “cinematic miracle” and he “can’t find enough adjectives to praise it.”

We were tracking the film early, having shared a striking teaser for the movie from director Rafael Manuel, who based his debut feature on his own short, one that won the Silver Bear at Venice and you can currently stream on The Criterion Channel. The film is a class critique set at a posh golf club in the Philippines that is hiding something violent and sinister beneath the immaculate facade and dutiful servants. Jia Zhangke is an executive producer on “Filipiñana,” and Kino Lorber picked up the North American rights just prior to the film making its European premiere at Berlin on Feb. 15. Kino Lorber will plan a theatrical release later this year. 

“I Want Your Sex”

Section: Premieres
Distributor: Magnolia
Director: Gregg Araki
Date Acquired: Feb. 10 Release Date: July 31
Buzz: Gregg Araki wants sex to come back to the big screens and get Gen Z horny again, and Magnolia is helping him do it. The buzzy film starring Olivia Wilde and Cooper Hoffman sold in a competitive situation to Magnolia for a 7-figure deal. IndieWire had a lot of fun with the picture, and Magnolia is thinking so will audiences. The distributor is planning a theatrical release later this year. Mason Gooding, Chase Sui Wonders, Johnny Knoxville, Margaret Cho, Roxane Mesquida, Charli XCX, and Daveed Diggs all co-star in the film.

'The Last First: Winter K2'
‘The Last First: Winter K2’Sundance

“The Last First: Winter K2”

Section: Premieres
Distributor: Apple
Director: Amir Bar-Lev
Date Acquired: Feb. 5
Buzz: In terms of pure visceral thrills, it’s hard to beat a good mountain climbing documentary. That’s the bet Apple made when it acquired “The Last First: Winter K2,” which also explores the corrosive affect that influencer culture has had on the world of mountain climbing. Bar-Lev has an extensive track record of delivering documentary hits about a wide range of topics, so the tech giant is likely hoping that it has the next “Free Solo” on its hands.

“Once Upon a Time in Harlem”

Section: Premieres
Distributor: Neon
Directors: William and David Greaves
Date Acquired: Feb. 5
Buzz: Few nonfiction films at Sundance generated more buzz than “Once Upon a Time in Harlem,” William Greaves’ posthumous collection of conversations from a 1974 cocktail party of Harlem Renaissance luminaries that was assembled by his son David. The film is a vital historical artifact, and the fact that it hails from a legendary documentarian only adds to its prestige. We’re hearing it generated offers from Netflix and MUBI and others and already has invites to some other major upcoming festivals. Watch out for this one come Oscar season.

“Bedford Park”

Section: U.S. Dramatic Competition
Distributor: Sony Pictures Classics
Director: Stephanie Ahn
Date Acquired: Jan. 30 Release Date: September 22
Buzz: In its second acquisition in two days, Sony Pictures Classics picked up another set of worldwide rights to yet another U.S. Dramatic Competition title. “Bedford Park” is also the directorial debut of Ahn, and it’s a drama about a woman (Moon Choi) struggling between her loyalty to her Korean immigrant family and her own American identity, as a child raised in New Jersey.  When her mother gets into a car accident, it leads to a fateful meeting with Eli (Son Sukku), an ex-wrestler battling his own fractured past.

In addition to Sukku being the host of IndieWire’s final Chili Party in Park City, IndieWire’s review praised the film for being rich in detail rather than sacrificing specificity for a simple love story.

'Ha-Chan, Shake Your Booty!'

“Ha-Chan, Shake Your Booty!”

Section: U.S. Dramatic Competition
Distributor: Sony Pictures Classics
Director: Josef Kubota Wladyka
Date Acquired: Jan. 29 
Buzz: One of the buzzier competition titles at Sundance not because of its star power but because of its playful title and crowd pleasing sentiment, one that earned a standing ovation for director Josef Kubota Wladyka and his mother on whom the film is based, the real Ha-Chan. Shot in Japan, Rinko Kikuchi stars in “Ha-Chan, Shake Your Booty!” as a woman who leaves the Japanese ballroom dance scene after tragedy strikes, only to be lured back onto the dance floor after developing an infatuation for a new instructor. SPC picked up the worldwide rights to the film. It also stars Alberto Guerra, Alejandro Edda, Yoh Yoshida, and Damián Alcázar.

“The Invite”

Section: Premieres
Distributor: A24
Director: Olivia Wilde
Date Acquired: Jan. 27  Release Date: June 26
Buzz: This was a true, old-fashioned, late night bidding war between multiple interested buyers that ended up being a 72-hour, marathon competition. IndieWire hears that Neon, Black Bear, Netflix, Searchlight, and Focus Features — and even Warner Bros. at the 11th hour — were all in the mix for what was Olivia Wilde’s third feature as a director. We’re also hearing that the final bidding got into the 8-figure range. Others may have bid more, but Wilde was determined to get a theatrical deal. And it’s fitting too, because this was one of the starrier movies at the festival with Wilde, Seth Rogen, Edward Norton, and Penélope Cruz all leading the ensemble cast. “The Invite” quite simply is about the dinner party from hell when a couple whose marriage is on the brink have dinner with another couple that’s polyamorous, but the crowds that saw it say there’s a lot more layers to this one than just that. Will McCormack and Rashida Jones wrote the screenplay based on a 2019 Spanish film called “Sentimental.” UTA Independent Film Group and FilmNation co-repped the sale, and the film hails from Megan Ellison and Annapurna, who also previously produced Wilde’s debut film “Booksmart.”

“Leviticus”

Section: Midnight
Distributor: Neon
Director: Adrian Chiarella
Date Acquired: Jan. 27  Release Date: June 19
Buzz: A queer, coming-of-age horror movie? “Leviticus” is about two teenage boys who have to fight off a violent entity capable of taking the form of the other. The film plays on the real-life horrors of conversion therapy and stars Joe Bird, Stacy Clausen, Jeremy Blewitt, Ewen Leslie, Davida McKenzie, Nicholas Hope, Zahra Newman, and Mia Wasikowska. The film’s unique genre premise from writer/director Adrian Chiarella, his feature debut, was good enough for Neon to jump on worldwide rights in a seven-figure deal, as well as the first sale of the festival, an otherwise slow affair thus far, though one that has sparked an early bidding war for at least one other title. “Leviticus” will be released later this year and is actually Neon’s second deal for a horror movie out of the festival, as the distributor also over the weekend joined the next film from “It Ends” director Alex Ullom.

Films Arriving at Sundance with Distribution

'The AI Doc: Or How I Became an Apocaloptimist'
‘The AI Doc: Or How I Became an Apocaloptimist’Sundance

“The AI Doc: Or How I Became an Apocaloptimist”

Section: Premieres
Distributor: Focus Features
Directors: Daniel Roher and Charlie Tyrell
Buzz: The “Navalny” director teams up with producer Daniel Kwan (“Everything Everywhere All At Once”) on a film that goes deep into the perils and promise of artificial intelligence, all through the lens of Roher debating whether this is a good moment to bring a child into the world.

“The Brittany Griner Story”

Section: Premieres
Distributor: ESPN
Director: Alexandria Stapleton
Buzz: The director of “Sean Combs: The Reckoning” sits down with Brittany Griner, the basketball star who was famously detained and became the subject of a media and political frenzy as she hoped to secure her freedom.

“Give Me the Ball!”

Section: Premieres
Distributor: ESPN
Directors: Liz Garbus and Elizabeth Wolff
Buzz: More than a sports doc, this portrait of Billie Jean King looks at the tennis icon’s compulsion to hide her sexual orientation and eating disorders.

Section: Premieres
Distributor: Searchlight Pictures
Director: Andrew Stanton
Buzz: Though he’s directed plenty on TV, Pixar vet Andrew Stanton is returning to a live-action feature for the first time since “John Carter” dropped way back in 2012. “In the Blink of an Eye” is a triptych set in ancient times, modern day, and in the distant future, exploring how those three eras are connected by hope and the circle of life.

The Moment
‘The Moment’A24

“The Moment”

Section: Premieres
Distributor: A24
Director: Aidan Zamiri Streaming Date: May 29 on HBO Max
Buzz: One of three films starring Charli XCX at the festival, the “brat” pop star plays a version of herself in an exaggerated mockumentary that comments on the idea of modern celebrity.

“One in a Million”

Section: World Documentary
Distributor: PBS/Frontline
Directors: Itab Azzam and Jack MacInnes
Buzz: This documentary was filmed over 10 years and follows a Syrian refugee girl who travels to Germany and then back to Syria with her family.

“Queen of Chess”

Section: Premieres
Distributor: Netflix
Director: Rory Kennedy
Buzz: Perhaps a documentary for “The Queen’s Gambit” fans, this film follows a girl from Hungary who is a chess prodigy trying to break into a male-dominated competition circuit.

Midori Francis appears in Saccharine by Natalie Erika James, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute | photo by Shudder.
‘Saccharine’Courtesy of Shudder

“Saccharine”

Section: Midnight
Distributor: Shudder
Director: Natalie Erika James
Buzz: Shudder picked up this body horror film from the “Relic” director just before the festival. It stars Midori Francis as a woman who takes part in a bizarre weight loss craze that involves eating human ashes, only to become possessed by demonic forces in the process.

“TheyDream”

Section: NEXT
Distributor: Latino Public Broadcasting and ITVS
Director: William D. Caballero
Buzz: This animated film that combines a variety of styles, including 2D, 3D, and live-action, is a deeply personal autobiographical documentary from mixed media filmmaker Caballero, who looks back on his career and examines grief through the lens of his Puerto Rican family in North Carolina. Theatrical rights are still available.

“Time and Water”

Section: Premieres
Distributor: Nat Geo
Director: Sara Dosa
Buzz: Like her Sundance breakout “Fire of Love” before it, “Time and Water” is a more elevated nature documentary and follows an Icelandic writer eulogizing both a glacier and his grandparents.

“Undertone”

Section: Midnight
Distributor: A24
Director: Ian Tuason
Buzz: A micro-budget horror movie in the vein of “Paranormal Activity” that first played at Fantasia Fest, the actual producers of “Paranormal Activity” helped give the film a new cut and are hoping for another horror hit.

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One Night Only Writer, Producer Talk Movie’s No Premarital Sex Rules

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Ever since the official trailer dropped for the Callum TurnerMonica Barbaro rom-com One Night Only, quickly racking up millions of views on its way to its nearly 40 million total, internet commentators have had a lot of questions about the film’s central premise in which premarital sex is illegal apart from one 12-hour period a year.

How is this law enforced? Are people breaking the law? How did this legislation pass? What counts as “sex” under this new mandate? Are marriage (and divorce) rates skyrocketing? What about affairs?

Rest assured: Some of those questions are answered in the movie, and explanations are starting to trickle out online for those unconcerned about spoilers. Beyond that, One Night Only writer, Travis Braun, who saw his screenplay top the 2024 Black List, has answers, but they’re not all in the Will Gluck-directed Universal movie now in theaters.

“I set out to write a movie about the circus that is modern dating, and I thought how fun if we could set that all in one night, and I have answers to those questions, and some of them are in the movie,” Braun told The Hollywood Reporter at the One Night Only premiere earlier this week in New York.

Braun said he definitely thought about the specific rules of the film’s alternate reality, framed as three years on from the no-sex act being passed, but didn’t want to get too deep into the politics of the world of the movie.

“There’s a big mythology that I’ve built out and then as you develop a movie you start to pare down and you go: What does an audience really care about, and what are they showing up to see? For me the answer is always a love story, romance,” he told THR. “I hope they can come in and we’ll show them how this world functions, and then they can just enjoy the movie and have fun. The whole focus of this was love story and romance first, and the world-building obviously has to make sense and has to be there, but ultimately we weren’t interested in getting into the politics of it. We wanted to tell a story about these two incredible people trying to find love on this crazy night.”

Producer Jacqueline Monetta, who brought Braun’s script to Gluck, said they didn’t want moviegoers to have all of the answers.

“I had a million questions. I was like, ‘What does this mean? What does this world look like? How do people communicate? What’s different?’ And that’s I think what’s so smart about it,” she said of One Night Only‘s “big idea, high-concept” premise. “We don’t answer every question in the movie, purposefully, because we want those questions to be had on the car ride home. We want people to keep talking about it and really think about what would this mean for our world, what does it mean for our world now. But I think Will and I were really specific on what questions we wanted to answer.”

In a recent Reddit AMA, Gluck also detailed how he and his team approached the world building of the movie while not wanting it to be all about the mandate and offered prospective moviegoers hints for where to find the answers to their questions.

“We spent a lot of time talking about the rules of the world, and if you’ve seen the movie, or when you see the movie, you’ll see that the rules of the world and the world building are all in the background,” he said. “It’s on TVs, signage, in thrown-away lines, because we didn’t want to give the world short shrift, but we didn’t want the movie to be about that. It’s another way I want people to see this. If they see it more than once, they’ll pick up so many more rules of the world in the background. A lot of the questions that I’ve been getting after people have seen the movie are actually answered in the movie, which is by design because I want people maybe not to know them. So, yes, it was a tricky tightrope to have them there, but not for the movie to be about it.”

Turner meanwhile echoes Braun’s advice for curious prospective moviegoers: “Go see the film!”

“You’ll realize pretty quickly what the realm is that you’re working within and it’s a comedy,” Turner says of what inquisitive filmgoers will find. “There are no great political undertones, I don’t think. This is just a place where you can escape for an hour and a half, two hours and enjoy and laugh your head off.”

One Night Only is now in theaters.

Callum Turner and Monica Barbaro at the One Night Only premiere on Monday.

Roy Rochlin/Getty Images for Universal Pictures

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Dwayne Johnson Reacts To Live-Action ‘Moana’ Negative Reviews

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Although the live-action remake of Moana hasn’t quite been able to catch a wave at the box office, Dwayne Johnson is proud of what they made.

The Golden Globe nominee said the Disney movie’s negative reviews, which currently sit at 32% on Rotten Tomatoes, are “just the way it goes” in the entertainment industry, and what “really mattered” was that “the culture really stood up” in the Polynesian-inspired tale.

“Our first two reviews came out. I’ll never forget it… They were amazing. I was like, wow,” he told People, noting the reviews then “went another way, as sometimes happens.”

“That’s just the way it goes because we’re in this business,” added Johnson.

A decade after he voiced the demigod Maui in Disney’s animated film Moana, Johnson reprised the role in the Thomas Kail-helmed live-action adaptation.

'Moana' live-action trailer
Catherina Laga’aia in ‘Moana’

“The challenge was, okay, let’s remember, though, what’s going to be beyond this opening weekend. Let’s remember what’s happening right now and the noise that’s happening right now,” said Johnson. “If you love it, great. If you don’t, no problem.”

Following Moana‘s July 10 premiere, the movie has gone on to make $266M at the global box office. Disney CEO Josh D’Amaro addressed the low turnout in a letter to shareholders.

“Even when our franchise films don’t meet our box office expectations, as with The Mandalorian and Grogu and the live-action Moana, our investments in these core properties fuel other parts of our company,” said D’Amaro, noting that Moana is “expected to be a strong title on Disney+, building on the success of the original film, which is one of the most streamed movies of all time.”

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Hunter Biden Calls Trump the ‘Singular Existential Threat’ to Planet Earth

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Hunter Biden doesn’t have plans of running for office himself, but he still has some strong opinions when it comes to the presidency. In fact, President Joe Biden’s son just called President Donald Trump “the singular existential threat” to planet Earth.

During his wide-ranging interview with BBC Newsnight’s Paddy O’Connell on Friday, the 56-year-old artist opened up about receiving a pardon from his father during his last weeks in office back in December 2024 — and how Trump’s behavior may have impacted the decision.

“I am the most privileged person, as it relates to that, that there could possibly be. I was one of one, and I am eternally grateful for it,” Hunter shared. “I am eternally grateful for it because I think that Donald Trump has proven to be exactly who my dad thought he was going to be, as it relates to the revenge and retribution that he would seek on his political enemies.”

“Was it good for our Constitution? Was it good for the American people? Was it good for my dad’s legacy? No, on all counts,” he further admitted.

President Biden pardoned his son just weeks ahead of his sentencing on tax evasion and federal gun charges. At the time, Trump called the act “an abuse and miscarriage of justice.” A year and half later, Hunter remains equally unimpressed by his father’s successor (who was also, notably, his predecessor).

“I’m not going to stop talking about Donald Trump,” he concluded. “Donald Trump is the singular existential threat to this globe. Donald Trump is, literally, a greater threat than we have faced in any of our lifetimes.”

Elsewhere in his interview, Hunter fought tears while sharing a painful update on his father’s prostate cancer metastasizing to his bones: “My dad is, to this day, remains the center of our family. Not just because of who he is as the the public person, but completely because of who he is to each one of us. It’s really, really hard and it’s really sad to watch.”

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