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‘Wake in Fright’ 4K Movie: Watch the New Trailer for Aussie Thriller

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Over the course of a 60-year career, director Ted Kotcheff mastered just about every genre there was to conquer. He helmed a literate, witty Gregory Peck Western (“Billy Two-Hats”); fast and funny comedies (“Fun with Dick and Jane,” “Who Is Killing the Great Chefs of Europe?,” “Weekend at Bernie’s”); dramedies where the laughs coexist with unsettling insights into the dark side of the human condition (“North Dallas Forty,” “The Apprenticeship of Duddy Kravitz”); and a pair of the greatest, and in one case, most influential, action movies of the 1980s (“First Blood,” “Uncommon Valor”).

Before he made any of those films, though — and long before he finished his career supervising a dozen seasons of “Law & Order: SVU” in the early 2000s — Kotcheff directed one of his most powerful and enduring films, the gritty Australian thriller “Wake in Fright.”

The tale of a schoolteacher (Gary Bond) who gets stranded in a remote outback town overrun by violent, crazy drunks led by the maniacal Doc (Donald Pleasance), “Wake in Fright” (1971) is darkly funny and terrifying — it also, in spite of good reviews, was a commercial failure at the time of its release.

In subsequent decades, “Wake in Fright” developed a cult reputation, less because its audience increased than because its unavailability gave it a mythic stature among those few who had managed to see it during its initial run. For many years, the negative was thought to be missing, and the versions released on home video and television were largely censored, degraded dupes that failed to represent Kotcheff’s original intentions. It wasn’t until the original elements were discovered in the mid-2000s that the film was widely seen in its proper form, ultimately receiving a major boost in visibility when Martin Scorsese selected it to screen in Cannes’ repertory section.

“‘Wake in Fright’ is one of only two films ever to screen twice in the history of the festival,” Scorsese said at the time, referring to the fact that Kotcheff’s film had originally premiered at the festival back in 1971. “‘Wake in Fright’ is a deeply — and I mean deeply — unsettling and disturbing movie. I saw it when it premiered at Cannes in 1971, and it left me speechless. Visually, dramatically, atmospherically, and psychologically, it’s beautifully calibrated, and it gets under your skin one encounter at a time, right along with the protagonist played by Gary Bond. I’m excited that ‘Wake in Fright’ has been preserved and restored and that it is finally getting the exposure it deserves.”

Now, “Wake in Fright” is receiving its most lavish home video release to date in the form of a limited edition 4K UHD and Blu-ray from Arrow Video. In addition to a new transfer — the first time “Wake in Fright” has been released on 4K UHD in North America — the Arrow edition is loaded with extras incorporating insights from both the filmmakers and “Wake in Fright” scholars. There’s also an accompanying booklet with new critical writing and archival material.

Take an exclusive look at the new trailer for “Wake in Fright” below.

“Wake in Fright” will be released on 4K UHD and Blu-ray by Arrow Video on June 30.

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Bradley Cooper to Star as Duke in Danny McBride’s ‘G.I. Joe’ Movie at Paramount

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Bradley Cooper to Star as Duke in Danny McBride’s ‘G.I. Joe’ Movie at Paramount – TheWrap







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Chase Infiniti to Star in Dylan Clark Horror Movie ‘Portrait of God’

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Chase Infiniti has chosen her first film role since breaking out with the best picture winner One Battle After Another.

Infiniti will star in the mysterious horror feature Portrait of God, which hails from rising director Dylan Clark, who wrote the script with Joe Russo. No plot details were available, but sources describe it as a new twist on religious horror.

Portrait of God was once set up at Universal, but the studio quietly let it go earlier this year, making it available for Lionsgate to move in and greenlight it. It has a high flying list of producers, including Sam Raimi for Ghost House Pictures and Jordan Peele for Monkeypaw, marking the first time the two horror maestros have collaborated.

Also producing are Ghost House’s Rob Tapert and Monkeypaw’s Win Rosenfeld, along with Russo. Romel Adam and Jose Cañas ovrsee for Ghost House. For Monkeypaw, Chris Rosati is executive producing thru his first look deal at his NAT20 Films banner

Infiniti broke out with Paul Thomas Anderson’s One Battle After Another, her feature debut that won six Oscars. Her followup film The Julia Set, shot before One Battle made her a name, recently bowed at the Toronto International Film Festival and is on the hunt for a buyer.

Clark is a rising new filmmaker, who came up by posting his high-horror short films to YouTube that amassed millions of views. That got him Hollywood’s attention, and before Portrait, he will make his feature directorial debut with the reboot of the Blair Witch Project for Lionsgate and Blumhouse Atomic Monster. The deal comes as there is an arms race for young horror talent, with Curry Barker’s Obsession and Kane Parson’s Backrooms becoming breakout hits of the summer.

“We’re delighted to deepen our creative partnership with Dylan Clark, whose remarkable talent and distinctive perspective make him one of the most exciting emerging voices in horror,” said Lionsgate film boss Adam Fogelson. “With Sam and Jordan, two of the genre’s most influential producers, the extraordinary Chase Infiniti starring, and Dylan at the helm, this is an exceptional creative team. We believe they have all the ingredients for a film that is haunting, thought-provoking, and scary as hell.”

Added Clark: “With Blair Witch, I’m experiencing firsthand the trust Lionsgate places in its filmmakers, and I couldn’t be happier that Portrait of God has found a home there as well. I’m also thrilled to welcome Chase Infiniti to our team. She blew me away in One Battle After Another and is one of the most exciting young actors working today.”

Scott O’Brien will oversee the project. Dan Freedman negotiated for the studio, while Brandon Hill brought the project to Lionsgate.

Clark is repped by UTA, 3 Arts, and Ginsburg Daniels Kallis. Infiniti is repped by Gersh, Brillstein Entertainment Partners, and the Lede Company.

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‘Bleed The Night’: Fox Entertainment Studios Buys Vampire Spec

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EXCLUSIVE: Amidst an industry-wide search for the next breakout horror project, Fox Entertainment Studios has snapped up Bleed the Night, a spec by Keith Cooper and Zoe Cooper, based on a story by Cooper & Justin Dyck.

Bleed the Night opens with a lonely teenager answering a mysterious ad reading “MUST LOVE BLOOD.” She then meets a charismatic young vampire who offers her the friendship and freedom she’s always craved — turning one summer night in 1994 into a bloody crime spree that tests just how far she’ll go for her first real friend.

Mark Ankner is producing for Mountain Top Pictures (Ponyboi, Slanted) alongside Adam Goldworm via his Aperture banner (upcoming Horrorstör, Hannibal). Dyck serves as executive producer. While unconfirmed, we’re told the team is actively meeting with directors with an eye toward shooting in Q1 2027.

Keith Cooper and Dyck come to the project after partnering on the 2020 horror flick Anything for Jackson, as well as QC Entertainment’s forthcoming horror-thriller Casket Girls starring Gabrielle Union. Cooper wrote and Dyck directed both of those titles; the duo also jointly produced the former. As a director, Dyck has also worked on Shudder’s Creepshow. He and Cooper are repped by WME, Aperture and Ashley Silver at Brecheen Feldman Breimer.

Zoe Cooper is repped by WME, Gotham Group and Stuart Rosenthal at Goodman, Genow, Schenkman.

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