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Oscars: No AI Actors, Screenplays; Acting, International Rule Changes

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The Academy of Motion Picture Arts and Sciences, in an announcement on Friday of updates to its rules and regulations, eliminated any gray area about its position on artificial intelligence: AI is not welcome at the Oscars.

The organization’s board of governors decreed that the only sorts of performances that will be eligible for acting Oscars are those credited in a film’s legal billing and demonstrably performed by humans with their consent. (This appears to address questions raised by the posthumous completion of a performance by Val Kilmer, who died in 2025, using AI.). Additionally, the Academy explicitly spelled out that only human-authored screenplays are eligible for writing Oscars.

Under Eligibility (Rule Two), which pertains to Generative Artificial Intelligence, the Academy reserves the right to request more information about the nature of AI use and human authorship.

In other major news, the Academy revisited its longstanding policy that the best international feature Oscar race will only consider one film from any country or region as chosen by a local Academy-approved selection committee. Henceforth, a film can also qualify for consideration in the category by winning the top prize at one of several major international film festivals: Berlin, Busan, Cannes, Sundance, Toronto or Venice. In other words, a single country or region could now land multiple noms for the best international feature Oscar.

Additionally, the best international feature Oscar will no longer be awarded to a country or region, but rather to its director on behalf of it. Earlier this year, for example, that category’s Oscar was won by Sentimental Value, but the winner was technically Norway, not filmmaker Joachim Trier. Henceforth, the director’s name will also appear on the Oscar plaque and in the record books.

Another big change: actors may now be nominated for multiple performances in the same category. Only in the earliest years of the Oscars was it possible for an actor to be nominated against himself or herself; for instance, Norma Shearer, for The Divorcee, won the best actress Oscar at the third Academy Awards over a field that included Norma Shearer, for Their Own Desire. A subsequent rule change mandated that if a single performer gave multiple performances that received enough votes to finish in the top five spots for a category, only the higher-tallying performance would be nominated. Now, though, multiple performances can be, aligning the acting categories with all other categories, in which an individual can receive multiple noms.

Had this rule been in place in, say, 2009, Kate Winslet might have received two best actress Oscar noms, for The Reader and Revolutionary Road, rather than just one, for The Reader — which might have actually made it harder for her to win for either one, as she did that year, given that she could be splitting her own support.

The Governors Awards — at which the Academy annually celebrates up to four individuals or groups with some combination of honorary Oscars, the Irving G. Thalberg Memorial Award and the Jean Hersholt Humanitarian Award — will also be impacted by a new rule change. Moving forward, a minimum of three “disciplines” must be represented in any given year.

In other words, it seems like the Governors Awards ceremony of 2021, at which the honorees were the filmmakers David Lynch and Lina Wertmüller and the actors Geena Davis and Wes Studi — would not be possible in the future, given that only two disciplines were represented.

The Academy also made a bunch of other tinkers.

The number of people eligible to win an Oscar statuette for best casting has been increased from two to three.

The best cinematography category will now produce a shortlist of 20 films, as opposed to somewhere between 10 and 20.

Makeup and hairstylists branch members will no longer be eligible to vote for the category’s shortlist unless they have attended at least one of the two final branch meetings (roundtables).

To be eligible for the best original song Oscar, tunes that begin with the end credits must now be submitted to the music branch with the last 15 seconds of the film before the end credits.

Members of all branches have been eligible to vote for the best visual effects Oscar in the final round of voting but will now only be able to do so if they have viewed the three-minute “before and after” reels captured at the visual effects bake-off and posted to the Academy Screening Room members-only streaming service.

As far as campaign promotional regulations, the Academy dictated that screenings with Q&A sessions or panel discussions before nominations may now have up to two moderators instead of one moderator. And all email blasts to members via an Academy-approved mailing house must now include an email address or phone number for inquiries regarding venue accessibility.

Finally, the Academy also provided submission deadlines and other key dates pertaining to the lead-up to the 99th Oscars on Sunday, March 14, 2027:

Thursday, Aug. 13, 2026: First submission deadline for animated short film, documentary feature film, documentary short film and live action short film categories

Thursday, Sept. 17, 2026: First submission deadline for general entry categories, animated feature film, best picture and Representation and Inclusion Standards Entry (RAISE) form

Wednesday, Sept. 30, 2026: Submission deadline for international feature film 

Thursday, Oct. 8, 2026: Final submission deadline for animated short film, documentary short film and live action short film categories

Wednesday, Oct. 14, 2026: Submission deadline for music (original song)

Thursday, Oct. 15, 2026: Final submission deadline for documentary feature film

Wednesday, Nov. 4, 2026: Submission deadline for music (original score) 

Thursday, Nov. 12, 2026: Final submission deadline for general entry categories, animated feature film, best picture and Representation and Inclusion Standards Entry (RAISE) form

Jan. 8 – 10, 2027: Casting, makeup and hairstyling, sound and visual effects voting events (bake-offs)

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‘Blue Bloods’ Alum Will Estes Reprising Role On ‘Boston Blue’

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One of the original Blue Bloods is making a trip to Beantown after Donnie Wahlberg teased an upcoming guest star on Boston Blue.

Deadline can confirm that Will Estes will reprise his Blue Bloods role as Jamie Reagan on an upcoming episode of the CBS spin-off after Wahlberg shared a behind-the-scenes photo with his onscreen brother.

“Welcome (back) to the family! Jamie Reagan! AKA Will Estes!” wrote Wahlberg on his Instagram Story with the photo, which also featured co-stars Sonequa Martin-Green, Marcus Scribner and Mika Amonsen.

Following Blue Bloods‘ 2024 finale, Wahlberg reprised his role as Det. Danny Reagan in the spin-off Boston Blue, which premiered last October, with the role of Danny’s Sean recast with Amonsen after Andrew Terraciano played him in the parent series.

Other Blue Bloods stars have previously reprised their roles on the spin-off, including Bridget Moynahan as Danny’s sister Erin, Len Cariou as Danny’s grandfather Henry Reagan and Will Hochman as Danny’s nephew Joe Hill.

Boston Blue received an early renewal for Season 2 in December, set to return on Oct. 9, as the show continues to follow Wahlberg’s Danny after he left the NYPD for the Boston Police Department.

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Dwayne Johnson Addresses ‘Moana’ Mixed Reviews After Box Office Flop

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Dwayne Johnson is speaking out on Disney‘s live-action Moana not exactly being a hit with critics.

Johnson, who voiced Maui in the original 2016 animated film Moana and its 2024 follow-up, recently spoke to People magazine about how the movie’s early reviews started positively before the reception shifted.

“Our first two reviews came out. I’ll never forget it… They were amazing. I was like, wow,” the actor recalled, before adding that then “it went another way — as sometimes happens. That’s just the way it goes because we’re in this business.”

The Hollywood Reporter’s chief film critic, David Rooney, did, however, give the film a favorable review, calling it “one of Disney’s better live-action remakes.” He added, “The new Moana is a captivating family entertainment that deserves to find an audience.”

The live-action Moana, released in theaters last month, earned a 31 percent critics score on Rotten Tomatoes, while its audience score was significantly higher at 88 percent.

The Smashing Machine star added that he and his wife, Lauren Hashian, had many conversations about the response. “The challenge was, OK, let’s remember, though, what’s going to be beyond this opening weekend. Let’s remember what’s happening right now and the noise that’s happening right now,” he said.

“If you love it, great. If you don’t, no problem,” the Jumanji actor said. But what meant the most to him was that “the culture really stood up,” as Johnson is of Samoan heritage.

“Because of me and our kids who can now look at the big screen and go, ‘That’s us for the first time on a big screen. That’s us up there. How cool is that?’,” he said.

Catherine Laga’aia starred in the title role, taking over from Auliʻi Cravalho, who voiced the character in the animated films. Johnson reprised his role as Maui in the live-action adaptation.

The film, though, didn’t make waves at the box office, grossing $264 million worldwide against a reported $250 million production budget

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‘Supermax’ Movie: Jason Clarke Latest To Join Cast (EXCLUSIVE)

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EXCLUSIVE: Jason Clarke has closed a deal to join Supermax, the new action-thriller from Amazon MGM Studios and Miramax, Deadline has learned.

Character details are under wraps. The Australian actor is the second of the week to join following Jaafar Jackson, the breakout star of Lionsgate’s Michael.

The pair will share the screen with Will Smith and AnnaSophia Robb, who play two FBI agents investigating a seemingly impossible murder within the impenetrable walls of a maximum-security prison.

David Gordon Green is directing from a script by David Weil and David J. Rosen, with The Picture Company’s Andrew Rona & Alex Heineman producing alongside Smith and Adam Fishbach for Westbrook Studios.

Weil and Rosen are exec producing alongside Miramax CEO Jonathan Glickman, President of Film Alexandra Loewy, COO Thom Zadra and SVP Spencer Ela, as well as James Lassiter and Miguel Melendez for Westbrook Studios, with Natalie Laine Williams serving as associate producer.

Recently seen leading the series The Last Frontier and Murdaugh: Death in the Family for Apple and Hulu, respectively, Clarke is currently in talks for a role in Michael Mann’s Heat 2. We were first to report on him being eyed for the anticipated Amazon MGM/UA sequel back in May.

Most recently on set of A Quiet Place 3 for Paramount/Skydance and director John Krasinski, Clarke will also be seen coming up in the Amazon MGM thriller Ally Clark with Viola Davis, as well as Tom McCarthy’s The Statement for Sony Pictures Classics, and Warner Bros.’ Taylor Sheridan-penned F.A.S.T.

CAA Media Finance brokered the deal between Miramax and Amazon MGM, which will release Supermax on Prime Video in more than 240 countries and territories worldwide.

Clarke is repped by Robert Stein Management, CAA, and Goodman, Genow, Schenkman.

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