EXCLUSIVE: Disability Belongs, a national disability-led nonprofit known for creating systemic change in how society views and values people with disabilities, has announced a new virtual cohort of participants for its 2026 Entertainment Lab.

In its eighth year, the Lab has become a growing pipeline for disabled talent. The cohort — which includes writers, directors, producers, and those working in physical production — will engage in interactive presentations, roundtables, and skill-building workshops with top executives and talent from major studios, networks, and production companies.

The 2026 participants are Aaron Potter, Allison White, Analesa Fisher, Brian Cohen, Brianna Naderpour, Clare Cooney, Corey Allen Evans, Dashiell Meier, Fionntán Price, Frances Rubio, Greg Jeffs, Jessiline Berry, Karen Jeynes, Kryzz Gautier, Lamont Lamar, Madeleine Shelley, Mary Pat Bentel, Matthew Yeungong Hua, Megan Metzger, Nathan Willis, Peter Soby, Serena Dykman, Shani A. Moore, Simone Brazzini, and Sophie Ostrove.

The cohort includes 10 writer/directors, six TV writers, four screenwriters, three documentary filmmakers, one producer and one music composer. The Fellows are based in Los Angeles, New York City, and 11 additional cities across North America, as well as Cape Town, South Africa.

“As someone who started in this business with no contacts, I’m passionate about helping others break in,” Nathan Varni, Executive Director of Current Programming at ABC Entertainment Group and Disability Belongs Board member, said in a statement on Friday. “This Lab is cultivating the next wave of talented writers, producers, and directors who are reshaping Hollywood.”

Launched in 2019, the Entertainment Lab is one of several pipeline programs offered by Disability Belongs for disabled entertainment professionals. The 2026 Disability Belongs Lab, which runs from May to September, is supported in part by Netflix and Sony Pictures Entertainment.

Alumni of the program have gone on to work with major studios and platforms, including Disney, Netflix, Paramount Pictures, and Sony Pictures Entertainment, premiering projects at major festivals such as SXSW, and participating in professional development programs, including those offered by the Sundance Institute.

“Being an alumna of various Disability Belongs programs in the Lab back in 2020, and after that, when I started working with them as a fellow, was really my first start in consultation work in the entertainment industry,” Ava X. Rigelhaupt, a program alumna, said in a statement. “I learned from really some of the best people, like Lauren Appelbaum and my cohort at that time, on how to work with studios of various sizes—from indie studios to Disney—how to give notes, listen to their needs, and provide solutions to these different projects. I also learned how to negotiate and push back, emphasizing not just your perspective of why you would like this change, but also that there are always nuances and people who agree and disagree, research, and the disability community’s need for true inclusion and representation. I learned how to advocate for that with different people, understanding what various people need and how you might be able to weave in some great stories.”

The Devil Wears Prada is already parading down the box office runway in fine style, nearly two decades after the first film turned into a sleeper box office hit on its way to earning $326.5 million globally and becoming a cultural touchstone.

The sequel grossed $10 million in Thursday previews, one of the best showings ever for female-fueled fare, and not far behind current box office hits Michael and Project Hail Mary.

In August 2023, Blake Lively and Justin Baldoni’s It Ends With Us, another female-led hit, earned $7 million in previews on its way to grossing north of $350 million worldwide; its weekend opening came in at $50 million.

The Devil Wears Prada 2 holds the formidable distinction of becoming the first female-driven movie in modern history to kick off the summer box office, a duty that has almost always gone to a Marvel superhero pic or a Fast & Furious title.

Prada 2 is attracting moviegoers across all age groups who are eager to see original cast members Meryl Streep, who plays a legendary, searing fashion magazine editor, Anne Hathaway, Stanley Tucci and Emily Blunt reunite. Another boon for the project: David Frankel returned to direct alongside writer Aline Brosh McKenna.

Overseas, Prada 2 has already earned a sensational $40.5 million in it first two days from its first 42 markets (including sneak previews). And the film posted the highest opening day of the year to date in in Brazil, Italy, Korea and Australia as well as Belgium, Bulgaria, Saudi Arabia, UAE, Greece, Ukraine, New Zealand, Taiwan and the Philippines.

“If you go into The Devil Wears Prada 2 looking for fierce fashion porn, bitchy put-downs and a fresh dose of Meryl Streep’s iconic performance as imperious Anna Wintour clone Miranda Priestly, you are unlikely to be disappointed,” reads THR chief film critic David Rooney’s review.

TikTok users will be able to buy movie tickets going forward, starting with Paramount‘s upcoming Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) movie which opens on May 8.

This is all part of a new collaboration between the social media platform, Paramount and Fandango.

TikTok users based in the United States can now purchase a digital promo code for a standalone movie ticket directly through TikTok Shop via Fandango’s official product page, bringing a seamless, in-app path from content discovery to ticket purchase. Once purchased, users can redeem their codes and select showtimes through Fandango’s platform. 

“This collaboration represents a meaningful evolution in how audiences discover and engage with theatrical experiences,” said Tamar Teifeld, SVP Digital Marketing, Paramount Pictures. “By meeting fans where they are, on TikTok, we’re creating a smooth journey from excitement to attendance.”

“This partnership underscores Fandango’s commitment to meeting fans wherever they discover entertainment,” said Claire Ripsteen, SVP Marketing & Partnerships, Fandango. “By integrating ticketing directly into TikTok Shop, we’re bringing fans closer to the theatrical moment and unlocking new opportunities for studios to drive engagement.”

“TikTok is where fans go to experience and celebrate the moments they care about most. With this TikTok Shop integration—and in partnership with Paramount & Fandango—we’re making it easier than ever for that excitement to translate into action, bringing fans from discovery to the theater in a way that feels seamless and native to how they already engage on the platform.” Yansy Campos, Vertical Director, Media & Entertainment for TikTok.

TikTok is essential part of any major motion picture’s marketing push. Last year alone, an average of 6.5 million posts about film and TV were shared daily on the platform. With over 3 million combined posts and a 54% year-over-year increase, hashtags like #FilmTok and #MovieTok have become central to how moviegoers discover and engage with new theatrical releases.

Oscar winning filmmaker and Eilish are the directors behind her new concert film.