
‘Holy Crowd’
The Cannes Critics’ Week, the sidebar that runs alongside the main Cannes Film Festival, has unveiled the four short films created for its Next Step Studio initiative from four young directors from Indonesia.
The first edition of Next Step Studio has given them a voice by enabling them to co-write and co-direct shorts. which will be screened during the 65th edition of the Critics’ Week.
Its Next Step workshops aim to support young talent in world cinema and allow them to move from short to feature films. “Continuing the concept initiated by La Factory at the Directors’ Fortnight since 2013, the program supports the emergence of new voices in cinema around the world,” Critics’ Week organizers said. “Each year, it takes place in a different country and highlights local cinema, bringing together eight emerging directors – four local and four international – to co-write and co-direct four 15-minute short films.”
The first 10 editions explored film talent from Taiwan, Chile, Finland, Denmark, South Africa, Lebanon, Tunisia, five Balkan countries, northern Portugal, the Philippines, and the state of Ceará in northeastern Brazil. More than 80 filmmakers have participated in the program and nearly 50 first feature films have been made.
This year’s edition, produced by Yulia Evina Bhara, Amerta Kusuma and Dominique Welinski, creator and curator of the program, is co-produced by Indra Sashi Kalanacitra, VMS Studio, Visinema Pictures, Navvaros, Entertainment, Poplicist Publicist, Salaya Yachts, Arungi Films, Prodigihouse, Titrafilm, A La Plage Studio, Jakarta Film Week, The Jakarta Provincial Government and the Ministry of Culture of Indonesia in partnership with the French Embassy in Indonesia, Timor-Leste, and ASEAN, and the French Institute Indonesia.
Here is a look at the four short films that will screen during the Critics’ Week in Cannes, which runs May 13-21.
Holy Crowd
Directors: Reza Fahriyansyah (Indonesia) and Ananth Subramaniam (Malaysia)
Indonesia, France – 2025 – 16′ – language: Indonesian

‘Holy Crowd’
Synopsis: “After Ratna rises from the dead during her funeral, her silent body begins performing unexplained healings, turning her husband Arif into the reluctant center of a growing frenzy. As villagers, opportunists, and religious authorities descend, faith and exploitation collide, and the miracle spirals beyond control.”
Cast: Prilly Latuconsina, Yusuf Mahardika, Yudi Ahmad Tajudin, Arswendy Bening Swara
DOP: Vera Lestafa, Indonesian Cinematographers Society
Editor: Carlo Francisco Manatad
Original Wound
Directors: Shelby Kho (Indonesia) and Sein Lyan Tun (Myanmar)
Indonesia, France – 2026 – 14′ – language: Indonesian

‘Original Wound’
Synopsis: “After their mother’s death, a brother and sister remain in the house shaped by her control, negotiating conflicting memories of abuse and care. As ritual, body, and memory intertwine, their grief exposes a deeper entrapment, one that persists beyond her absence.”
Cast: Agnes Naomi, Omara Esteghlal, Vivian Idris
DOP: Vera Lestafa, Indonesian Cinematographers Society
Editor: Carlo Francisco Manatad
Annisa
Directors: Reza Rahadian (Indonesia) and Sam Manacsa (Philippines)
Indonesia, France – 2025 – 14′ – language: Indonesian

‘Annisa’
Synopsis: “In a crowded housing complex, Anissa, a blind teenage girl navigates a world mainly shaped by sound. As a neighborhood national day celebration unfolds around her, she finds an unexpected way to be heard, reclaiming her place within the noise that surrounds her.”
Cast: Choirunnisa Fernanda, Nazira C. Noer, Shakeel Fauzi
DOP: Faozan Rizal, Indonesian Cinematographers Society
Editor: Carlo Francisco Manatad
Mothers Are Mothering
Directors: Khozy Rizal (Indonesia) and Lam Li Shuen (Singapore)
Indonesia, France – 2025 – 17′ – language: Indonesian

‘Mothers Are Mothering’
Synopsis: “Nia, 50, in an abusive marriage, navigates a fragmented inner world where desire, memory, and ritual intertwine. A reunion with a former lover reawakens intimacy but exposes the persistence of violence and entrapment. As reality dissolves into hallucination, she reaches for a final, elusive escape.”
Cast: Happy Salma, Asmara Abigail, Yudi Ahmad Tajudin
DOP: Deska Binarso, Indonesian Cinematographers Society
Editor: Carlo Francisco Manatad
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As a new filmmaker offering a new take on Leatherface more than 50 years after the original Texas Chainsaw Massacre, Curry Barker recently teased his plans for the reboot.
The YouTube comedian and filmmaker, who was announced as the writer and director of the upcoming reimagining last month, explained that he’s intrigued by “the uncomfortability of the family” that raised the chainsaw-wielding serial killer.
“I think of it as respecting the source material,” he told Total Film. “I absolutely love the original film, but I want to do something that’s different. I’m not gonna stray away too far from what we know, but just making it stronger.”
Barker added, “Really, I want to lean into the uncomfortability of the family. I want to lean into the rawness of what’s going on there. There’s some really messed up stuff happening at that farm. I genuinely feel there’s so much potential for that concept that has not been realized.”
Noting that the 2003 Marcus Nisplel-helmed remake “was my favorite” of the franchise, Barker recalled, “It was like my first horror movie I’d ever seen when I was a kid, and I actually think it’s a decent remake.”
“Still, there’s so much that that concept hasn’t really leaned into or hasn’t dived [into],” said Barker. “So, I actually feel like there’s a lot to explore, so I’m really excited about it.”
Last month, Deadline reported that Barker has been tapped to write and direct the Texas Chainsaw Massacre reimagining from A24 (seperate from the studio’s TV series in the works from JT Mollner and producers Glen Powell and Dan Cohen at Barnstorm).
The franchise originally began with the 1974 horror classic The Texas Chain Saw Massacre, created by Tobe Hooper and Kim Henkel and starring Gunnar Hansen as the murderous Leatherface.
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EXCLUSIVE: Here’s some fun casting. Three-time Oscar nominee Ralph Fiennes (Conclave), Oscar nominee Colin Farrell (The Banshees of Inisherin) and recent Oscar nominee Wagner Moura (The Secret Agent) are teaming up on comedy movie Art.
This is an English-language adaptation of the popular play of the same name by French playwright Yasmina Reza and it has attracted a great team. Moura’s fellow Brazilian Oscar nominee Fernando Meirelles (City Of God, The Two Popes) is aboard to direct. Multiple Oscar winner Christopher Hampton (The Father) has adapted.
The play deals with art and friendship. It follows three long-time friends, Serge, Marc, and Yvan. Serge, indulging his penchant for modern art, buys a large, expensive, completely white painting, with some slightly-less white lines. Marc is horrified that Serge would waste such money on this, and their relationship suffers considerable strain as a result of their differing opinions about what constitutes “art”. Their troubled friend, Yvan, finds himself caught in the middle of the conflict. He attempts to please and mollify both of them, but this only serves to make things worse.
Producers are Charles Finch (Priscilla) and Tracy Seaward (Philomena, The Queen). Patrick Wachsberger’s 193 is launching sales at the Cannes market.
The play opened in Paris in 1994 and has been staged in London’s West End, on Broadway and in Sydney, Australia. The show has attracted a host of well known actors. Most recently, a Broadway version starred Bobby Cannavale, James Corden and Neil Patrick Harris.
There have been talks behind the scenes for years about a potential movie version of the play and it is now coming together with a top team.
The project reunites Meirelles with Fiennes after they teamed on Oscar winner The Constant Gardner; and the director with Farrell after they collaborated on Apple series Sugar; the filmmaker has produced multiple projects starring Moura, including film VIPs.
CAA Media Finance is repping domestic.
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Art? Made my humans? Goundbreaking!
As The Devil Wears Prada 2 struts into theaters this weekend, the long-anticipated sequel is earning unexpected praise for what appears to be an AI-generated meme of Meryl Streep‘s Miranda Priestley in the movie, which was actually created by a real human artist.
During the movie’s release on Friday, artist Alexis Franklin shared the work she created for the film, an AI-style image of Miranda as a fast-food worker. “Would you like some lies with that?” the meme reads.
“I got to paint this at the request of [director] David Frankel for The Devil Wears Prada 2 (it shows up in the movie),” wrote Franklin on Instagram, treating fans to a time-lapsed video of her process. “Absolutely no disrespect to Queen Meryl, but this is something I would’ve painted in my free time, so when they asked me to do this it was nothing but fun.”
With the potential of generative AI seemingly looming over the entertainment industry, the mere act of hiring a human to create a piece of art that easily could have been manufactured with a well-worded prompt, has become something to celebrate on social media. “The bar is truly in hell,” as one fan so succinctly put it.
In the comments section, one follower rejoiced, “So refreshing it not being AI.”
Over on X, one person reacted, “OMG this one was actually made by an artist??? And it was made to look AI?”
“They really said and FUUUCKKKK AI!!!! Everybody CHEERED,” another posted.
“Currently obsessed with the fake AI artwork they used to criticize AI on The Devil Wears Prada like… THEY COMMISSIONED AN ARTIST TO ILLUSTRATE AN AI LOOKING PHOTO…. This fucking movie is 10s and 10s EVERYWHERE,” a satisfied moviegoer wrote.
On Saturday, Franklin said she was “flooded with comments of relief that this gag in The Devil Wears Prada 2 was created by an actual human (me),” adding that she believes “these companies should get their flowers when they hire an artist.”
“The bar is truly in hell,” one fan responded on X.
Now in theaters, The Devil Wears Prada 2 sees the fashionable return of Meryl Streep as Miranda Priestley, Anne Hathaway’s Andi Sachs, Emily Blunt as Emily Charlton and Stanley Tucci as Nigel Kipling, with the familiar characters struggling in a state of declining print media.
Tracie Thoms and Tibor Feldman also reprise their roles from the original 2006 Aline Brosh McKenna-penned film, with Kenneth Branagh, Simone Ashley, Lucy Liu, Justin Theroux, B.J. Novak, Pauline Chalamet, Rachel Bloom, Patrick Brammall, Conrad Ricamora and Lady Gaga also joining the cast.
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