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NBC Pilot Buzz: ‘Sunset P.I.’, ‘Rockford Files’ & More Contenders

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In hindsight, maybe the broadcast networks should’ve always done as few as eight pilots a year. That’s how many NBC ordered this season — five dramas and three comedies — and the crop may have produced as many strong series contenders as the contingents of 20-25 pilots the networks used to pick up in a single year back in the day.

Going into internal screenings this week, there was solid buzz on virtually all eight NBC pilots. Not much has changed as the screenings did not seem to whittle down the batch of pilots significantly, so testing results may help break some ties.

NBC is now moving to the final stage of preparations for its May 11 upfront presentation, locking in the 2026-27 schedule, and the holes that need filling may be the deciding factor which pilots get ordered to series. Word is that the final pickup and cancellation decisions won’t come until late next week.

That said, the early NBC pilot frontrunners, the Dan Goor/Luke Del Tredici single-camera comedy starring Jake Johnson, now titled Sunset P.I., and The Rockford Files reboot starring David Boreanaz, have remained strong.

Sunset P.I., in particular, is considered the undisputed frontrunner of the entire pack, with its series order considered a formality as a potential companion for St. Denis Medical.

The field is wider on the drama side but The Rockford Files is believed to still be a sure bet, with Boreanaz getting a lot of props for his take on the classic PI, delivering the right mix of rugged charm and dry wit.

NBC’s strategy of hiring established TV stars for its pilots seems to be paying off as the actors are winning over those who have seen the pilots. Emily Deschanel and Taylor Schilling are both getting high marks for their performances in Key Witness (fka untitled Dean Georgaris/John Fox) and What The Dead Know, respectively.

That could be one of the two ties that would need breaking. NBC is said to be keen on picking up a new female-led procedural that could be paired with the network’s stalwart, Law & Order: SVU. What The Dead Know, from SVU producer Wolf Entertainment, was developed with that compatibility in mind, I hear, but Key Witness has strong support too. I hear the two may be vying for one slot.

Also getting positive feedback and in the running for an order is drama In the Line of Fire (fka Protection, which is more serialized than the pure procedural pilots and has a strong family element. Peter Krause is the star, Hope Davis the female lead, with sources praising how good the two are together.

Puzzled, starring Damon Wayans Jr., has been, well, puzzling. It is — quiet intentionally — lighter and funnier than the other drama pilots, with Wayans Jr. cracking jokes as he solves crimes. That is not necessarily NBC’s drama brand; Puzzled is more in line with ABC’s current light procedural bent. While considered a longer shot for a series order than others, NBC brass are keeping Puzzled in play in case an hourlong drama is needed to follow a half-hour comedy on the schedule, I hear.

Another possible bake-off situation is emerging on the multi-camera comedy side where two pilots, Newlyweds, starring real-life married couple Tèa Leoni and Tim Daly (with some scene-stealing guest star action from the project’s executive producer Jamie Lee Curtis), and Jill & Ginger (fka untitled Kari Lizar), starring Katey Sagal and Jane Lynch, have come in at a similar level, with great chemistry between the two leads on both projects.

There is a small chance for both to go; the more likely scenario is for one to be picked up as a companion to Reba McEntire’s Happy’s Place.

NBC this afternoon made its first cancellations for 2026-27, single-camera comedy Stumble and drama Brilliant Minds. That is not helping much in cracking the pilot puzzle as those slots would easily be taken by Sunset P.I. and The Rockford Files.

Beyond that, NBC has a mix of four drama pilots and two bubble drama series, Law & Order and The Hunting Party, to work with. (On the comedy side, The Fall and Rise of Reggie Dinkins is looking good for renewal, likely with another shorter order.)

The more pilots the network wants to pick up to series, the more bubble shows it will have to cancel as NBC’s primetime inventory is limited, with NBA basketball and NFL football accounting for a significant chunk of the real estate.

Peacock is a wild card. An NBC drama pilot could conceivably get picked up by the sibling streamer instead, though it is unclear how realistic that scenario is.

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Federal Film TV Tax Credit: Execs On Impact, Timeline, Price Rises

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At this weekend’s Zurich Summit a group of film financiers were asked by Deadline for their thoughts on the prospects of a U.S. federal film incentive.

Last week, a bipartisan group of lawmakers unveiled the bill for a 20% incentive, which with bonuses could bring the total rebate to 30%. The move has long been called-for by the U.S. industry concerned by the exodus of production overseas.

Alex Walton, former Co-Lead & Partner at WME Independent, told the Summit the move was “hugely positive”: “It’s wild to think there hasn’t been an efficient tax credit in America. It has helped many other countries. Spain is booming because of it now; and all over Europe. It’s going to take some time to be realized and for financial institutions to be able to cash flow it. But you’ve got to believe it will happen within the next three-four years, and then that will see all the foreign tax credits compete harder to maintain their positions.”

A start date is not yet set. The proposed text from last week stated that the credit would apply to qualifying film and TV productions beginning in taxable years after December 31, 2026 (effectively targeting projects starting in 2027). But bills can take years to pass.

Andrea Scarso, Managing Partner at prolific financier IPR.VC, whose credits include Marty Supreme and Materialists, agreed that a U.S. incentive would be “positive” but also cautioned against rising production costs: “It remains to be seen whether the prices and budgets are also going up by the same amount, which is something that happens in some foreign territories when they increase the amount of tax credit or soft money. It’s always a balance. But overall, I think it’s good news.”

Sarah Schweitzman, Co-Head CAA Media Finance, noted: “What’s important is that when you look at some of the international markets, you realize that we’re making movies there because of a tax incentive situation and I think if we’re able to federalize a tax incentive program in the U.S. it’s going to create many more jobs and invigorate crews, which is something we absolutely need in the U.S.”

A recent Motion Picture Association study claimed that a federal film tax credit could increase U.S. production spending by $125BN and add more than 143,000 jobs by 2035.

You can read more about the bill here.

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John Turturro on Joining Oscar Race and ‘Severance’ Season 3

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Hot on the heels of his Golden Eye award ceremony on Saturday night, John Turturro entertained another crowd at a Zurich Film Festival masterclass on Sunday.

The Emmy-winning U.S. star has been recognized for his performance in Noah Segan’s The Only Living Pickpocket in New York, a project that is already garnering awards buzz. In the film, Turturro plays Harry, a seasoned pickpocket whose carefully controlled life is thrown into turmoil when a job goes wrong, setting off a tense chain of events that unfolds over the course of 36 hours.

In a career-spanning conversation with Deadline‘s Melanie Goodfellow — the actor’s shining Golden Eye trophy neatly nestled between them — Turturro discussed growing up in an immigrant household, his decades-long friendship with Spike Lee, and the transition from acting to filmmaking.

Turturro, who has steadily become one of the industry’s most formidable actors yet to put “Oscar nominee” on his resume, was asked about joining the best actor race this year with the Sundance success The Only Living Pickpocket in New York. “I never really have gone the whole hog with it,” he responded about the upcoming awards campaign. “But now I’m the lead in the film, so I’m going to support the film because I love the film.”

He explained that being pulled into awards conversations is “helpful to help you do the next thing.” Turturro continued: “Is it nice to be acknowledged? Great, but that’s not why you do it. […] Just because a film is really popular doesn’t mean it will have staying power, but it’s nice to be in the conversation. I don’t look upon myself as being a competitive person. I’m competitive with myself,” he added. “I want to get the most out of what I can do, but it’s not sports!”

However, he admitted to feeling surprised by the positive critic reaction out of Sundance. “Finally,” he thought, “I’m in something that people will see… My job is I like to try to improve, and I feel like being an actor is one of the few things you can improve in. You may not be able to run as fast as you did when you were younger, but I have a lot of life experience, and as you get older, you accumulate that, and you can distill things in a way that you couldn’t do when you were young, because you didn’t really experience all those things. And now I’ve experienced life, death, loss, being a parent, being married — what it is to really love someone versus falling in love. That’s a huge difference,” he giggled.

Turturro regaled attendees with stories about his impressive stage career. He naturally came on to two major TV performances of his in the last decade: HBO’s The Night Of and Apple’s Severance.

He coyly confirmed a return for his character, Irving Bailiff, in season three of the Emmy-winning Severance with Adam Scott. “Yeah,” he (eventually) told the room. “As long as they give me interesting things to do, then I’m interested.” He swiftly took the opportunity to gush over friend and colleague Christopher Walken, whose character, Burt Goodman, began a romance with Turturro’s Irving in season one. “‘Who’s going to be my love interest?’” Turturro asked before joining the show. “And they were like, ‘All these younger guys.’ I said, ‘Well no, I’ve worked with Chris Walken,’ and I said, ‘I want Chris, because I love Chris.’ And I don’t have to act that I love him because I love him.”

Though Walken “didn’t understand a lot of the show,” Turturro was able to guide him through their authentic, real-life friendship. “I said, ‘Don’t worry about it. You just look at me.’ We have so much fun because I directed him like three times, and we’ve acted, and we’ve worked together a lot. And he’s a wonderful theater actor, and people obviously think he plays only strange [characters] but he can do a lot of different things. He’s also very sensitive, but he has a childlike joy in his work, and when that happens, anything is possible.”

Turturro received a round of applause when discussing the HBO crime drama The Night Of, which ran for one season in 2016 and co-starred Riz Ahmed. It would later win five Emmys, and Turturro was nominated for his role as the eczema-stricken defense lawyer John Stone. “The Night Of is something I’m very proud of,” said Turturro on Sunday. “It was originally a BBC thing, which I actually never watched because I didn’t want to be influenced.”

He even confirmed that he actually wanted to do another season of it. “But they couldn’t agree on what the story would be,” revealed the actor. “But I loved doing it. It was one of those great experiences in my life.”

Turturro’s career spans four decades, having worked with acclaimed directors such as Spike Lee, the Coen brothers, Martin Scorsese, Robert Redford, Robert De Niro, Nanni Moretti and Pedro Almodóvar.

He first gained international recognition through his collaborations with Lee, appearing in Do the Right Thing and Jungle Fever. With Joel and Ethan Coen, he acted in Miller’s Crossing, Barton Fink, O Brother, Where Art Thou? and The Big Lebowksi, in which Turturro created the iconic Jesus Quintana. For his lead performance in Barton Fink, he won best actor at the 1991 Cannes Film Festival, an experience that Turturro reflected on at his Zurich masterclass. He even confessed to feeling like he lands “more normal” roles in Europe than across the Atlantic, and said he has turned down scripts “again and again” that involve his character being violent towards women.

At his Zurich Golden Eye ceremony Saturday night, Turturro collected the award and quoted Italian novelist Cesare Pavese. “[He] once said that the only great thing in life is to begin. I still consider myself a beginner in many ways,” said the star. “I’m very fortunate. I wanted to make a living doing something that interested me and to do interesting work — to share that with an audience, [and that] wouldn’t diminish their intelligence at the same time,” he laughed. “I consider this an encouragement to continue.”

Turturro joins 2026 Zurich honorees Julianne Moore and Tom Hiddleston. The 22nd edition runs Sept. 24-Oct. 4.

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‘SNL’: Jalen Brunson Dunks On ‘High School Musical ‘ Lead In S52 Premiere

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Following the Knicks’ big win at Madison Square Garden, Jalen Brunson took the stage at 30 Rockefeller Center for his Saturday Night Live hosting debut.

On Saturday’s Season 52 premiere, the NBA Finals 2026 MVP showed off some comedic chops in an otherwise business-as-usual episode of the NBC sketch comedy show, which featured Katseye as its musical guest.

Introducing new cast members Grace Reiter and Saidah Belo-Osagie, Katseye returned to a parody season of The Debut: Dream Academy to crown a new girl group. The quartet also performed in a mini music video with the awkward group of ladies, also featuring Jane Wickline and Veronika Slowikowska.

The next sketch was a support group featuring Brunson as one of several men whose spouses were grinded on at Usher and Chris Brown’s The R&B Tour.

“When I spent $1,200 on that meet-and-greet, I never expected her to actually greet his meat,” said Brunson as the other group members comforted him.

Katseye on ‘Saturday Night Live’

Jeremy Culhane and Jalen Brunson in ‘Saturday Night Live’

Jalen Brunson, Jeremy Culhane and Ben Marshall on ‘Saturday Night Live’

Brunson also starred in the parody sketch High School Musical: The New Generation as an athletically gifted new student who hilariously keeps dunking on the new Troy Bolton stand-in (Jeremy Culhane) and steals his girlfriend (Slowikowska).

As Shark Tank judge Daymond John, Brunson asked if the invention Respectacles, a pair of glasses that sounds an alarm when the wearer looks at breasts, “works for ass.” The inventors’ (Culhane and Ben Marshall) presentation keeps getting interrupted as they check out Lori Greiner.

Saturday Night Live kicked off its 52nd season this weekend on NBC with host Brunson and musical guest Katseye. The season continues with guest hosts Dakota Johnson, Shane Gillis and Inde Navarrette, along with musical guests Turnstile, Rosalía and Gracie Abrams.

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