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Mubi Takes Na Hong-Jin’s Cannes Contender ‘Hope’

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Ahead of Cannes, Mubi has snatched up rights across multiple international territories for Hope, the new sci-fi action thriller from South Korean director Na Hong-Ji (The Wailing, The Yellow Sea), which will premiere in the Cannes competition lineup later this month.

Mubi secured all rights for Hope in Latin America, Italy, Spain, Germany, Austria, Switzerland, and Turkey. The company will announce its Hope theatrical release plans in the coming months. After the theatrical bow, the film will move to Mubi’s streaming platform.

Hope is set in Hope Harbor, a remote village near the Demilitarized Zone (DMZ) separating North and South Korea. News that a tiger has appeared sets the village in panic, but with the local police chief investigating, he finds an even more shocking reality.

The film features Korean stars Hwang Jung-min (The Wailing), Zo In-sung (Moving) and Hoyeon (Squid Game), alongside Michael Fassbender, Alicia Vikander, Taylor Russell and Cameron Brittona. The film was produced by Na’s production banner, Forged Films, and Plus M Entertainment, which is also handling international sales.

Mubi has had success with several of its Cannes acquisitions from last year, including Joachim Trier’s Sentimental Value, Kleber de Mendonça Filho’s The Secret Agent, and Jafar Panahi’s It Was Just An Accident. Mubi is a producer on Paweł Pawlikowski’s Fatherland, also premiering in Cannes Competition this year, and on Jane Schoenbrun’s hotly anticipated Teenage Sex and Death at Camp Miasma, which will be the opening film of the Un Certain Regard sidebar.

Na is represented by UTA, M3 Global Strategy, Ziffren Brittenham, and Sunshine Sachs Morgan & Lylis. Vikander is represented by UTA, Sloane, Offer, Weber & Dern, Tapestry. Russell is represented by UTA and Lichter, Grossman, Nichols, Feldman, Rogal, Shikora & Clark. Fassbender is represented by Conor McCaughan, Range Media Partners, Sloane, Offer, Weber & Dern, Tapestry. Hoyeon is represented by CAA, BH Entertainment, Sloane, Offer, Weber & Dern (SOWDLLP), and Apex PR. Britton is represented by UTA, Venture Entertainment Partners, and Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner Auerbach Hynick Jaime LeVine Sample & Klein.

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Robert Pattinson’s Batman Would Be Tough to Exist in James Gunn’s DCU

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Robert Pattinson doesn’t see his version of Batman interacting with other DC superheroes within James Gunn‘s cinematic universe.

While Batman and Superman have one of the most famous friendships in DC Comics, the Primetime star recently explained to LADbible why it would be “tough” for director Matt Reeves’ version of Bruce Wayne to exist in Gunn’s DCU, such as with David Corenswet’s Superman.

“I think it would be kind of tough to have this version of Bruce outside of that world. It’s one of the only characters, I guess because of the length of the shoots but also it’s such a specific kind of [style], the tone of it gets inside you,” Pattinson said. “I remember that happened to me the last time I did it, it took a while. You’re just in the dark, the whole time. Both mood-wise and light-wise, I can’t see anything for like months. It does affect you; like you feel strange afterwards.”

Reeves’ The Batman, released in 2022, is a darker take on the iconic character, as it’s a grounded psychological crime noir rather than a typical superhero action pic. The film sees Pattinson’s Batman investigate Gotham’s hidden corruption after a sadistic serial killer begins murdering key political figures.

Pattinson reprised his character for Reeves’ The Batman Part II, which is currently in production and set to hit theaters on Feb. 18, 2028.

The Odyssey actor recently teased to Collider that the sequel is “a real left turn from the first” movie, adding that “it’s so ambitious.”

“The first one was a different take on a Batman movie, and this one is another… It’s a real left turn from the first one, but somehow it keeps elements of the kind of feel of it,” he explained. “But it just feels really ambitious, and I’m excited to see how it turns out.”

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Bill Gates Warns AI Could “Cause A Billion Deaths”

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As Trump brushes off the need for additional guardrails around artificial intelligence, Bill Gates is sounding the alarm.

In a recent interview, the Microsoft co-founder urged the U.S. government to implement regulations around the development of AI, following a meeting with CEOs of several of biggest AI companies, who agreed it’s necessary to slow down the pace of the growing tech.

“No one thinks self-regulation is enough,” he said on NBC News’ Meet the Press. “You need law enforcement and the politicians to get into the discussion about what safeguards and monitoring look like. And that has to be a required thing. And it will be a little bit of overhead for the industry, but not a dramatic slowing of what they’re doing.”

Gates added, “AI is certainly powerful enough to drive events that, you know, cause a billion deaths. You know, so even though it’s pretty hard to get to 100%, there’s never been a weapon as powerful as the combination of people with ill intent using the latest AI tools.”

Following recent warnings from those working in AI, California Gov. Gavin Newsom signed an executive order this month to fast-track stringent oversight and control of AI. Convening “a group of world-leading experts” within the next 60 days, the order lays out a discussion of “safety plans” and “an emergency shutoff, or ‘kill switch,’ for frontier models.”

On a federal level, Trump has brushed off concerns about AI as “a hoax,” insisting the U.S. government “already have tremendous CRIMINAL and REGULATORY power” over AI companies.

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Jeff Probst Says “Nothing Changed” On ‘Survivor’ After CBS Scrapped DEI

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Although Paramount was one of several companies to roll back their DEI initiative when Trump was re-elected, Survivor continues to operate by it.

Host Jeff Probst recently noted that “nothing has changed” with how the reality competition series approaches diversity, equity and inclusion, noting that it was “one of the biggest positive changes ever” for the CBS show that launched in 2000.

“And if you watch our show, you know that we’re so diverse — and it’s not just skin color or ethnicity. It goes much deeper than that. It’s one of the biggest positive changes ever,” he told The New York Times. “Our stories are so much more interesting now because we have people from completely different walks of life.”

Probst continued, “I feel no pressure. No one ever says, can you count the numbers again? But Jesse Tannenbaum, who runs our casting team, knows: There’s no stopping, not because we’re told to do it. This is what we need. We need diversity. It’s for narrative. All those differences matter in the story when you throw people together and force them to rely on each other while conspiring against each other. The more diverse, the more interesting.”

In 2020, Paramount implemented a DEI initiative to make CBS and its other brands more inclusive, which the company rolled back last year amid the Trump administration’s attacks on such programs. Months later, Skydance pledged there would be no DEI policies under the Ellison’s reign as they sought the FCC’s approval of the merger.

Following its milestone 50th season, Probst returns to host Survivor for Season 51, airing Wednesdays at 8pm ET/PT on CBS and streaming live on Paramount+.

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