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Producers Guild’s Produced By Conference 2026 Speakers List: De Luca, Blum, More

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The Producers Guild is out with the list of speakers and moderators for the 2026 Produced By Conference, which is set for Saturday, May 30, on the Universal lot in Los Angeles. Have a look below.

Among the big names are Michael De Luca, co-chair (with Pamela Abdy) of Warner Bros. Motion Picture Group, which is in the thick of the Paramount merger; Blumhouse founder and CEO Jason Blum, with horror such a hot genre at the moment; and Neon founder and CEO Tom Quinn, whose company has released the past six Cannes Palme d’Or winners.

Here are all of the Produced By 2026 speakers and moderators in alphabetical order by first name. The PGA notes that the list is subject to additions and changes:

Alex Garcia
EVP Creative Affairs At Legendary Entertainment | Producer, Kong: Skull Island, Godzilla Vs. Kong

Ash Sarohia
Producer, The Gallerist, The Freshening, Unt. Hirokazu Kore-Eda

Bob Greenblatt
Founder and Producer, The Green Room | Executive Producer, Six Feet Under, The Gilded Age

Carol Mendelsohn
Showrunner and Executive Producer, CSI: Crime Scene Investigation, Executive Producer, The Faithful: Women of the Bible

Charles Roven
Producer, Oppenheimer, The Dark Knight trilogy

Chris Slager
President, Film, Fifth Season | Producer, Friendship, Nonnas

Cleo Abram
Creator and Host, Huge If True

Cynthia Littleton
Co-Editor-In-Chief, Variety

David Friendly
Producer, Friendly Films | Producer, Little Miss Sunshine, Executive Producer, Queen of the South

Donna Gigliotti 
Producer, Hidden Figures, Silver Linings Playbook

Ellen Goldsmith-Vein
Founder and CEO, The Gotham Group | Producer, Springsteen: Deliver Me From Nowhere, Juror #2, The Julia Set

Erica Lee
President and Partner, Thunder Road | Producer Sicario and John Wick franchises

Hawk Koch
Executive Producer, Wayne’s World, Producer, Keeping the Faith

Jana Winograde 
CEO, Atwist

Jason Blum 
Blumhouse, CEO and Founder

Jay Roewe 
SVP Production, Global Incentives & Production Planning, Hbo/Warner Bros. Discovery

Jed Weintrob 
Co-Founder and Partner, 30 Ninjas

Jennifer Howell 
Chief Creative Officer, Deep Voodoo

Joanna Popper
CEO, Laurel Beach

Joe Farrell 
Executive Producer, American Vandal, Producer, Weird: The Al Yankovic Story

Joe Lewis 
CEO, Amplify Pictures | Executive Producer, 100 Foot Wave, Fleabag

Julina Tatlock 
Partner, 30 Ninjas

Lauren Neustadter 
President, Film and TV, Hello Sunshine

Lori Mccreary 
CEO, Revelations Entertainment | Co-Founder, Foodfight USA

Michael De Luca 
Co-Chair and CEO, Warner Bros. Motion Picture Group

Michelle Khare
Creator and Host, Challenge Accepted)

Mike Farah 
Executive Producer, Between Two Ferns with Zach Galifianakis, Producer, Weird: The Al Yankovic Story

Poppy Hanks 
EVP Development and Production, Macro Film Studios | Producer, Freaky Tales, Blue Bayou

Sam Pressman 
CEO, Pressman Films | Producer, Bad Lieutenant: Tokyo, Dailland

Sara Murphy 
Producer, One Battle After Another, If I Had Legs I’d Kick You

Sev Ohanian 
Founder and Producer, Proximity Media | Producer, Sinners, Searching

Stephanie Allain
Producer, Hustle & Flow, Exhibiting Forgiveness

Tom Quinn
CEO and Founder, Neon

Tommy Oliver
Filmmaker, Fancy Dance, Going To Mars: The Nikki Giovanni Project

Will Schildknecht 
Partner, Latham & Watkins

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Neil Patrick Harris Set For ‘Damn Yankees’ Broadway Revival

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Whatever Lola wants, Broadway provides! A Damn Yankees revival is set for the Great White Way in Spring 2027, with Neil Patrick Harris as the devilish Mr. Applegate.

On Sunday, the Tony-winning actor arrived at Yankee Stadium in the Bronx to announce the revival in a press conference, along with co-stars Julianne Hough and Austin Scott, who have been cast Mr. Applegate’s seductive assistant Lola and the susceptible young baseballer Joe Boyd.

Beginning previews at the Marquis Theatre on March 24, 2027, one day before the first Yankees game of the season, the official opening night is set for April 20.

Directed and choreographed by Sergio Trujillo, additional casting will be announced soon for the latest update of Richard Adler, Jerry Ross, George Abbott and Douglass Wallop’s 1955 musical comedy, featuring a new book by Will Power and Doug Wright, with additional lyrics by Lynn Ahrens.

Set in 2000, this version of Damn Yankees sees impassioned Baltimore Orioles fan Joe Boyd makes a deal with charming stranger Lola to give him and his team a second chance. But he’s not quite prepared for the consequences of his wish.

Watch the press conference below:

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Indie Film Box Office: ‘Your Mother Your Mother Your Mother’ Opens Strong

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Bassam Tariq’s Mahershala Ali-starring TIFF favorite Your Mother Your Mother Your Mother had a strong limited opening as distributor Amazon MGM launched the awards contender into a platform release hewing to the path of American Fiction..

Also this weekend, A History of Concrete had a terrific expansion, as did If I Go Will They Miss Me. Late summer phenomenon Buddy is still scaring up box office.

Your Mother Your Mother Your Mother launched in six theaters in New York and Los Angeles to $199k ($33.1k per screen average). The awards contender by Tariq (Mogul Mowgli) is Certified Fresh at 97% on Rotten Tomatoes with strong exit polling that showed a 60% ‘excellent’ with an 89% in the top two boxes and an overall 80% ‘definite recommend.’ Ali stars as Latif, a devoutly religious hitman who struggles to balance work, faith and fatherhood. When his wife dies, he embarks on a desperate journey across Houston to protect his children.

A hefty 47% of the audience for the action drama was 25–34. Some 72% is non-white with at 41% African American, 18% Hispanic, and 19% Asian.

Tariq (Mogul Mowgli) “has a unique voice” with a young cinephile audience,” says Amazon MGM Studios head of domestic theatrical distribution Kevin Wilson. “And having [Ali] as an actor is making a lot of people pay attention.”

Comps aren’t obvious but he says the best one may be 2023 multi-Oscar-winner American Fiction by Cord Jefferson, starring Jeffrey Wright. The comedy-drama had a strong limited opening ($224k) followed by a slow rollout. Your Mother Your Mother Your Mother is eyeing 15 locations next week including Atlanta, Chicago, Washington, D.C. and Austin, playing in particular to non-white audiences who championed the movie’s debut. It will hit the top 10 to 12 markets, 30 to 40 screens, the following week, and move into moderate release Oct. 16 with 500 to 800 locations.

Platform rollouts are heavily reliant on word of mouth. “The best thing is other moviegoers telling their friends how good the film is,” Wilson says. Both Your Mother Your Mother Your Mother and American Fiction are from Amazon MGM’s Orion Pictures banner, which has had a great run under President Alana Mayo with titles from Nickel Boys and Till to Bottoms and Women Talking.

New indie releases: Ha Chan,Shake Your Booty! from Sony Pictures Classics directed by Josef Kubota Wladyka opened to $236.6k on 540 screens.

The Stunt Driver from IFC Films, by Michael Dowse starring Jay Baruchel, debuted with $102k at 670 locations.

Deep In The Heart 2: A Texas Rivers Story, directed by Ben Masters and narrated by Ethan Hawke, grossed an estimated $60k from 80 theaters across the state, as per mtuckman Media. This is a follow-up to 2022 doc Deep in the Heart: A Texas Wildlife Story, narrated by Matthew McConaughey, that grossed $480k.

Janus Films presented the 4K re-release of Douglas Keeve’s UNZIPPED exclusively at the Film Forum in NYC to $24k including sold out Q&As. The doc chronicles the launch of Isaac Mizrahi’s legendary Fall 1994 collection. Expands nationwide in October.

Sumerian Pictures opened Sundance comedy The Incomer on two screens (NYC and LA), grossing an estimated $18.2k.

Greenwich Entertainment’s The Scout is eyeing a $14.5k, also at Film Forum exclusively. The debut feature from Paula González-Nasser adds LA next week.

Holdovers: John Wilson’s comedic documentary The History Of Concrete from Magnolia Pictures had a strong expansion to 50 screens (from 1), grossing an estimated $350k for a cume of $511k. Expand to over 50 markets next week.

If I Go Will They Miss Me from Rich Spirit, starring Danielle Brooks and J Alphonse Nicholson and directed by Walter Thompson-Hernandez, is reporting $158k in week 3 on 101 screens for a $758k cume. Many engagements saw higher box office this weekend over last despite fewer shows due to a rush of new releases, indicating strong word of mouth.

American Doctor from Watermelon Pictures passed the half million mark with $23k at 30 theaters. The cume to date is $556.7k for the Gaza-set documentary that opened August 14.

R-rated kids show horror satire Buddy from Roadside Attractions is looking at another $717k from 709 runs for a cume pushing $26.4 million since its August 28 opening.

Daniel And The Fiery Furnace from faith-based distributor EKKL Entertainment is reporting a $1.5 million second weekend on 1,301 screens for a $6.2 million cume.

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Robert Pattinson’s Batman Would Be Tough to Exist in James Gunn’s DCU

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Robert Pattinson doesn’t see his version of Batman interacting with other DC superheroes within James Gunn‘s cinematic universe.

While Batman and Superman have one of the most famous friendships in DC Comics, the Primetime star recently explained to LADbible why it would be “tough” for director Matt Reeves’ version of Bruce Wayne to exist in Gunn’s DCU, such as with David Corenswet’s Superman.

“I think it would be kind of tough to have this version of Bruce outside of that world. It’s one of the only characters, I guess because of the length of the shoots but also it’s such a specific kind of [style], the tone of it gets inside you,” Pattinson said. “I remember that happened to me the last time I did it, it took a while. You’re just in the dark, the whole time. Both mood-wise and light-wise, I can’t see anything for like months. It does affect you; like you feel strange afterwards.”

Reeves’ The Batman, released in 2022, is a darker take on the iconic character, as it’s a grounded psychological crime noir rather than a typical superhero action pic. The film sees Pattinson’s Batman investigate Gotham’s hidden corruption after a sadistic serial killer begins murdering key political figures.

Pattinson reprised his character for Reeves’ The Batman Part II, which is currently in production and set to hit theaters on Feb. 18, 2028.

The Odyssey actor recently teased to Collider that the sequel is “a real left turn from the first” movie, adding that “it’s so ambitious.”

“The first one was a different take on a Batman movie, and this one is another… It’s a real left turn from the first one, but somehow it keeps elements of the kind of feel of it,” he explained. “But it just feels really ambitious, and I’m excited to see how it turns out.”

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