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‘The Mandalorian and Grogu’: First Reactions to 25 Minutes of Footage

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There has been a ton of speculation — and a fair amount of skepticism — about the first Star Wars movie in seven years, The Mandalorian & Grogu. The trailers and two clips (below) released so far have resulted in no shortage of opinions.

On Monday night, some Star Wars fans and influencers were treated to the film’s first 25 minutes in Imax, and they’ve taken to social media to share their thoughts. Keep in mind these are influencers who did not see the full film and Disney is rather savvy about who gets invited to such events (the first fan reactions to 2025’s widely panned live-action Snow White, for example, were also enthusiastic).

Still, these are actual Star Wars fans with plenty of online followers and their opinions matter.

Their verdict?

The film’s opening was really strong, with some extended action that particularly benefited from the Imax format. Several noted that most of what has been shown in the trailers and clips was taken from these first 25 minutes, suggesting writer-director Jon Favreau might be holding back some big surprises from the latter portions of the film (this would be on brand — Favreau convinced Disney to entirely hide Baby Yoda from The Mandalorian marketing until after the first episode dropped).

If there’s a recurring negative point, it’s that the film struck many as feeling like an elevated version of a TV show rather than having the grandeur of the Skywalker Saga films (or the gorgeous Rogue One). Given that the movie is based on a TV show, that’s likely to be expected.

Here is a sample of the comments:

“The 25 minutes felt like a first episode of a new season. It’s also great to Mando kicking ass on an #imax screen. If you’re only gonna see once in theater, do imax. Sound & scope of the opening action sequence was great. Ludwig [Göransson’s] score was [fire].”

“I really liked what I saw. It has vibes of the original trilogy, the action looks great (especially in IMAX), the plot sounds interesting, and there’s a mystery at its core that caught my attention. I’m really excited!”

“The opening scene deserves credit. It’s genuinely cool. The CGI still needs some polish, but if the film keeps that momentum, it could easily turn into a hit. I wouldn’t say I didn’t like it, but something felt off when the opening credits rolled, it didn’t quite feel like a Star Wars movie. It came across more like a streaming TV film than a big-screen experience. Overall, I enjoyed what I saw and will still be seated to watch the rest on May 22nd.”

“Din Djarin is arguably the coolest he’s ever been, and Grogu is as adorable as always. While the movie’s stakes aren’t the highest, a lot of what the trailers show is from early in the film. So hopefully we’ll get some fun surprises.”

“Very entertaining, reminds me a lot of the 1st season + the OG Star Wars trilogy in terms of story structure & feel. Action is MASSIVE, the Hutts have a huge part, & I can’t wait to see the rest!”

“If you love the show (as I do), I am positive you will love the movie (just based on what we saw). It looks like the show, of course, but there is an elevated quality to it, with more polished VFX and atmosphere … Mando is still basically Star Wars John Wick and isn’t aiming for the leg when taking out bad guys, so there’s no saturation for a family audience in that regard. Grogu is still adorable and fun, so if you expect him to be like Yoda in Episode II, you’re looking for the wrong movie … Overall, I got some of the old Star Wars feelings back, and I would have stayed for the whole movie with no complaints if they let us. I don’t know if it will reverse a lot of soured SW fans and some will surely complain no matter what, but who cares? For me, it’s nice to be back in a galaxy far, far away with characters I enjoy, rather than enduring the new ones I don’t.”

“Cinematic, epic scale that demands to be seen on the big screen. Ludwig Göransson’s music gave us goosebumps. Had smiles on our faces the entire time watching the footage.”

“So, in many ways, these 25 minutes feel like an exciting premiere of a big streaming TV series, one that provides some big setpieces and tees up an exciting season of adventures. The Mandalorian and Grogu is on the big screen—on IMAX, no less, the biggest screens! That gives everything an extra sense of importance, scale, and excitement. This might not be a return to a Star Wars movie from the old days, but the scale is certainly there … it seems like The Mandalorian and Grogu is trying to be more than a TV show, though it’s unclear if its ambitious enough to seem on par with the episodic films.”

“We got to watch the first 25 minutes of Jon Favreau’s THE MANDALORIAN AND GROGU in @IMAX
on this May the 4th and it was such a treat. Already a whole lot of fun. The film looks way better on this huge screen and especially when the aspect ratio expands to the full 1.43.”

“I’m very happy to report that this movie hits the ground RUNNING! Fantastic action and adorable Grogu shenanigans. I can’t wait to see the rest!”

Here are the two clips from the film, which opens May 22.

And this clip is at the 9 minute mark:

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Neil Patrick Harris Set For ‘Damn Yankees’ Broadway Revival

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Whatever Lola wants, Broadway provides! A Damn Yankees revival is set for the Great White Way in Spring 2027, with Neil Patrick Harris as the devilish Mr. Applegate.

On Sunday, the Tony-winning actor arrived at Yankee Stadium in the Bronx to announce the revival in a press conference, along with co-stars Julianne Hough and Austin Scott, who have been cast Mr. Applegate’s seductive assistant Lola and the susceptible young baseballer Joe Boyd.

Beginning previews at the Marquis Theatre on March 24, 2027, one day before the first Yankees game of the season, the official opening night is set for April 20.

Directed and choreographed by Sergio Trujillo, additional casting will be announced soon for the latest update of Richard Adler, Jerry Ross, George Abbott and Douglass Wallop’s 1955 musical comedy, featuring a new book by Will Power and Doug Wright, with additional lyrics by Lynn Ahrens.

Set in 2000, this version of Damn Yankees sees impassioned Baltimore Orioles fan Joe Boyd makes a deal with charming stranger Lola to give him and his team a second chance. But he’s not quite prepared for the consequences of his wish.

Watch the press conference below:

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Indie Film Box Office: ‘Your Mother Your Mother Your Mother’ Opens Strong

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Bassam Tariq’s Mahershala Ali-starring TIFF favorite Your Mother Your Mother Your Mother had a strong limited opening as distributor Amazon MGM launched the awards contender into a platform release hewing to the path of American Fiction..

Also this weekend, A History of Concrete had a terrific expansion, as did If I Go Will They Miss Me. Late summer phenomenon Buddy is still scaring up box office.

Your Mother Your Mother Your Mother launched in six theaters in New York and Los Angeles to $199k ($33.1k per screen average). The awards contender by Tariq (Mogul Mowgli) is Certified Fresh at 97% on Rotten Tomatoes with strong exit polling that showed a 60% ‘excellent’ with an 89% in the top two boxes and an overall 80% ‘definite recommend.’ Ali stars as Latif, a devoutly religious hitman who struggles to balance work, faith and fatherhood. When his wife dies, he embarks on a desperate journey across Houston to protect his children.

A hefty 47% of the audience for the action drama was 25–34. Some 72% is non-white with at 41% African American, 18% Hispanic, and 19% Asian.

Tariq (Mogul Mowgli) “has a unique voice” with a young cinephile audience,” says Amazon MGM Studios head of domestic theatrical distribution Kevin Wilson. “And having [Ali] as an actor is making a lot of people pay attention.”

Comps aren’t obvious but he says the best one may be 2023 multi-Oscar-winner American Fiction by Cord Jefferson, starring Jeffrey Wright. The comedy-drama had a strong limited opening ($224k) followed by a slow rollout. Your Mother Your Mother Your Mother is eyeing 15 locations next week including Atlanta, Chicago, Washington, D.C. and Austin, playing in particular to non-white audiences who championed the movie’s debut. It will hit the top 10 to 12 markets, 30 to 40 screens, the following week, and move into moderate release Oct. 16 with 500 to 800 locations.

Platform rollouts are heavily reliant on word of mouth. “The best thing is other moviegoers telling their friends how good the film is,” Wilson says. Both Your Mother Your Mother Your Mother and American Fiction are from Amazon MGM’s Orion Pictures banner, which has had a great run under President Alana Mayo with titles from Nickel Boys and Till to Bottoms and Women Talking.

New indie releases: Ha Chan,Shake Your Booty! from Sony Pictures Classics directed by Josef Kubota Wladyka opened to $236.6k on 540 screens.

The Stunt Driver from IFC Films, by Michael Dowse starring Jay Baruchel, debuted with $102k at 670 locations.

Deep In The Heart 2: A Texas Rivers Story, directed by Ben Masters and narrated by Ethan Hawke, grossed an estimated $60k from 80 theaters across the state, as per mtuckman Media. This is a follow-up to 2022 doc Deep in the Heart: A Texas Wildlife Story, narrated by Matthew McConaughey, that grossed $480k.

Janus Films presented the 4K re-release of Douglas Keeve’s UNZIPPED exclusively at the Film Forum in NYC to $24k including sold out Q&As. The doc chronicles the launch of Isaac Mizrahi’s legendary Fall 1994 collection. Expands nationwide in October.

Sumerian Pictures opened Sundance comedy The Incomer on two screens (NYC and LA), grossing an estimated $18.2k.

Greenwich Entertainment’s The Scout is eyeing a $14.5k, also at Film Forum exclusively. The debut feature from Paula González-Nasser adds LA next week.

Holdovers: John Wilson’s comedic documentary The History Of Concrete from Magnolia Pictures had a strong expansion to 50 screens (from 1), grossing an estimated $350k for a cume of $511k. Expand to over 50 markets next week.

If I Go Will They Miss Me from Rich Spirit, starring Danielle Brooks and J Alphonse Nicholson and directed by Walter Thompson-Hernandez, is reporting $158k in week 3 on 101 screens for a $758k cume. Many engagements saw higher box office this weekend over last despite fewer shows due to a rush of new releases, indicating strong word of mouth.

American Doctor from Watermelon Pictures passed the half million mark with $23k at 30 theaters. The cume to date is $556.7k for the Gaza-set documentary that opened August 14.

R-rated kids show horror satire Buddy from Roadside Attractions is looking at another $717k from 709 runs for a cume pushing $26.4 million since its August 28 opening.

Daniel And The Fiery Furnace from faith-based distributor EKKL Entertainment is reporting a $1.5 million second weekend on 1,301 screens for a $6.2 million cume.

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Robert Pattinson’s Batman Would Be Tough to Exist in James Gunn’s DCU

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Robert Pattinson doesn’t see his version of Batman interacting with other DC superheroes within James Gunn‘s cinematic universe.

While Batman and Superman have one of the most famous friendships in DC Comics, the Primetime star recently explained to LADbible why it would be “tough” for director Matt Reeves’ version of Bruce Wayne to exist in Gunn’s DCU, such as with David Corenswet’s Superman.

“I think it would be kind of tough to have this version of Bruce outside of that world. It’s one of the only characters, I guess because of the length of the shoots but also it’s such a specific kind of [style], the tone of it gets inside you,” Pattinson said. “I remember that happened to me the last time I did it, it took a while. You’re just in the dark, the whole time. Both mood-wise and light-wise, I can’t see anything for like months. It does affect you; like you feel strange afterwards.”

Reeves’ The Batman, released in 2022, is a darker take on the iconic character, as it’s a grounded psychological crime noir rather than a typical superhero action pic. The film sees Pattinson’s Batman investigate Gotham’s hidden corruption after a sadistic serial killer begins murdering key political figures.

Pattinson reprised his character for Reeves’ The Batman Part II, which is currently in production and set to hit theaters on Feb. 18, 2028.

The Odyssey actor recently teased to Collider that the sequel is “a real left turn from the first” movie, adding that “it’s so ambitious.”

“The first one was a different take on a Batman movie, and this one is another… It’s a real left turn from the first one, but somehow it keeps elements of the kind of feel of it,” he explained. “But it just feels really ambitious, and I’m excited to see how it turns out.”

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