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Fantasia 2026 First Wave: ‘Hot Spot’ with Noomi Rapace Leads Lineup

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With some of the most fearless (and, said lovingly, weirdest) programmers in North America preparing yet another stacked spread for this summer, genre devotees should have plenty to feast their eyes on in Montreal come July. The Fantasia International Film Festival is furiously gearing up for its 30th anniversary edition, and the long-running cinematic showcase in Québec has just unveiled its first wave of titles — with the full programming lineup expected in the coming weeks.

Fantasia Fest 2026 will run from July 16 to August 2 as audiences return to Concordia Hall and the J.A. de Sève cinemas, with additional screenings at Cinéma du Musée. Expect packed theaters as diehard attendees sweat it out together for another slate of movies that will blend selected filmmakers’ eclectic international tastes through a core sensibility that’s universally unhinged.

Leading the announcement is Agnieszka Smoczyńska’s “Hot Spot,” a detective story set in a world governed by sentient A.I., where a murder investigation exposes cracks in the system itself. With Noomi Rapace in the cast and a berth in the Cheval Noir Competition, it’s a major contender with strong early buzz.

On a very different wavelength, Jenn Wexler returns to the festival with “The Last Temptation of Becky,” the latest chapter in the cult-favorite franchise. Lulu Wilson’s ferocious antihero is now a CIA agent, squaring off against a modern-day Nazi played by Neil Patrick Harris, with Wexler once again leaning into maximalist violence and pitch-black humor.

Also, Fantasia continues its love affair with high-concept time experiments through Makoto Ueda’s directorial debut, “You Are the Film.” Its premise — two characters separated by distance, but interacting through a movie screen — arrives with strong word of mouth after picking up audience honors on the broader festival circuit.

The main competition also includes Kasper Kalle’s “No Rest for the Wicked,” a Danish period piece that blends gothic romance with bloodsucking creature horror against the backdrop of the Faroe Islands — and Yeom Ji-oh’s “The Eyes,” a promising, visually inventive South Korean take on the Spanish thriller “Julia’s Eyes,” following a woman investigating her sister’s death while simultaneously losing her sight.

North American filmmakers are bringing plenty of their own off-kilter energy, too. Harrison Atkins’ “Sour Minnows” plays with perception and paranoia after a strange encounter fractures a young man’s sense of reality, while Casey Walker’s “Home Bodies” traps its characters inside a tightly controlled domestic environment even as it begins to unravel. For something more grounded but no less intense, Harrison Houde’s “Tight Lettuce” digs into addiction and family ties with a mix of humor and devastation.

More selections from across the globe continue to highlight the festival’s broad range, with Giddens Ko’s “Kung Fu” drawing exciting new, large-scale martial-arts fantasy storytelling out of Taiwan. Plus, from Japanese YouTuber Koichi, “Captured!” blends influencer culture with supernatural chaos, and Yu Nakamoto’s “Break Free” follows a yakuza enforcer who stumbles into viral fame through dance, and Yusuke Iwasaki’s “Anymart” turns a convenience store into a pressure cooker for capitalist dread.

Elsewhere, the festival announcement ventures into more bizarre territory with Michael Gabriele’s “Unholy Night” aiming for holiday carnage, while Andrea Corsini’s “Ferine” channels grief into something more primal and predatory. Edwin’s “Sleep No More” dives into demonic workplace horror, while Tim Riedel’s “Ancestral Beasts” explores intergenerational trauma through a supernatural lens.

The festival’s documentary and thriller offerings round out this first programming announcement. Nick Taylor’s “Rubberhead: The Life & Monsters of Steve Johnson” examines the legacy of a legendary practical effects artist, while Akira Nagai’s “Suzuki=Bakudan” delivers a tense, twisty crime story about a man claiming he can sense bombings before they happen.

If there’s a unifying thread in this first wave, it’s a fascination with control — over bodies, systems, and even narrative itself. More titles are still to come. But for now, Fantasia’s 30th anniversary is already shaping up to be a landmark event you won’t want to miss. Read official first-wave fest synopses here.

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Neil Patrick Harris Set For ‘Damn Yankees’ Broadway Revival

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Whatever Lola wants, Broadway provides! A Damn Yankees revival is set for the Great White Way in Spring 2027, with Neil Patrick Harris as the devilish Mr. Applegate.

On Sunday, the Tony-winning actor arrived at Yankee Stadium in the Bronx to announce the revival in a press conference, along with co-stars Julianne Hough and Austin Scott, who have been cast Mr. Applegate’s seductive assistant Lola and the susceptible young baseballer Joe Boyd.

Beginning previews at the Marquis Theatre on March 24, 2027, one day before the first Yankees game of the season, the official opening night is set for April 20.

Directed and choreographed by Sergio Trujillo, additional casting will be announced soon for the latest update of Richard Adler, Jerry Ross, George Abbott and Douglass Wallop’s 1955 musical comedy, featuring a new book by Will Power and Doug Wright, with additional lyrics by Lynn Ahrens.

Set in 2000, this version of Damn Yankees sees impassioned Baltimore Orioles fan Joe Boyd makes a deal with charming stranger Lola to give him and his team a second chance. But he’s not quite prepared for the consequences of his wish.

Watch the press conference below:

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Indie Film Box Office: ‘Your Mother Your Mother Your Mother’ Opens Strong

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Bassam Tariq’s Mahershala Ali-starring TIFF favorite Your Mother Your Mother Your Mother had a strong limited opening as distributor Amazon MGM launched the awards contender into a platform release hewing to the path of American Fiction..

Also this weekend, A History of Concrete had a terrific expansion, as did If I Go Will They Miss Me. Late summer phenomenon Buddy is still scaring up box office.

Your Mother Your Mother Your Mother launched in six theaters in New York and Los Angeles to $199k ($33.1k per screen average). The awards contender by Tariq (Mogul Mowgli) is Certified Fresh at 97% on Rotten Tomatoes with strong exit polling that showed a 60% ‘excellent’ with an 89% in the top two boxes and an overall 80% ‘definite recommend.’ Ali stars as Latif, a devoutly religious hitman who struggles to balance work, faith and fatherhood. When his wife dies, he embarks on a desperate journey across Houston to protect his children.

A hefty 47% of the audience for the action drama was 25–34. Some 72% is non-white with at 41% African American, 18% Hispanic, and 19% Asian.

Tariq (Mogul Mowgli) “has a unique voice” with a young cinephile audience,” says Amazon MGM Studios head of domestic theatrical distribution Kevin Wilson. “And having [Ali] as an actor is making a lot of people pay attention.”

Comps aren’t obvious but he says the best one may be 2023 multi-Oscar-winner American Fiction by Cord Jefferson, starring Jeffrey Wright. The comedy-drama had a strong limited opening ($224k) followed by a slow rollout. Your Mother Your Mother Your Mother is eyeing 15 locations next week including Atlanta, Chicago, Washington, D.C. and Austin, playing in particular to non-white audiences who championed the movie’s debut. It will hit the top 10 to 12 markets, 30 to 40 screens, the following week, and move into moderate release Oct. 16 with 500 to 800 locations.

Platform rollouts are heavily reliant on word of mouth. “The best thing is other moviegoers telling their friends how good the film is,” Wilson says. Both Your Mother Your Mother Your Mother and American Fiction are from Amazon MGM’s Orion Pictures banner, which has had a great run under President Alana Mayo with titles from Nickel Boys and Till to Bottoms and Women Talking.

New indie releases: Ha Chan,Shake Your Booty! from Sony Pictures Classics directed by Josef Kubota Wladyka opened to $236.6k on 540 screens.

The Stunt Driver from IFC Films, by Michael Dowse starring Jay Baruchel, debuted with $102k at 670 locations.

Deep In The Heart 2: A Texas Rivers Story, directed by Ben Masters and narrated by Ethan Hawke, grossed an estimated $60k from 80 theaters across the state, as per mtuckman Media. This is a follow-up to 2022 doc Deep in the Heart: A Texas Wildlife Story, narrated by Matthew McConaughey, that grossed $480k.

Janus Films presented the 4K re-release of Douglas Keeve’s UNZIPPED exclusively at the Film Forum in NYC to $24k including sold out Q&As. The doc chronicles the launch of Isaac Mizrahi’s legendary Fall 1994 collection. Expands nationwide in October.

Sumerian Pictures opened Sundance comedy The Incomer on two screens (NYC and LA), grossing an estimated $18.2k.

Greenwich Entertainment’s The Scout is eyeing a $14.5k, also at Film Forum exclusively. The debut feature from Paula González-Nasser adds LA next week.

Holdovers: John Wilson’s comedic documentary The History Of Concrete from Magnolia Pictures had a strong expansion to 50 screens (from 1), grossing an estimated $350k for a cume of $511k. Expand to over 50 markets next week.

If I Go Will They Miss Me from Rich Spirit, starring Danielle Brooks and J Alphonse Nicholson and directed by Walter Thompson-Hernandez, is reporting $158k in week 3 on 101 screens for a $758k cume. Many engagements saw higher box office this weekend over last despite fewer shows due to a rush of new releases, indicating strong word of mouth.

American Doctor from Watermelon Pictures passed the half million mark with $23k at 30 theaters. The cume to date is $556.7k for the Gaza-set documentary that opened August 14.

R-rated kids show horror satire Buddy from Roadside Attractions is looking at another $717k from 709 runs for a cume pushing $26.4 million since its August 28 opening.

Daniel And The Fiery Furnace from faith-based distributor EKKL Entertainment is reporting a $1.5 million second weekend on 1,301 screens for a $6.2 million cume.

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Robert Pattinson’s Batman Would Be Tough to Exist in James Gunn’s DCU

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Robert Pattinson doesn’t see his version of Batman interacting with other DC superheroes within James Gunn‘s cinematic universe.

While Batman and Superman have one of the most famous friendships in DC Comics, the Primetime star recently explained to LADbible why it would be “tough” for director Matt Reeves’ version of Bruce Wayne to exist in Gunn’s DCU, such as with David Corenswet’s Superman.

“I think it would be kind of tough to have this version of Bruce outside of that world. It’s one of the only characters, I guess because of the length of the shoots but also it’s such a specific kind of [style], the tone of it gets inside you,” Pattinson said. “I remember that happened to me the last time I did it, it took a while. You’re just in the dark, the whole time. Both mood-wise and light-wise, I can’t see anything for like months. It does affect you; like you feel strange afterwards.”

Reeves’ The Batman, released in 2022, is a darker take on the iconic character, as it’s a grounded psychological crime noir rather than a typical superhero action pic. The film sees Pattinson’s Batman investigate Gotham’s hidden corruption after a sadistic serial killer begins murdering key political figures.

Pattinson reprised his character for Reeves’ The Batman Part II, which is currently in production and set to hit theaters on Feb. 18, 2028.

The Odyssey actor recently teased to Collider that the sequel is “a real left turn from the first” movie, adding that “it’s so ambitious.”

“The first one was a different take on a Batman movie, and this one is another… It’s a real left turn from the first one, but somehow it keeps elements of the kind of feel of it,” he explained. “But it just feels really ambitious, and I’m excited to see how it turns out.”

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