Entertainment
Nexstar Skips Earnings Forecast With Tegna Deal in Legal Limbo
Nexstar Media Group declined to provide a long-term earnings forecast to Wall Street on Thursday as its $6.2 billion Tegna merger sits in legal limbo following a challenge from DirecTV and a group of state attorneys general.
While the deal closed in March after receiving approval from the FCC and Department of Justice, a U.S. District judge put it on pause after siding with DirecTV and the state AGs that the deal could harm competition and violates antitrust laws. The judge subsequently issued a preliminary injunction requiring the two local station owners to continue operating separately while the case plays out in court.
“Given the current situation, operationally, we’re in a bit of an unprecedented place right now with the court order until we can be heard by the appellate court, go to trial or settle the case,” Chief Financial Officer Lee Ann Gilha said during the company’s first quarter earnings call. “Given the number of variables, I’m sure you’ll appreciate that for now, forward-looking guidance will be limited. We understand the market does not like uncertainty, so we’re going to do our best to keep you up to speed as much as we can, given the constraints placed upon us.”
Nexstar’s CEO Perry Sook confirmed that the company has filed an appeal before the Ninth Circuit Court of Appeals as the case heads to trial in the U.S. District Court for the Eastern District of California. The company has hired attorney Beth Wilkinson, who served as the NFL’s lead trial counsel in the Sunday Ticket antitrust case.
In addition, Sook said that there is a separate challenge to the FCC’s approval of the transaction pending before the DC Circuit Court, which has denied a request for an emergency stay finding it lacks jurisdiction. Nexstar and the FCC have been directed to file a response to the petition by May 11.
Despite industry consolidation, Sook argued that Nexstar still operates with a “fraction of their ubiquitous reach and financial resources,” prohibiting the company and others in its industry from “competing on a level playing field” with big tech and national media.
He added that the Tegna deal is an “important step in solidifying our future and our ability to continue providing these valuable services to local communities across the United States.”
“We believe we will prevail on the merits of this case. We are confident in our arguments, expressed in detail in the FCC order approving the transaction, that a stronger, more financially resilient local broadcast industry is in the public’s best interest,” Sook told analysts. “We believe this is a fight worth having for us, for our industry and for the future of local journalism.”
Under the original terms of the deal, Nexstar would have had 265 television stations in 44 states and the District of Columbia, representing a reach of 80% of U.S. television households, adding Big-4 affiliate stations in Phoenix, Atlanta, Toledo and Portland. The combined company would have also had stations in nine of the top 10 markets, and in 41 of the top 50.
In order to close the deal, Nexstar agreed to divest six stations across six different DMAs and made commitments to affordability and localism. Its approval was also subject to raising or eliminating the 39% national TV ownership cap put in place by Congress in 2004 to protect viewpoint diversity, as well as prevent monopolization. However, instead of modifying the ownership rules, FCC Chairman Brendan Carr granted the companies a waiver and defended that the decision would empower broadcast TV stations and foster local journalism.
Though the FCC did not take action on the ownership cap, Sook said the industry is “still on a path to regulatory deregulation” and isn’t ruling out the possibility of FCC chairman Brendan Carr starting a proceeding to eliminate the national ownership cap.
“If you go back and look at public statements that [FCC chairman Bredan Carr] made since he was a commissioner, whether his party was in power or out of power, he has said these rules are antiquated relics of the past, and they need to go,” he said. “It’s not just as simple as putting out a press release and saying the rules have changed. There’s a lot of legal work that has to go into that, a lot of wordsmithing, a lot of consultation with advisors. So I would not suppose or presume that those actions are off track. It’s just, there’s obviously a lot going on, a lot of M&A in addition to ours that is under consideration at the FCC and the DOJ. So these things are moving through the pipeline, but I would not presume that they have stopped or will not move through the pipeline.”
Despite the freeze on the Tegna merger, the deal gave Nexstar $106 million in incremental revenue during the quarter for a total of $1.4 billion, or an increase of 13.1%.
Revenue was also boosted by higher advertising and distribution revenue from its legacy business units. Meanwhile, net profits climbed 64.9% to $160 million, primarily driven by the Tegna acquisition and increased political ad revenue.
Shares of Nexstar climbed 3% following its quarterly earnings results.
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movies
‘The Assassin(s)’ Tops Korea’s Holiday Box Office With 1.5M Admissions
Hur Jin-ho’s historical thriller The Assassin(s) topped the Korean box office over the Chuseok holiday weekend pulling in more than 1.5 million admissions since its release on September 23.
Fresh from its world premiere at Toronto International Film Festival, the film has grossed $11.3M (KRW15.3BN) from 1,546,614 admissions over the first five days of release, according to data from the Korean Film Council (KOFIC). The Chuseok holiday officially ran for three days from Thursday, September 24 to Saturday, September 27.
Starring Lee Min-ho (Gangnam 1970), Park Hae-il (Decision To Leave), and Yoo Hai-jin (A Taxi Driver), The Assassin(s) revolves around the attempted assassination of South Korean President Park Chung-hee in 1974 that resulted in the death of the First Lady. A senior inspector (Yoo), veteran journalist (Park) and rookie reporter (Lee) set out to uncover exactly what happened and who was responsible, despite threats against their careers and their lives.
Coming in second over the holiday week (September 21-27) was Tazza: The Song of Beelzebub, a long-awaited sequel to a popular gambling franchise, which also opened on September 23 and took just over $6M from 813,842 admissions.
Christopher Nolan’s The Odyssey took third place in the weekly chart, adding another $5M to it record-breaking tally from 565,696 admissions. Released on August 5, the film has grossed just over $98M from 11.7 million admissions in the Korean market, making it the biggest import of the year so far.
Warner Bros Korea’s The Intern, a remake of the 2015 hit Hollywood comedy, came in fourth with an additional $2.6M for a cumulative total of $5.5M since its September 16 release. The film stars Choi Min-sik and Han So-hee in the roles originally played by Robert De Niro and Anne Hathaway in the original film.
Looking at figures for the entire week, The Intern was followed by US horror hit Obsession with $1.6M for a cume of $6.7M since its September 2 release. But looking solely at the weekend, Lee Chang-dong’s Venice winner Possible Love debuted in fifth position. Also opening on September 23, the Netflix-backed film, which is Korea’s official submission for Best International Feature at the Oscars, grossed around $1M in its first five days.
Historical drama The King’s Warden continues to hold Korea’s box office crown for the year to date, with box office of $120M from 16.9 million admissions; followed by The Odyssey, Spider-Man: Brand New Day ($69M from 9 million admissions), and two titles that debuted at this year’s Cannes film festival: Yeon Sang-ho’s Colony and Na Hong-jin’s Hope.
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movies
Benjamin Satterley Dead: AEW Wrestler Known As Pac Passes Day After Match
Benjamin Satterley, the high-flying champion wrestler known variously to AEW and WWE fans as Pac, Bastard, Adrian Neville and Neville, has died. That, according to an announcement from All Elite Wrestling. He was 40.
Details surrounding his passing are unclear. Pac was featured at AEW’s All Out pay-per-view from Chicago on Saturday night. He challenged Andrade El Idolo for the AEW National Championship, but lost.
The statement from AEW reads in part, “A native of Newcastle upon Tyne, England, Satterley began his wrestling career in 2004 and went on to perform for wrestling organizations all over the world, captivating fans with innovative high-flying moves and incredible in-ring ability. Pac signed with All Elite Wrestling in 2019 and held multiple AEW Championships and competed in some of the most memorable matches in AEW history. Our condolences go out to Satterley’s family, friends and fans.”
In the AEW, Satterley was the outfit’s All-Atlantic Champion and a two-time World Trios Champion.
He won the NXT Championship in the WWE’s developmental adjunct and later became a two-time WWE Cruiserweight Champion.
Satterley was known as “The Man that Gravity Forgot” for his signature finishing move, a spectacular corkscrew shooting star press off the top rope. You can see it in the video below.
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movies
MTV VMAs 2026 Winners: Madonna Dominates, Taylor Swift Wins Special Honor
It was like 1998 all over again. Madonna won six Video Music Awards that year for Ray of Light.
Flash forward to tonight, and the pop icon won seven awards, including Artist of the Year, for Confessions II, the sequel to her 2005 album.
Also winning were Sabrina Carpenter for Best Editing and for her collab with the Material Girl on “Bring Your Love.” The duo appeared onstage together to accept.
Taylor Swift won Video of the Year for “The Fate of Ophelia” and Best Director for “Opalite,” as well as a special “Artist Director” honor.
Full Winners List
VIDEO OF THE YEAR (presented in show)
Taylor Swift – “The Fate of Ophelia” – Republic Records
ARTIST OF THE YEAR (presented in show)
Madonna – Warner Records
BEST COLLABORATION (presented in show)
Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records
BEST DANCE, presented by BACARDÍ® Rum (presented in show)
Madonna – “Confessions II – The Film” – Warner Records
BEST NEW ARTIST, presented by The General Insurance® (presented in show)
Sienna Spiro – Capitol Records
BEST POP (presented in show)
LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co. / RCA Records
SONG OF THE YEAR
BTS – “Swim” – BIGHIT MUSIC
BEST HIP-HOP
Cardi B ft. Kehlani – “Safe” – Atlantic Records
BEST R&B
Bruno Mars – “I Just Might” – Atlantic Records
BEST ALTERNATIVE
Olivia Rodrigo – “the cure” – Geffen Records
BEST LATIN
Bad Bunny – “NUEVAYoL” – Rimas Entertainment
BEST K-POP
BTS – “SWIM” – BIGHIT MUSIC
BEST COUNTRY
Ella Langley – “Choosin’ Texas” – Columbia Records
BEST DIRECTION
Taylor Swift – “Opalite” – Republic Records
BEST ART DIRECTION
PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK / Atlantic Records
BEST CINEMATOGRAPHY
Madonna – “Confessions II – The Film” – Warner Records
BEST EDITING
Sabrina Carpenter – “House Tour” – Island
BEST CHOREOGRAPHY
Madonna – “Confessions II – The Film” – Warner Records
BEST VISUAL EFFECTS
Ariana Grande – “hate that i made you love me” – Republic Records
SOCIAL CATEGORIES:
BEST GROUP
BTS
BEST LONG FORM VIDEO
Madonna – “Confessions II – The Film” – Warner Records
BEST ALBUM
Madonna – Confessions II – Warner Records
SONG OF SUMMER –
Ariana Grande – “hate that i made you love me” – Republic Records
SPECIAL AWARDS:
VIDEO VANGUARD – Nirvana
MTV VMA ARTIST DIRECTOR HONORS – Taylor Swift
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