
Director Patrick Wally
Courtesy of WyFilm
Sound is top of mind (and ear) in Daniel Roher’s crowd-pleasing festival favorite, “Tuner,” which follows Leo Woodall as a piano tuner with a unique affliction that both helps and hinders him in his professional work. And when he moves from piano tuning to safe-cracking? Well, let’s just say the heist film is as good as that pitch sounds.
After screening at the Sundance, Telluride, Toronto, and London Film Festivals, Roher’s first narrative feature will soon roll out in theaters everywhere, but first: something for the sound freaks. Black Bear has announced today, exclusively on IndieWire, that “Tuner” will be available for early screenings on Sunday, May 17, only at Dolby Cinema at AMC Theatres.
The film was, per Black Bear, “conceived as a uniquely sound-driven experience and shaped by Academy Award-winning sound designer Johnnie Burn” and aims to “immerse audiences through sound as much as image.” The film will then hit limited release in New York and Los Angeles on Friday, May 22 and nationwide expansion on Friday, May 29.
As I wrote in our summer movie preview, Woodall stars in the film as Niki, “a piano tuner with a condition that makes him sensitive to sound, which also makes him an ideal safecracker. … The film is both a high-style heist film and a warm character study, with a truly hey-this-guy-is-a-movie-star! turn from Woodall. They really don’t make ’em like this anymore, and man, ‘Tuner’ reminds us why they should.”
“‘Tuner’ was conceived as a film that fully embraces cinema’s sensory nature, treating sound — and its absence — as a character integral to the storytelling. Music, silence, and sound design shape Niki’s identity, with the auditory experience drawing parallels between piano tuning and safecracking to immerse audiences in the film’s world. Collaborating with Dolby, Johnnie Burn, Will Bates, and Marius de Vries has been a dream, ensuring that every note is not just heard, but deeply felt in the theatrical experience,” Roher said in a statement.
Added Burn, who previously won the Oscar for Best Sound for 2024’s “The Zone of Interest,” “With ‘Tuner,’ everything is shaped by how the protagonist hears the world, so the audience moves through clarity, distortion and overload in a way that mirrors Niki’s perception. Hearing is involuntary — you can close your eyes, but not your ears. Drawing on my own experience of hyperacusis, the Dolby mix leans into that, so the smallest shifts in sound alter how the world feels, while the larger ones reveal how unstable his sense of the world becomes.”
The film also stars Havana Rose Liu, Tovah Feldshuh, Jean Reno, and Lior Raz. It debuted at Telluride last fall and then went on to play at TIFF, where financier Black Bear announced it would also distribute it.
Ticket holders who turn out for the early screenings will receive a free, limited-edition replica of the Dustin Hoffman bobblehead from the film, while supplies last. In addition, Burn will participate in select Q&As in New York on May 17, while composer Will Bates and editor Greg O’Bryant will appear at select Los Angeles screenings.
“Tuner” will be released in Dolby Cinemas nationwide. You can click here for tickets to the early May 17 Dolby screenings, as well as tickets for showtimes starting on May 22.
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EXCLUSIVE: GK Barry agency HLD Talent has signed content creator and By Babes co-founder Heather Bowling.
The social media star, business owner and neurodiversity advocate is joining up with the likes of Barry, Mariam Musa and Shakira Khan at the London-based HLD, which is lead by creators agent Hannah Holland.
She is known as a the co-founder of By Babes, a UK-based and community-driven beauty and cosmetics brand, and creates much of her content around the company’s focus and products.
HLD called her “bold, ambitious and completely herself” and noted that she has a “built an incredibly loyal and highly engaged audience who have grown with her and who are invested in far more than just the content she creates.”
Bowling appeared on Season 5 of Footasylum’s YouTube series Locked In and made an appearance on Barry’s podcast Saving Grace.
“As she enter this next chapter, we’ll be working together to build on everything she’s already created, while opening up new opportunities across premium fashion and beauty, entrepreneurship, media, presenting and beyond,” said HLD in a statement.
Bowling was previously with Insanity.
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EXCLUSIVE: David Barron, the British film producer with credits on six Harry Potter films, is entering the generative artificial intelligence space.
Barron has agreed to produce an AI adaptation of Jack London’s 1903 novel The Call of the Wild, which is written and directed by Simon Rumley (Crushed, Red White & Blue).
The film will be generated at nmatic, with CGI and traditional VFX helping deliver more complex scenes. Filmmakers are billing it as the first faithful adaptation of London’s novel because it will be made from Buck’s subjective experience.
“London’s canvass is so epic, the Alaskan geography so gruelling, the dog and wolf fights so visceral that a faithful cinematic adaptation has hitherto been logistically and financially impossible,” said Barron. ”But technology has finally caught up with London’s vision, and we believe now is the time to do justice.”
The Call of the Wild tells the story of a pampered St. Bernard dog, who is torn from his life of privilege in California’s Santa Clara Valley and is sold into the brutal world of the 1890s Klondike Gold Rush, where he discovers the wild instinct that has always lurked within.
The film has been adapted for the screen several times, including a 2020 Michael Green film starring Harrison Ford.
David Barron, Mark Sandell (A Liar’s Autobiography) and Nick Price produce. Chris Catchpole, Carl Lyttle, and Toby White head up prompting and technical at nmatic.
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EXCLUSIVE: Lightdox has acquired world sales rights to the documentary My Home of Wind and Sand ahead of its world premiere Tuesday at the Zurich Film Festival.
Filmmaker Patrick Wally spent over a decade on his film, a portrait of women’s rights, human rights and climate activist Najla Mohamed Lamin, who was born in a Sahrawi refugee camp in Algeria. Lamin has led a peaceful campaign supporting the right of Western Sahara to self-determination, a dream of Sahrawi refugees that has been frustrated for more than half a century.
Nobel Peace Prize nominee Greta Thunberg is expected to attend Tuesday’s world premiere and will participate in a conversation afterwards with Lamin. Thunberg visited the Sahrawi refugee camps last year, where she and Lamin conducted a workshop on climate change.

Director Patrick Wally
Courtesy of WyFilm
“Told through conversations with the filmmaker – who gradually becomes visible inside the story – the documentary refuses to reduce Najla to a symbol of a geopolitical conflict,” notes a synopsis. “Western Sahara is experienced through one person living its consequences in real time. Najla addresses international institutions, builds practical spaces for women and children, raises her family and continues to argue for peaceful resistance even as a generation born in exile grows older without a political resolution.”
The synopsis continues, “When armed conflict resumes after decades of ceasefire, the convictions that have shaped Najla’s public life are tested. The film follows her as she asks what pacifism, patience and agency can mean when history seems immovable – and whether one person can still create change inside circumstances that appear impossible.”

Najla Mohamed Lamin at the dunes near the Sahrawi refugee camp of Smara.
Courtesy of WyFIlm
Anna Berthollet, CEO of Lightdox, commented, “Najla has lived her entire life with an unresolved conflict. Yet Patrick’s film is not a geopolitical story; it is an intimate portrait of how she chooses to live, raise her children and build a future for her community. He spent eleven years following her journey and bringing her story and mission to the screen. At a time when Western Sahara is once again receiving international attention, we believe it is important that Najla’s perspective is part of that conversation. We feel very humbled to have been entrusted with bringing Patrick and Najla’s deeply personal story to audiences around the world.”

The border wall berm and Moroccan military base separating the Moroccan occupied territory from the
Polisario controlled territory of Western Sahara.
Courtesy of WyFilm
The unresolved status of Western Sahara has been largely ignored in the U.S. and much of the West, but it has kept the Sahrawi people in terrible limbo. Spain ruled the territory as its colonial possession for the better part of a hundred years, but after it ceded claims in the mid-1970s, hopes for the territory to determine its own future were dashed when Morocco took control of much of Western Sahara. The Polisario Front, representing the Indigenous Sahrawi people, seeks self-determination and is supported by Algeria (where the refugee camps are located). The United Nations officially designates Western Sahara as a “Non-Self-Governing Territory.”
In a director’s statement, Wally said, “When I met Najla ten years ago, I knew this film needed to be made. At the time I had never heard of the issue of Western Sahara. I thought of myself as reasonably informed about the struggles shaping the world, yet I knew nothing about more than 200,000 Sahrawis living for generations in refugee camps in the Algerian desert, established after the war and displacement of 1975. That absence in my own awareness shocked me.
“What struck me first, however, was not the conflict in the abstract but Najla herself. I was surprised by my own assumptions. Here was a woman raised in a refugee camp who was exceptionally articulate, politically precise and full of a vision for the future. She spoke about peaceful resistance, about a generation born in the camps, and about the endurance required to believe in a bright future when nobody outside seems able to see it.”

An aerial view of the Sahrawi refugee camp Smara, in the Algerian desert, near Tindouf.
Courtesy of WyFilm
Along with directing, Wally serves as the film’s cinematographer. The film is produced by Shirin Hooshmandi, Najla Mohamed Lamin, and Patrick Wally. Anna Kirst edited the film, with additional editing by Daniel Rutz. The music is by Ahmed Zain.
In addition to Tuesday’s world premiere at the Zurich Film Festival, My Home of Wind and Sand will hold public screenings on Wednesday, Thursday and Sunday.
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