
Director Patrick Wally
Courtesy of WyFilm
Just hours after the announcement that her 16-month battle with Justin Baldoni had settled, Blake Lively hit the Met Gala red carpet in her first appearance at the event since 2022.
But while the star was all smiles for the camera, behind the scenes Hollywood insiders remain divided on where her career should go next after the ugly battle over the making of “It Ends With Us” finally ended.
“I’m curious if the actual audience ever gave a s–t about this lawsuit,” a top talent agent told TheWrap. “But she’ll probably do something similar to the Baldoni movie — a film that targets the female audience.”
Earlier this week, both sides settled with undisclosed terms, putting to rest what began as a white-hot controversy when the “Gossip Girl” star accused her director, producer and co-star of sexual harassment and orchestrating a smear campaign against her.
By the end, however, public interest in the ongoing and increasingly messy saga had waned, and the settlement came as a relief to many. Judge Lewis J. Liman had previously dismissed 10 of the 13 claims in Lively’s explosive December 2024 complaint, with only allegations of breach of contract, retaliation and aiding and abetting retaliation allowed to go to trial.
“We remain firmly committed to workplaces free of improprieties and unproductive environments,” representatives for both parties said in a joint statement. “It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online.”

The settlement put to bed one of the most high-profile legal conflicts in the recent annals of Hollywood, one that entangled everyone from Lively’s husband Ryan Reynolds to megastar Taylor Swift and a gaggle of current and former Sony executives, whose private text messages became public fodder.
The controversy ultimately dragged both sides into the mud, with no one coming out unscathed. Lively — who was poised to hit a new level of fame with the success of “It Ends With Us” — saw her career stall out after last year’s “Another Simple Favor.” She has not acted since.
Reps for Lively and Wayfarer did not respond to TheWrap’s request for comment.
Lively does have at least one project already in the pipeline. Last August, TheWrap reported that Lionsgate acquired “The Survival List,” an action romantic comedy that Lively will star in and produce. Oscar nominee and award-winning producer Marc Platt (“Wicked,” “How to Train Your Dragon”) is in talks to produce the film, which was written by Tom Melia and follows a highbrow reality TV producer who gets stranded with a faux survival expert while making a new show.
The project is still in search of a director and remains in development.
But beyond that, the actress and producer has not set any new projects, and insiders are split on whether she should dip out of public view for a while or forge on like nothing happened.
Some who spoke to TheWrap advised a period of quiet for Lively after over a year of making headlines.
“Lay low, let the dust settle in folks’ memories and then start building the next project,” a top manager said.

A longtime publicist echoed that sentiment: “I would go quiet for a little while and spend time with my family. Let the dust settle. It’s distracting at the moment.”
“Her career is not over, but she should spend time with family,” a studio publicist added.
Lively is not without other ventures outside of acting and producing — she has a line of non-alcoholic drinks called Betty Buzz, alcoholic drinks called Betty Booze and a cruelty-free haircare line called Blake Brown, which she launched in 2024. She could spend downtime tending to her brands or launching new ones.
But other insiders took the opposite tack, suggesting Lively should move on with her acting career as usual.
“Hollywood is such a bubble. If I were giving her advice, I would just pretend nothing happened,” a franchise film producer said. “It’s over, most people won’t remember it next week.”
But not everyone was optimistic. “I think her career is over,” a top dealmaker said. “I could be wrong, but I think she needs to sit out for a year or two and then start coming back in a female-driven high-end streaming series and not as the lead.”
A studio executive took a more measured view. “I think she can recover. Offers won’t come flowing in and her fee is going to be greatly reduced initially. But if she can find a ‘Shallows’ or ‘Simple Favor’-type movie I think it works. She’s buy low-sell high in my opinion. Get her for a low fee and she’ll have to work very hard to sell the movie and be on best behavior.”
It’s an ironic assessment given that Lively broke no laws, was not found guilty or liable for any crimes and in fact was the plaintiff in the case against Baldoni. But the stretched-out battle wore on both individuals’ reputations and Baldoni, too, has not set any new projects since Lively’s suit was filed.
But as the Johnny Depp v. Amber Heard case showed, things could have been worse had the Lively/Baldoni case gone to trial. In that defamation case, which was livestreamed and commented upon in real-time, Depp won and is today starring in a Paramount adaptation of “A Christmas Carol” while Heard’s acting career has largely faded away.

The future of the “It Ends With Us” franchise, meanwhile, also remains in limbo. The 2024 film, released by Sony Pictures, grossed over $350 million worldwide against a budget of just $35 million, making it a smashing success before the controversy went full-blown public.
But while Colleen Hoover wrote a sequel called “It Starts With Us,” Wayfarer Studios, which was co-founded by Baldoni and optioned the first novel from Hoover in 2019, also holds the option to the film rights for that sequel, so Baldoni would potentially be involved in some capacity.
It’s unclear if the rights to the sequel were part of the settlement between Lively and Baldoni, or if there’s even an appetite for another film given the controversy surrounding the title.
Whatever the case, all eyes are on what Lively does next.
>
EXCLUSIVE: GK Barry agency HLD Talent has signed content creator and By Babes co-founder Heather Bowling.
The social media star, business owner and neurodiversity advocate is joining up with the likes of Barry, Mariam Musa and Shakira Khan at the London-based HLD, which is lead by creators agent Hannah Holland.
She is known as a the co-founder of By Babes, a UK-based and community-driven beauty and cosmetics brand, and creates much of her content around the company’s focus and products.
HLD called her “bold, ambitious and completely herself” and noted that she has a “built an incredibly loyal and highly engaged audience who have grown with her and who are invested in far more than just the content she creates.”
Bowling appeared on Season 5 of Footasylum’s YouTube series Locked In and made an appearance on Barry’s podcast Saving Grace.
“As she enter this next chapter, we’ll be working together to build on everything she’s already created, while opening up new opportunities across premium fashion and beauty, entrepreneurship, media, presenting and beyond,” said HLD in a statement.
Bowling was previously with Insanity.
>
EXCLUSIVE: David Barron, the British film producer with credits on six Harry Potter films, is entering the generative artificial intelligence space.
Barron has agreed to produce an AI adaptation of Jack London’s 1903 novel The Call of the Wild, which is written and directed by Simon Rumley (Crushed, Red White & Blue).
The film will be generated at nmatic, with CGI and traditional VFX helping deliver more complex scenes. Filmmakers are billing it as the first faithful adaptation of London’s novel because it will be made from Buck’s subjective experience.
“London’s canvass is so epic, the Alaskan geography so gruelling, the dog and wolf fights so visceral that a faithful cinematic adaptation has hitherto been logistically and financially impossible,” said Barron. ”But technology has finally caught up with London’s vision, and we believe now is the time to do justice.”
The Call of the Wild tells the story of a pampered St. Bernard dog, who is torn from his life of privilege in California’s Santa Clara Valley and is sold into the brutal world of the 1890s Klondike Gold Rush, where he discovers the wild instinct that has always lurked within.
The film has been adapted for the screen several times, including a 2020 Michael Green film starring Harrison Ford.
David Barron, Mark Sandell (A Liar’s Autobiography) and Nick Price produce. Chris Catchpole, Carl Lyttle, and Toby White head up prompting and technical at nmatic.
>
EXCLUSIVE: Lightdox has acquired world sales rights to the documentary My Home of Wind and Sand ahead of its world premiere Tuesday at the Zurich Film Festival.
Filmmaker Patrick Wally spent over a decade on his film, a portrait of women’s rights, human rights and climate activist Najla Mohamed Lamin, who was born in a Sahrawi refugee camp in Algeria. Lamin has led a peaceful campaign supporting the right of Western Sahara to self-determination, a dream of Sahrawi refugees that has been frustrated for more than half a century.
Nobel Peace Prize nominee Greta Thunberg is expected to attend Tuesday’s world premiere and will participate in a conversation afterwards with Lamin. Thunberg visited the Sahrawi refugee camps last year, where she and Lamin conducted a workshop on climate change.

Director Patrick Wally
Courtesy of WyFilm
“Told through conversations with the filmmaker – who gradually becomes visible inside the story – the documentary refuses to reduce Najla to a symbol of a geopolitical conflict,” notes a synopsis. “Western Sahara is experienced through one person living its consequences in real time. Najla addresses international institutions, builds practical spaces for women and children, raises her family and continues to argue for peaceful resistance even as a generation born in exile grows older without a political resolution.”
The synopsis continues, “When armed conflict resumes after decades of ceasefire, the convictions that have shaped Najla’s public life are tested. The film follows her as she asks what pacifism, patience and agency can mean when history seems immovable – and whether one person can still create change inside circumstances that appear impossible.”

Najla Mohamed Lamin at the dunes near the Sahrawi refugee camp of Smara.
Courtesy of WyFIlm
Anna Berthollet, CEO of Lightdox, commented, “Najla has lived her entire life with an unresolved conflict. Yet Patrick’s film is not a geopolitical story; it is an intimate portrait of how she chooses to live, raise her children and build a future for her community. He spent eleven years following her journey and bringing her story and mission to the screen. At a time when Western Sahara is once again receiving international attention, we believe it is important that Najla’s perspective is part of that conversation. We feel very humbled to have been entrusted with bringing Patrick and Najla’s deeply personal story to audiences around the world.”

The border wall berm and Moroccan military base separating the Moroccan occupied territory from the
Polisario controlled territory of Western Sahara.
Courtesy of WyFilm
The unresolved status of Western Sahara has been largely ignored in the U.S. and much of the West, but it has kept the Sahrawi people in terrible limbo. Spain ruled the territory as its colonial possession for the better part of a hundred years, but after it ceded claims in the mid-1970s, hopes for the territory to determine its own future were dashed when Morocco took control of much of Western Sahara. The Polisario Front, representing the Indigenous Sahrawi people, seeks self-determination and is supported by Algeria (where the refugee camps are located). The United Nations officially designates Western Sahara as a “Non-Self-Governing Territory.”
In a director’s statement, Wally said, “When I met Najla ten years ago, I knew this film needed to be made. At the time I had never heard of the issue of Western Sahara. I thought of myself as reasonably informed about the struggles shaping the world, yet I knew nothing about more than 200,000 Sahrawis living for generations in refugee camps in the Algerian desert, established after the war and displacement of 1975. That absence in my own awareness shocked me.
“What struck me first, however, was not the conflict in the abstract but Najla herself. I was surprised by my own assumptions. Here was a woman raised in a refugee camp who was exceptionally articulate, politically precise and full of a vision for the future. She spoke about peaceful resistance, about a generation born in the camps, and about the endurance required to believe in a bright future when nobody outside seems able to see it.”

An aerial view of the Sahrawi refugee camp Smara, in the Algerian desert, near Tindouf.
Courtesy of WyFilm
Along with directing, Wally serves as the film’s cinematographer. The film is produced by Shirin Hooshmandi, Najla Mohamed Lamin, and Patrick Wally. Anna Kirst edited the film, with additional editing by Daniel Rutz. The music is by Ahmed Zain.
In addition to Tuesday’s world premiere at the Zurich Film Festival, My Home of Wind and Sand will hold public screenings on Wednesday, Thursday and Sunday.
>
Search For Canadian TV Actor Stewart McLean Now Homicide Investigation
These ’90s fashion trends are making a comeback in 2017
According to Dior Couture, this taboo fashion accessory is back
Model Jocelyn Chew’s Instagram is the best vacation you’ve ever had
Emily Ratajkowski channels back-to-school style
9 Celebrities who have spoken out about being photoshopped
Rurouni Kenshin: Hokkaido Arc Manga Takes 1-Issue Break – News
HIDIVE to Stream English Dubs for The World Is Dancing, The Forsaken Saintess and Her Foodie Roadtrip in Another World, The Dangers in My Heart: The Movie Anime – News