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Academy Museum Announces VistaVision Screening Series

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VistaVision has seen a resurgence in interest in recent years thanks to directors like Brady Corbet (“The Brutalist“) and Paul Thomas Anderson (“One Battle After Another“) shooting their films in the format, which was created by Paramount Pictures in 1954 to compete with CinemaScope but fell out of favor (aside from visual effects work) after Marlon Brando’s “One-Eyed Jacks” in 1961. Even with the success of Anderson’s Oscar-winning epic, however, the opportunity to actually see films projected in true VistaVision is extremely rare.

That makes the Academy Museum’s upcoming “Presented in VistaVision” series a cause for celebration, and an event that’s worth cinephiles making the trek to Los Angeles for this August. The Academy will be installing a VistaVision projector in its David Geffen Theater in order to project rare VistaVision prints of “Gunfight at the O.K. Corral,” “The Ten Commandments,” “White Christmas,” “Anything Goes,” and “We’re No Angels” — as well as “One Battle After Another,” which previously only screened in its native VistaVision in four theaters around the world.

Most prints of “One Battle” — and all prints of “The Brutalist” — were extracted from the VistaVision negative but projected in more common formats like IMAX, 35mm, and 70mm (as well as, of course, DCP). That’s because true VistaVision projection entails a projector that, like the VistaVision cameras, is turned on its side to double the surface area of the image and thus provide increased resolution and texture. It’s costly and complicated to retrofit contemporary theaters for the VistaVision technology, which makes the Academy Museum’s program as rare as it is essential.

In addition to the VistaVision prints, the Academy Museum will screen 70mm restorations of films shot in VistaVision like “The Searchers” and “North by Northwest,” as well as DCP presentations of “One-Eyed Jacks,” “To Catch a Thief,” and other classics, many of them taken from new 6K digital scans of the VistaVision negatives. In all of these cases there is no better way to appreciate the artistry of the films in all its precision and detail — and in a communal experience on the huge Geffen screen.

“Presented in VistaVision” runs at the Academy Museum from August 20-31. For the full program and ticket information visit the Academy Museum’s website.

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Kimmel Rips Trump’s Push to Rename AI: OpenAI Must Be ‘Very Excited’

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Kimmel Rips Trump’s Push to Rename AI: OpenAI Must Be ‘Very Excited’







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‘Final Payment’, ‘Congo Boy’ Win Top Awards At Pingyao Film Festival

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Chinese director Niu Niu’s Final Payment scooped the Best Film Award in the Fei Mu Awards of this year’s Pingyao International Film Festival (PYIFF), while Rafiki Fariala’s Congo Boy won Best Film in the festival’s Roberto Rossellini Awards.

Final Payment, which also won Best Actor for Niu Jianrong’s performance, revolves around a homeowner clashing with a contractor over the final payment following a set of renovations on his home. PYIFF’s competition jury stated: “Tearing through a very small rip, the film leads us into a reality and emotional landscape so expansive, where we sigh, lament, and reflect. The director’s approach is concise, unpretentious, and masterful, earning the wholehearted recognition of the entire jury.”

The Best Film award came with a cash prize of $150,000 (RMB1m) with half given to the director for the development of their next film, and half given to the distributor in China. Niu Niu previously directed Mr Junjun, which was awarded with the Jury Award and Youth Jury Award at PYIFF in 2023.

Also in the Fei Mu Awards, Xu Zao won Best Director for Light Pillar, while Best Actress went to Sun Yi for Wang Xiaozhen’s A Joke. The Jury Award was presented to Dong Jie’s Zoom In, Zoom Out, which had its world premiere in Venice Critics Week, while a special mention went to Cai Chengjie’s Suzhou Quartet.

The Fei Mu awards are focused on the festival’s Hidden Dragons section, which selects first, second and third films from emerging directors making Chinese-language films, while the Roberto Rossellini Awards focus on the Crouching Tigers section for emerging international directors.

Congo Boy, which took Best Film in the Roberto Rossellini Awards, also won Best Actor when it premiered in Un Certain Regard at this year’s Cannes film festival. The PYIFF award came with a cash prize of $20,000, with half given to the director for the development of their next film, and half given to the distributor in China.

The PYIFF jury stated: “The Jury unanimously has been moved by this autobiographical story, told in a simple style that echoes the great tradition of neorealism. For a film focusing on a character that confronts his world with optimism despite dark times and takes on his shoulders the destiny of his entire family.”

Also in this section, the Philippines’ Rafael Manuel won Best Director for Filipiñana, while the Jury Award went to Ben’imana, directed by Marie-Clémentine Dusabejambo, which won the Camera d’Or at this year’s Cannes. The jury also awarded Rakan Mayasi’s Yesterday The Eye Didn’t Sleep a Special Mention.

Hong Kong filmmaker Ann Hui received the Crouching Tiger Hidden Dragon East-West Award, shortly before she receives the Camellia Award at Busan International Film Festival next week.

Pingyao’s International Contribution To Chinese Cinema Award went to Marco Müller, who founded the festival with Chinese auteur Jia Zhangke and currently serves as Artistic Director of the Film Art Research Centre at Shanghai University, and veteran producer, director and former chairman of China Film Group Han Sanping. Hello Group chairman Tang Yan was presented with a 10th Anniversary Award.

This year’s PYIFF opened on September 24 with a screening of the 4K restoration of Fei Mu’s Spring In A Small Town; closed with Good Trip, co-directed by Hong Kong filmmakers Norris Wong and Hoi Wong, and also screened Jia’s short film Torino Shadow, which premiered at this year’s Cannes.

PINGYAO INTERNATIONAL FILM FESTIVAL 2026 AWARDS:

FEI MU AWARDS:

Best Film: Final Payment, dir: Niu Niu

Best Director: Xu Zao, Light Pillar

Best Actress: Sun Yi, A Joke, dir: Wang Xiaozhen

Best Actor: Niu Jianrong, Final Payment, dir: Niu Niu

Jury Award: Zoom In, Zoom Out, dir: Dong Jie

Special Mention: Suzhou Quartet, dir: Cai Chengjie

ROBERTO ROSSELLINI AWARDS:

Best Film: Congo Boy, dir: Rafiki Fariala

Best Director: Filipiñana, dir: Rafael Manuel

Jury Award: Ben’imana, dir: Marie-Clémentine Dusabejambo

Special Mention: Yesterday The Eye Didn’t Sleep, dir: Rakan Mayasi

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Chad Lowe and Kim Painter’s Daughter Fiona Dies at 13

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Actor Chad Lowe and producer Kim Painter’s 13-year-old daughter, Fiona, has died, according to a statement from the teen’s family.

“We are deeply heartbroken by the loss of our beloved Fiona,” the Lowe family said in a statement to media Tuesday evening. As the family went on, they remembered Fiona as “a loving young girl who was smart, creative, and loved to dance.”

“She was adored by her sisters and she was deeply loved by her parents,” the family’s statement added. “In fact, she was the light of our lives.”

While a cause of death was not immediately shared, the Lowes alluded to Fiona’s mental health struggles, writing, “Her passing is devastating for our entire family and we ask for prayers and privacy at this time. If you or someone you know is struggling with mental health, please reach out to the 988 Suicide & Crisis Lifeline by calling or texting 988.”

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