Entertainment
YouTube Music Guru Shreds NYT Critic Panel’s ’30 Greatest’ Songwriters List: ‘Pretentious, Cork-Sniffing, Smug People’
YouTube musicologist Rick Beato, the internet’s music professor, furiously shredded the New York Times music critics “30 Greatest Living American Songwriters” list – a creation that irked him so deeply he posted a second video this week attacking the “pretentious, cork-Sniffing, smug people” who made it.
Beato, the classically-trained multi-instrumentalist and former session player, engineer, producer and educator – who began building the 5.4 million followers and 6 billion lifetime views on his “Everything Music” channel in 2015 – first took aim at the panel’s list earlier this month with a video titled “The NYT ‘Greatest Songwriters’ List is an Absolute Disaster.”
Beato’s followers knew they were in for a barnburner. The genre-spanning music guru, though certainly known for extra-salty takes, has a broad appreciation for virtually all types of music, respects others’ opinions and rarely, if ever, attacks individuals.
Then, in the days after that episode aired, someone sent Beato the May 7 episode of the Times’ podcast “Cannonball With Wesley Morris,” in which the paper’s music critics gathered to defend their choices. Beato went ballistic.
“It drove me nuts watching it,” he said in the Monday episode, which you can watch below. “I have to make a video about this.”
“Here’s four Ivy League educated people,” Beato snarled. “You’ve got two from Yale, one from Princeton, and Mr. Harvard there, that are the most pretentious, cork-sniffing, smug people that are all music critics with no background in music.”
Their list is an eclectic mix for sure, with some indisputable greats (Stevie Wonder, Paul Simon, Dolly Parton) and more than a few disputable ones (Fiona Apple, Stephin Merritt, Young Thug), but it was the thinking behind the inclusions – and omissions – with which Beato took particular issue. He zeroed in on Times critic Jon Caramanica, who argued that songwriting is often defined as “a heroic white man with a guitar struggling through his emotions.”
“Exactly what you would expect from a New York Times music critic,” Beato said. Responding to the panel’s discussion of why Billy Joel was excluded, he asked: “You hear these guys competing for the worst take?”
Beato, whose long-running “What Makes This Song Great?” series helped establish him as a household name among musicians, producers and music fans, concluded by saying he’s “not going to sit here and say this is a definitive list of the greatest living American songwriters. It’s ridiculous. … That’s why I always say at the end of these videos, this is my personal opinion.”
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movies
‘Dancing With The Stars’ Season 35, Week 3 Recap: Who Goes Home?
SPOILER ALERT! This post contains details from Tuesday night’s episode of Dancing with the Stars.
It’s another exciting night in the ballroom as 13 contestants are still eyeing the Len Goodman Mirrorball Trophy during Week 3 of Dancing with the Stars.
Last week, the judges reinforced just how tough they are going to be this season, once again declining to score anyone above a 7. Still, three couples — Jenna and Val, Ezra and Daniella, and Amber and Pasha — walked away tied for the top of the leaderboard with 21 points. We also said goodbye to Alan Bersten and chef Giada De Laurentiis.
Week 3 is Yacht Rock night, so the remaining couples are performing to hits from artists including Fleetwood Mac, The Doobie Brothers, and Luther Vandross.
Here is how the night went.
Olympian Amber Glenn with Pasha Pashkov danced a Foxtrot to “Hold the Line” by Toto. SCORE: 24
Actress Julia Stiles with Ezra Sosa danced a salsa to “I Can’t Go for That (No Can Do)” by Daryl Hall & John Oates. SCORE: 19
Late-night sidekick Guillermo Rodriguez with Whitney Carson danced a Foxtrot to “Escape (The Piña Colada Song)” by Rupert Holmes. SCORE: 15
Actress Tatyana Ali with Jan Ravnik performed a Quickstep to “Maneater” by Daryl Hall & John Oates. SCORE: 21
Actor Harry Shum Jr. with Jenna Johnson performed a jive to “You Make My Dreams Come True” by Daryl Hall & John Oates. SCORE: 24
Musician Taylor Hanson with Britt Stewart danced a Foxtrot to “What a Fool Believes” by The Doobie Brothers. SCORE: 18
Reality star Maura Higgins with Mark Ballas danced a Quickstep to “Turn Your Love Around” by George Benson. SCORE: 22
Reality star Ciara Miller with Brandon Armstrong performed a Cha Cha to “Never Too Much” by Luther Vandross. SCORE: 18
Savannah Bananas midfielder Jackson Olson with Emma Slater performed a paso doble to “Easy Lover” by Philip Bailey and Phil Collins. SCORE: 18
Comedian and podcaster Connor Wood with Rylee Arnold danced a Foxtrot to “Everywhere” by Fleetwood Mac. SCORE: 20
Actress Jenna Dewan with Val Chmerkovskiy danced a samba to “Africa” by Toto. SCORE: 21
Reality star Tyler Cameron with Sharna Burgess danced a jive to “Still the One” by Orleans. SCORE: 17
Paralympian Ezra Frech with Daniella Karagach danced a Foxtrot to “Just the Two of Us” by Grover Washington Jr. featuring Bill Withers. SCORE: 21
Who goes home?
The competition is now down to 12 as Taylor Hanson and Britt Stewart were sent home. Next week is all about Mariah Carey, so the couples will perform a variety of the pop superstar’s biggest hits.
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Entertainment
Wolf Blitzer Makes a Rallying Call to Protect Free Press During Speech
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Entertainment
Creators: AI Is the Future. We Need to Be Transparent About Using It
Artificial intelligence is here and can’t be ignored, which one creator summed up neatly with a matter-of-fact comment.
“I do voice acting as well, and so I’m already preparing for my job to not exist,” said Vincent Marcus, a creator and comedian who does impersonations, about why he’s gone all-in on AI.
Marcus was speaking on Tuesday at TheWrap’s inaugural AI Creator Day, a part of our annual Grill business conference. The subject of the panel was about voicing AI-generated bot characters for AI social platform Cantina, which offers the potential for him to monetize his creativity.
Being able to better monetize creator ideas and imagination was a key theme to the all-day conference. But an undercurrent was the inevitability of AI, and the perils of ignoring the technology that’s disrupting every industry. For creators, it’s a fine line to walk, with even the hint of using AI eliciting fan backlash.
But for those at the panel, the upside of AI is too attractive to ignore.
“This is where the future is heading,” said Rebecca Zamolo, a YouTube and founder of MOLO Fertility. “I think it’s important that we acknowledge that. I think it’s about being transparent with your audience.”

As AI has become more prevalent, more creators have been using the technology in their workflows. Some creators use this tech through third-party companies like Cantina; some use popular AI platforms like ChatGPT and Claude directly, and some use AI tools that have been directly added to the biggest social media platforms.
For example, YouTube’s AI tools let creators A/B test headlines and thumbnails, and Ask Studio — the platform’s AI-powered Q&A offering — acts as a specialized AI agent that’s fluent in a creator’s channel, a feature that’s helpful for data analytics. TikTok has its Symphony Creative Studio, a generative suite that lets creators use AI to create text-to-video, image-to-animation and digital avatars. As for Instagram, the Meta-owned platform has Muse, a personal AI agent designed to help Instagram creators manage workflows, analyze account activity and plan content
Zamolo and husband Matt Slays talked about how AI dubbing of its content has extended the reach of their YouTube channel. Slays noted that its channel went from having 65% of its audience being in the U.S. to 35% in short time (he didn’t specify), noting the wider international audience it now gets
“We were able to exponentially grow our markets without doing as much,” Slays said.
Don’t hate the game
Shira Lazar acknowledged the stigma of the “AI creator” and polled several participants about what they should do it about it.
“We don’t get to decide,” said Destorm Power, an entrepreneur and creator. “If they want to call me an AI creator, that’s fine.”
“The game is changing, we’re just in the game,” said Bernie Su, head of creative for Pickford and an Emmy-winning web series creator. “We’ll do our thing. Audiences will react to us, and we’ll see what happens.”
Zamolo acknowledged that they’re still testing the boundaries with what is and isn’t okay with AI.
“If it gets crazy, they usually will call us out in the comments,” she said. “But I think that’s just part of learning how to use it correctly anyway.”
But one of the key ideas several participants stressed was dispelling the notion that AI was killing creativity. Instead, that’s something that’s in greater need as the technology allows people to bring to life their wildest ideas.
“Everyone’s creative. Get those ideas out there. Write them down,” said Katherine Rundell, senior director of partnerships at Cantina. “Keep those ideas flowing. Creativity is more important than ever in the age of AI. Lean into that.”
Q: I guess do you get any pushback from my past provision from other creators? You know, even being here, I think that you saw some creators that are like instead coming here to talk about this, and others that are scared because they get a lot of pushback from the audience. Are you ever worried about it, guys.
A (Rebecca Zomolo speaking):
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