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Episode 8 – Go For It, Nakamura-kun!!

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Am I alone in thinking that this episode started off being vaguely uncomfortable before eventually becoming SUPER uncomfortable? I’m not going to lie, I might be starting to see why so many people took issue with this writer’s humor if these are the types of jokes that are making it into the final show after they explicitly said that certain things would be toned down after receiving feedback from others. The episode starts off like any other. I’m disappointed that the show is jumping back to relying on Nakamura’s creepy insecurities when I think the more over-the-top humor that comes with the extended cast like last week is superior. Still, though, there were one or two jokes that I did find funny, with the highlight being Nakamura just failing to say hello. I think we’ve all been in that type of situation where we want to say something very simple and can easily visualize it, but it just never comes out right. That scream he does afterwards is spot on.

Unfortunately, the episode takes a downward spiral from that point, which is a shame because the jokes I liked happened so early that this means I ended up having a problem with a majority of the episode. I understand the joke with the gym clothes was supposed to be a subversion. It was funny that Nakamura had to potentially rationalize the fact that his precious cinnamon bun sweats like crazy when he works out. The joke that the clothes didn’t belong to Hirose was very obvious but feels weird because that means Hirose was comfortable enough to loan out somebody else’s gym clothes? Sure, okay, that’s something I can overlook. But what I can’t really overlook is the fact that Nakamura still sniffed the gym clothes when he thought they belonged to Hirose. Credit where credit is due, Nakamura immediately regrets it and calls himself a creep throughout the entire skit. I could chalk that up to him just having an uncomfortable moment of weakness that he never wants to repeat again…but then the episode kind of just takes a steaming pile of poo on my goodwill.

I guess one way to make Nakamura more likable is to introduce somebody who is more infatuated with Hirose to an incredibly creepy and unsettling degree. On the one hand, it’s kind of funny that Nakamura just straight up calls this dude a pervert because…yeah he is! As soon as he pulled out those pictures of Hirose, I started thinking to myself. “Wait, why does he have those?” Then the sketch devolves into the two of them trying to…out creep each other? Nakamura is definitely better by comparison, but the fact that he was still willing to take Hirose’s childhood pictures which seemed to have been taken without Hirose’s consent still doesn’t make him look good in this situation. What exactly is supposed to be the joke here? That they’re both really uncomfortable perverts? That’s not really funny as much as it is just unsettling because it honestly just makes me feel bad for Hirose who is none the wiser to any of this.

I think it would have been funnier, and honestly more emotional, if Nakamura actually followed through on calling out that behavior. Maybe it could have been a moment of reflection for him. This random guy should’ve been a glimpse into what Nakamura could turn into if he doesn’t keep his obsessions in check. But instead, this guy feels like he accidentally makes Nakamura look worse. Why didn’t Nakamura report this guy to Hirose? Oh, is because if he did report him, then Nakamura wouldn’t be able to get anything from him? I felt icky by the end of this episode. It wasn’t funny, it wasn’t charming and I honestly hope we never see this random guy again.

Rating:




Bolts also streams regularly on Twitch as the indie VtuberBolts The Mechanic where they talk about and play retro media!



Go For It, Nakamura-kun!! is currently streaming on
Crunchyroll.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Bite Maker AK Manga Ends – News

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Final chapter to be published on May 30



First volume cover for Bite Maker: AK (Area Kanazawa)
Image via Amazon Japan

The official X (formerly Twitter) account for Miwako Sugiyama‘s Bite Maker: AK (Area Kanazawa) manga announced on Saturday that the manga will end on Shogakukan‘s Biccomi platform on May 30.

The series launched on Shogakukan‘s Manga ONE app in May 2023. The manga is the sequel to their Bite Maker: The King’s Omega (Bite Maker: О̄sama no Omega) manga. Shogakukan shipped the fifth compiled book volume on November 26.

Sugiyama launched the original Bite Maker manga in Shogakukan‘s digital magazine &Flower in October 2018, and ended it in December 2022. Shogakukan published the manga’s 11th and final volume in March 2023. Seven Seas licensed the manga and published the final volume in July 2024.

The company describes the story:

Nobunaga won the genetic lottery and was born an alpha: his beauty, intelligence, and talent drive everyone wild with lust. Despite his seemingly perfect life, Nobunaga is unsatisfied–until he meets the woman of his dreams, who can sate his every desire. Enjoy a taste of the supernatural in this alpha/beta/omega tale about love, lust, and the power of attraction.

Sugiyama wrote the Ai no Kotoba manga in 2007, and the True Love manga in 2012.

Source: Bite Maker: AK manga‘s X/Twitter account


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Kakao Ent. Opens Submissions for New Drama Webtoon Series – News

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Company classifies wide range of titles under its drama category, including: everyday slice-of-life stories, black comedies, thrillers, youth narratives



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Image via Kakao Webtoon’s website

Kakao Entertainment announced on May 13 that it will accept submissions for new drama-genre webtoons from May 27 through June 10, as part of its ongoing effort to expand its content pipeline.

The company classifies a wide range of titles under its drama category, spanning everyday slice-of-life stories, black comedies, thrillers, and youth narratives. Several works from this category — including Itaewon Class, The Uncanny Counter, and A Bona Fide Killer — have previously been adapted into live-action series.

This year’s recruitment will be conducted across two tracks. The “webtoon submission” category requires a full synopsis, a completed first episode, and storyboard drafts for episodes two to three. The “story submission” category, aimed at writers, requires a project proposal, synopsis, and storyboard drafts for the first three episodes. Applicants may apply to both tracks.

Selected creators will be given the opportunity to serialize their work simultaneously on Kakao’s two major platforms: Kakao Webtoon and Kakao Page.

Details can be found on Kakao Webtoon.

Source: YNA (Ga-hye Koh)


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The Ogre’s Bride Anime’s Trailer Unveils More Cast – News

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The staff for the television anime of Kureha‘s The Ogre’s Bride (Oni no Hanayome) light novel series revealed three more cast members in a new trailer on Saturday.


Cast image for Takamichi Araki, Ouga Kiyama, Sakurako Kiyama
Image via The Ogre’s Bride anime’s X/Twitter account

The newly announced cast includes (left to right in image above):

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Image via Oni no Hanayome’s X/Twitter account

The anime will premiere in July 2026.

The novel series is set in a Japan where humans and demons co-exist peacefully. Yuzu is an ordinary high school girl, who lives in the shadow of her older sister who is the bride of a demon. One day, she has a life-changing encounter with a beautiful ogre who claims her as his bride.

The cast includes:

Kazuhito Ōmiya is directing the anime at Colored Pencil Animation Japan. Yumi Kamakura is in charge of the series scripts. Hikari Tanaka is drawing the main character designs, and Hiroko Shigekuni is also credited for character designs. Masaru Yokoyama is composing the music. 

Kureha began the light novel series on Starts Publishing‘s Novema! platform in 2019. The series won the grand prize at the First Novema! Character Short Story Contest. Starts published the ninth volume in May 2024. Yū Shiroya illustrates the series.

Jun Togashi launched the manga adaptation in Starts Publishing‘s Noicomi magazine in December 2021. The manga adaptation won Noicomi’s annual comic ranking in the girl comics category in 2022 and 2023. Starts shipped the eighth compiled book volume on December 26. MangaPlaza is releasing the manga in English.

The light novel series and its manga adaptation collectively have over 5.8 million copies in circulation.

The novel series also inspired a live-action film opened on March 27.

The live-action film based on Kureha‘s The Ogre’s Bride (Oni no Hanayome) light novel series  sold 146,000 tickets in its opening three days and earned 202,395,960 yen (about US$1.27 million).

Sources: Aniplex‘s YouTube channelComic Natalie


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