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Susie Essman Heavily Researched Susan B. Anthony for Larry David’s HBO Show

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Susie Essman appears as a fictionalized Susan B. Anthony in Larry David’s new HBO series, “Life, Larry and the Pursuit of Unhappiness,” a role she initially tried to prepare for by studying the women’s rights activist.

But then she realized while working with David that “none of that served me any purpose in doing the scene.”

Essman made the revelation while speaking to David for “CBS Sunday Morning.”

“You know, I did a lot of research on Susan B. Anthony before I did the part. Just for my own edification,” Essman said. “I watched Ken Burns’ documentary on her and I read all about her. And she was a really interesting woman. And none of that served me any purpose in doing the scene.”

“Of course not!” David retorted.

“You know how we always say this show Larry and there’s real Larry?” Essman asked. After David answered in the affirmative, she continued, “And show Larry is the Larry that people see. And they assume that that’s you. ‘Cause I get asked more than any other question, is Larry really like his character? And you’re not what you are, as we know.”

As she put it, David isn’t “Larry Larry playing these characters, it’s show Larry playing these. Same thing in my — it was Susie Greene playing Susan B. Anthony. It wasn’t Suzy Essman playing Susan B. Anthony.”

The show sees David playing various historical characters in 30-minute episodes. He’s cast, for instance, as Explorer Lewis Merriwether opposite Jerry Seinfeld’s William Clark and Abraham Lincoln’s aide (Bill Hader in a beard played the president) on the day the president was killed.

Watch David’s extended “CBS Sunday Morning” interview with Essman below.

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Salman Rushdie On His 2022 Knife Attack & “Polemical Fiction” — Babell

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“I’ve had quite a good look at it, and it’s not great,” Salman Rushdie joked this evening when asked about death, and whether he feared it, during a sold-out Q&A session at the inaugural Babell Literary and Cultural Festival in Porto, Portugal. 

Rushdie added: “I’d prefer not to.” 

The Indian-born British-American novelist can, of course, speak from recent memory. In 2022, Rushdie was on stage at a literary event — a setup not too dissimilar from this evening at the Porto Colloseum — when he was stabbed 15 times by a then 25-year-old man named Hadi Matar. 

Matar’s motivation for trying to kill Rushdie, according to the federal indictment, originated from a 2006 speech delivered by Hezbollah’s chief Hassan Nasrallah. In his speech, Nasrallah endorsed a decades-old death warrant placed on Rushdie by Iranian religious leaders in response to his 1988 novel The Satanic Verses.

After his conviction, Matar admitted to having read only “a couple of pages” of The Satanic Verses, which Iranian religious leaders had denounced as blasphemous. Rushdie told the crowd this evening in Porto that his attacker’s actions and motivations remained deeply “puzzling” to him for some time after the incident. 

“How could this young man, growing up in New Jersey, with no criminal record, decide to commit the murder of a stranger?” Rushdie said. 

Rushdie works through these questions in his 2024 memoir Knife: Meditations After an Attempted Murder. The book’s last chapter contains a fictional conversation between Rushdie and Matar. The author told the audience in Porto that he had originally planned on visiting Matar in prison to conduct a real-life discussion. Matar was sentenced to 25 years in prison in 2025. However, he quickly decided against a visit after discussing his plans with his wife. 

“My wife didn’t think that was a good idea,” he joked. “And even if he did agree to it, which he probably wouldn’t, for many reasons, what would I get out of the meeting? He’s not going to open his heart to me. It would’ve been a series of cliches that I could predict anyway. So I thought, I’m a novelist, why don’t I make it up?” 

Rushdie added that when the book came out, many of his fellow novelists contacted him to say they thought the fictional conversation was the “best chapter in the book.” 

“One or two of the critics thought it was the weakest chapter in the book. That just shows you the problem with critics,” Rushdie joked. 

Despite his reputation and recent history, Rushdie told the Portuguese crowd that he isn’t at all interested in overtly political fiction writing. 

“I don’t want to write polemical fiction,” he said. 

To illustrate his thesis, Rushdie spoke about Jane Austen and how her novels, penned at the height of the Napoleonic Wars, don’t contain any detailed mentions of war. 

“That’s because public life and private life were so far apart at that time that she could brilliantly and profoundly explain her characters without needing to refer to the public dimension,” he said, adding that the relationship between the two is much different today. 

“Since then, the distance between private life and public life has almost disappeared, so public life now collides with our private lives almost every day, so if you want to write, it seems to me that that dimension needs to be one of the parts of the explanation of your characters. It doesn’t have to be the most important part, but love, work, money, class, religion, all these things are part of how a character is made up.”

Rushdie added: “I think about politics in fiction like that. I want to write fiction that takes into account everything that makes a human being.”

The Babell Literary and Cultural Festival runs until June 29.

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LA Reporter Apologizes for ‘Thoughtless’ Bosnia World Cup Trash Talk

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Los Angeles reporter Abigail Velez has apologized for a “thoughtless” joke she made about Bosnia ahead of the men’s World Cup match between Bosnia and Herzegovina and the United States.

“In a poor effort to have a little fun with World Cup competition, I took it too far and made a thoughtless comment on air that was insensitive and inappropriate. I apologize to the people of Bosnia and the Bosnian Football team,” Velez said in a statement shared on social media Saturday.

“The World Cup is supposed to be about uniting communities around the world, and my comment didn’t reflect that spirit,” she said.

Velez’s original comment came after the United States lost to Türkiye but still won their group. “One thing about Bosnia, I could not point out where it is on a map. I don’t know the first thing about Bosnia, and I don’t wanna know,” she said during the broadcast. “That’s because Team USA, we’re back, we’re better than ever. Get prepared Bosnia, because you don’t want it. You don’t want it like that. But you’re gonna get it.

Velez’s comments and apologies sparked discussion about the hiring practices of news organizations.

“ABC 7 Los Angeles reporter Abigail Velez went too far, in my view. She used biting sarcasm, unnecessary colloquialism and did zero research on the U.S. next opponent, Bosnia in her game preview,” wrote journalist Brian J. Shaw on X. “This is her apology statement for her unprofessional conduct. My advice to budding broadcast journalists is this: take the necessary time to get to know the subjects you’re talking about. It might mean the difference between having job security and entering a long unemployment line in our business. (ABC News president happens to be Bosnian.).”

Almin Karamehmedovic, the president of ABC, was born in Sarajevo in Bosnia and Herzegovina.

This is the second men’s World Cup appearance Bosnia and Herzegovina has made since gaining independence in 1992. The country’s national team previously appeared in the 2014 men’s World Cup in Brazil. The team will head to the knock out round for the first time ever when they play the Americans.

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Peter Safran Still “Confident” In DCU Strategy After ‘Supergirl’ B.O.

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Although Supergirl has failed to soar with its opening weekend, the DCU still has some tricks in store for moviegoers.

Following the Craig Gillespie-helmed movie’s premiere, DC Studios co-CEO Peter Safran admitted the title didn’t live up to the Warner Bros. banner’s “box office expectations” against its reported $175M budget.

“While Supergirl didn’t meet our box office expectations, it’s just one component of a broader, long-term strategy at DC Studios that we remain confident in,” Safran told The New York Times.

The DCU’s upcoming slate includes director James Watkins’ Clayface, premiering Oct. 23 in theaters, followed by DC Studios co-CEO James Gunn’s Man of Tomorrow, which is set for July 9, 2027. The Lanterns series is also expected to premiere on HBO in 2026.

With the World Cup and a blistering heatwave, Supergirl is currently looking at a $68M global opening weekend, taking $38M domestically.

Only slightly surpassing Joker: Folie a Deux‘s $37.6M domestic opening, Kara Zor-El’s debut solo outing in the new DCU is far behind Arther Fleck’s $114.8M global opening for the 2024 Todd Phillips-directed sequel.

Despite Supergirl‘s box office Kryptonite, the Superman (2025) followup saw the highest opening weekend for any superhero movie in Imax history, with 51% of the gross coming from Imax ($7.4M) and PLFs.

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