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Uwe Boll Rips Citizen Vigilante Critics and Defends Armie Hammer Movie

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Polarizing filmmaker Uwe Boll offered to field questions from fans, and it’s safe to say that things did not go as planned.

Known for such B-movie staples as Alone in the Dark and BloodRayne, Boll took part in a Reddit AMA on Friday to promote his film Citizen Vigilante, which stars Armie Hammer. Critics have predictably trashed the movie, as generally is the case with Boll’s oeuvre, with Citizen Vigilante holding a six percent approval rating from reviewers on Rotten Tomatoes, although it has a 93 percent score from audiences. Citizen Vigilante centers on Hammer’s character as he seeks to punish criminals, most of whom are depicted as migrants.

The proceedings got off to an inauspicious start, as the first question asked Boll why he still makes new films “after already making some of the worst movies ever.” The German director replied tersely, “To top them all.”

This conversation didn’t get any more civilized from there. One question noted Boll having previously referred to actors as “whores” and went on to ask the director if he is “a whore yourself pleasing right wingers,” given that conservatives have championed the film and its anti-migrant themes. “Absolutely,” replied Boll in his native German.

Uwe-Boll
Uwe Boll

When another individual asked Boll how he keeps getting work, the director replied, “Money.” In response to a different question asking why he decided to cast Hammer “despite his controversies and allegations,” Boll explained, “Great actor and fits into the movie.”

Although there were some questions that were more respectful, Boll clearly did not appreciate the general tone of the exchanges. At one point, he posted a comment that read, “Guys, why a lot of you are stuck in the past. You love to hate and trash me.”

He went on to encourage participants to watch some of his films and named a long list of them, including Postal (2007), Rampage (2009) and Assault on Wall Street (2013). “Open your eyes,” he continued. “Forget my name and just watch the movies. Look at the ratings at Amazon and you see what the REAL AUDIENCE believes …. ! You are so in love of bashing me that you forgot yourself. I wish you all a great evening and now watch soccer in TV instead of wasting my time here.”

Citizen Vigilante was the subject of headlines after Elon Musk briefly made it available to stream for free on X following the movie getting banned in Germany amid concerns that it could incite violence against immigrants. Boll has posted to social media about the film having performed well on digital platforms and teased a potential sequel.

The project marks one of Hammer’s first features since he was dropped from WME after a number of sexual misconduct allegations surfaced in 2021. During a recent interview with The Hollywood Reporter, the star recalled getting emotional after landing the role in Citizen Vigilante: “I would have done a fucking cat food commercial. I just wanted to work again.”

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‘Artificial’ Not Expected To Play The Film Festival Circuit

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EXCLUSIVE: Luca Guadagnino‘s much-talked about Artificial is expected to forego a traditional fall festival rollout, we understand.

The Sam Altman movie, starring Andrew Garfield, has been the subject of intense media scrutiny following Amazon‘s decision to ditch the film last month. Neon has boldly stepped in to release the project, and recent reporting has speculated about potential fall festival berths.

We understand there has been interest from multiple A-list festivals, and while things can change, we hear the film isn’t likely to go down the standard festival route. That doesn’t mean it won’t pop up at a festival in some form (we bet it will), but it won’t have the traditional launch with the bells and whistles of a red carpet, press conference, junkets etc

This probably makes sense for a movie whose subject and handling by Amazon has seen it become a lightning rod for debate and speculation. A similar release strategy also worked well for a movie like Marty Supreme.

Oscar nominee Garfield stars as the controversial OpenAI CEO. Amazon stepped away from the project soon after it struck a massive partnership with the tech company in February to expand OpenAI’s use of Amazon Web Services and develop custom AI models, which included a $50BN investment on Amazon’s part.

As first reported by Puck, Neon picked the film up without having to surrender an MG. Instead, it’s covering P&A via a straight distribution deal. This is seen as friendly to the creatives with Amazon potentially prepared to write off a chunk of its spend and for key creatives and filmmakers to get their backend should the movie make money.

Neon is expected to release the film later this year and has said it will give it an Oscar campaign. There is bullishness among some of those close to the movie that it should at least feature in the awards conversation.

Oscar nominees Monica Barbaro, Mark Rylance and Yura Borisov are among the stacked cast in the film which chronicles the days leading up to the sudden firing and reinstatement of Altman as CEO of OpenAI, “as the fate of who gets to control the technology at the center of an AI arms race hangs in the balance”.

The script, penned by SNL alum Simon Rich, is produced by Rich and Guadagnino, alongside Heyday Films’ David Heyman and Jeffrey Clifford, and Jennifer Fox.

Neon and reps declined to comment.

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Joanna Pettet Dead: ‘The Group,’ ‘Casino Royale’ Actress Was 83

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Joanna Pettet, the London-born actress who played one of the eight Vassar graduates in Sidney Lumet’s The Group and a spy put to work by her father, David Niven’s James Bond, in Casino Royale, has died. She was 83.

Pettet died Wednesday, her friend and former manager Pam DuBois announced on Facebook. No other details were immediately available. Her reported death came exactly 31 years after her son, Damien Cord, whom she had with actor Alex Cord, died at age 26 in 1995 of a heroin overdose.

Pettet also fell for Tom Courtenay’s German officer in Anatole Litvak’s The Night of the Generals (1967); portrayed the wife of Stanley Baker’s crook in Peter Yates’ crime caper Robbery (1967); and was the spirited love interest of Terence Stamp‘s bandit in Blue (1968).

She began her film career after acting in three Broadway comedies in the early 1960s.

On television, Pettet turned up on four episodes of Rod Serling’s NBC anthology series Night Gallery in the early 1970s and had a recurring role spanning the fourth and fifth seasons of CBS’ Knots Landing in ’83 as Janet Baines, a homicide detective investigating the murder of singer Ciji Dunne (Lisa Hartman).

On Aug. 8, 1969, she and fellow actress Barbara Lewis shared a poolside lunch at the Topanga Canyon home of actress Sharon Tate, hours before Tate and four others were murdered there by devotees of Charles Manson.

Her visit that day is re-created in Quentin Tarantino’s 2019 film Once Upon a Time in Hollywood, with Rumer Willis as Pettet as Margot Robbie at Tate.

In The Group (1966), adapted from Mary McCarthy’s novel, Pettet portrayed Kay Strong, who marries an alcoholic, abusive and philandering playwright (Larry Hagman) before meeting an untimely end.

The story of her character bookends the drama, which featured Candice Bergen, Joan Hackett, Elizabeth Hartman, Shirley Knight, Jessica Walter, Kathleen Widdoes and Mary-Robin Redd as her classmates.

The lithe Pettet then sparkled as Mata Bond, the product of a love affair between Niven’s 007 and the spy Mata Hari, in the Bond spoof Casino Royale (1967). In one of the film’s most memorable set pieces, she performs a dance in a Buddhist-themed temple before connecting with her daddy.

Joanna Jane Salmon was born in London on Nov. 16, 1942. After her father, Harold, a British Royal Air Force pilot, was killed during World War II, her mother, Cecily, remarried and settled in Montreal.

Joanna took the surname of her stepfather and had $1,000 with her when she moved to New York at age 16. “I thought it would last me up to two years,” she said in a 1967 interview. “I’d never really fended for myself before and didn’t realize how fast money could go. The whole nest egg was gone in three months.”

Pettet studied acting at Neighborhood Playhouse and made her Broadway debut in the 1961-62 Hal Prince-produced comedy Take Her, She’s Mine, starring Art Carney and Elizabeth Ashley and directed by George Abbott.

She was back on Broadway in 1964 in the comedies The Chinese Prime Minister and, opposite Alan Bates and Gene Hackman, Poor Richard, for which she received a Theatre World award for her efforts. In the latter, she served as a last-minute replacement for Knight, who quit shortly before the production was to open in New York.

Also in 1964, Pettet appeared on an episode of ABC’s Route 66 and began a stint as a nurse on the NBC daytime serial The Doctors. Two years later, she played a dancer whose life and career is threatened by a rare neuromuscular disease on NBC’s Dr. Kildare, starring Richard Chamberlain.

She posed in Playboy in 1968 to promote Blue.

In the 1970s, Pettet starred in lots of telefilms, in the horror films Welcome to Arrow Beach (1974) and The Evil (1978) and on the NBC miniseries Captains and the Kings (1976).

She appeared as herself in a 1984 episode of ABC’s Lee Majors-starring The Fall Guy alongside fellow Bond actresses Britt Ekland and Lana Wood. (The trio are hired to appear in a movie that’s titled Always Say Always.)

Her final role came in the Roger Corman-produced Terror in Paradise (1990), after which she retired from acting.

She was romantically involved with Stamp and, when they were in Poor Richard, with Bates. Soon after she and Bates rekindled their relationship in 2002, he was diagnosed with pancreatic cancer. Upon his death in December 2003, he bequeathed her a reported £95,000 (that’s about $265,000 in today’s dollars).

“It was a very touching gesture because he had done everything while he was in hospital to make sure I would be looked after following his death,” she told The Daily Mail.

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‘Summer House Canada’ Set As NBCUniversal Streamer Hayu’s Second Original Reality Series

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Following the success of The Real Housewives of London, Hayu has ordered Summer House Canada.

The announcement comes a day after Bravo’s Summer House earned its first Emmy nomination.

NBCUniversal’s streamer and Lark Productions have already begun production of the Canadian spinoff in Muskoka, Ontario, with the series premiering on Hayu in 2027.

“We’re thrilled to bring this adaptation of the standout Summer House format to the market – and Muskoka offers the perfect, iconic Canadian setting to introduce Summer House Canada and build on the franchise’s momentum,” said Hendrik McDermott, Managing Director, International DTC, NBCUniversal. “Following the success of Hayu’s first original commission – The Real Housewives of London – we’re delighted to bring another exclusive original series to Hayu subscribers in Canada and worldwide, expanding our market-leading reality content line-up with a fresh take on a fan-favourite franchise.”

Hayu recently wrapped filming for the second season of The Real Housewives of London, and Bravo also confirmed it will air the first season of the reality series starting in July.

The Summer House franchise follows a group of friends who share a house on summer weekends to escape city life. Known for its sprawling waterfront cottages and lively social scene, Muskoka sets the stage as relationships, careers, and personal lives collide.

Erin Haskett, President and Executive Producer, Lark Productions, said in a statement, “Summer House has become a beloved global franchise known for its authentic friendships, big personalities, and the unforgettable moments that come from spending a summer together. We’re excited to build on that by bringing the Canadian summer experience to fans worldwide.”

The Summer House franchise is distributed internationally by NBCUniversal Formats, a division of Universal Studio Group.

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