Anime
An Older Eri Thanks Her Heroes in My Hero Academia: I am a Hero Too Anime Short – All the News and Reviews from Anime Expo 2026
10 years of My Hero Academia hasn’t stopped the fans’ appetite for more. Weeks before taking home Anime of the Year at the Crunchyroll Anime Awards, we got more in My Hero Academia: More. A whole reunion with the older cast and a long-awaited confession? Yes please! Toss in more seasons of Vigilantes, and you have a well-fed fanbase. But Studio Bones wasn’t done. To celebrate this generational run, Anime Expo hosted a month-early premiere of their newest short starring a high schooler Eri called My Hero Academia: I am a hero too. Here’s what to expect on August 3, 2026, when it releases worldwide.

Years after Jirou’s concert at the school festival in Season 4, Eri is now all grown up. What was once a child needing permission to speak now stands as a young adult singing for herself. She’s no longer haunted by her father’s shadow: she’s a bright-eyed teenager looking towards the future. And so far, the future has never looked brighter. Deku has risen back through the ranks after returning to hero work alongside his teaching role, reaching as far as Number 4 (Mirio is still at the top). Jirou and Kaminari have taken her under their wing, fostering her love for music to the point where she’s now formed her own street band.
To thank her heroes, she’s invited them to check out their debut performance. But there’s a catch: they have to keep themselves hidden from the crowd. The fact is, these guests are no longer small-time students, but celebrities themselves. If they announce that they’re coming to this small concert, all the attention would be on them. That is not the kind of pressure Eri wants to put on her heroes: they are her guests, and she’s there to entertain them. She wants to prove that she doesn’t need to piggyback off their own fan bases to shine as they did on stage years ago. In fact, it’s that exact performance that leads to her song choice: a cover of “Hero Too”.
All of this is great stuff, but this is where some fans might need to keep their expectations in check. When they call this short, they mean it: it’s only 6 minutes long. The vast majority of its runtime is spent on this performance. Now the cover itself is fantastic, setting itself apart from the original with its acoustic instrumentals and gentler vocals. The art style also shifts closer to a watercolor aesthetic, rather than the comic-book styling that its recent openings and endings have started to take more cues from. It also can’t be denied how powerful the imagery of a confident Eri singing just like Jirou is. But it’s almost too good, because the brief glimpses of her bandmates forming and the promise to stand on their own had me wondering what a full episode with brand new songs could’ve looked like.

© 堀越耕平/集英社・僕のヒーローアカデミア製作委員会
In spite of its brief runtime, I can’t deny the enthusiasm fans felt watching this before anyone else. The panelists also clearly factored in the length of the short itself, because our hosts were none other than the Japanese voice actors of Deku and Shigaraki: Daiki Yamashita and Kōki Uchiyama. After a rousing montage of the series’ heroic moments, the titular hero and villain had the audience decide which of their two favorite moments was better.
For Shigaraki, his speech towards the heroes in episode 121 of the Paranormal Liberation War won by a landslide over his first attack on USJ. For Deku, his final smash in episode 167 got louder cheers than when All Might first told him, “You too can become a hero”. In fact, Yamashita straight-up compared the crowd’s noise level to Present Mic. Even the IMDB ratings were brought up on stage, specifically 162, 163, and 167 for their 9.8 average.
This is when the two discussed their growing friendship behind the scenes. At first, Shigaraki’s Voice Actor worried that getting along with everyone else too early would soften his performance as a villain. So he made it a point to make his first recording together with Deku’s voice actor during the invasion in episode 11. Since then, they’ve had many chances both in the show and on radio talks to become friends. When asked if they resembled their characters, Uchiyama mentioned that he always saw a bit of Deku’s innocence present in Daiki. Meanwhile, Daiki thought Shigaraki’s more objective perspective actually makes Uchiyama a good judge of character.
All of this came together in their final performance together in episode 167. When their fists met to defeat All-for-One, no script was given on how to perform the final punch. Their screams at that moment were left up to them. Uchiyama was impressed by Yamashita’s screams, but Yamashita believed he could keep up with him. Their talk later in the vestige realm was also the first time Daiki saw Uchiyama perform as Tenko rather than Shigaraki. He holds that moment dearly since it’s one of the few quiet moments in the series. To top it off, Daiki recounts how, when this episode aired, the cheers on social media mirrored the characters rooting for Deku to win. I can confirm that the Plus Ultra chanted at the end proved him right.
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Anime
North American Anime, Manga Releases, July 12-18 – News [2026-07-17]
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Anime
Solo Leveling, Omniscient Reader’s Viewpoint Pop-Up Store to Open in New York in August – News
“System Sync” store to run from August 14-30 will feature merch, photo installations, stamp rally

Ize Press announced on Friday it will open a limited-time pop-up store dedicated to Solo Leveling and Omniscient Reader’s Viewpoint in New York City from August 14 to August 30.
Named System Sync, the pop-up will be located at 238 E 6th Street in Manhattan and is timed to coincide with Anime NYC on August 20-23. The event celebrates the two bestselling Korean fantasy franchises, with the store name referencing the “system” mechanics featured in both series.
Visitors will be able to purchase English editions of the comics and novels alongside exclusive merchandise, including glow-in-the-dark Solo Leveling apparel, Omniscient Reader’s Viewpoint shirts created specifically for the event, and imported merchandise from South Korea.
The list of goods includes:
- Acrylic items such as keychains, standees, and plates
- T-shirts and hoodies
- Omniscient Reader’s Viewpoint figures
- Omniscient Reader’s Viewpoint hanging scrolls
- Omniscient Reader’s Viewpoint plush keychains
- Omniscient Reader’s Viewpoint photocard packs
- Solo Leveling bookends
- Solo Leveling enamel pins
- Solo Leveling desk mats
The store will also offer themed photo installations, purchase-based rewards, a stamp rally with Anime NYC, collectible bookmarks and stickers, and bonus gifts for attendees who visit in cosplay.
Ize Press, the English print publisher for both series, explains both franchises:
Solo Leveling, the international juggernaut that has become one of the most successful webcomic and anime franchises of the decade, follows Jinwoo’s rise from the world’s weakest hunter to humanity’s most powerful force. Meanwhile, Omniscient Reader’s Viewpoint has earned widespread acclaim for its inventive blend of action, fantasy, and meta-storytelling, following Dokja as the world around him transforms into the very novel he has spent years reading. These two series are regarded as masterpieces by fans of dungeon crawlers, LitRPG sagas, and survival fantasy stories.
Source: Press release
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Anime
Sasaki and Peeps Season 2’s Slightly Deranged Formula Works to Its Benefit – All the News and Reviews from Anime Expo 2026

©ぶんころり,カントク/KADOKAWA/佐々木とピーちゃんII
If you’ve watched any of Sasaki and Peeps, then you’re already familiar with its unique blend of flavors. What other series can boast a mix of fantasy kingdom politics, modern-day corporate espionage, assassins, psychics, angels, and demons, all centered around a middle-aged salaryman with a politically savvy talking bird?
Season 1 refused to pick just one item from the menu. Its magic was in picking everything on the menu. The debut episode of Season 2 immediately demonstrates that it’s doubling down, as Sasaki and his companion Peeps find themselves in the middle of deepening political intrigue.
Episode 1 wastes no time throwing you back into the fray. Right off the bat, we’re in a conference room with Shizuka and her bureau colleagues, then we jump straight to Sasaki coming home to his beloved Peeps, only to be joined in the next moment by Count Müller, whose daughter has been kidnapped by Duke Einhart.
Peeps, our adorable Java sparrow who’s also a brilliant and powerful magician (!), coolly strategizes together with Sasaki how they can help Count Müller. This is the show’s bread and butter: calm, level-headed negotiation by adults amidst absurd circumstances.
Adonis appears to share the news that they plan to bestow on Sasaki some land and the title of Count. Peeps is pleased with the development, saying he’s got a plan to deal with the Ohgen Empire. The players are moving chess pieces into place.
One of the things that keeps this show working, despite its slightly deranged assortment of elements, is its full commitment to the bit. Nothing exemplifies this better than Peeps, and how, for the most part, being an adorable talking bird is simply accepted unquestioningly by the rest of the cast. By the end of Season 1, he’s rarely played for laughs, and watching him act like one of the adults in the room makes it easier to accept the rest of the show’s absurdities.
The episode’s willingness to dive straight back into factional politics suggests that the table-setting of Season 1 is largely done, and our protagonists are starting to face some of the consequences of their choices. This isn’t about a salaryman bringing modern goods into a fantasy world anymore. People are making decisions that actually affect others.
There isn’t much in the way of action in this episode, but that hasn’t been the show’s selling point. I can’t fault their heavy use of limited animation when it’s never been about thrilling fight scenes. The show’s charm is in its improbable mix of modern and fantasy characters carefully moving chess pieces around the board, and this episode suggests that’s exactly what we’ll be getting in Season 2.
The show’s disparate elements sound ridiculous on paper, but somehow it all works. Just one episode in, this season feels content to assume the audience has already bought into its political factions and rules of magic. The way the characters all treat the world with complete sincerity makes it that much easier to accept it all yourself.
Sasaki and Peeps still isn’t trying to become a conventional fantasy show or a conventional isekai. If anything, the premiere suggests the show is even more comfortable with the unusual identity it established in Season 1.
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