Dixon Q. Dern, the longtime entertainment attorney who worked at CBS, Desilu and United Artists TV; who represented clients such as Desi Arnaz and the Television Academy; who often served as an arbitrator for labor disputes; who helped incorporate CAA and who was a pioneer in syndicated sales and pre-financing for TV, died on July 19. That, according to an obituary posted by Forest Lawn, Hollywood Hills. He was 97.

Dern began his career as an in-house counsel for United Artists Television, Desilu and CBS before founding his own firm where he represented Desi Arnaz, the Television Academy, Village Roadshow, the Bob Hope Estate and many others.

Dern was often at the nexus of power in Hollywood.

One day in the mid-seventies, Michael Ovitz showed up, closed Dern’s office door and told him he and his associates would be back for a meeting the next day. The subject of the proposed meeting was not disclosed.

“The next day five guys showed up,” said Dern. “It was the five founders of CAA. They were basically the top five guys in William Morris’ television division and they told me they were leaving William Morris and wanted to set up a new agency. So I formed a corporation. They rented a little office with fold-up desks fold-up tables. We did their legal work for them for about six months.”

Dern often served as an arbitrator under various industry collective bargaining agreements, specifically the DGA and WGA.

Dern represented the Television Academy for decades. He played a key role in settling a long-simmering feud between its Los Angeles and New York contingents.

From the Academy’s official history:

By 1976, the situation had exacerbated to the point where, at the semiannual official national board meeting at the Beverly Wilshire Hotel, each chapter designated five-man negotiation teams to meet separately from the rest of the attendees for a two-day summit convened to broker a detente.

The Los Angeles contingent consisted of Michael Baugh, Dixon Dern, Hank Rieger, the late Bob Sweeney and then Los Angeles chapter president Larry Stewart, who was chairman of the negotiating committee.

Reaching a settlement took far longer than two days.

Again, from the Academy’s official history:

After much legal wrangling, the two groups agreed to sever in 1977. According to the terms of the dissolution, both would retain their national status, with the group in Los Angeles retaining its original name, the Academy of Television Arts & Sciences, and the New York body retaining the name of National Academy of Television Arts & Sciences.

Each group would also control specific award shows: the Los Angeles-based Television Academy kept the Primetime Emmys, and jurisdiction over the Los Angeles chapter; the New York entity retained the Daytime, News, Documentary and Sports Emmys, as well as jurisdiction over the 19 chapters throughout the U.S. that produced their own local Emmy events.

Dern also learned a lot about the business while in the legal department at CBS.

“When I got there it was pre Fin-Syn, the financial interest syndication rule which later barred the networks from owning distribution rights,” he said in a 2021 interview with the Beverly Hills Bar Association, of which he was a former president. “But at the time…CBS could own its own shows. In fact, in most cases, it did and we did all the production work on them.”

Among those shows were classics like Gunsmoke, Have Gun Will Travel and Perry Mason.

Dern later moved to Desilu when Desi Arnaz and Lucille Ball were still involved there.

“One thing we did there that was, I think, instrumental to the industry: We decided to set up a syndicated sales organization. We set up Desilu Sales which became the forerunner of Paramount Television today.”

He left Desilu after Paramount acquired the company.

When Dern set up his own practice, Desi became one of his first clients and stayed with him until the day the actor/producer died. Even after Desi’s death, Dern maintained a working relationship with the family. In fact, Dern represented Lucy and Desi Arnaz Jr. in negotiating rights for Amazon’s Being the Ricardos.

Through the years, Dern also became involved in back-end television financing and pre-sales to foreign distributors.

“I had a number of clients who were producing shows and they would get the funds from the network but they wouldn’t have enough money to to finish production,” he recalled. “So you’d go out and get distributors. They were guaranteed to put up the money on delivery. Then I would go to a bank — or really I went to Lew Horowitz. He would set up the financing with a bank and then as soon as the picture was delivered the distributor would pay the bank and everybody would be happy. It’s very similar to the structure that was done in the independent film market.”

Services will be held at Forest Lawn, Hollywood Hills from 9:30 a.m. – 10 a.m. on July 31.

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Ryan Gosling can finally sleep at night.

After nearly a decade of joking that his pose on the original La La Land poster “haunted” him, Lionsgate has finally fixed it with a new poster celebrating the film’s 10th anniversary.

The updated artwork arrives as La La Land heads back to theaters beginning Aug. 16, when the Oscar-winning musical will return to Dolby Cinema at AMC Theatres for its anniversary re-release. A La La Land musical is also currently in development for Broadway.

The original poster for the 2016 film features Emma Stone and Gosling dancing against the Los Angeles skyline. Both actors have one arm raised, but while Stone’s hand is extended up, Gosling tilted his hand flat — a choice he has since joked he regretted.

Speaking to The Wall Street Journal in 2024, the Barbie star reflected on why the pose still “haunts” him.

“Maybe La La Land,” he said when asked if there was a role he’d like to do over. “There’s a moment that haunts me where we’re dancing, Emma and I, and I didn’t know this would become the poster for the movie, but I thought we were supposed to have our hands up and I thought it’d be cool to put my hand [flat].”

“Even though everyone told me it wasn’t cool, I was sure it was cooler,” he continued. “Now when I look at it, and I have to see it all the time, you know what would’ve been cooler… [the correct pose]. It just killed the energy that way. I call it La La hand.”

Gosling even poked fun at the moment earlier this year while promoting Project Hail Mary, releasing a video in March in which he finally corrected his “La La hand.”

Directed by Damien Chazelle, La La Land follows aspiring actress Mia (Stone) and jazz musician Sebastian (Gosling) as they chase their Hollywood dreams while falling in love.

The film won six Academy Awards, including best director for Chazelle and best actress for Stone. It is also remembered for the infamous best picture mix-up at the 2017 Oscars, when La La Land was mistakenly announced as the winner before it was revealed that Moonlight had actually taken home the award.