Anime
Episode 4 – Draw This, Then Die!

©とよ田みのる/小学館/王島南高校漫研
This episode crammed a lot of stuff in, and a part of me feels like that might’ve been a missed opportunity. This episode elapses what appears to be a couple of weeks’ worth of time, and that’s only in its first half, while the second half focuses on the new arrival of another main cast member named Hikaru. I’ll get to her in a second, because there is actually a lot to unpack with that first half. The idea of creating manga is incredibly difficult, even when various parts of the creative process are broken down amongst various people. When Miss Teshima was working on manga, she had to write the story and do the artwork. But in this case, Yasumi only needs to worry about writing the story while Fujimori handles the artwork without really any complaint. I do appreciate the fact that this episode focuses on what seems to be a growing insecurity in Yasumi as a creator.
She has a lot of imagination and a lot of passion, but she doesn’t know how to properly structure it. As far as I can tell, Yasumi doesn’t have any true writing experience. I like the fact that the episode really breaks down that structuring a story, especially in a very specific medium like manga, is really not easy. I also appreciate the fact that Miss Teshima seems to be trying to get Yasumi used to criticism so that she doesn’t burn out at the slightest negative opinion. I could see Yasumi having an arc throughout the show about learning how to properly direct that imaginative spark into something fun. I also like the fact that the episode straight up showed me the manga story that they finally felt somewhat satisfied with after multiple failed attempts. It was cute, but as a critic, I can also see other avenues where it needs to be improved and worked on.
I do have a little bit of criticism with regards to Teshima as both a critic and as a teacher in this episode. I understand that she is very strict, and I understand that she is treading a very careful line between supporting the girls while also making sure that they don’t let their ambitions get too big. I gave her attitude a pass because it was understandable that she was in a state of self-loathing. I actually really appreciate the fact that the show highlights that she is actively reining in her even more overly negative thoughts while also praising the girls for the progress that they have made. I’m not a big fan of her teaching method, though, since it just seems to be letting the girls struggle until they finally get somewhere and THEN highlighting an actual teachable moment.
When Teshima brings up Osama Tezuka’s breakdown of manga story structure, I was just wondering why she didn’t tell the girls any of this information before she just told them to start writing a story out of nowhere. I’m glad that she’s providing the physical materials for them to work on things, and I appreciate the technical breakdown about things like inking and screen tones, but it feels like Yasumi was thrown under the bus this episode. I wonder if that was narratively on purpose, highlighting the fact that Teshima feels more comfortable discussing or teaching about artwork than she does about story structure. After all, Teshima struggles taking criticism about her own stories as she can’t even articulate what her stories were about. I’m curious to see if that will get brought up again later.
None of this is even getting into the second half of the episode, which shifts focus to this new transfer student named Hikaru. I like the idea that Yasumi and Hikaru seem to be kindred spirits, seeing the world through a creative lens and getting the most out of what they see in their day-to-day lives. I could do without Hikaru just straight up assaulting her teacher at the end of the episode. The show leans a little bit too much into Hikaru being overly weird. But maybe there’s supposed to be a point to that as well? Hikaru might represent unbridled creativity, completely unhinged. She seems to have gotten some success, considering that she not only published some of her own manga, but also seems to have a pretty solid social media following. It also seems like the show is hinting that she looks down on Yasumi’s manga in some way, considering that she wouldn’t even comment on the story after reading it.
I like the idea of these two potentially forming a rivalry because Hikaru seems like a fun character that could fit into this dynamic well. There was a lot to chew on with this episode, but there is a part of me that wishes that it was stretched out a little bit more with more breathing room. Both halves of these episodes could’ve been full episodes in and of themselves, leaving me actually shocked at how much was being crammed in every minute. The manga breakdown was very informative, and the new character dynamics seem fun, but hopefully the show doesn’t try to keep up this pace all the way until the end because it is noticeably jarring.
Rating:
Bolts also streams regularly on Twitch as the indie VtuberBolts The Mechanic where they talk about and play retro media!
Draw This, Then Die! is currently streaming on
Crunchyroll.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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Anime
Guitarist Mei Nekozuki Dies – News

The official X/Twitter account for guitarist Mei Nekozuki announced via a post on Sunday from her family that she has died. The funeral will be for immediate family only.
There will be refunds offered for her originally scheduled live events, including her birthday solo live concert on July 29, which have been canceled.
Nekozuki was active as a BanG Dream! support guitarist for the millsage and Ikka DumbRock! bands, and she was also active in the C2 Kikan 1MYB band for Kan Colle.
Nekozuki had just joined The Last Diamond band on July 6. The band confirmed the news of Nekozuki’s death. They were set to release their debut single on July 29, but they will reveal more information at a later date.
Sources: Mei Nekozuki’s X/Twitter account, The Last Diamond’s X/Twitter account, Music Natalie
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Anime
Tengu Tōsen Short Anime Streams on YouTube – News
Tengu Tōsen (Tengu Demon Sword Fight), a short anime project jointly produced by Bandai Namco Entertainment and the IP company Plott, began streaming the first full episode for free on its official YouTube channel last Friday.
The concept of the project is “traditional fantasy battle x Japanese sword fighting,” and it depicts the battles between evil-doing tengu (mythological Japanese demons often characterized with long noses and red faces) and the Tōbatsushi (literally, “sword penal officers”) who slay them.
Akari Hinomiya is a boy who was raised on an island after being imbued with the spirit of Hajun, a heinous great demon who once threatened the world. He meets his eventual comrades, starts wielding a sword, and confronts an uncontrollable power within himself, all to confront his destined foe.
The project started with side story shorts, but the project’s main story began streaming last Friday. Sōno is responsible for the project’s original character designs.
Sources: Tengu Tōsen anime’s YouTube channel, Comic Natalie
Disclosure: Bandai Namco Filmworks Inc., a wholly owned subsidiary of Bandai Namco Holdings Inc., is a non-controlling, minority shareholder in Anime News Network Inc.
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Anime
Episode 1 – Bleach: Thousand-Year Blood War – The Calamity

© 久保帯人/集英社・テレビ東京・dentsu・ぴえろ
It’s so good to finally be able to say Bleach is back, and better than ever! Between this and The Ghost in the Shell—to say nothing of how MAO (by InuYasha‘s Rumiko Takahashi) and Daemons of the Shadow Realm (by Fullmetal Alchemist‘s Hiromu Arakawa), both of which are still airing—it’s like it’s 2005 all over again! What a great time to be a millennial otaku, nostalgic for staying up late on the weekends to watch all the anime on Adult Swim (only to doze off, and wake up inexplicably to the sound of, “BOKUTACHI WAAAA.”).
The episode more or less kicks off with what I’d dare call one of the most beautiful shots I’ve ever seen in a TV anime—the beautiful sweeping shot across the ruins, reminding who’s still around and fighting who. You know, I’d call the animation cinematic quality—something I did a lot for part three, and to be clear, I still think is true—but that certainly hits different after the first three episodes of this were actually in theaters for a bit! Suffice to say, if ever an anime deserved to have its premiere episodes available in theaters for a bit, Thousand Year Blood War part four is as worthy as they get. It’s got the hype and prestige behind it, the visuals are certainly on-par with anything I’d expect to see on the legendary big screen—all around great decision.
This absolutely eye-melting (complimentary) shot somewhat doubles as a recap—again, reminding us who’s still around and fighting who—but frankly, I think we could’ve been given like, a minute or so of recap in addition to that. To be fair, it hasn’t been that long since part three, and I’m sure this’ll make for a more pleasant viewing experience for people binging the series after it wraps up. Plus, I’m sure there’s something to be said, in a series where spectacle takes priority over everything else, how that time is better spent in a fight. Still, I found myself realizing that I’d forgotten a few small details as the episode went on—in particular, I was having to remind myself of how Askin’s powers worked.
But, let’s just be honest with ourselves: Does literally any of that matter, in the face of Yoruichi’s God of Thunder form? Anecdotally, this is something I’ve seen people pretty excited for, and I can see why. Despite how widely beloved she is, Yoruichi doesn’t get the spotlight as often as she should, so it’s satisfying to see her deliver the brutal beatdown we all know she’s capable of. And for better or for worse, she’s not done yet. In true shonen anime fashion, Askin still had at least one more form at his disposal.
I love Urahara and his antics, and of course Yoruichi herself, so personally, I don’t mind the fact that this fight’s not over yet. Still, I could understand if some people are feeling exhausted by it. Askin, maybe more than anyone else on the Quincy side, has a certain, “Oh, this guy’s not dead yet? …Really?” vibe to him. He feels like a character that should’ve died a whole lot sooner than he has. And, to be fair, this seems intentional, given how disinterested he seems in conflict and how his powers work in general.
Still, I bring this up because, being the last part (and only 10 episodes long), there’s something to be said about wondering how long each of the remaining fights are going to last—or more specifically, how much screentime they’re going to eat up. Personally, given how few fights seem left, I’m not super worried about pacing right now. In fact, normally, my biggest concern—especially considering Bleach‘s troubled past with filler—would be fluff, actually. But one of the biggest plot twists of Thousand-Year Blood War is how much better paced it is than the original TV series. Combine that with how beautifully animated and adrenaline-pumping the fight scenes have been, and honestly? I never would’ve believed I’d say this about Bleach in a pre-Thousand-Year Blood War world, but I’m honestly not worried.This series has proven its chops on more than a few occasions, so I’m here, in my seat, popcorn bucket in hand, and ready to trust the process and enjoy the ride.
All this to say is that I thought this was as fun a way as ever to kick off the final part of this all-timer of a battle shonen series. Old faces, new forms, some of the best animation that’s ever graced a TV anime, and plenty of hype. It’s absolute battle shonen in its purest form, and thanks to some exceptional execution, every last second of it has been wonderful so far, and I’m excited to see where it goes with its last few episodes.
Rating:
Bleach: Thousand-Year Blood War – The Calamity is currently streaming on
Hulu and Disney+.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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