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Slash Management Debuts Production Arm At “Pivotal Moment” For Biz

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EXCLUSIVE: Jake Webb’s Slash Management (aka Slash MGMT) is moving beyond talent representation by launching a multi-division production studio.

This comes six months after Webb acquired full control of the L.A. business, and will see Slash operating across film and television development, podcast production, modeling and creator-led IP. Today, he said the industry was a “pivotal moment” where talent reps could be “roadmapping the future” of entertainment.

The TV and film biz will focus on developing scripted and unscripted projects that leverage Slash’s roster of more than 120 clients. We hear at least one indie project is already being packaged at Slash.

At the center of the division is Slash Studios, the company’s creative campus and full-service production hub on Sunset Boulevard. The space has been designed to support digital and traditional media production, podcast and music studios, YouTube creator sets, workspaces, glam rooms, lifestyle sets and an event space.

The studio has already launched and is behind original podcast and digital content such as Cool Conversations with Pressley featuring Pressley Hosbach, Basically Besties and The Bop Bible with Adam Barrera. It has also hosted editorial shoots, become a brand activations and live event destination and held release events for Flush Records and Blackbox LA.

Slash noted that its shift beyond management came at a time of upheaval and consolidation in the entertainment industry. It also comes as the value of digital and traditional talent nears parity, giving reps new opportunities to push their clients into new spaces.

Slash has also made a series of hires and promotions over the past half-year, including the addition of theatrical manager Kaelyn Lacey, the promotion of Jerry Barajas to Vice President of Talent, and the hiring of talent manager Mikayla Giroux.

Further changes include the promotion of Sam Lao to talent manager, Gia Sylvester and Kellie Martinez to talent coordinator and the hiring of Dustin Pindeda as studio and creative assistant, as well as Brandon Juarez as in-house art department lead, photographer and creative producer.

“We are at a pivotal moment where the distinction between ‘digital creator’ and ‘traditional talent’ is evaporating,” said Webb, who co-founded Slash in 2019 with Heinz Holba and Karine Roman.

“Slash is positioned to lead the new face of Hollywood, and adding a strategic manager like Kaelyn is essential to that evolution. She shares our passion for storytelling and hunger to develop IP and projects from the ground up. We aren’t just managing careers; we are roadmapping the future of the industry.”

“I’m incredibly grateful to the Slash MGMT team for their guidance and support over the years,” said Hosbach, a Slash-signed singer and actress with credits for HBO Max pilot How to Survive Without Me and Nickelodeon scripted series Erin & Aaron. “I’ve been with them since I was 12, and they’ve helped shape me not only as an entrepreneur and artist, but as a person as well.

“They played a huge role in helping me build my digital business, which allowed me to invest in my music project, and later guided me in developing my acting career. With the right support and opportunities in place, they helped me take the next step in my journey, including booking an HBO Max pilot.”

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Kent Broadhurst Dead: ‘Silver Bullet’ Actor Was 86

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Kent Broadhurst, the character actor who appeared in films including The Verdict, Silkwood and Silver Bullet and wrote the screenplay that led to Laura Linney’s first Emmy Award, has died. He was 86.

Broadhurst died May 20 at Calvary Hospital in the Bronx, according to a paid obituary. He lived for the past 63 years in a building on Cornelia Street in Greenwich Village.

The St. Louis native did lots of theater work during his lengthy career, making it to Broadway in revivals of The Caine Mutiny Court-Martial in 1983 and A Doll’s House in 1997, and he wrote many plays as well.

Broadhurst might be best known for playing the father of the murdered best friend of Corey Haim’s Marty Coslaw in the Stephen King-scripted horror film Silver Bullet (1985).

In an interview for the DVD, he said he arrived at a park at about 2 a.m. for the scene in which his character is taken to his dead son. “The prop department had presented [director Dan Attias] with the corpse of the boy that was just embarrassing, it was unusable,” he recalled. “It looked like a window mannequin that had been smashed with a hammer and smeared with cranberry juice.

“I could see [Attias] was in such a quandary, so I said, ‘I think I can give you what you need and you won’t have to show anything of the terrible thing I’m confronted with.’ He was so grateful, he said, ‘Oh, that’s great. I’ll just keep the camera on you.’”

Broadhurst penned the screenplay for the 2001 Showtime telefilm Wild Iris, directed by Daniel Petrie. Linney stars as a widow who lives with her son (Emile Hirsch) and mother (Gena Rowlands) in a home that doubles as a bridal shop.

Linney received the Emmy for outstanding lead actress in a miniseries or a movie — it was the first of her nine Emmy career nominations and first of her four wins — while Rowlands was nominated as well.

Born in St. Louis on Feb. 4, 1940, James Kent Broadhurst graduated from the University of Nebraska and headed to New York, where he appeared off-Broadway opposite Marcia Wallace in The Fourth Wall in 1968, among many other plays.

He made his big-screen debut in Stuart Rosenberg’s Brubaker (1980), starring Robert Redford, then followed with turns in Sidney Lumet’s The Verdict (1982), starring Paul Newman, and Mike NicholsSilkwood (1983), starring Meryl Streep.

In the 1983 NBC miniseries Kennedy, starring Martin Sheen, Broadhurst portrayed Richard Paul Pavlick, the postal worker who was arrested after he stalked president-elect John F. Kennedy with the aim of assassinating him.

After appearing in Silver Bullet, which was based on King’s 1983 novella, Cycle of the Werewolf, he worked on another horror film taken from a novel written by King, The Dark Half (1993), directed by George A. Romero.

His résumé also included such films as Marshall Brickman’s Lovesick (1983), John Turturro’s Mac (1992), Luc Besson’s Léon: The Professional (1994), A Couch in New York (1996) and Boys Life 2 (1997) and TV guest spots on The Equalizer, Spenser: For Hire, Reasonable Doubts, Walker, Texas Ranger, Babylon 5, Law & Order and Law & Order: SVU.

In 2000, Broadhurst stepped in to provide the onstage narration as a hypnotherapist for a Dream Theater concert in New York that was recorded for the video album Metropolis Pt. 2: Scenes From a Memory.

His plays included They’re Coming to Make It Brighter, Lemons, The Eye of the Beholder and The Habitual Acceptance of the Near Enough; some bowed at the Humana Festival at the Actors Theatre of Louisville.

Broadhurst also was a painter who created more than 2,000 canvases, some of which have been exhibited at the Broadhurst Art Gallery (named for him) at the Stissing Center in Pine Plains, New York.

“Friends and colleagues often described him as a Renaissance man — thoughtful, intellectually generous and devoted to the arts in all their forms,” his paid obituary notes.

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Apple’s Tim Cook & John Ternus Talk CEO Transition At ‘Ted Lasso’ Premiere

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The future of Apple looks a lot like its past judging by how the company’s outgoing CEO Tim Cook and his successor John Ternus showed up at the Ted Lasso Season 4 premiere wearing virtually identical outfits — navy suits, white unbuttoned shirts and Believe pins on the lapel.

For Cook, this was the last Apple TV premiere as an Apple CEO, for hardware engineer Ternus, who is taking over the job on September 1, it was the first since the transition was announced.

The occasion made Cook reflective.

“I feel so much gratitude to have been the CEO of Apple for 15 years and to work with all of the people that I get to work with, it’s a privilege of a lifetime,” he told Deadline in a joint red carpet interview with Ternus, a video of which you can watch below.

Cook’s Farewell

Cook launched Apple TV during his tenure as CEO; the streaming service made its debut Nov. 1, 2019.

“We’ve been at it for seven years, and it feels like every year is better than the year before,” Cook said. “Now we’ve really hit our stride, and I couldn’t be more excited about where we’re going. We have 89 Emmy nominations, we’re so excited. I hope you’re watching Widow’s Bay, it’s a terrific show, and now tonight to bring Ted Lasso back, it’s marvelous.”

Cook announced his pending departure as CEO in April. Two and a half months later, Apple TV set a new high of 89 Emmy nominations, including a staggering six Outstanding Drama and Outstanding Comedy noms for Pluribus, Your Friends & Neighbors, Slow Horses, Shrinking, Widow’s Bay and Margo’s Got Money Problems.

“Yes, it’s good timing,” Cook said with a laugh about the record Emmy haul punctuating his grand CEO exit.

Speaking of good timing, earlier on Monday, the Apple stock closed at a record high just as Cook is headed to his 90th and final earnings call Thursday before he segues to an executive chairman role.

Also perfectly timed was the Ted Lasso return as Cook’s last red carpet premiere. He had been a big fan of Jason Sudeikis’ feel-good sports comedy from the start, attending premieres and other events throughout its run and posting show updates on his X account.

Ted Lasso became Apple TV’s first global mega hit. But for awhile, it looked like the hugely popular series was done after its initial three-season arc. Did Cook have anything to do with Sudeikis’ decision to bring the show back for more; do we have him to thank for it?

“You don’t have to thank me for it, but I was praying for it, and I’m so excited that it’s back, and so excited to be a part of it,” he said. “This show means so much to so many people around the world. It’s just great to have it back.”

Turns out Ternus is a Ted Lasso fan too.

“I love Ted Lasso, Iam so excited to have all the characters back, to have the story back,” he said. “It’s just such an amazing story, such an amazing message of optimism and hope and believe.”

Cook did not pull CEO strings to watch Season 4 early.

“I’m saving it for tonight because I want to see it as everybody else does,” he said about the opening two episodes, which he, sitting alongside Ternus and Apple’s Heads of Worldwide Video Zack Van Amburg and Jamie Erlicht, watched together with the rest of the premiere attendees inside the big theater of the Academy Museum of Motion Pictures.

Cook had spoken out about watching Season 3 of Ted Lasso on Apple Vision Pro. Will he do it again with Season 4?

“Oh yes, of course, and watch it lying down on Vision Pro, there’s nothing quite like that,” he said.

(L-R) Brendan Hunt, Tanya Reynolds, Jason Sudeikis, John Ternus, SVP, Apple, Tim Cook, CEO, Apple, Hannah Waddingham, Jeremy Swift and Juno Temple attend the premiere of Apple TV’s ‘Ted Lasso’ Season 4.

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Ternus’ Vision

As Ternus prepares to lead Apple, what ideas does he have for the company’s streaming service? Is he planning to make some changes? As a big racing fan, adding more racing, perhaps, to Apple TV’s Formula 1 coverage?

“I am just so excited about the momentum we have,” he said. “There’s so much great content on Apple TV, and now is just the perfect time for us to keep the momentum up, keep bringing in incredible storytellers and creative folks to keep making it better.”

But is Ternus looking to put his stamp on Apple TV, has he started conversations with SVP Eddie Cue who oversees it?

“I think it’s pretty amazing right now,” he said.

Ted Lasso marked Ternus’ second Apple TV red carpet premiere following the June 2025 event for F1, which also happened to be one of the last Apple movies to be released in theaters. Does he want to see more Apple films playing in theaters?

“We’re just so excited to be here today, bringing Ted Lasso back,” he said, keeping the conversation focused on the premiere.

Ternus and Cook both listed their other favorite Apple TV shows besides Ted Lasso.

“This year’s been amazing with Pluribus and Widows Bay. Right now, I’m watching Silo and Lucky,” Ternus said.

Added Cook, “I love Severance, I can’t wait for it to come back. I’m watching Widow’s Bay, as I mentioned. I love Pluribus. Silo is fantastic,” Cook said.

Cook did not parlay his memorable Severance Season 2 promo as a Lumon Industries employee into a Ted Lasso Season 4 cameo.

“I’m not an actor,” he said but admitted that filming the Severance video “was great fun.”

Tim Cook in 'Severance' promo video

Tim Cook in ‘Severance’ promo video

Courtesy of Apple TV

Smooth Transition

How is the CEO transition going between Cook and Ternus?

“It’s over the top great. John is the perfect person for this role, and the whole thing has just been great — the employee piece, the investor piece, everything — so I feel really great,” Cook said.

Added Ternus, “It’s amazing. I mean, what an incredible opportunity! It’s so exciting for me. I’ve been at Apple for 25 years, I love Apple, and to have this opportunity is beyond words.”

Said Cook, “We really wanted this transition to be the best because Apple deserves the best, and both of us are really doing that, and it feels fantastic.”

And when the transition is over, what is the first thing Ternus is going to do on September 1?

“You have to wait and see,” he said.

Here is the video:

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Tyler Perry’s ‘Beauty In Black’ Sets Season 3 Premiere Date & Photos

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Fans of Tyler Perry‘s Beauty in Black have set August 27 for its Season 3 premiere date and first-look photos, which can be found below. The series was recently renewed for a fourth season, following news that the show would conclude following Season 3.

Beauty in Black is created, directed, written and executive produced by Perry and follows two women leading very different lives. While Kimmie (Taylor Polidore Williams) struggles to make a living after her mother kicked her out, Mallory (Crystle Stewart) runs a successful business. They are entangled in each other’s lives.

In Season 2, the ruthless, backstabbing family behind a beauty brand — and an underground trafficking ring — will face a reckoning. Kimmie, the once-unassuming sex worker in their employ, becomes an unstoppable force of vengeance on a mission to rescue her kidnapped sister.

In the upcoming third season, Kimmie finally has a seat at the Bellarie table, but when a deadly family feud erupts, she’s forced into an uneasy alliance with Mallory. Together, they navigate a ruthless world of blackmail, revenge, and buried secrets as the family wages war against one of its own, threatening to bring the entire empire crashing down.

The cast also includes Amber Reign Smith, Xavier Smalls, Ricco Ross, Julian Horton, Steven G. Norfleet, Richard Lawson, Terrell Carter, Bryan Tanaka, Charles Malik Whitfield and Debbi Morgan.

Bailey Tippen, Rodrigo Aburto, Randall J. Bacon, George Middlebrook, Greg Clarkson, Jasmine Burke, Aria Celeste Castillo, Gianmarco Duin, Philemon Chambers, Philip Boyd, Ty Anthony, Deeric Williams, Herb Magwood, Tre McBride, Kevin Savage, Jazmine Robinson, Kaja Brielle, Shay Mack, Steven Rho, Aaron Serotsky, Mikeal L Dwayne Griggs, Sara Spadacene, D’kia Anderson, Antoine Williams, Ty Courtad, Raven Chambers, Michael Butler, Jillmarie Lawrence and Jim Braswell round out the cast.

Producers include Angi Bones and Tony Strickland for Tyler Perry Studios, with music from Wow Jones & Jimijame$.

More first-look photos can be found below.

Beauty in Black. Crystle Stewart as Mallory

Netflix

Beauty in Black. Taylor Polidore Williams as Kimmie

Netflix

Richard Lawson as Norman

Netflix

(L to R) Charles Malik Whitfield as Jules, Julian Horton as Roy

Netflix

Beauty in Black. (L to R) Ricco Ross as Horace, Debbi Morgan as Olivia in episode 306 of Beauty in Black. Cr. Charles “Chip” Bergmann/Netflix © 2026

(L to R) Julian Horton as Roy, Charles Malik Whitfield as Jules, Ricco Ross as Horace

Netflix

Amber Reign Smith as Rain

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