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Boy George Exits ‘Jesus Christ Superstar’ After Anti-Palestine Controversy

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Boy George has withdrawn from the West End Jesus Christ Superstar revival just days before he was set to appear in the role of King Herod, apparently as a result of the former Culture Club singer’s recent release of a pro-Israel song that disputes the charge of genocide and calls pro-Palestine supporters “sheep.”

The singer’s exit from the musical revival at the London Palladium was announced on Instagram this afternoon by George’s manager Paul Kemsley, who noted, “George has never been afraid to stand by his personal convictions.”

“After careful consideration,” Kemsley writes (see the post below), “I have decided, in my capacity as Boy George’s manager, that he will no longer be appearing in Jesus Christ Superstar. The decision has been made with the utmost respect for the producers, the creative team and the entire company. We are grateful for the professionalism and understanding they have shown throughout and sincerely wish everyone involved every success with the production.”

Kemsley continues: “We also recognise that many people purchased tickets in the hope of seeing George perform. To those fans, we offer our sincere apologies for the disappointment this decision may cause, and we are deeply grateful for their continued loyalty and support.

“George has never been afraid to stand by his personal convictions, and I have always respected him for that. Equally, I believe it is my responsibility to make decisions that are in the best interests of my artist while also showing respect to others. In this instance, I felt it was right to step aside, allowing the production to remain the focus, while ensuring everyone involved can move forward with mutual respect and goodwill.”

Boy George was have have played King Herod from August 2-15, one in a rotating cast of performers in the small role. Others playing Herod include Jesse Tyler Ferguson, Simon Russell Beale, Richard Armitage, Layton Williams and Julian Clary; Armitage is expected to fill in for George.

Earlier this week, Boy George posted a new song online titled “We Will Dance Again,” voicing support for Israel’s military action in Palestine. The title comes from an Israeli expression popularized following the October 7 Hamas attack at an Israeli music festival.

The song, which apparently no longer is available online, includes lyrics stating Israeli civilians were murdered “for the crime of dancing,” and, in a direct address to celebrity supporters of Palestine, “You condemn, with selective memory/Musicians holding flags, mouthing like sheep/Propaganda fueled by the internet feels so weak.”

The song, which Boy George had posted on his social media accounts along with lyrics in both English and Hebrew — and with the note that the song was written with the help of AI — also included the lyric:

“You say genocide, I say war
When you’re attacked, that’s what the army’s for
Does it get ugly? You bet it does
When I know you wanna kill”

The Jesus Christ Superstar revival, which has received good reviews and strong box office, stars Sam Ryder as Jesus, Tyrone Huntley as Judas, Desmonda Cathabel as Mary Magdalene and David Thaxton as Pontius Pilate. The Tim Rice-Andrew Lloyd Webber musical began performances June 20 and runs through September 5, with Tim Sheader directing.

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ITV Results: Studios Bosses Confident Despite America Revenue Dip

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ITV Studios bosses are remaining bullish in the face of declining U.S. and international revenues as the Love Island maker prepares to be unleashed onto the market.

Of concern for ITV Studios, this morning’s ITV half-year results showed a 17% revenue decline in the U.S. and a 24% slide internationally, reflecting a reversal of previous fortunes.

On a results call with press, ITV Studios chief Julian Bellamy put this mainly down to a “softening of demand” in the free-to-air space and said it “underlines the broader importance” of the producer-distributor pushing further into making shows for streamers and developing its Zoo 55 digital arm.

“Let’s not forget, we’re on the up,” Bellamy said bullishly, as he pointed out that overall ITV Studios revenues grew 2% during the first six months of this year to £912M ($1.2B). “We feel confident about the progress we are making.”

ITV CEO Carolyn McCall added: “We need to clarify that we don’t see a softening of the market, this was one small segment of the market.”

ITV Studios has made growth with the American streamers a cornerstone of its strategy over the past few years and there will nevertheless be jitters about the decline in revenue across the pond. Helping allay those jitters are some big shows set to deliver during the latter half of 2026 including The Gentlemen Season 2 for Netflix and Apple TV’s Guilty Creatures, both made by ITV Studios indies.

When the Sky-ITV deal completes around this time next year, ITV Studios will be unleashed onto the market and will become a publicly listed company.

McCall backed ITV Studios today as having “terrific competitive advantages” with “extraordinary IP” and refused to budge on the question of whether ITV Studios will look for a buyer once it becomes independent. This came a few days after the CEO of Banijay downplayed the idea of the French behemoth swooping for ITV Studios now that it is merging with All3Media.

“We’re confident about competing because we have scale,” said McCall of ITV Studios. “We are a globally scaled diversifed business and feel we don’t have any issue with our scale. And the other thing for our shareholders is that they are hugely supportive of having a listed pure play studios business. They support that strongly.”

“A huge amount of speculation about virtually every company in America”

McCall was quick to refuse comment on rumors further up the chain that ITV’s new owner Sky will itself be sold now that it has been divested by Comcast.

“There is a huge amount of speculation about virtually every company in America so I can’t really comment,” she added.

She once again backed Sky’s commitment to ITV News once the £1.6B deal completes. She noted that the pay-TV giant has made it “extremely clear” there will be “two distinct separate editorial voices for news” along with “opportunities to supercharge and promote” ITV’s regional news coverage on Sky.

ITV delivered a set of solid if unspectacular results this morning, including strong profits for the soon-to-be-sold networks biz, mostly due to the World Cup. It also revealed an early share buyback of £100M for shareholders, which comes prior to the Sky-ITV deal completing.

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Michael Jackson Boosts Sony Music Sales Amid Quiet Quarter For Studio

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The box office success of Michael appears to have put some thriller into Sony’s earnings.

Sony Music Entertainment’s sales bounced 22% to 557.9 billion yen ($3.5B) in the three months to the end of June, according to the company’s Q1 earnings.

Sony Music revealed that Jackson’s “Thriller” and “Bad” were among its top 10 best-selling recorded music projects during the quarter, coinciding with the release of Lionsgate biopic Michael.

Over at Sony Pictures Entertainment, the earnings reflected a quiet quarter of theatrical releases in North America, with the unit only debuting Nate Bargatze comedy The Breadwinner.

Sony Pictures’ revenue fell 13% to $1.98B year-on-year, though the division’s operating income grew 21% to $156M over the three months to the end of June.

Theatrical sales stood at $30 million in Sony’s Q1, which was down around $100M on the same period in 2025, when the studio released 28 Years Later and Karate Kid: Legends.

Sony Pictures’ television sales also declined from $841M in 2025 to $571M this year, despite the release of the final season of The Boys on Amazon. The 32% drop was due to decreased deliveries of series during the period.

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Singapore’s Wave Films Taps Dave Ulmer To Drive U.S. Expansion 

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EXCLUSIVE: Singapore-based production services outfit Wave Films has brought on board Dave Ulmer, former CEO of Cambodian Broadcasting Service (CBS), as an Executive Producer based in Los Angeles. 

Ulmer will help the company bridge the North American content industries with Southeast Asia’s production infrastructure. He will focus on bringing U.S. and international projects into Southeast Asia, leveraging Wave Films’ production infrastructure across the region to facilitate cross-border production. 

Headquartered in Singapore, Wave Films operates production and post-production capabilities across Malaysia, Philippines and Cambodia. The company is currently line producing Pierre Morel’s The Good Samaritan in Malaysia and has recently produced or line produced projects including Dark Red, filmed in India earlier this year; Chihiro Amano’s Magical Secret Tour, filmed last year in Singapore; Korean drama Kidnapping Day, and reality shows including Bachelorette and Asia Express.

Ulmer left CBS, a subsidiary of Cambodia’s The Royal Group of Companies, in June 2026. During his tenure, he oversaw national channels including CTN, MyTV and CNC, and built production infrastructure across the country. 

Beyond Cambodia, he also spent years developing partnerships in Indonesia, Philippines, South Korea, Thailand, Singapore and Indonesia. He has also been building co-production frameworks that link international capital with regionally produced slates. 

“Dave is not just a regional operator; he is a genuine bridge between Hollywood production companies or studios and Southeast Asian execution,” said Wave Films founder and head of production Jerry Koedding.

“He has walked the markets in Indonesia, Philippines and Singapore, he knows how to get an international production cleared and crewed in Cambodia, and he can speak to a showrunner or producer in Los Angeles in the same language. Add our cross-border production model, and the fact that we can park a project in the right country for the right tax break, locations or stage access, and you have a very compelling package for any North American producer looking east.”

Ulmer said: “North American producers are leaving money on the table if they are not looking at Southeast Asia. The region has the crews, the stages, the locations, the expertise, and the incentives. What it needs is a single point of contact in Los Angeles who can guarantee delivery. That is what I intend to be for Wave Films. 

“Whether you need to shoot a feature in Malaysia, post in the Philippines, or access government-level clearances in Cambodia, we can move your project across the region without the usual friction.”

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