The Jonas Brothers are going back to their Disney roots, both executive producing and reprising their Camp Rock roles in the franchise’s third film.

Camp Rock 3 sees the brothers’ band Connect 3 returning to the camp to look for a new opening act for their tour. This means a whole new cast of campers — led by Malachi Barton and Liamani Segura — are introduced, along with a cameo appearance from fellow O.G. star Demi Lovato (who also serves as an EP).

Speaking to The Hollywood Reporter at the film’s L.A. premiere on Monday, Joe Jonas said that in shooting scenes with Lovato, they “both were looking at these new campers kind of pinching ourselves like wow, this is a pretty wild full circle moment. We’ve all lived so much life and to be where we are today and to create something like this, Camp Rock 3, as producers, wearing the producer hat, I think we were like, ‘This is kind of wild.’”

Walking the carpet alongside Nick Jonas and Kevin Jonas, Joe also weighed in on getting to know the next generation of Disney stars, and how different it is now than when the brothers were first getting famous.

“I don’t envy anybody that’s doing this now, there’s probably a lot more scrutiny,” Joe noted. “Things happen a lot faster, and with that you also have an opportunity to kind of explain yourself quicker; when we were starting, we didn’t have a lot of options — just kind of hope that the article isn’t about you. Now you can at least go on your TikTok and say, ‘Hey guys, I didn’t say that’ or whatever it is.”

Joe Jonas also emphasized that there are more resources now to speak to professionals and get support from the studio, and “we also wanted to make sure that we were running a safe space on set. That was one of our priorities when we signed up to do this, we were like, ‘We want these kids to feel comfortable,’ because ultimately we remember what it was like and it can be a lot of pressure. They’re about to be shot out of a cannon into stardom, so we wish them the best and we hope they’re surrounded by love and care.”

Cats: The Jellicle Ball and Death of a Salesman ended their Broadway runs on very high notes, posting the biggest grosses of their engagements.

Jellicle, closing five months earlier than planned and prompting considerable discussion (and lamentation) within the industry about production costs and the dim odds of scoring a big musical hit these days, grossed $1,828,306 for its final week at the Broadhurst, a jump of $422,597 over the previous week (which, at the time, was its best-ever number). The show was standing room only, with an average ticket price of $193.92, a strong number if still noticeably lower than the $239.61 average for Salesman, the $211.37 for Hamilton or the $220.10 for Ragtime. (Overall average ticket price on Broadway was $130.95.)

Death of a Salesman, starring Nathan Lane and Laurie Metcalf, sold out the Winter Garden yet again, and grossed a whopping $2,509,387. That’s an increase of $286,937 and by far the biggest gross of its big-grossing run.

Also up considerably was Every Brilliant Thing, taking in a strong $886,815 for its final week, a jump of $229,364 over the previous week. The show, starring Tracee Ellis Ross, was a virtual sell-out at 99.6% of capacity at the Hudson. The final gross was the best showing for Ross’ tenure, though short of the $1 million+ grosses that were routine during the runs starring Daniel Radcliffe and Mariska Hargitay. The show peaked at $2,296,473 with Radcliffe’s final week at the end of May.

Despite the big upturns for the closers, most Broadway productions saw at least some dips last week, perhaps due to the competition with the three departing shows, or maybe just some summer wilting. The Lost Boys and Schmigadoon! took the most significant drops, with the former sliding $161,077 to $1,354,926 and the latter down $118,950 to $1,034,918. Dips notwithstanding, decent numbers for the August dog days.

In addition to Jellicle, Salesman and Brilliant Thing, the week’s sell-outs were Hadestown, Hamilton, Oh, Mary! and Ragtime. Coming in just short of sell-out, with at least 95% of seats filled, were Harry Potter and the Cursed Child, Just in Time, MJ, Operation Mincemeat, Schmidagoon!, The Lion King and The Outsiders.

In addition to Salesman, two productions grossed in excess of $2 million: Hamilton ($2,268,037) and The Lion King ($2,241,283).

At 80% of capacity or less were Two Strangers (Carry a Cake Across New York), 69%, for a gross of $527,150; Titanique, 79%, $759,367; Stranger Things: The First Shadow, 77%, $854,835; Six, 71%, $576,816; and
Chicago, 78%, $742,764.

In all, Broadway’s 29 productions grossed $33,716,025, about even with the previous week’s total and up 9% from last season at this time. Total attendance was 257,464, down 2% from the previous week and up 2% year-to-year.

In the 11th week of the 2026-27 season, Broadway has grossed $385,441,582, down about 4% from last year at this time, with total attendance of 3,121,255 holding steady.

All figures courtesy of The Broadway League. For more box office information visit the League’s website.

EXCLUSIVE: The expanding cast of Prime Video‘s Bishop series has added Gerardo Celasco (The Waterfront, M.I.A.), Alex Breaux (Stranger Things, American Primeval), Ally Ioannides (Into The Badlands), and Steven Yaffee (Ghosts) in recurring roles.

On Bishop, from co-creators Little Marvin and Tony Saltzman, homicide detective Bishop Graves (Joel Kinnaman) – brilliant, battle-scarred – will put all of his skills to the test in the hunt for an elusive killer targeting San Francisco’s moneyed class. As this increasingly audacious killer develops a devoted following among the city’s powerless, Bishop becomes convinced these murders connect back to SF’s most powerful man, his own father, Lincoln Graves (John Malkovich).

In addition to Kinnaman and Malkovich, the cast also includes Jennifer Jason Leigh, Xavier Samuel, Jordana Brewster, Harry Treadaway, Ulrich Thomsen, Erik Svedberg-Zelman, John Larroquette, Rob Yang, Bronson Pinchot, Ron Lea, Kaniehtiio Horn, Hunter Dillon, Dillon Casey, Brett Donahue, Jorja Cadence, Ishan Davé, Adam J. Harrington, and Rick Hoffman.

Details regarding who the new actors will play can be found below.

Celasco as Ricardo Cruz, Breaux as Louis Davies aka Ed Walker, Ioannides as ‘Mountain Girl aka Margaret Walker, and Yaffee as Cain.

Little Marvin serves as the showrunner of Bishop, which he and Saltzman executive produce alongside Roy Lee and Vertigo’s Miri Yoon. The project stems from Little Marvin’s overall deal at Amazon MGM Studios. Felicia Fasano is the casting director.

Celasco is repped by Gersh, Entertainment 360, and GGSS&C. Breaux is repped by Buchwald. Ioannides is repped by CESD & 42. Yaffee is repped by Ambition Talent.