Anime
Episode 6 – I Want to Love You Till Your Dying Day

© あおのなち・一迅社/「きみ死ぬ」製作委員会
While many parts of this episode work on paper, the show is finally past the point where it can keep getting away with being vague about the details for the sake of a slow narrative progression. I thought the first couple of minutes of this episode were fantastic, showcasing Sheena getting a firsthand account of what a lot of the returning students look like or go through after combat. While I think it would’ve hit harder if the show was a bit more graphic with Mimi putting herself back together in front of Sheena, her reaction to it just being tears while apologizing for burdening Mimi with the prospect of coming back in one piece worked really well. The two didn’t understand what the other person was feeling, but sometimes when you’re confronted with overwhelming amounts of trauma, you just need to cry.
I have to push back on Sheena’s words that she was being overly naïve. I don’t think that she was, or at the very least, I don’t think that’s consistent with how Sheena had been acting up until this point. As early as the first episode, Sheena was clearly letting the weight of everything terrible happening rest on her shoulders. The show literally starts with her roommate dying and Sheena feeling like she is worthless in this pointless war. Granted, it doesn’t seem like Sheena had ever been directly exposed to any violence outside of the training exercises…except for the time she lost her arm. I’m not saying she should be used to any of this; rather, naïve is the wrong thing for Sheena to say. The only thing that Sheena was naïve about was the idea that Mimi is invincible. While she can technically keep coming back, she still has to put herself back together physically, and it’s implied that Mimi still feels the pain; she’s just desensitized to it. The last episode set up the idea of Sheena trying to find a solution to both Mimi’s situation and the war itself, but this episode’s character writing goes backward to give her something to think about.
Speaking of the war, apparently things are getting so bad that even Mimi’s unstoppable might might not be enough to keep the opposing forces at bay. It looks like the school staff needs to start considering sending more kids out on the front line, but considering a lot of the upperclassmen who would be used to test the younger students are injured or dead, desperate times call for desperate measures. A practice match between Mimi and Lizzy is about to be set up, with the emotional weight of that confrontation as one of the main dramatic beats of this episode. It works well enough, but there is a little bit of disconnect. The teachers weren’t thinking much about the bond between Lizzy and Mimi being used as something that needed to be tested. It really came off like the adults just figured Mimi was the best person to test their students, given how capable she is. So that whole scene with Lizzy and Ali talking about the resolve to take down enemies without emotion feels weird. It’s a good scene in a vacuum, but it doesn’t match with other information that’s being delivered in this episode or previous ones. I think it would have helped if Mimi and Lizzy had shared any screen time before this point. I genuinely can’t remember a single conversation shared between these two.
The episode is consistent with the cast’s characterization, but it’s presented like a different person wrote every scene. None of this is helped by the fact that I still don’t know anything about this war or how much of the information setup is supposed to tie into anyone’s character. Lizzy finally goes into a little bit of detail about why she wants to prove herself: she feels she owes the school for saving her as an orphan. It looks like all the students here are orphans who were saved either during the war or in the fallout from the last one. However, this school is not a good place; this is indoctrination.
There’s not much to talk about whether the kids have a choice in the matter or if everyone is just expected to go along with this because that’s the way war is. This episode was supposed to build on a lot of ideas, but it ended up a little disjointed. I am looking forward to the match between Mimi and Lizzy, but I don’t know what emotional weight it carries or what the ideal outcome between them is supposed to be. The suspense in this episode could work well if it were better written. But right now, all I feel is confusion.
Rating:
Bolts also streams regularly on Twitch as the indie VtuberBolts The Mechanic where they talk about and play retro media!
I Want to Love You Till Your Dying Day is currently streaming on
Crunchyroll.
Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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Anime
North American Anime, Manga Releases, August 9-15 – News [2026-08-14]
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Anime
Episode 6 – Clevatess Season 2

© Yuji Iwahara/LDF/CLEVATESSⅡ Project” Production Committee.
I think what I am most impressed by when it comes to Clevatess‘ second season is just how consistently entertaining and compelling it has been. We haven’t had any truly standout moments that compare to the heights of emotion and brilliantly bloody spectacle that the final arc of the first season delivered, true, but this adventure at Solsein Academy has been satisfying in a different way. Where I think the character development and dark fantasy aesthetic hit a little bit hard in Season One, Clevatess has been quite successful in complicating its plotting and fleshing out the world-building here in Season Two.
“Whispering Voice” is a great example of what I mean. This is the kind of episode that is mostly dedicated to adding even more layers of conflict and intrigue on top of an already very busy story. Since poor Alicia spends the entire half-hour getting violently squished to near-death by an evil magic tree, Rhode Royes has to step in and steal the spotlight while he confronts Andrew Hwyp. For his part, Andrew gets a surprising amount of attention as the antagonist of the week. I expected his creepy obsession with giving his precious plants plenty of dead flesh to feast upon was merely going to be the story’s excuse for keeping Alicia busy for a couple of weeks, but no, the kid actually shakes out as a threatening little villain in his own right. Vordin the Evil Salamander gets a ton of time to vamp about the mysterious age of the “Real Hero” and all of its lost secrets, too, and I haven’t even gotten to Naie’s side of the story. All the while, we have characters like Zavthier and Sarasa slinking about, and Clevatess is still up there in his Dark Tower, relishing the opportunity to monologue dramatically to himself.
I can’t tell you how many times I’ve seen an episode like this mark the beginning of the end when it comes to an anime’s quality. These high-stakes battles featuring a dozen different individual storylines sure seem cool in concept, but they’re a son-of-a-bitch to get right in practice. Hell, it’s this terminal compulsion just to keep throwing more characters and plot threads into the mix that basically derailed Jujutsu Kaisen once that Shibuya Arc got going. In the case of Clevatess, though, I think the balance is holding out just right. For now, at least.
For one, the show’s signature sense of style just makes it fun to watch all of this gothic freakshow nonsense go down while characters like Naie have to scramble like mad to avoid dying horribly. Or, in Alicia’s case, they have to scramble like mad to make sure they die just horribly enough to charge up a new move reserved especially for Zombie-Slave-Heroes-Turned-Cute-Dark-Beast-Squirrels. Clevatess‘ mix of raw Heavy Metal style and genuinely compelling world-building has yet to get old. I’m not sure it ever will.
I also love how good this show is at letting its morally ambiguous monster characters actually be threatening, mysterious, and alien. For as much as I went on about Clevvie warming up to the likes of Luna and Alicia, I think it is important that we get episodes like “Whispering Voice” that treat him like the ultimate final boss he has been characterized as. We’re still able to root for him, since he is technically fighting the possessed pawns of a presumably even more dangerous foe, but Clevatess goes out of his way to point out that it would make more sense just to kill these brainwashed child soldiers, what with the lesser species being no more valuable than a horde of filthy insects and all.
That’s the deliciously grimdark fantasy storytelling that I live for. That said, I am eager for all of these new plot threads and lore teases to build to a point where Alicia and Clevatess can be reunited. I know the Laws of Clevatess demand that Alicia must be literally chewed up and spit out by the meatgrinder of the story several times before any given season of the show has concluded, but I think our girl has had her skull crushed and her eyeballs popped out enough times to deserve at least one little win. Wouldn’t you agree?
Episode Rating:
Clevatess Season 2 is currently streaming on
Crunchyroll.
James is a writer with many thoughts and feelings about anime and other pop-culture, which can also be found on BlueSky, his blog, and his podcast.
Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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Anime
Exclusive: Nakama Press to Release Ace of the Diamond Baseball Manga in Omnibus Volumes – News
1st 3-in-1 omnibus volume launches in English on March 23, 2027
Mad Cave Studios’ Nakama Press imprint confirmed to ANN on Friday that it will release the Yūji Terajima‘s Ace of the Diamond baseball manga in a 3-in-1 omnibus format, starting with the first omnibus volume on March 23, 2027.

Abby Lehrke is the translator for the first 24 volumes, and Devon Corwin is the translator for volumes 25-47 with lettering by Chas! Pangburn.
The company describes the story:
After a crushing middle school loss, Sawamura is recruited to attend Seidou High—one of Japan’s most competitive baseball programs. Surrounded by elite players, including a prodigy catcher and fierce rival pitchers, he must fight to prove himself worthy of the mound.
As intense training and high-stakes competition push him to his limits, Sawamura begins his journey to become the team’s ace.
Terajima launched the Ace of the Diamond (also known as Ace of Diamond) manga in Kodansha‘s Weekly Shōnen Magazine in 2006. He ended the manga in January 2015, and Kodansha published 47 compiled book volumes for the manga.
Terajima then launched Ace of Diamond Act II in August 2015, and ended the manga in October 2022. Kodansha published 34 volumes for the sequel manga.
The Ace of Diamond manga won the shōnen category of the 34th Kodansha Manga Awards in 2010. Kodansha USA Publishing began releasing the manga digitally in English in March 2017 under the title Ace of the Diamond. K MANGA is releasing the Ace of the Diamond Act II manga in English.
Terajima’s manga inspired a television anime that premiered in 2013, and Crunchyroll streamed the 75-episode series as it aired in Japan. Ace of Diamond: Second Season premiered in April 2015, and Crunchyroll also streamed the 51-episode series as it aired.
The Ace of Diamond Act II anime premiered in April 2019 and aired for 52 episodes. Crunchyroll streamed the series as it aired in Japan. Ace of Diamond Act II Second Season, the sequel to the 2019-2020 anime, will premiere in October on TV Tokyo Network (TXN) and AT-X, among other broadcasters.
The manga has also inspired a series of stage plays.
Source: Email correspondence
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