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‘SubwayTakes’ YouTube Star Kareem Rahma Hasn’t Written Off Regular TV Just Yet

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When Kareem Rahma first learned he was Emmy-nominated, he was underground on the New York subway shooting his hit YouTube show SubwayTakes.

“I was interviewing a man named The Rizzler, who is one of my favorite people in the world,” Rahma said at Deadline’s Contenders Television: The Nominees Studio. “On the platform, I got an email forwarded to me from my team that said that we were nominated for the Emmy, and I couldn’t believe it. I did a celebration. I told everyone — even the just passengers that were waiting for their train. And it just felt so amazing.”

Did it change how he sees the show at all?

“I’ve kind of always taken the show really seriously,” he said. “And now I guess I’m taking it even a little more seriously and just I’m really excited about the future and growing the show and expanding the show and just believing in my ideas.”

RELATED: Contenders Television: The Nominees Studio – Deadline’s Complete Coverage

Watch the Contenders conversation below, and scroll down for more photos from the event.

Rahma also recalled booking his very first celebrity guest: Olivia Wilde.

“I had been around her before, so I would’ve considered us friends,” he said, “I don’t know if she would consider me a friend, but I considered her a friend. And she was just a huge fan of the show and would personally comment to me on every episode. And one day she was like, ‘I’m in New York if you want to do this.’ And I said, ‘That sounds great.’ And so that was the first time we did it. She was so cool. I already knew she was cool, but she was so cool. She said, ‘Come pick me up from a hotel.’ No security, Just her. No publicist, no hair and makeup. She was just awesome. And it was such a fun episode and still one of my favorites.”

As for picking a favorite take out of all his episodes, Rahma said: “The takes are like my children, so it’s hard to pick one. I don’t have a specific one that I can really quote. I’m going through them right now. Sometimes out of context, they’re not good to say out loud and those are usually my best ones. They’re usually my favorite ones.”

He also talked about the importance of spontaneity and consistency on the show. “One of the rules is that I don’t allow people to bring their own mics,” he said. “You have to use the Metro card mic. People have said, ‘Can I clip it to something else?’ Or ‘can I clip it to my lapel?” And I’m like, ‘No, you have to hold the mic.’ So that’s one thing. There’s also, I don’t want to practice. So sometimes people want to practice, and they want to do the take with me in advance, if they’re having a hard time developing their take, I can hear it, but I refuse to go beyond the take. Or they’re like, ‘Are you going to agree or disagree?’ I’m like, ‘I can’t tell you. I have to figure it out in the moment because it’s on the fly.’”

Kareem Rahma from SubwayTakes

Kareem Rahma

Anthony Avellano for Deadline

Looking back on how he and co-creator Andrew Kuo landed on the subway as a venue, Rahma said: “Andrew and I were on our last couple of bucks, and we wanted to make the show. And we had no money. I had already done Keep the Meter Running, which was in the cab. I loved Keep the Meter Running, but it was a little too expensive because the cab itself is cheap, but the ride is not. And he was like, ‘Would it bother you if we did it on the subway?’ And I was like, ‘Well, the subway is technically $2.90, so that’s not too expensive. And we can stay on there as long as we want.’ So it was really based out of this necessity to get studio space for cheap. It was never like, ‘Ooh, this show is going to be great because it’s on the subway.’ I think this show would be great anywhere. I think the name is great. SubwayTakes a good name. But I don’t know if being on the subway — aside from stopping you in your tracks — I don’t know if it is the thing that makes it good. I think it’s the people. I think it’s the guests. I think that’s really what it is.”

Awhile back, Rahma had been working on bringing Keep the Meter Running to CNN, but after being held up in development for months, he pulled out of the project. Rahma recently told Deadline: “I did the whole rigmarole with television, and it was a disaster. I don’t want to wait anymore. I walked away from the deal and decided to do it independently on YouTube.”

Would anything ever change his mind and bring him back to regular TV?

“That specific experience turned me off,” Rahma said. “And I’m having experiences now that are turning me on. It was that specific experience where I did not want to do it anymore. I wanted to make the show. I already knew that the show was good. That’s the difference. It was already a proven concept. So I felt like, ‘Why do I have to prove it more? Why do I have to keep proving myself when I already have a format?’ I already have an audience for this specific show. And at the end of the day, I’m having a lot more fun making it with people that I love. Every time we go on a shoot, it feels like a vacation. And it’s just so much fun. But in the future, I mean, if someone makes it a little bit easier, I’m happy to work in the traditional industry.”

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Dwayne Johnson Compares Benny Safdie’s ‘Lizard Music’ To ‘Willy Wonka’

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Following his transformation for The Smashing Machine, Dwayne Johnson is back together with Benny Safdie for their next project.

While speaking to Deadline on Sunday at D23, the Golden Globe nominee revealed that he’s begun production on the Safdie-helmed Lizard Music, for which he undergoes “five hours of makeup every day” to play a man in his 70s.

“We’re in full production. It’s called Lizard Music, I’m with Benny Safdie again. That’s my guy,” he said. “Imagine Willy Wonka but from the mind of Benny Safdie.

Johnson continued, “And I play a septuagenarian man. Now, I didn’t know what the hell that meant. So, I had to Google it, it means you’re in your 70s. So, we transform, and it’s five hours of makeup every day. We’re with Kazu Hiro, who is a legend in Hollywood. He was also nominated for Smashing Machine, for our prosthetics, and he is helping me transform.

“So far, we’re in our second week, and it has already been an unbelievable experience. It’s that thing I was telling the kids, ‘Run towards that thing.’ This is that thing that I ran towards and chased the challenge, and this was a challenge for me. I love Benny, he’s one of my best friends and most embraced collaborators, so I can’t wait for you to see it,” said Johnson.

As Deadline exclusively announced the film based on Daniel Pinkwater’s novel, Safdie told us us that Lizard Music is about “a kid who discovers an island of lizards that are sentient, and they play music, they have broadcast TV. And they want him to come and see them. And he teams up with the Chicken Man, who Dwayne plays, and they go on this adventure to find the land of the lizards.”

“[Johnson] was just talking about how he was slimming down,” said Safdie, after the actor revealed at Toronto International Film Festival that he was undergoing another transformation for the role.

Last October, Amazon MGM Studios’ United Artists scooped up Lizard Music, which is written and directed by Safdie, following his and Johnson’s work together on A24’s The Smashing Machine last year.

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Former ABC Producer Alleges Matt Gutman Made Inappropriate Comments

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A former ABC News field producer filed a wrongful termination lawsuit against the network, including allegations that her former colleague Matt Gutman, now chief correspondent with CBS News, made inappropriate sexualized remarks when they worked together.

Samira Said filed the lawsuit in Los Angeles Superior Court on Friday. The lawsuit names as defendants ABC, The Walt Disney Co., Gutman and David Herndon, who had worked as Los Angeles bureau chief. Among other things, she claimed wrongful termination, discrimination, hostile work environment harassment and retaliation for engaging in protected activity.

Said claimed that she was terminated after being denied accommodations for mental health issues. She was being treated by a psychiatrist, including for depression, and her provider advised her to reduce her workload to protect her health.

Her lawsuit made a number of claims of adverse employment actions. Said alleged that in one incident during her employment, she was placed on a male-only team that included Gutman, an on-air correspondent, and two crew members.

According to the complaint, “While the team waited in a public queue during the assignment, Gutman initiated a discussion rating a female correspondent’s appearance and reducing her professional standing to a numerical score based on her physical attributes. The male crew joined in, continuing to assess the woman’s body and looks in Said’s presence. The men attempted to draw Said into the conversation by soliciting her views. Said declined and stated the conversation was inappropriate.”

In another incident, per the lawsuit, she and Gutman were at a press day related to a film release, and they disagreed on whether the team should leave the work site. According to the lawsuit,
“In front of multiple coworkers, Gutman responded by making a sexualized insinuation that Said must have an after-hours date in the city and that this is why she did not want to relocate. The remark, made audibly to others, demeaned Said and reduced her professional judgment to a sexualized stereotype.”

CBS News and ABC News have not commented on the litigation.

Gutman joined CBS News earlier this year, after a long tenure at ABC, where he served as chief national correspondent.

According to the lawsuit, after experiencing Covid and covering the mass shooting in Uvalde, Texas, Said was approved for medical leave for two weeks in August, 2022, but “fearing that her employment would be terminated if she remained out too long, Said felt compelled to rush her medical leave and to communicate an expedited return.”

For the rest of the year, her psychiatrist continued to certify the medical necessity of her leave on a recurring basis, and the following January cleared her to return to work subject to reasonable accommodations “designed to enable her to perform the essential functions of the position while protecting against re-exposure to trauma triggers,” per the lawsuit.

Said claimed that HR personnel presented her with an “ultimatum to either return to work without any accommodations, or not to return at all.” Said eventually withdrew her accommodation requests because she was “effectively deterred from doing so” by the defendants “prior course of conduct.”

The lawsuit claimed that she was demoted to weekend desk shifts and, although she was told the assignment was temporary until a replacement was hired, no person was.

In early 2025, Said was assigned to cover the Los Angeles wildfires and additional weather events, according to the suit, and while in the field sustained a bone contusion when a piece of heavy equipment struck her foot. A Disney physician examined her and determined that she was not required to take leave, per the suit.

The lawsuit claimed that ABC News Vice President Katie DenDaas met with her and emphasized that she was one of the news division’s best performers, but she was terminated some days later, on March 5, 2025.

The lawsuit seeks unspecified damages, attorneys fees and costs and declaratory relief.

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‘Hercules’ Voice Actress Nominates Zendaya, Tom Holland For Remake

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With Spider-Man: Brand New Day a super box office success, Tom Holland and Zendaya might just have their next classic hero adaptation.

Speaking with Deadline on the red carpet Sunday at D23, Hercules (1997) voice actress Susan Egan nominated Zendaya to take over her role as Meg in a live-action remake of the Disney animated classic, with Holland accompanying her as the Greek demigod.

“I mean, I’ve been subtly saying Zendaya, but now I’m just gonna say it,” she said of her choice. “And probably, Tom and Zendaya, who I have never met, are filing for the restraining order right now. But honestly, I don’t even care. I feel like the world needs it.”

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Egan continued, “Not even because they are the ‘it’ couple right now, it’s not even that. I have watched her beautiful career from when she was a teenager, and she’s just grounded. She is a strong woman, obviously, statuesque and amazing, with an incredible voice and a little edge, don’t you think?”

Having starred together in Spider-Man: Homecoming (2017), Spider-Man: Far From Home (2019), Spider-Man: No Way Home (2021) and Spider-Man: Brand New Day (2026), the couple has made nearly $6B for Disney. Meanwhile, their summer appearance in The Odyssey (2026) has recently surpassed $1.29B.

With a live-action remake of Hercules going into development at Disney in 2020, Guy Ritchie was tapped to direct in 2022.

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