Connect with us

Entertainment

Cinemark Endorses Paramount-Warner Merger With Call for ‘Healthy Theatrical Ecosystem’

Published

on

In a major shift, movie theater trade organization Cinema United has sent a letter to California Attorney General Rob Bonta and Paramount Skydance leadership urging a settlement of the states’ lawsuit seeking to block the studio’s acquisition of Warner Bros. Discovery after Cinemark joins AMC and Regal in publicly supporting the merger.

The letter from Cinema United can be read in full below:

Dear Attorney General Bonta and Mr. Ellison,

We are writing to you in our capacity as the leadership of Cinema United, the world’s largest trade organization representing the global theatrical exhibition business. We write to encourage you both to meet in the immediate future and discuss all possible avenues for resolving the state of California’s pending challenge to Paramount’s proposed acquisition of Warner Bros. Discovery.

Theatrical exhibition is a Main Street industry. A night at the cinema not only benefits the movie studios and theatre owners, but it also benefits nearby restaurants, coffee shops, bars and shopping frequented by moviegoers. From family-owned independent theatres to vibrant mid-size circuits to the world’s largest theatre chains, Cinema United members are cultural and economic drivers in communities across this great nation. Our members have been partnering with Paramount and Warner Bros. for over a century to provide movie fans of all ages with the unparalleled experience of a movie on the big screen. We look forward to strengthening and growing that proud tradition for generations to come. Movie theatres are also undeniably a part of the fabric of this nation. In just the twelve states represented in the litigation we have 196 members doing business. The majority of those are independent or family-owned theatres: 130 operate fewer than ten screens; 90, with less than five screens; and 30 of those members operate single-screen theatres.

Our industry is familiar with the impact of legacy studio consolidation on moviegoers and exhibition, and those facts are well documented. As a result, all relevant parties understand the enduring value of the theatrical experience not only to our culture, but to the overall economy and the financial success of films themselves. At the same time, we have remained open to tangible and enforceable guardrails that can offer our industry some measure of certainty in the face of an evolving and otherwise challenging future. That is why we have engaged, in good faith, with both the coalition of State Attorneys General and Paramount.

As you both know, we believe any resolution of the current situation must ensure four core elements, which are essential to the long-term strength of the entertainment industry:

  • A long-term commitment to maintain or expand wide-release theatrical movie production that is supported by a meaningful period of theatrical exclusivity, fully marketed, and promoted in theatres of all sizes.
  • Provisions ensuring that the merger will not cause an increase in rental terms, so that theatre owners, and in turn, moviegoers, do not bear the brunt of the cost of this transaction, particularly independent theatres across the United States.
  • Enforceable safeguards to ensure broad access to films for moviegoers and theatres of all sizes that is not conditioned on requirements that impede theatre owners from making business decisions that are responsive to their communities’ preferences and the broader marketplace realities that many theatre owners face today.
  • And finally, continued access, under reasonable conditions and precedents, to the valuable and vast film catalogues of both Paramount and Warner Bros.

Today, our industry has the wind at its back. Studio partners are creating and distributing extraordinary films. Audiences across generations are responding with enthusiasm. Theatre owners are continuing to reinvest in their cinemas and build remarkable experiences for moviegoers. Movies are once again at the center of our shared culture. But none of that can be taken for granted. Global exhibition believes in a bold future for this industry, but reaching our full potential requires working together.

For many in our industry, the current environment is marked by disruption and uncertainty. That is why we believe that it is incumbent upon both of you to meet in good faith to discuss a resolution that would provide robust protections and serve the entire industry. In fact, it is the next logical step. Our goal remains a resolution that puts this industry on a positive path to continued success, not just in the near-term, but for generations to come. As has been the case since the outset, we stand ready to assist in any way we can. However, we urge you both to take the steps necessary to explore a meaningful resolution of the current situation as soon as possible.

>

Continue Reading

movies

Briarcliff Acquires North American Rights to Ukraine Doc Ash and Crayons

Published

on

Ash and Crayons, a powerful documentary from Oscar-nominated documentarian Evgeny Afineevsky about Ukrainian children whose lives have been dramatically impacted by the ongoing war in Ukraine, has been acquired by Briarcliff Entertainment for a North American theatrical release on Nov. 20 — World Children’s Day — and robust impact and awards campaigns, The Hollywood Reporter has exclusively learned.

Afineevsky, a Russian-born Israeli-American who has also made acclaimed docs about everything from the war in Syria (2017’s Cries from Syria) to the late Pope Francis (2020’s Francesco), has been a devoted chronicler of war in Ukraine for over a decade, dating back to 2015’s Winter on Fire: Ukraine’s Fight for Freedom, for which he received his Oscar nomination, and its sequel, 2022’s Freedom on Fire: Ukraine’s Fight for Freedom.

Ash and Crayons combines verité footage and animation created by Ukrainian artists to tell the stories of seven Ukrainian children as they exhibit remarkable resilience in the face of unimaginable horrors, from catastrophic injuries to forcible deportations. An early cut of the film was recognized with the prestigious Cinema for Peace Award in Berlin, which was presented to Afineevsky by Hillary Clinton.

Briarcliff is run by veteran film exec Tom Ortenberg (Crash and Spotlight), who tells THR, “All of us at Briarcliff are proud to be associated with such a strong and affecting film, and we look forward to bringing it to audiences this fall.”

Adds Kevin Goetz, one of the film’s producers, “We are so thrilled to have partners in Tom and Briarcliff who share our commitment to bringing these powerful and inspiring stories to the world. Evgeny is one of the great documentarians of our time. This is a film about hope and resilience, about seeing beyond the ‘ash,’ so to speak.”

Afineevsky himself states, “I am so honored to share the inspirational stories of these incredible children. As they have said to us, ‘Even broken crayons can color.’ I’m also extremely grateful for the hard work of 100-plus Ukrainian artists and industry professionals inside war-torn Ukraine, support of the Office of the Ombudsman of Ukraine and the Ukrainian State Film Agency (Derzhikino), as well as the support and expertise of my producers, Kevin Goetz and Galyna Sadomtseva-Nabaranchuk.”

>

Continue Reading

movies

‘My Life With The Walter Boys’ Quietly Returns To Netflix For Season 3

Published

on

My Life with the Walter Boys has made an understated return to Netflix with Season 3. Over its first 10 days or so on the streamer, the new episodes have managed to rank high on Netflix’s weekly English TV list but are overall lagging compared with Season 2.

The third season topped the charts the week of August 10 to 16 with 8.7 million views during its first full week on the streamer, slipping a bit from the 9 million it managed in its opening weekend.

It doesn’t necessarily bode well for Season 3 to have peaked in its first four days, suggesting interest in the series is waning. Particularly given Season 2 opened to 11.8 million views last year, which was up 57% from Season 1’s 7.5M views opening weekend. The series is already renewed for a fourth season, which is currently in production.

My Life with the Walter Boys still led the pack by quite a bit, though, with Conversations with a Killer: The Charles Manson Tapes in the No. 2 spot on the English TV list with 4.9 million views. That was followed by The Idaho Murders: College Nightmare at No. 3 with 3.6 million views.

Shane Gillis is gaining traction with his workplace sitcom Tires. Season 3 debuted in the No. 9 spot with 2.4 million views in its opening weekend. That is presumably much higher than Season 2, which did not make it onto the Top 10 rankings after its launch weekend and instead appeared for the first time in its first full week post-debut.

In the U.S. alone, Tires jumped from the No. 6 slot in Season 2 (with 1.5 million views) to third place in Season 3 with 2 million views — a 33% increase.

Elsewhere in TV, Harlan Coben’s I Will Find You is still putting up numbers. The series landed at No. 7 on the weekly rankings with 2.7 million views, boosting it to eighth place on the most popular list with 112.9 million views across nine weeks.

>

Continue Reading

Entertainment

Frank Beard, ZZ Top Drummer, Dies at 77

Published

on

Frank Beard, the longtime drummer of ZZ Top, has died at the age of 77.

The musician reportedly died on Monday at his ranch after receiving hospice care. His fellow ZZ Top musician and band founder, Billy Gibbons – who was also the lead singer for the rock group – confirmed his death on Instagram.

“Today, Elwood and I lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas,” Billy Gibbons, another founder and lead singer of the band, wrote on Instagram. “His signature backbeat was key to keeping ZZ on top.”

Beard drummed for the band for nearly 60 years and contributed to some of their biggest songs like “La Grange,” “Sharp Dressed Man,” “Tush,” “Bugs,” and “Velcro Fly.”

In the wake of Beard’s death, the band also announced it was canceling its upcoming shows in Salt Lake City and Colorado Springs.

“The band will resume its current The Big One! Tour this weekend with two dates in at Austin City Limits, one of Frank’s favorite venues and in a city that had been something of a second home for him,” the Instagram statement added.

More to come…

>

Continue Reading

Trending

Copyright © 2017 Zox News Theme. Theme by MVP Themes, powered by WordPress.