Spoiler warning: This podcast and write-up contains details about the final episode of Apple TV’s Lucky.

Apple TV’s limited series Lucky just dropped its final episode and the series creator Jonathan Tropper is here with us today to explain just why the nefarious queen-pin, Priscilla (Annette Bening, let Lucky (Anya Taylor-Joy) and her father (Timothy Olyphant) go. This after a pursuit for $10M that Lucky’s ex-husband/Priscilla’s son absconded with (and which Lucky and papa had access to in the end). Granted, Priscilla’s husband, Wayne (William Fichtner), was the catalyst for this chase.

Tropper unpacks all here:

But even more fun, we talk with Tropper about landing the screenwriting gig for next summer’s original Star Wars universe film, Starfighter, which we just caught a glimpse of at D23.

“I was fortunate to have done three movies before with Shawn Levy. They approached Shawn and said we want you to do a Star Wars movie, and you can pick your writer,” said Tropper, “And I landed the gig.”

At the time that Levy and Tropper made their deals, they didn’t know exactly what Starfighter would be.

In Star Wars: Starfighter, Ryan Gosling, plays cynical rogue Kade Auberon. He’s confronted by his mysterious past and is hurled into a dangerous adventure across the galaxy that puts him on a crash course with destiny. Along for the ride with Kade, is a precocious child played by Flynn Gray. The title starship is a G17 Imperial Reaper, the fastest ever built. It just so happens to be in Kade’s garage.

“What we wanted to do was to tell a story that was free of (Star Wars) mythology. We were out ahead in the timeline, and we wanted something with as few barriers of entry as possible for new fans and viewers,” says Tropper.

“This isn’t a Skywalker saga movie… we’re not dealing with the history of the Rebellion, the First Order, the Resistance or the Empire, we’re kind of beyond all that” he says, “It’s a simpler movie.”

While Tropper, of course, couldn’t reveal any more details about Skyfighter, he does expound on his creative shorthand with Gosling. Quite often, Tropper found inspiration in Gosling’s cadence and expressions.

“He would off-handedly say things; I knew that would make its way into the movie,” says Tropper about the Barbie star, “His voice gets in your head.”

Tropper wrote Starfighter while literally show-running his own series, Apple TV’s Your Friends & Neighbors, writing pages at nights, weekends and sometimes late afternoons. However, because all below-the-line departments are a go on a Star Wars movie, quite often great ideas and rewrites came from the crafts side.

“I never experienced this before on a movie, the departments weren’t just executing, they were actually creatively inputting,” he tells Crew Call, “Everything has to be built on a Star Wars movie, you’re not going to Home Depot to get tables.”

The great collaboration with Levy and Gosling led to another opportunity for Tropper: Writing the reboot of Ghost Rider, due out in July 2028.

Says Tropper, “I don’t know if I walked into Marvel that I’d be a slam dunk by myself.”

Tropper is nominated for an Emmy in Outstanding Drama Series for Your Friends & Neighbors this year.

IATSE has suspended leadership at a prominent U.S. local amid allegations of corruption.

Local 479, which represents more than 7,000 film and television technicians across Georgia and Alabama, has been temporarily placed under the stewardship of several special representatives after President Matthew Loeb “declared an emergency” at the division last month, according to a letter sent to members and obtained by Deadline.

“This decision was the result of an investigation in which reliable and credible information was brought to my knowledge that the property and membership rights of the Local were subject to irreparable injury if there was no temporary intervention,” Loeb’s letter to members read.

In elected leadership’s stead, Loeb has appointed IATSE International Trustee Andrew Oyaas, International Representative Jamie Fry, Special Representatives Daniel Mahoney and Kevin Amick as the Local’s temporary trustees.

The letter cites Article Seven, Section 16 of the union’s constitution, which bestows Loeb with the power to remove local leadership “where reliable and credible information is brought to the knowledge of the International President indicating that a condition exists in an affiliated local union whereby the actions of the officers or members thereof endanger the property rights or interests of this Alliance…”

While the exact nature of the allegations are unclear, Deadline understands that there were financial issues that were recently brought to international leadership’s attention and prompted further investigation.

Per the note from Loeb, a hearing on the matter was scheduled for July 20, which is typically a forum for elected officers to plead their own case on the matter and present evidence to contradict international leaders’ claims. Details on the hearing, as well as potential next steps, are scarce.

IATSE declined to comment on the internal matter but confirmed to Deadline that Local 479 remains under a conservatorship.

International leadership is juggling quite a bit of strife recently. In addition to apparent internal turmoil, the union is also contending with the possible outcomes of Paramount’s $110-billion acquisition of Warner Bros. Discovery. As the antitrust suits move toward a March trial date, Loeb joined forces with DGA executive director Russ Hollander to encourage a quicker reconciliation between Paramount CEO David Ellison and California Attorney General Rob Bonta (who is leading one of the two lawsuits) — whether in court or not.

The ongoing merger saga has begun to divide the Hollywood labor community. While DGA and IATSE have expressed a desire to swiftly end the fight, the WGA is also separately suing to block the merger and appears willing to go the distance to do so. SAG-AFTRA has publicly opposed the merger but has not joined the writers in court.