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‘Lanterns’ Paul Ben-Victor Joins ‘The Bookie & The Bruiser’

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EXCLUSIVE: After raising the stakes in last weekend’s episode of HBO Max/DC’s Lanterns, we hear that Paul Ben-Victor just wrapped a role in the Vince Vaughn, Theo James and Patrick Schwarzenegger movie, The Bookie & The Bruiser.

Ben-Victor is playing the lead bad guy, mob boss Generale Francesco Viscuzo.

The Bookie & The Bruiser is set in 1959 New York City and features a pensive Jewish fellow named Rivner (James) and an oversized Italian-American tough named Boscolo (Vaughn). Having served in World War II, the two return as changed men, no longer fitting into their old lives. Unwilling to take orders or play by the rules of polite society, the two partner up as a bookmaker and his enforcer and run an illicit gambling operation that proves highly profitable — but dangerous. Their operation thrives until they’re caught in a violent power struggle between the Mafia and an Irish gang, forcing them into a violent fight for survival. Schwarzenegger plays twin brothers Augie and Bernard in the movie.

S. Craig Zahler (Bone Tomahawk, Brawl in Cell Block 99) wrote the pic and directs. Oscar-winning producer Anthony Katagas (12 Years a SlaveAd Astra) produced via Keep Your Head Productions alongside Dave Caplan (LonglegsThe Monkey), Dan Bekerman and Vaughn. C2 Motion Picture Group fully bankrolled the pic. UTA Independent Film Group and Range Select arranged the financing and are representing the North American distribution rights. Anton handled foreign sales.

Ben-Victor currently has a recurring on Lanterns as Antaan. He’ll next be seen in The Boys from Brazil for Netflix, from Peter Morgan and opposite Jeremy Strong, and is returning for season 3 of Netflix’s hit Nobody Wants This. He’ll also play Sam Giancana in the feature Killing Castro opposite Al Pacino, which premiered at Tribeca earlier this year. Ben-Victor recently wrapped Empire City for director Michael Matthews, opposite Gerard Butler and Hayley Atwell.

Ben-Victor can also be seen in Netflix’s Man on Fire and Peacock/MRC’s M.I.A. Prior to that, he starred in The Lincoln Lawyer for Netflix, Bookie for Max, and Raising Kananfor Starz. The actor is perhaps best known for David Simon and HBO’s The Wire, and for Martin Scorsese’s Vinyl and The Irishman, as well as Plane and True Detective. Ben-Victor is represented by Verve and Alan Siegel Entertainment.

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YouTube Makes Case Against Prominence For Broadcasters

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YouTube‘s Pedro Pina has doubled down on the case against giving prominence to British broadcasters on digital services.

The Google platform’s Vice President in EMEA yesterday argued during his MacTaggart lecture that “forced prominence” would damage the content ecosystem on YouTube, and he echoed that sentiment today in a follow-up talk, saying it would threaten the “meritocracy” that has grown on the service.

“YouTube exists so you can find the content that you love and everyone has a level-playing field ability to be successful,” he said. “Everyone has access to the same tools and the ability to meet their audience.

“We’ve seen success from YouTubers to all the way up to linear broadcasters, which is exciting to see. The moment you have forced prominence the first thing that will happen is you are going to select a few of those content creators who will be on top of your feed. Everyone in this room will have to see the same thing, so the foundational principle is gone. You won’t have the option, regardless of who you are and what your preference is.”

He said that “more importantly,” ensuring content from the likes of the BBC, ITV and Channel 4 were presented prominently on the YouTube homepage would hit other creators hard.

“A lot of independent creators, producers and publishers, who have spent a lot making sure their content is discoverable and make a living from it, will be pushed down,” said Pina. “We are endangering a creator economy that has been burgeoning in this country.”

He referenced companies such as Goalhanger, which has built a huge following through YouTube distribution of video podcasts such as The Rest is History and The Rest is Football, and the Guardian newspaper among those who would be de-ranked by a prominence rule. “That is why we are uncomfortable with this forced prominence issue,” he said.

His comments come as the UK’s government prepares a Green Paper that will seek to dictate how the country’s media systems operate in the future, with prominence among the options on the table.

Yesterday in Pina’s MacTaggart talk, he warned enshrining “forced prominence” in law would be damaging to the sector.

“If this becomes law, many UK-based creators and production companies will see their livelihoods threatened,” he said. “UK viewers will have to wade through content they may not want, which in itself could undermine the trust that UK public service broadcasters have built up.”

YouTube has been keen to talk up its partnership with the BBC and other British networks during its time in Edinburgh this week, and positioned itself as friend, not foe to the traditional sector.

“We really want public sector broadcasters to do well and we are committed,” said Alison Lomax, Managing Director of YouTube UK & Ireland in a separate Edinburgh session this morning.

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‘Ann Droid’ Renewed For Season 2 After Breakout BBC Success

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The bots are back. The BBC has renewed comedy hit Ann Droid for a second season.

Starring creator Diane Morgan (Motherland), the Boffola Pictures series about self-help robots launched with 7.6 million viewers for the BBC, making it one of the broadcaster’s biggest hits of the year.

Co-written by Morgan and Sarah Kendall, the comedy spotlights Sue (Sue Johnston), who is bought a second-hand droid (Diane Morgan) by her son Michael (Paul Ready) to help her live independently, so he could focus on repairing his marriage.

Morgan said: “The response to Ann Droid has been so incredible. We’re all totally blown away. I’m really looking forward to not blinking, needing physio and hearing Cotton Eyed Joe on repeat.”

Sue Johnston added: “The reaction from the public has been wonderful. Even my doctor called me Sue, Sue, Sue this morning! Everyone has been asking if there will be more and now we can tell them.”

Shane Allen, executive producer for Boffola Pictures, continued: “We marvel at our BBC robot overlords and their impeccable decision-making. Diane and Sue are comedy dynamite, fronting a superb cast.

“We’re all overwhelmed by how much the audience has taken the show to their hearts. As a warning to critics and begrudgers, any backlash against series 2 will be met by Linda’s inbuilt tasers.”

Ann Droid is a Boffola Pictures and Witchcraft Industries production for BBC iPlayer and BBC One. The show was commissioned by Emma Lawson, interim director of BBC comedy. Executive producers are Allen, Morgan and Pippa Brown, who is also series producing. The commissioning editors for the BBC are Seb Barwell and Navi Lamba.

BBC Studios, which has a minority investment stake in Boffola Pictures, will handle global sales.

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BBC Confirms Plans To Reboot ‘Top Gear’ Amid Speculation Jimmy Carr Will Host

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The BBC is revving the engines of Top Gear again. After a four-year absence from British television following a horror crash involving former host Andrew Flintoff, the BBC said that work is underway on a new season. Speaking at the Edinburgh TV Festival on Thursday, Ed Havard, the BBC’s director of entertainment, said: “Top Gear […]

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