movies
‘Árru’, Eco Drama, Gets North America & International Deals
EXCLUSIVE: Obscured Releasing has acquired North American distribution rights to Árru, the musical drama following a Sàmi family’s fight to protect their land from looming environmental threat.
The film from writer-director Elle Sofe Sara will get a theatrical release in early 2027 before launching on digital platforms later next year.
The film follows “a family of Sàmi reindeer herders as their way of life and Indigenous land face threat from an encroaching mining project. As protests and conflict continue, single mother Maia (Sara Marielle Gaup Beaska) turns to a long lost family member (Mikkel Gaup), giving rise to long buried family wounds and secrets.”
The feature uses traditional Sàmi song and dance “to portray familial catharsis and the connections between communities and their lands”.
Following its world premiere at Berlin, the movie went on to play Sydney and the Nordic Film Festival, and made its North American premiere at this year’s Tribeca film festival.
The project was produced by Elisa Fernanda Pirir, Mimmi Spång, Elle Sofe Sara and Jani Pösö. Executive producers include Jim Stark, Kristine Ann Skaret, Gary Cranner, and Axel Helgeland.
The deal was negotiated by Steven Bestwick of The Yellow Affair and Bill Guentzler and RJ Millard on behalf of Obscured Releasing.
The Yellow Affair has also sold Árru to international territories including Angel Distribution (Denmark), Bíó Paradís (Iceland), Filmwelt (Germany, Austria), Fivia (Ex-Yugoslavia), Otaku Mtü (Baltics), Palace (Australia / New Zealand). Theatrical distribution in Norway will be handled by Norsk Filmdistribusjon. The movie is a co-production with Garagefilm International (Sweden) and It’s Alive (Finland).
“I look forward to sharing our subtle musical family drama, Árru, with audiences in the U.S. in collaboration with Obscured Releasing,” said director Elle Sofe Sara. “With Árru, I wanted to tell a story about the resilience of women, the complexities of family bonds, and the power of finding one’s voice in the face of silence. I’m so pleased to have found a partner in Obscured who believes in the film and its journey to audiences.”
“Elle Sofe’s intimate and elegiac film showcases the passion of a family as they protect their way of life through beautiful and emotional ways,” added RJ Millard and Bill Guentzler. “Her originality of voice and storytelling are exemplified by the combination of dance, song and protest in creating something truly riveting.”
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movies
BBC Presenter Amol Rajan: Broadcaster “Screwed” Amid Funding Crisis
Amol Rajan, the BBC Radio 4 Today show presenter, has called for urgent action to save the UK national broadcaster from an existential emergency.
In a blistering speech at the Edinburgh TV Festival on Thursday, Rajan argued that the BBC is “screwed” unless there is a radical rethink of its funding and governance.
Rajan has worked for BBC News for a decade, but will exit the corporation next week to launch an online media venture, The Amol Rajan Connection. He will continue to host University Challenge, the long-running BBC quiz show.
In his valedictory address, Rajan attacked successive governments for mismanaging the BBC by repeatedly reviewing its operations without properly addressing the forces that are contributing to its decline.
“The phrase managed decline is far too generous,” Rajan said. “When it comes to the actions of British governments in recent years, there hasn’t even been any managing. I want everyone here, and beyond, to wake up to the reality of the BBC’s finances. This is the unvarnished truth.
“A recent Enders Analysis report showed that licence fee income has fallen by 28% in the past 15 years. The BBC has cut costs by 15%. It’s found £1.5 billion in savings, and is on target to find another £500 million. Revenues tumbling; costs rising. This equation cannot last. You cannot cut your way to growth.
“To understand how screwed the BBC is, you just have to understand compounding. Last year, 539,000 fewer people paid the Licence Fee. The year before, it was 300,000 – massive even then. What if this year, the number is 800,000?”
Rajan said this “catalogue of accelerating decline” is a “foreseeable” emergency, which is now resulting in chastening content and staff cuts.
“When it comes to the BBC, we have not had ‘benign neglect.’ We have had a kind of ‘malicious neglect,’” he said. “In the case of the BBC, the consequences are clear. These cuts are just the beginning; there is worse to come; the finances are much worse than most people even here realise.”
The former BBC News media correspondent continued: “What we need is political leadership … Make a decision. Stop dithering. This could not be more urgent.”
“I just cannot bear to watch as bureaucratic inertia, witless pablum, and unforgivable dithering and delay cause a noble institution to rot and decay, not with a bang, but a whimper. Of course the BBC makes many errors; but keep these in proportion. Of course, some journalists among the thousands at BBC News have some biases, but keep these in proportion too.”
“I can’t believe I’m saying this, but I actually have more respect – intellectually if not morally – for the Defund the BBC crowd who, though I disagree with their position intellectually, at least have a position with which to disagree.”
The BBC is currently in talks with the government over its next charter, which will establish its funding and operating model for many years to come. In other words, it is the ideal time for radical thinking about the BBC’s future.
Rajan threw his weight behind one solution: Turning the BBC into a mutual that is owned by the British public who pay a licence fee in exchange for shares in the corporation.
“Under the mutual model, it actually would belong to all of us. If run properly, like all the best mutuals, the BBC would be tasked with growing revenue. And if some portion of it was available to the right outside investors, the BBC could raise capital that could either be reinvested for the long-term, as with many endowment funds, or deployed in pursuit of growth and a return on that investment.”
Rajan noted that Lisa Nandy, the culture secretary, has herself endorsed the idea of a BBC mutual. “What is it about actually being in a position of power to do something about your plans that stops British politicians doing those things?” he asked. “What is it about government that promotes process over action?”
Rajan will present his final Today show next Wednesday.
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movies
Patrick Holland Confirmed As Banijay’s UK Boss Following All3 Merger
Banijay Entertainment has confirmed Patrick Holland will be Executive Chairman and CEO of Banijay UK following the merger with All3Media.
The news was widely expected and is now official. This means Holland, who was held the same role at the pre-merger Banijay UK, will oversee around 40 labels at the combined company, including the likes of Studio Lambert, Initial and Neal Street Productions.
Productions from the group include Half Man, Peaky Blinders and Last One Laughing, along with The Buccaneers, SAS Rogue Heroes, MasterChef, Big Brother, Would I Lie to You? and the upcoming Netflix reality show Will You Marry Me?.
Holland will report to Banijay Entertainment CEO Marco Bassetti. How he integrates the All3 labels will be of interest to the international market, with many sources privately questioning how All3’s hands-off, federal model will mesh with the more collective approach at Banijay.
Former BBC Two controller and BBC factual chief Holland joined Banijay UK in May 2022 and launched the the Banijay UK Growth fund year later, which has led to M&A deals for the likes of The Forge and Garrison Drama.
“In continuing to bolster our collective of talent around the world, we have cemented a market-leading footing across much of our footprint,” said Banijay boss Bassetti. “Having local experts at the helm of our regional portfolios was always a strategic priority, and in the UK, we are pleased to confirm Patrick as our onward lead.
“Here we have an expansive portfolio which continues to go from strength-to-strength, particularly with the injection of All3Media’s producers, and with an expert team at the helm, we have no doubt we can maintain a healthy growth trajectory.”
Holland added: “Under the expert leadership of Jane Turton and Sara Geater All3 has grown to be a phenomenal creative and commercial force and it’s a huge privilege to be asked to lead the combined business. Entrepreneurialism is baked into Banijay’s DNA, and the UK business has achieved its growth and creative success by innovation, collaboration and by backing talent to do their best work.
“The range and depth of phenomenal talent across All3 and Banijay UK is truly inspiring and I’m excited to help unlock the vast potential of bringing these businesses together.”
Prior to Banijay, Holland was Director, Factual, Arts & Classical Musicat the BBC and before that oversaw BBC Two. On the production side, he has held the role of Managing Director of Fremantle-owned producer Boundless.
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movies
‘JAŸ-Z In 8’ To Stream Internationally On Mubi
Mubi has acquired international rights to JAŸ-Z In 8, the forthcoming eight-part documentary series featuring the legendary rapper in conversation with veteran producer Rick Rubin. Executive-produced by Shawn Carter (Jaÿ-Z) and Rubin, who also directs, two new episodes will debut on Mubi every Saturday, concluding with episodes seven and eight on Saturday, 10 October. The […]
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