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Prime Video Sets Access Doc Series On Peter Crouch & Abby Clancy

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Cameras are going behind the scenes on the lives of Peter Crouch and Abby Clancy.

Prime Video has greenlit access doc series The Crouches, which will follow former footballer-turned- broadcaster Crouch and his wife, model and content creator Clancy, over a year.

The show, which is the second docu-series Prime Video has unveiled today at the Edinburgh TV Festival, will follow the couple as they prepare to move to a new home in need of renovation to accommodate the 6″7 Crouch. It also sees Crouch set off for the World Cup, leaving Clancy with their children and a building site, with Clancy looking to redress the power balance of their relationship as she turns 40.

Workerbee, which is part of Banijay UK, with Rick Murray, Ben Hirsch, Ben Mitchell and Demi Doyle the exec producers. Charlotte Taylor is the series producer and Simon Draper the series director.

This marks the second time Crouch, who played for clubs such as QPR and Liverpool before his career in broadcasting, has worked with Prime Video after That Peter Crouch Film in 2023.

“I absolutely loved making That Peter Crouch Film, so much so that this time I’ve somehow managed to drag Abbey and the whole family into it,” he said. “It’s a bit scary as it’s warts and all, but I’m sure you enjoy laughing with us – probably at us.

“There will be a lot of chaos and probably a few moments we’ll regret letting the cameras see, some ups and some downs, but it will be us. Our life should be lovely, calm and simple… it is not. Watch out Kardashians we are coming for you.”

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BBC Boss Matt Brittin Outlines Concept For “Public Service Algorithm”

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The BBC‘s Director General, Matt Brittin, has said the British broadcaster’s streaming service could benefit from a “public service algorithm” that allows it to function more like YouTube.

The striking plans, which Brittin warned was not “policy” at this stage, would see the BBC iPlayer opened up to creators and make the service more like YouTube, the platform that the exec oversaw in EMEA before joining the BBC.

In his first address to the industry today at the Edinburgh TV Festival, the former Google exec once again warned the BBC iPlayer had “fallen behind” rivals due a focus on content spend over technology in recent years. He first made similar noise in a town hall speech to staff in May soon after he became DG.

Brittion was careful to say this was “no fault of the team” at the BBC and that the content spend meant he “inherited incredible audience reach,” but leaves a puzzle over the iPlayer’s future and an immediate challenge in improving the iPlayer recommendations functionality.

His blue-sky solution was for the iPlayer to function more like YouTube by hosting creators from around the UK – “providing they stick to the guidelines we choose to set.”

He didn’t detail how this would be achieved, what the remuneration offer would be or why creators would choose to opt for BBC digital services over YouTube or other social media platforms, but it is still one of the more tantalizing ideas to be floated by a director general of the BBC for some time.

Brittin also called for the BBC to be “a more open platform” and that there was a need to “create sovereign media public space,” while adding the UK could build something “unadulterated by commercial interests, by algorithms that have other interests at heart.”

The service, which he dubbed ‘iPlayer 2.0″, would be based around “educating, informing and entertaining the public here and ideally around the world,” he said, adding it should be created “it in a way that’s not biased towards the incentives of a U.S. tech company or commercial interests. It should be biased towards what we want public service to be all about.”

It is likely the BBC, which is in the midst of cutting 2,000 roles to save around £500M ($679M), will have to cut programs to pay for improvements to the iPlayer. He noted that the BBC had shed £1.3B over the past decade and services and programs would inevitably come under pressure.

Brittin has spent his first 100 days at the BBC travelling to different parts of the mammoth organization to identify where to prioritize his efforts and how to wrestle with the type of existential crisis that outgoing BBC presenter Amol Rajan described earlier today.

Brittin admitted he had not “understood quite the severity” of the financial pressure heaped on the BBC. “Obviously, to get to that scale of savings, there’s uncertainty hanging over a lot more colleagues than those who will eventually leave the organization,” he added. “That’s really hard to deal with. But 90% of the people in the BBC will remain.”

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Jamie Dornan Joins Megan Park Apple Movie (EXCLUSIVE)

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EXCLUSIVE: Jamie Dornan, star of Apple‘s upcoming crime thriller series 12 12 12, is set to star opposite Zoë Kravitz and Adèle Exarchopoulos in their mystery movie from My Old Ass helmer Megan Park.

Character details are being kept under wraps, as is the logline for the as-yet-untitled film. Park is directing from her own script and exec producing, with Apple Studios and LuckyChap to produce in association with FilmNation. Tom Ackerley, Bronte Payne and Kelly McRedmond are overseeing the project for LuckyChap.

Dornan is best known for his work in Kenneth Branagh’s Belfast, which brought him Golden Globe and Critics Choice Award nominations, along with his BAFTA-nominated turn in the BBC drama The Fall. He’s also an exec producer on the aforementioned 12 12 12, a series he headlines opposite Anthony Mackie, which premieres November 13.

Dornan plays identical twins in the upcoming Netflix series The Undertow and is currently in production on The Lord of the Rings: The Hunt for Gollum, where he takes on the role of Aragorn. He is repped by UTA and Sloane Offer Weber & Dern.

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Debuts Official Trailer For Cannes Palme d’Or Winner ‘Fjord’

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Neon has debuted the official trailer for Cristian Mungiu’s Cannes Palme d’Or winner Fjord ahead of its U.S. theatrical release on October 9.

Reinsve stars as a Norwegian woman who relocates with her devout Romanian husband (Stan) and their five children to a remote, close-knit, coastal town.

Their teenage children form a fast bond with a neighboring family as unease begins to simmer around their rigid beliefs. When allegations of abuse emerge, they are forced to confront a system of judgement that blurs the lines between concern and prejudice.

Neon acquired U.S., Canada, UK, Australia and New Zealand rights to the film on the eve of its world premiere in Cannes and then scored its seventh straight Palme d’Or win after it scooped the top prize.

Deadline’s Chief Film Critic Pete Hammond praised Mungiu for fearlessly tackling  contemporary controversial societal issues without taking sides.

“Fjord is an intelligent and gripping movie that finds its power in providing no easy answers, only questions about what is right and what is wrong,” he wrote.  

With strong performances from awards regulars Stan (The Apprentice) and Reinsve (Sentimental Value), Fjord is likely to be part of the upcoming awards season conversation over the coming weeks and months.

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