Anime
Aoki Denshō Welsh & Shedar Anime’s Main Trailer Reveals More Cast Members, Theme Song Artists – News
The official website for Aoki Denshō Welsh & Shedar (The Azure Legend: Welsh & Shedar), the original television anime by French entertainment company Ankama, revealed the anime’s main promotional video, new cast members, and theme song artists on Thursday.
The newly announced cast members are:
Yūko Kaida as Zabel, the powerful queen of Bonta

©W&S/Ankama・Dream Catcher
Makoto Furukawa as Joris, Welsh’s guide and teacher, and a hero who once solved a major conflict that determined the country’s fate

©W&S/Ankama・Dream Catcher
Risa Kayama as Bechamel, Welsh’s childhood friend

©W&S/Ankama・Dream Catcher
Additional cast members include Wataru Takagi as Khan Karkass, and Show Hayami as Azalar.
The above video previews the anime’s theme song “Bokura no Mirai e” (To Our Future) by artists Hironobu Kageyama and Masami Okui. Kageyama will also perform the ending theme song “Omelette.” Kageyama & KUKO will perform the insert song “I’m in you.”
The anime’s staff also announced that Takuya Imakado (The Weakest Tamer Began a Journey to Pick Up Trash) is the series’ monster designer.

©W&S/Ankama・Dream Catcher
The anime’s story centers on a country boy named Welsh, and a prince destined to become a king named Shedar. The two boys are from different stations in life, but their destinies intertwine when they try to end a tyrant’s plot to conquer the world.
The anime will premiere on October 2 on Tokyo MX at 9:25 p.m. JST (8:25 a.m. EDT).
The anime will star Rikuya Yasuda as Welsh, and Yūki Kaji as Shedar.
Naoki Horiuchi (episode director for Kingdom second season, Black Clover, Vivy -Fluorite Eye’s Song-) is directing the anime at Studio Massket. Saori Nakashiki (Sasaki and Peeps, Tales of Wedding Rings) is designing the characters, and Nakashiki is also one of the chief animation directors alongside Yoshiaki Tsubata (Date A Live IV) and Yuki Ikeda (WAVE!! -Let’s go surfing!! movie trilogy).
Eri Suzuki (Black Summoner) is the color key artist, and Studio Massket is also in charge of anime background art. Lucas Cisterne (3D CG for The Weakest Tamer Began a Journey to Pick Up Trash) is in charge of art setting, Jun Watanabe (Ascendance of a Bookworm) is directing the sound at TO Books, and Pierre-Jean Beaudoin & Jose Pavli are composing the music. Tot is credited for the original work, scripts, and drafting the series story outline. Kenichi Yamashita (MF Ghost) is in charge of the series scripts for the anime’s Japanese version.
Ankama is an independent entertainment and digital creation group most widely known for the DOFUS tactical MMORPG, which launched in 2004. The company also published Atsushi Kaneko‘s SOIL manga, and Suguro Chayamachi‘s Togainu no Chi manga in French.
Sources: Aoki Denshō Welsh & Shedar anime’s website, Comic Natalie
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Anime
Chizu Kamikō’s Seijo Mellia to Sennen Ōkoku no Kishi Manga Ends – News

© Chizu Kamikō, Kadokawa
Chizu Kamikō‘s Seijo Mellia to Sennen Ōkoku no Kishi (Saint Melia and Knight of the Millennial Kingdom) manga ended on the KadoComi website on Friday.
The story follows Melia, a young girl unable to use magic who suffers at the hands of her new caretakers after being separated from her beloved grandmother. She has a fateful encounter with the princess’s knight Douglas, who is in search of a mysterious cure for the princess’s illness.
Kamikō launched the series on Kadokawa‘s Young Ace Up web platform in 2021. Kadokawa shipped the sixth compiled book volume in June 2025.
Manga UP! publishes Kamikō’s manga adaptation of Shusui Hazuki‘s I’ll Become an Elegant Villainess! (Kareinaru Akujo ni Naritai wa! Aisare Tensei Shōjo wa, Tanoshii Nidome no Jinsei o Okurimasu) light novel in English. Kamikō launched the manga adaptation on Square Enix‘s Gangan Online web platform in March 2025.
J-Novel Club publishes Kamikō’s My Death-Defying Dog: Man’s Best Friend, World’s Best Savior (Uchi no Inu ga Tsuyosugirun Desu ga!? Tensei Shitara Megami-sama no Shukufuku de Sekai o Sukū Koto ni Narimashita) manga in English.
Sources: KadoComi website, Young Ace Up‘s X/Twitter account
Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.
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Anime
Episode 12 – Young Ladies Don’t Play Fighting Games

© Eri Ejima/KADOKAWA/Young Ladies Don’t Play Fighting Games Partners
I couldn’t think of a better way for this show to end than such an intense match between Mio and Arisa. The time really down to the wire, both players on their last speck of health—it’s obvious, quintessential hype, and there’s just no beating that. Watching matches like this in real life gets the crowd going in ways that I really wish could be better communicated through an anime, but still, it’s not to say that it didn’t get the point across. Both girls were pushed to their mental and physical limits, lost in the absolute bliss of a thrilling competition with a skilled player. Moments like these are what fighting game players—or anyone who plays anything competitively—live for.
What I particularly enjoyed about the way this is portrayed in the anime is that you really got a sense that as far as Arisa and Mio were concerned, there was no one else around but them. When you get into intense matches like that, it really does feel like a dance of sorts, and that kind of feeling can absolutely watch over you. Moreover, Aya knew it, and wanted so badly to have that feeling between them.
Anime and the portrayal of jealousy can be a messy thing. There was a long stretch of time—in particular, I tend to associate this with the 90s/early 00s—where in romance anime, especially, a character being jealous was supposed to be sweet and a bit romantic; As though to say “Look, they care so much that they’re jealous when anyone else is around the target of their affection!” This has, thankfully, largely fallen out of fashion. But what we’re seeing between Aya and Mio shouldn’t be confused for that. Aya isn’t jealous of Arisa for getting to be around Mio—she’s jealous that Arisa gets to experience this sort of competitor’s high alongside Mio, for whom she considered herself to be The Rival. Not to say there’s not a romantic tension underpinning this—there is—just that it’s not quite the same thing we’re used to seeing.
The spirit and love of competition has been alive and well throughout this whole anime, and that’s been one of the things I’ve appreciated about it most of all throughout its airing. As for other overall thoughts? Not quite anime of the season material (especially in such a stacked season—if you haven’t read it yet, I implore you to look at ANN’s best of Summer 2026 anime list!), but certainly a weekly highlight all the same. Also, by far the best opening theme of the year as far as I’m concerned—I absolutely love the spicy queens of HANABIE. Frankly, it’s about time we had an FGC anime—that it’s a girls’ love series is just icing on the cake.
In fact, the characters were the biggest part of what made this series so fun to watch. In addition to loving their explosive chemistry, Mio and Aya are both just such powerhouses in their own right. It’s tricky to pick a favorite between the two of them, but I’m inclined toward Mio if I must, if only because I still love her overly optimistic, “But we’ll have to stay at EVO all day Sunday because I’ll be playing in grand finals!”-attitude. But that’s not to say the other girls were slouches in all this—while their storylines weren’t explored nearly as much, Tamaki and Yuu definitely seem like they got something going on, and if we’re fortunate enough to get a second season, I’d be really curious to see more from them. Hopefully we can get another season of this at some point. And double hopefully, they’ll get HANABIE back to do the opening theme again.
Rating:
Young Ladies Don’t Play Fighting Games is currently streaming on
Crunchyroll.
Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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Anime
Future GPX Cyber Formula’s New Anime Short Reveals Cast, Staff, Screening on February 19 – News
Bandai Namco Filmworks announced on Saturday that its planned new anime short for the Future GPX Cyber Formula series will screen alongside a new HD remastered “movie edition” of the Future GPX Cyber Formula: Early Days Renewal compilation OVA in Japan starting on February 19, 2027. The new short anime is titled Shin Seiki GPX Cyber Formula ASURADA, and is a direct sequel to the 1998 Future GPX Cyber Formula Sin anime.
Character designer Hirokazu Hisayuki and chief mechanical animation director Satoshi Shigeta drew the below poster for the new anime short.

© SUNRISE
Series director Mitsuo Fukuda is overseeing the new “movie edition” of Future GPX Cyber Formula: Early Days Renewal.
The main staff for the new Shin Seiki GPX Cyber Formula ASURADA short includes:
The returning cast for the short includes:
According to the staff, the upcoming short uses hand-drawn animation and no CG.
Shōji Kawamori designed the previously revealed completely new Cyber Machine “Zenith Asurada AKF-S0/G” for the short. Bandai Namco Filmworks also revealed on Saturday Kawamori’s design for the “Hō・Ōga AA-1” machine (name romanization not confirmed).

© SUNRISE
Additionally the company revealed four stills from the new anime short.
Bandai Entertainment released the Future GPX Cyber Formula anime as a complete collection on DVD in November 2003. The company described the story:
Cyber Formula is the future of Grand Prix auto racing where a mix of skilled driving and advance technology ultimately determines who wins and loses. Kazami Hayato is thrust into the fast paced world of Cyber Formula racing when he accidentally becomes imprinted to Team Sugo’s Asurada GSX after recovering the racecar from would-be thieves. Now he must prove to himself and to his teammates that he can compete with the best racers in the world. Step into the world of Cyber Formula and prepare yourself for the fast lane.
The Future GPX Cyber Formula television anime aired in Japan in 1991. The anime had four OVA sequels: Future GPX Cyber Formula 11 beginning in 1992, Future GPX Cyber Formula Zero in 1994, Future GPX Cyber Formula Saga in 1996, and Future GPX Cyber Formula Sin in 1998. A compilation OVA titled Future GPX Cyber Formula: Early Days Renewal debuted in 1996.
The anime has inspired games that were originally created as fan works without copyright, but are now authorized and advertised on the official site.
A new game in the series is also in the works titled Future GPX Cyber Formula Spiral. The new racing game features an original storyline with supervision by the series’ general director Mitsuo Fukuda.
Source: Press release
Disclosure: Bandai Namco Filmworks Inc. (Sunrise) is a non-controlling, minority shareholder in Anime News Network Inc.
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