
‘NAZA’
The Guardian/mk2
Hulu is developing The Parsifal Mosaic, a drama series based on Robert Ludlum’s bestselling novel, starring and executive produced by Sam Worthington and Sofia Carson, from Legendary Entertainment, Deadline has confirmed.
Written by Wes Tooke, in The Parsifal Mosaic, after years of dangerous field work for the CIA, Michael Havelock (Worthington) is ready to get out of the game when he learns that his partner Jenna Karas (Carson) – secretly the love of his life – has betrayed him, and begins unravelling a powerful conspiracy that reaches around the globe.
Tooke executive produces with Worthington and Carson, along with Ben Smith and Jefrey Weiner for Captivate Entertainment. Seth Gordon directs and executive produces. Legendary Entertainment is the studio.
Tooke was an executive producer on USA Network’s Colony and served as co-executive producer on Amazon’s Jean-Claude Van Johnson.
Variety was first to report the news.
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After weeks of providing A24‘s Primetime with free press, Chris Hansen has finally seen the Lance Oppenheim-helmed thriller.
On Friday, the former To Catch a Predator host teased his reaction after catching a screening of the movie, which is now in theaters, based on Esquire‘s depiction of Hansen in the 2007 article “Tonight on Dateline This Man Will Die” with Robert Pattinson portraying him.
“It was so bizarre and so in-and-out of reality,” said Hansen in a video shared on X. “Obviously, I’m not objective because the character is me, but it was so detached from reality or anything I’ve experienced then or now doing the investigations. I’m not sure what the point of it was.”
At the Venice Film Festival premiere, Pattinson recently said that he hopes Hansen sees the film as “some kind of compliment” from those he’s inspired.
Meanwhile, Hansen’s official review of the film comes amid a rollercoaster of reactions he’s had to the project, including contemplating legal action and purchasing ad space before upcoming screenings of the movie to promote his true-crime streaming network TruBlu, where he continues his sting investigations.
After Hansen recently confirmed he’s “going to see” the movie, following an invite from the production team to a private screening, he appeared last month on Fox News, claiming he was asked to sign “a very restrictive agreement” to attend the advanced screening.
The form was an NDA that all preview audiences are asked to sign a week in advance to view in an unreleased film, in order to prevent spoilers and protect IP. Hansen reportedly refused to sign, and therefore, wasn’t allowed to screen the film.
Now in theaters, Primetime follows Chris Hansen (Pattinson) as he attempts to make television history with NBC’s To Catch a Predator (2004-’07), a hidden camera show that set up stings for adult men seeking sex from minors online.
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The International Documentary Association is coming to the defense of NAZA filmmakers Yuval Abraham and Rachel Szor.
The nonprofit organization posted a letter to its website urging the Israeli government to stop what the IDA terms a “campaign of threats” against the directors, whose film is sharply critical of Israel’s conduct of the war in Gaza which has killed tens of thousands of Palestinian civilians.
“IDA calls on the Israeli government to withdraw its threats against filmmakers Yuval Abraham and Rachel Szor,” the letter says. “We also call for an end to the public campaign of intimidation against them.”
The letter continues, “Since NAZA won the Special Jury Prize at the Venice Film Festival, senior Israeli officials have moved against its directors. The Culture Minister has accused them of treason and sought to revoke their citizenship. The Prime Minister has announced bills to revoke the citizenship of anyone who ‘slanders IDF soldiers’ and to raise defamation damages twentyfold.” (Read the full letter form the IDA below).

‘NAZA’
The Guardian/mk2
The documentary, which holds its North American premiere Saturday at the New York Film Festival, is based on the account of 24 Israeli military intelligence officers and soldiers, who were interviewed at the height of Israeli military operations in Gaza. The military personnel, whose identities are concealed to protect their anonymity, describe callous disregard for Palestinian civilian life as the Israel Defense Forces pursued Hamas targets in the occupied territory. Whistleblowers allege the IDF set acceptable totals of civilian Palestinian deaths in attacks targeting suspected Hamas militants, in one case authorizing the killing of up to 500 civilians in pursuit of one target.
The IDF, as Deadline has reported, has denied allegations in the film. The International Documentary Association writes, “The Israeli military disputes the film’s account, and it is entitled to do so. But as a party to the International Covenant on Civil and Political Rights, Israel is bound by Article 19, under which restrictions on expression must be provided by law and be necessary and proportionate to a legitimate aim. Revoking citizenship, imposing punitive damages, or opening security investigations in response to a documentary does not meet that test. The UN Human Rights Committee recognizes the protection of journalistic sources as part of freedom of expression, and the filmmakers’ right not to disclose the identities of their sources must be upheld.”
The letter has gained more than 250 signatories so far, including from actors Javier Bardem and Mark Ruffalo, as well as many prominent figures in the documentary field including Oscar winners Laura Poitras, Rob Epstein, Dan Cogan, Alex Gibney, Roger Ross Williams, Sharmeen Obaid-Chinoy, Orlando von Einsiedel, Dan Lindsay, and Ezra Edelman, and Oscar nominees Geeta Gandbhir, Liz Garbus, Connie Field, Guy Davidi, Rémi Grellety, Kellen Quinn, Joe Berlinger, Kirstine Barfod, Laura Nix, Sam Bisbee, Alexander Nanau, Joslyn Barnes, Raoul Peck, Kirby Dick, Amy Ziering, Carl Deal, and Tia Lessin, as well as former Sundance Film Festival director Tabitha Jackson, filmmakers Kirsten Johnson, Susan Lacy, Robert Bahar, Alison Klayman, producer Ina Fichman, and many others.
The IDA’s letter includes several bullet-pointed items: “IDA calls on the Government of Israel to:
“We also call on everyone taking part in the public debate to reject the intimidation of the filmmakers and their families.”
Deadline has been alerted to a planned protest against NAZA outside Lincoln Center in New York City, where the film will screen on Saturday. According to organizers of the demonstration, they intend to “show documented footage from the October 7 massacre, alongside material challenging the film’s claims.” A nor’easter storm moving up the east coast may complicate any plans for an outdoor demonstration.
Here’s the IDA letter, from the organization’s executive director, Dominic Asmall Willsdon.
IDA calls on the Israeli government to withdraw its threats against filmmakers Yuval Abraham and Rachel Szor. We also call for an end to the public campaign of intimidation against them.
Since NAZA won the Special Jury Prize at the Venice Film Festival, senior Israeli officials have moved against its directors. The Culture Minister has accused them of treason and sought to revoke their citizenship. The Prime Minister has announced bills to revoke the citizenship of anyone who “slanders IDF soldiers” and to raise defamation damages twentyfold.This official rhetoric has been accompanied by a public campaign against the filmmakers. Graffiti branding them “traitors” has appeared, and protesters have gathered outside the home of Szor’s parents. Israeli filmmakers and human rights groups have warned that it could lead to violence. Disagreement with a film must not become a threat to the people who made it.
The Israeli military disputes the film’s account, and it is entitled to do so. But as a party to the International Covenant on Civil and Political Rights, Israel is bound by Article 19, under which restrictions on expression must be provided by law and be necessary and proportionate to a legitimate aim. Revoking citizenship, imposing punitive damages, or opening security investigations in response to a documentary does not meet that test. The UN Human Rights Committee recognizes the protection of journalistic sources as part of freedom of expression, and the filmmakers’ right not to disclose the identities of their sources must be upheld.
The Israel Film Council has also proposed ending credit for international festival selection in public film funding and creating a dedicated funding track for films celebrating IDF soldiers.
Threats of this kind are a risk documentary makers face in the course of their work. More than 1,500 Israeli film professionals, 43 Israeli human rights organizations, and the directors of major international festivals have defended Abraham and Szor.
IDA calls on the Government of Israel to:
· withdraw the threats to revoke Abraham’s and Szor’s citizenship, and abandon the proposed legislation;
· respect the filmmakers’ journalistic right to refuse to disclose the identities of confidential sources
· reject changes to public film funding that penalize filmmakers for critical work or international recognition.We also call on everyone taking part in the public debate to reject the intimidation of the filmmakers and their families.
We stand with Yuval Abraham and Rachel Szor. IDA is ready to support them through our Emergency Assistance Program, as we support other documentarians facing threats for their work
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There’s some changes behind the scenes at Saturday Night Live.
The show has promoted two of its long-running figures: Keri Powers and Rebecca Schwartz.
Powers has been promoted to sole head of its talent department and is responsible for host, musical guest and guest star bookings for the NBC show. She joined the show in 2014 and had previously worked for Paramount Pictures and CAA.
Her promotion follows the departure of Brian Siedlecki, who was the booker and spent 30 years in the role.
Separately, Rebecca Schwartz has been promoted to producer. She was part of the talent team and has been with the show since 2015.
The moves come as SNL returns for Season 52 on Saturday with Jalen Brunson as host and Katseye as musical guest.
There wasn’t a huge amount of change coming into the season. Chloe Fineman left, as revealed by Deadline, and Saidah Belo-Osagie and Grace Reiter joined as featured players. Ashley Padilla and Jane Wickline were promoted to reparatory status.
The cast now includes Michael Che, Mikey Day, Andrew Dismukes, Marcello Hernandez, James Austin Johnson, Colin Jost, Ashley Padilla, Sarah Sherman, Kenan Thompson and Jane Wickline with Belo-Osagie, Reiter, Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska as featured players.
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