movies
Mike Leigh’s ‘Tender Loving Care’ Sweeps San Sebastian Awards
Mike Leigh’s dramatic comedy Tender Loving Care took home three top awards at Saturday night’s closing ceremony of the 74th annual edition of the San Sebastian International Film Festival, which ran Sept. 18-26, including the Golden Shell for Best Film and Silver Shells for Best Screenplay and Best Leading Performance for Kate O’Flynn.
O’Flynn shared the award with Asta Kamma August for her work in Hans Petter Moland’s Growth of the Soil, which also took home Best Cinematography for DP Oskar Dahlsbakken.
At a press conference earlier in the week, Leigh talked about why Tender Loving Care would probably be his last film. “It’s a practical matter to do with my medical condition — a physical condition.”
Silver Shell for Best Director went to Sweden’s Amanda Kernell for Brace Your Heart. She dedicated the prize to members of the Sami culture represented in her film about reindeer herders, a “living culture facing immense stress.” She highlighted “the importance that films can give voice to those without a voice and be this machine of empathy.”
The Special Jury Prize went to Ah Biao’s Border. Spain’s Javier Cámara took home the Silver Shell for Best Supporting Performance in Javier Ruiz Caldera’s 5 More Minutes.
Audience Awards for films in the Pearls section went to Spanish sensation La Bola Negra and to Israeli directors Yuval Abraham and Rachel Szor for NAZA for Best European Film.
Javier Calvo, who co-directed La Bola Negra with Javier Ambrossi, told the audience that the film, which opened in theaters in Spain yesterday and is generating heavy Oscars buzz, was made for them. “It thrills me that people are once again saying, ‘Long live Spanish cinema,’” he said.
This year’s jury was presided over by director Ira Sachs, who screened his new film The Man I Loved in the Pearls section, and also included actor-producer Alice Braga, writer-director-producer Genki Kawamura, actress Patricia Lopez Arnaiz, actor-producer Bill Skarsgard, producer Mike Goodridge and scripter Catherine Paille.
Naomi Watts received a lifetime achievement Donostia Award earlier in the week from Spaniard J.A. Bayona, who directed her in The Impossible. She dedicated her award to David Lynch, who passed away in January 2025, saying he changed her life when he cast her in Mulholland Drive.
Filmmaker Werner Herzog took home the other Donostia Award during the festival’s politically charged opening night ceremony from Orlando Bloom, who conquered Instagram on his arrival to San Sebastian when he splashed around in the sea waves, then went out to dinner with Brad Pitt.
Pitt spent several days in San Sebastian before he walked the red carpet with new film Heart of the Beast on Wednesday evening. Fans swarmed the Kursaal Theater, where Pitt reportedly spent the duration of his official film screening outside, signing autographs and posing for photographs for the massive crowd gathered.
Other top talents to appear in the coastal city included Penelope Cruz, Jeremy Irons, Diego Luna, Marion Cotillard, Rami Malek and more. Danny Boyle appeared last weekend with his Venice opener Ink — the “surprise film” of the festival — announced on Sept. 24.
This year’s festival marks the last for current festival director Jose Luis Rebordinos, who will be replaced at next year’s 75th annual edition by the event’s first-ever female director, Maialen Beloki.
The festival poster featured Argentine acting legend Ricardo Darín, a nod to the fest’s connections with Latin American cinema, which had close to 100 titles in the various sections this edition.
Here is the full list of winners for the 74th San Sebastian International Film Festival:
Silver Shell for Best Director
Amanda Kernell, Brace Your Heart (Garrat du Vaimmu)
Silver Shell for Best Leading Performance
Kate O’Flynn, Tender Loving Care, Astra Kamma August, Growth of the Soil (Markens grøde)
Silver Shell for Best Supporting Performance
Javier Camara, 5 More Minutes (5 minutos más)
Jury Prize for Best Cinematography
Oskar Dahlsbakken, Growth of the Soil
Jury Prize for Best Screenplay
Mike Leigh, Tender Loving Care
Special Jury Prize
Ah Biao, Border (Bian jing)
City Of Donostia / San Sebastian Audience Award
The Black Ball (La Bola Negra), Javier Calvo and Javier Ambrossi
City Of Donostia / San Sebastian Audience Award For Best European Film
NAZA, Yuval Abraham and Rachel Szor
FIPRESCI Grand Prize
Paul Thomas Anderson, One Battle After Another
New Directors Award
Naemi Ada, Body of Glass
Horizontes Latinos Award
Alessandra Sanguinetti, La Ilusión de un Verano Sin Fin
Zabaltegi-Tabakalera Award
Jane Schoenbrun, Teenage Sex and Death at Camp Miasma
Euskadi Basque Country 2030 Agenda Award
Ashes (Ceniza en la boca), Diego Luna
Tabakalera Film And Audiovisual Laboratory-Nest Award
Erased from the Map (Dihapus Dari Peta), Maarij Reka (Indonesia); Nobody Barks (Ningu Borda), Julia Coldwell Serra (Spain)
Irizar Award for Basque Cinema
Elisa Oliarj-Ines, Txakun Txakur
SGAE Award for Best Music
Amine Bouhafa, Milo (7h40 ce Matin-la)
Culinary Zinema Award
Michael Dweck, Gregory Kershaw, Burgundy
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movies
Neil Patrick Harris Set For ‘Damn Yankees’ Broadway Revival
Whatever Lola wants, Broadway provides! A Damn Yankees revival is set for the Great White Way in Spring 2027, with Neil Patrick Harris as the devilish Mr. Applegate.
On Sunday, the Tony-winning actor arrived at Yankee Stadium in the Bronx to announce the revival in a press conference, along with co-stars Julianne Hough and Austin Scott, who have been cast Mr. Applegate’s seductive assistant Lola and the susceptible young baseballer Joe Boyd.
Beginning previews at the Marquis Theatre on March 24, 2027, one day before the first Yankees game of the season, the official opening night is set for April 20.
Directed and choreographed by Sergio Trujillo, additional casting will be announced soon for the latest update of Richard Adler, Jerry Ross, George Abbott and Douglass Wallop’s 1955 musical comedy, featuring a new book by Will Power and Doug Wright, with additional lyrics by Lynn Ahrens.
Set in 2000, this version of Damn Yankees sees impassioned Baltimore Orioles fan Joe Boyd makes a deal with charming stranger Lola to give him and his team a second chance. But he’s not quite prepared for the consequences of his wish.
Watch the press conference below:
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movies
Indie Film Box Office: ‘Your Mother Your Mother Your Mother’ Opens Strong
Bassam Tariq’s Mahershala Ali-starring TIFF favorite Your Mother Your Mother Your Mother had a strong limited opening as distributor Amazon MGM launched the awards contender into a platform release hewing to the path of American Fiction..
Also this weekend, A History of Concrete had a terrific expansion, as did If I Go Will They Miss Me. Late summer phenomenon Buddy is still scaring up box office.
Your Mother Your Mother Your Mother launched in six theaters in New York and Los Angeles to $199k ($33.1k per screen average). The awards contender by Tariq (Mogul Mowgli) is Certified Fresh at 97% on Rotten Tomatoes with strong exit polling that showed a 60% ‘excellent’ with an 89% in the top two boxes and an overall 80% ‘definite recommend.’ Ali stars as Latif, a devoutly religious hitman who struggles to balance work, faith and fatherhood. When his wife dies, he embarks on a desperate journey across Houston to protect his children.
A hefty 47% of the audience for the action drama was 25–34. Some 72% is non-white with at 41% African American, 18% Hispanic, and 19% Asian.
Tariq (Mogul Mowgli) “has a unique voice” with a young cinephile audience,” says Amazon MGM Studios head of domestic theatrical distribution Kevin Wilson. “And having [Ali] as an actor is making a lot of people pay attention.”
Comps aren’t obvious but he says the best one may be 2023 multi-Oscar-winner American Fiction by Cord Jefferson, starring Jeffrey Wright. The comedy-drama had a strong limited opening ($224k) followed by a slow rollout. Your Mother Your Mother Your Mother is eyeing 15 locations next week including Atlanta, Chicago, Washington, D.C. and Austin, playing in particular to non-white audiences who championed the movie’s debut. It will hit the top 10 to 12 markets, 30 to 40 screens, the following week, and move into moderate release Oct. 16 with 500 to 800 locations.
Platform rollouts are heavily reliant on word of mouth. “The best thing is other moviegoers telling their friends how good the film is,” Wilson says. Both Your Mother Your Mother Your Mother and American Fiction are from Amazon MGM’s Orion Pictures banner, which has had a great run under President Alana Mayo with titles from Nickel Boys and Till to Bottoms and Women Talking.
New indie releases: Ha Chan,Shake Your Booty! from Sony Pictures Classics directed by Josef Kubota Wladyka opened to $236.6k on 540 screens.
The Stunt Driver from IFC Films, by Michael Dowse starring Jay Baruchel, debuted with $102k at 670 locations.
Deep In The Heart 2: A Texas Rivers Story, directed by Ben Masters and narrated by Ethan Hawke, grossed an estimated $60k from 80 theaters across the state, as per mtuckman Media. This is a follow-up to 2022 doc Deep in the Heart: A Texas Wildlife Story, narrated by Matthew McConaughey, that grossed $480k.
Janus Films presented the 4K re-release of Douglas Keeve’s UNZIPPED exclusively at the Film Forum in NYC to $24k including sold out Q&As. The doc chronicles the launch of Isaac Mizrahi’s legendary Fall 1994 collection. Expands nationwide in October.
Sumerian Pictures opened Sundance comedy The Incomer on two screens (NYC and LA), grossing an estimated $18.2k.
Greenwich Entertainment’s The Scout is eyeing a $14.5k, also at Film Forum exclusively. The debut feature from Paula González-Nasser adds LA next week.
Holdovers: John Wilson’s comedic documentary The History Of Concrete from Magnolia Pictures had a strong expansion to 50 screens (from 1), grossing an estimated $350k for a cume of $511k. Expand to over 50 markets next week.
If I Go Will They Miss Me from Rich Spirit, starring Danielle Brooks and J Alphonse Nicholson and directed by Walter Thompson-Hernandez, is reporting $158k in week 3 on 101 screens for a $758k cume. Many engagements saw higher box office this weekend over last despite fewer shows due to a rush of new releases, indicating strong word of mouth.
American Doctor from Watermelon Pictures passed the half million mark with $23k at 30 theaters. The cume to date is $556.7k for the Gaza-set documentary that opened August 14.
R-rated kids show horror satire Buddy from Roadside Attractions is looking at another $717k from 709 runs for a cume pushing $26.4 million since its August 28 opening.
Daniel And The Fiery Furnace from faith-based distributor EKKL Entertainment is reporting a $1.5 million second weekend on 1,301 screens for a $6.2 million cume.
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movies
Robert Pattinson’s Batman Would Be Tough to Exist in James Gunn’s DCU
Robert Pattinson doesn’t see his version of Batman interacting with other DC superheroes within James Gunn‘s cinematic universe.
While Batman and Superman have one of the most famous friendships in DC Comics, the Primetime star recently explained to LADbible why it would be “tough” for director Matt Reeves’ version of Bruce Wayne to exist in Gunn’s DCU, such as with David Corenswet’s Superman.
“I think it would be kind of tough to have this version of Bruce outside of that world. It’s one of the only characters, I guess because of the length of the shoots but also it’s such a specific kind of [style], the tone of it gets inside you,” Pattinson said. “I remember that happened to me the last time I did it, it took a while. You’re just in the dark, the whole time. Both mood-wise and light-wise, I can’t see anything for like months. It does affect you; like you feel strange afterwards.”
Reeves’ The Batman, released in 2022, is a darker take on the iconic character, as it’s a grounded psychological crime noir rather than a typical superhero action pic. The film sees Pattinson’s Batman investigate Gotham’s hidden corruption after a sadistic serial killer begins murdering key political figures.
Pattinson reprised his character for Reeves’ The Batman Part II, which is currently in production and set to hit theaters on Feb. 18, 2028.
The Odyssey actor recently teased to Collider that the sequel is “a real left turn from the first” movie, adding that “it’s so ambitious.”
“The first one was a different take on a Batman movie, and this one is another… It’s a real left turn from the first one, but somehow it keeps elements of the kind of feel of it,” he explained. “But it just feels really ambitious, and I’m excited to see how it turns out.”
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