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Lanterns Finale Explained: Who Killed Hal Jordan?

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Note: This story contains spoilers from “Lanterns” Episode 8.

The “Lanterns” finale finally got to the show’s biggest question — who killed Hal Jordan?

The very first episode of the HBO series ended with the reveal that the Hal Jordan of 2026 had been shot in the head in the bleachers of the Rushville football field. The question of who killed Hal, and if he was really dead at all, loomed large over the entire season. In classic finale fashion, that question was finally answered and Hal’s ultimate fate was revealed.

So here’s who killed Hal Jordan, what became of the killer, and where John Stewart goes after solving his mentor’s murder.

Who killed Hal?

The finale opens with the reveal of what happened to Hal following his fight with John in 2016 and then jumps a decade to Kerry being there when he is released from prison. We then get quick cuts to them back and living in Rushville while dating — secretly and then openly despite the town still hating the former Green Lantern.

Before Hal can attend one of Noah’s football games with Kerry, Hal’s home is molotov-ed, and it is implied he dies there. But fear (get it?) not, he reawakens on the floor of the Macon slaughterhouse having been brought back by Noah. The theories were true, Noah is indeed the true last Manhunter. He commissioned Sinestro in secret to build him a lantern for a ring and has been grappling with his own nature/nurture questions.

Noah lets him go and tells him just to drop it and Hal confronts Kerry about it. She knew about her son being a Manhunter and Hal pushes her that the two need to run and get out of dodge. She won’t accept that and in her anger turns and shoots Hal between the eyes herself. So whoever had Kerry’s number as Hal’s killer — which includes Hologram Hal — collect your prize.

What happens to Kerry?

John confronts Kerry after a conversation with Noah before his big football game. The boy was continuing to question whether he had the capacity to live a normal life or if he should set himself up to be in places of power so he could manipulate the country and possibly the world. He even tried to convince John that he killed Hal in a lie to protect his mom. It’s a choice that helps sway John’s eventual choice.

John confronts Kerry during the game and tells her he knows she killed Hal. John tells her Noah tried to take the blame to protect her which was love and not any kind of programming. Kerry admits to it and then asks if she can finish watching her son’s game before turning herself in. Thinking that might not be the outcome Hal would have wanted, despite being killed by her, John tells her she shouldn’t turn herself in.

What happens to John?

John’s time in Rushville ends with him again calling in Green Lantern Guy Gardener for a chat. He tells Guy to give the Guardians a message for him and that the Green Lantern can have the rest of Sector 2814 and he would be in charge of Earth by himself.

“You take the stars, I’ll take the dirt,” he tells Guy.

He then makes his own Green Lantern oath outside of the one used by the Corps and returns home to his family — setting up his next appearance as the Green Lantern of Earth in next year’s “Man of Tomorrow.”

“Lanterns” is now streaming on HBO Max.

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Anonymous Content Partners Tony Lipp & Dara Gordon Leaving Company

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EXCLUSIVE: Tony Lipp and Dara Gordon, talent managers and partners at Anonymous Content, will be leaving at the end of the year when their contracts are up after the company opted not to renew them. Darren Walker, who took the reins of Anonymous Content in January as President and CEO, announced Lipp and Gordon’s pending departures in an internal memo, a copy of which was obtained by Deadline.

“Saying goodbye to colleagues who have been such a longstanding part of the company is never easy, and on behalf of myself and the Board, I would like to thank them both for their many contributions,” Walker wrote.

Lipp and Gordon are both Anonymous Content veterans. Los Angeles-based Lipp joined the company as partner in 2011 from CAA. New York-based Gordon came to Anonymous Content in 2015 from Authentic Talent and Literary Management and was promoted to partner in November 2021.

Most recently, Lipp produced the Emmy-nominated Netflix film Remarkably Bright Creatures starring clients Sally Field, who won an Emmy for her performance, and Lewis Pullman, the latter also managed by Gordon.

Two other newly minted Emmy winners also are managed by Lipp, Widow’s Bay‘s Kate O’Flynn, and Lipp and Gordon, Widow’s Bay‘s Betty Gilpin.

Lipp’s roster of clients (some of them shared) also includes Patrick Wilson, Michelle Monaghan, Jonathan Bailey, Jack Quaid, Matt Bomer, Joshua Jackson and John Lithgow.

Tony has played an important role over the course of his tenure, stepping up during challenging periods and leading his team through both internal changes and industry headwinds,” Walker said. “A terrific manager and mentor, he is beloved by his clients – many of whom have been with him for decades.”

Gordon also manages/co-manages Lili Reinhart, Aaron Pierre, Leo Woodall, Adria Arjona, Winona Ryder, Billy Magnussen, Taissa Farmiga, and Melissa Benoist.

“Dara has been an integral part of our New York office and has built strong relationships with colleagues and clients alike,” Walker said. “As a partner, she brings impeccable taste, steering her clients with grace and sophistication.”

Management and production company Anonymous Content signaled shifting growth priorities with the recent minority stake investment by Laurene Powell Jobs’ Emerson Collective, committing to making at least eight films a year. The company’s recent/upcoming releases include Musk, Possible Love, In Waves, A Statement and TV series East of Eden, 12 12 12 and Neuromancer.

Here is Walker’s memo:

Dear Colleagues,

I wanted to share some news about Tony and Dara.

With great appreciation for their service and huge admiration for all of their accomplishments, they will be leaving Anonymous at the end of the year.

Saying goodbye to colleagues who have been such a longstanding part of the company is never easy, and on behalf of myself and the Board, I would like to thank them both for their many contributions.

Tony has played an important role over the course of his tenure, stepping up during challenging periods and leading his team through both internal changes and industry headwinds. A terrific manager and mentor, he is beloved by his clients – many of whom have been with him for decades.

Dara has been an integral part of our New York office and has built strong relationships with colleagues and clients alike. As a partner, she brings impeccable taste, steering her clients with grace and sophistication.

Please join me in wishing Tony and Dara the very best in their next chapter.

Sincerely,

Darren

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YouTuber Gossip Goblin Releases Trailer For R-Rated AI Theatrical Film ‘Only Gods Give Gifts’

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Popular YouTuber Gossip Goblin, aka Zack London, has released the trailer for his forthcoming film Gods Don’t Give Gifts, a feature film made entirely with artificial intelligence.

The sci-fi film will open in limited theatrical release in the U.S. and UK on December 4. The filmmakers say the theatrical engagement will be a milestone for a fully AI feature, adding that it is the first AI film to receive an MPA rating (R) and also to be campaigned in the Best Animated Feature category at the Academy Awards.

The trailer will go to theaters on Friday, along with lobby posters, and billboard ads are due to begin in November.

Full of trippy visuals matching London’s other work, Gods Don’t Give Gifts is billed as taking place in the “science-fiction, horror-tinged world of the ‘Second Cycle of Humanity’ where transhumanism has accelerated to the point that humanity looks very different.”

The film, which was previewed last month at the Venice Film Festival market, is produced by Edward Saatchi. Fable, Saatchi’s AI company, counts Amazon among its backers.

The filmmakers hope to draw interest in a market that has taken notice of YouTube creators in a big way over the past year, with significant grosses pulled in by the likes of Obsession, Backrooms and Iron Lung.

Over the past five years, Saatchi said in a statement, “the question has been when will an AI film win an Oscar? Gods Don’t Give Gifts is the first that has a shot at a nomination and then it’s all to play for. We will be screening for voters and running a traditional campaign. It’s objectively a seminal, historic moment in animation – and we feel it could be this generation’s Toy Story – the fact that this generation’s Toy Story is a dark, satirical, brutal and bold statement on all 2026’s fears about AI and our species’ future is an appropriate commentary on the questions we are all confronting as a society.”

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‘Drew Barrymore Show’ Claims Best Season Premiere Ever, ‘Adam’s Law’ No. 1

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The Drew Barrymore Show kicked off its seventh season with its highest viewership ever for a premiere episode, and new court show Adam’s Law, produced by Judge Judy Sheindlin and featuring her son, Judge Adam Levy, debuted as the top new syndicated strip. Both shows come from CBS Media Ventures.

The September 14 season debut of The Drew Barrymore Show saw its highest numbers ever in total viewers, up 21% vs last season’s premiere. Averaging 1.8 million total viewers, the show ranks No. 3 among syndicated talk shows in households, total viewers and women/adults 18-49 / 25-54.

Other CBS Media Ventures syndicated titles also fared well during premiere week. Entertainment Tonight remained the No. 1 entertainment news magazine, with Inside Edition the No. 1 daily news magazine and Hot Bench the No. 1 court show still in production. The Perfect Line, hosted by Deborah Norville, ranked as the No. 4 syndicated game show behind Jeopardy!, Wheel of Fortune and Family Feud.

The stats come amid a diminished first-run syndication field, with Kelly Clarkson ending her daytime talker The Kelly Clarkson Show after seven seasons at the end of August. Sherri Shepherd’s daytime talk show Sherri was canceled after four seasons in February. And in March, NBCUniversal announced it was exiting the first-run syndication business all-together, with Access Hollywood and its offshoot Access Live, The Steve Wilkos Show and Karamo all ending. The Drew Barrymore Show and The Jennifer Hudson Show are the last remaining daytime talkers produced under the traditional syndication model.

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