Anime
Episode 12 – Chainsmoker Cat

© にゃんにゃんファクトリー・講談社/ヤニねこ製作委員会
There was a period of time about halfway through this season where I thought Chainsmoker Cat might make a genuine swerve towards dramedy, or at least dark comedy as pitch black as Yani Neko’s lungs. These catgirls all live such ramshackle, hardscrabble lives that I was certain one of them would end up six feet under before the season ended. My money was on Aruko, whose incredibly visible alcoholism was teetering right on the edge of self-annihilation from the moment we watched her almost choke on all of that rainbow-sparkle vomit.
Here, at the end of the line (for now, at least), I am glad that Chainsmoker Cat didn’t go for such a dark shift in tone. Yes, our characters remain dysfunctional addicts and enablers whose worst instincts are constantly colliding against the barriers and restrictions placed upon them by their poverty and their minority status, but damn it if they don’t keep on trucking despite it all anyways. If the show has anything to say about addiction and immaturity keeping people stuck in their lives, it’s that none of us on this side of the screen are really any different from Yani Neko and her pals (feline features notwithstanding). Everybody farts, poops, shares tasteless jokes with their friends when they think nobody else is listening, stinks if they go too long without a shower, indulges in a vice or two, and at the end of each day, tries to do their best to make it to the next one.
In that sense, it is only right that Chainsmoker Cat straddles the line of darkness and destitution without ever losing sight of its wackiest and weirdest sensibilities, because that’s just how life goes for most people, I reckon. The world is, on its best days, an absolutely deranged place to try and carve out your little corner of existence in peace. Sometimes it’s more sad than funny, but I’d like to think that the weird days outnumber the woeful ones, by and large.
This final episode of Chainsmoker Cat‘s remarkably consistent and engaging season does nothing more or less than give us another day in the lives of these stinky fuzzballs, and I don’t think I would want it any other way. Yani Neko helps Saori find a little enjoyment in a tasty crepe snack before our resident human attempts to get back into the saddle of publishing comics. After getting mad at a game, Hameko loses her mind and goes absolutely feral in a wonderfully animated little sequence. Another hilarious bit involves the Landlord discovering the extent of his beastfolk fetish when Shunran plays along with Saori’s gambit and creates a whole drag persona. Then there’s Yakuko, always the most empathetic and relatable of the gang, who goes on a bender of her own after being fired for what sounds like discrimination over her vaguely felonious history.
You’d think I’d be used to it after twelve whole episodes, but I am still marveling over how the anime with the extended jokes about giant, sentient erections and reality-altering farts has become one of the year’s most genuinely cozy comfort watches. Anyone who knows me will understand just how much it means for me to drop the “cozy” label with such casual abandon. I am usually the curmudgeon that rejects any of these new games or shows that seem to be aggressively catering to the “cozy” alternatives of traditional fare. I guess I just need all of those stories to feature more fetid halfway-houses filled with criminals, addicts, sex-freaks, and mercurial tricksters.
It helps that there are still glimpses of hope, even in the darkest crevices of Yani Neko’s many different yet equally noxious orifices. I worry for how long Imoko can hold on to her innocence and dignity if she keeps orbiting the antics of her older sister. At least there’s someone in this anime besides Yakuko and the Landlord who is mildly concerned about Aruko living in this booze-soaked den of iniquity. As much as I love all of the gremlins shacking up in this apartment, there’s no question that they’re a questionable influence on the next generation of catgirls. While I am not sure that Yomuko serving as a bikini model for Saori’s smutty manga is a literal sex crime, you can’t blame Officer So-and-So for being more than a little suspicious of just what the hell is going on in this apartment.
Then again, maybe living life a bit closer to the edge (and in closer proximity to Yani Neko’s sanity-destroying butthole) is exactly the kind of life experience that Yomuko needs to take her writing to the next level? After all, as we’ve seen time and again, these girls always come back around to lift and spur each other forward, even if that spurring is occasionally in the direction of dangerous misadventures and addictive chemical substances. I can only hope that we get more of this wonderful show sooner rather than later, because I think I’m in the same boat as Yani and Co. There’s no better way to shave years off your lifespan by indulging in self-destructive behavior and immature shenanigans than by doing it with a bunch of great friends.
Episode Rating:
Chainsmoker Cat is currently streaming on
Netflix and OceanVeil.
James is a writer with many thoughts and feelings about anime and other pop-culture, which can also be found on BlueSky, his blog, and his podcast.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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Anime
Smile Up President Noriyuki Higashiyama Steps Down – News

© SMILE-UP
The official website for Smile Up, the agency formerly known as Johnny & Associates, announced on Monday that President and Representative Director Noriyuki Higashiyama is stepping down from his position. Managing Director Akira Abe is also stepping down. The change will take place on October 1 after both of their terms expire. Masayuki Yamada, a lawyer who currently serves as an executive in charge of compliance, will become the new President and Representative Director. Takayuki Jin will be the new Managing Director. Smile Up’s Board of Directors decided that it would be appropriate to change the structure as it anticipates dealing with legal procedures and decisions in the future.
Amidst the changes, Smile Up will continue to be responsible for handling the compensation measures for sexual abuse victims of the agency’s late founder Johnny Kitagawa, a process that started in November 2023. The company will shut down after the compensation measures are completed.
Higashiyama announced in October 2023 that the Johnny & Associates agency would change its name to Smile Up starting on October 2023, as part of the company’s “vision” to earn back fans’ trust.
During that time, the Johnny & Associates agency established a separate new entity Starto Entertaintment in December 2023 to oversee talent management operations.
Kitagawa’s Allegations
Higashiyama had previously stated in September 2023 when the agency publicly admitted for the first time that Kitagawa did sexually abuse a large number of aspiring pop star teenagers from the 1970s to 2010s that the company would not change its name.
At the press conference that September, then-president Julie Keiko Fujishima stated she was retiring as president, but will remain the representative director and owner of the company. The agency stated it is taking measures to compensate for the damage caused and prevent reoccurrences.
After the September press conference, sponsors in Japan announced they would not renew contracts with Johnny’s, or indicated they would disassociate themselves from the agency. More recently, NHK stated last week that it will “not make new requests to entertainers from … [the agency] to perform in its programs for the time being.” This policy will extend to the popular New Year’s Eve music program Kohaku Uta Gassen.
Meanwhile, more alleged victims had also come forward with stories of abuse, including former Kis-My-Ft2 member Kyohei Iida. Kyodo News reported that Higashiyama said during the press conference in 2023 that the committee established to oversee the compensation measures had “so far received consultations from 478 sex abuse victims, with 325 of them seeking compensation.”
March 2023 BBC Report Leads to External Probe
In March 2023, the BBC released an hour-long documentary titled Predator: The Secret Scandal of J-Pop, which detailed “a long history of allegations of sexual abuse, made by boys in [Kitagawa’s] agency” and why “the Japanese media remained largely silent.”
In April 2023, Kauan Okamoto, a Japanese-Brazilian singer and songwriter, held a press conference and claimed Kitagawa abused him about 15 to 20 times between 2012-2016 when he was still a member of the agency, and said he knew at least three other people who had also been abused.
After OKAMOTO’S press conference, a group of fans and idols held a press conference that May stating they had sent a petition to Johnny & Associates calling on the company to apologize and launch an investigation.
An external probe set up in late May 2023 to investigate Kitagawa concluded that August that Kitagawa sexually abused members of the agency for decades, and that the agency had covered up Kitagawa’s behavior. Kitagawa’s family members had allegedly known what he was doing and did not do anything to stop him.
Kitagawa’s Death and Past Allegations
Kitagawa died at 87 in July 2019 due to a subarachnoid hemorrhage (a form of stroke). Fujishima then became president in September 2019.
Kitagawa founded Johnny & Associates in 1962 after establishing the male idol group Johnnys. Johnny & Associates went on to establish and manage many male idol groups such as SMAP, Arashi, Tokio, KinKi Kids, V6, KAT-TUN, and Hey! Say! JUMP. The members of idol groups under the management of Johnny & Associates are collectively known as “Johnny’s.”
Kitagawa previously faced allegations of sexual misconduct during his career. The Shukan Bunshun magazine published 14-week expose in 1999 detailing accusations of child abuse and sexual exploitation. However, the accusations never resulted in formal criminal charges. Kitagawa and Johnny & Associates sued the magazine, and the magazine lost the first trial in March 2002. However, the magazine effectively won its Tokyo High Court appeal in July 2003. The High Court’s decision stated the alleged victims’ testimonies were “generally consistent” and “specific, frank, and detailed.” The decision also stated Kitagawa had “no concrete counterargument or rebuttal evidence.”
Sources: Smile Up via Hachima Kikо̄, NTV News via Yahoo! News,
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Anime
Cells at Work! Gets Dental Spinoff Manga – News

© 2026 Kodansha USA Publishing., Akane Shimizu
The November issue of Kodansha‘s Shonen Sirius magazine announced on Friday that Akane Shimizu‘s Cells at Work! manga will get a new spinoff manga by Koma Warita and Kawede Sakaki titled Hataraku Saibō Dental (Cells at Work! Dental) in the next issue on October 26.
The new battleground for the series is the inside of the mouth, which hides its own secrets.
Choko Aozora and Meku Kaire ended the Cells at Work! Cat manga on March 26. The manga’s fifth and final compiled book volume shipped on May 8. Aozora and Kaire launched the spinoff manga of Akane Shimizu‘s Cells at Work! manga in Monthly Shonen Sirius in May 2023. Kodansha USA Publishing has licensed the manga, and published the first volume in English on September 22.
Shimizu launched the original Cells at Work! manga in the March 2015 issue of Kodansha‘s Monthly Shonen Sirius magazine, and ended it in January 2021.
Kodansha USA Publishing is releasing the main Cells at Work! manga in English, and is also releasing the following spinoff manga and books: Cells at Work: Bacteria!, Cells at Work!: Neo Bacteria!, Cells at Work! White Brigade, Cells at Work! Baby, Cells NOT at Work!, Cells at Work! Code Black, Cells at Work and Friends!, Cells at Work: Platelets!, Cells at Work! Lady, and Cells at Work! Picture Books.
Source: Shonen Sirius November issue
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Anime
Captain Tsubasa: Rising Sun Finals Manga Resumes Serialization in October – News
Series entered hiatus after 100th chapter in May

© Youichi Takanashi, Shueisha
The official X (formerly Twitter) account for Yōichi Takahashi‘s Captain Tsubasa franchise announced on Monday that the Captain Tsubasa: Rising Sun Finals manga will resume serialization on October 6, with new chapters on Tuesdays.
The series entered a hiatus after its 100th chapter in May.
The series launched on the new Captain Tsubasa World website in July 2024 in the form of storyboards.
The 20th and final compiled book volume of Captain Tsubasa: Rising Sun and the third and final volume of Captain Tsubasa Memories 4: Saikyō! Meiwa FC Densetsu both shipped simultaneously in June 2024.
Takahashi announced his retirement from serializing his long-running manga franchise in 2024. The Captain Tsubasa Magazine magazine’s issue that released in April 2024 was the last one. The 20th and final issue of the magazine featured the final chapters of the Captain Tsubasa: Rising Sun The Final and Captain Tsubasa Memories 4: Saikyō! Meiwa FC Densetsu manga.
Takahashi’s original 37-volume Captain Tsubasa manga ran in Shueisha‘s Weekly Shonen Jump magazine from 1981 to 1988, and it inspired four television anime series, four anime films, several OVAs, and a stage play. The manga is available in about 20 countries.
The original soccer manga revolves around 11-year-old Tsubasa Ōzora, a boy who loves soccer and is recognized by his coach Roberto due to his skill of the sport. Tsubasa goes with his coach to Brazil in order to train for the World Cup.
Captain Tsubasa: Rising Sun revolves around Tsubasa as he aims to participate in the Olympics as a representative from Japan. Takahashi launched the manga in Shueisha‘s Grand Jump magazine in December 2013. The manga then moved to Captain Tsubasa Magazine, Grand Jump‘s spinoff magazine that focuses on the franchise, when it launched in April 2020.
Captain Tsubasa: Rising Sun The Final, the “final saga” of the overall Captain Tsubasa series, launched in the magazine’s 16th issue in April 2023. The manga is a new arc and renaming of the Captain Tsubasa: Rising Sun manga.
Source: Captain Tsubasa World’s X/Twitter account
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