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Uncanny Counter Season 2 Live-Action Series Review – Review

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In Season one, we met So Mun (Jo Byeong-kyu), who was left with a maimed left leg after losing his parents in a horrible car accident. So finds his true purpose in life (and gets a healthy body and new powers) when he awakens as a retrieval specialist for evil spirits who have escaped the confines of the afterlife. These specialists are called Counters.

Counters take on especially evil spirits that inhabit cruel humans and cause destruction and chaos. Along with a team of Counters who work at a noodle shop in town, So Mun becomes the team leader, with an “uncanny” ability to open a spiritual space where Counters are stronger and innocent humans are protected from spirits.

Season two starts with the Counters’ worst nightmare. Impossibly powerful spirits have killed and possessed the bodies of a team of Counters from China. These evil spirits are exceptionally violent. Led by Pil-Gwang, these spirits have a goal—to destroy the Counters. And they are getting close to that goal.

Each Counter has a partner in the Afterlife. Each partner is, theoretically, meant to provide spiritual power and emotional support. So Mun’s team has very complicated relationships with their Afterlife partners, and as Pil-Gwang makes headway on killing counters and destroying the Afterlife’s spiritual energy, our Counters find their connections are weakening. To regain that connection, each of our Counters will have to reckon with their own past. Chu Mae Ok (Yeom Hye Ran) had to come to terms with the loss of someone who left a hole in her life, while Ha-na (Kim Se-jeong) meets someone she cared about and has to reconcile feelings gi she has been denying. And finally, ex-cop Mo Tak can solve the case and the betrayal that caused not only his own death, but that of So Mun’s parents. Once these three reclaim their powers, they turn to So Mun and stand by him, giving him the confidence he needs to defeat Pil-Gwang, save the Afterlife and, finally, say goodbye to his parents.

Where Season one focused on bullying, from schoolyard thugs to political bullies, Season two is much darker. The story begins with Pil-gwang, Gelly, and Wong Yeok committing exceptionally brutal murders…and then spending the rest of the series torturing and murdering their way through the story. As much as I don’t mind violence in service to a story, I found the extended scenes of torture very unentertaining. And, good heavens, do I hate gloating. Every two-bit manager in a K-Drama who gloats and bullies subordinates steals moments of enjoyment from me, and I resent it.

As Pil-gwang’s gang gains power, the useless, often antagonistic, and unsupportive spiritual partners for the Counters finally begin to suffer. I say finally, because no matter how badly Counters are injured, physically or psychically, their partners tend to nitpick over obscure rules which seem to be unpleasantly fungible to make the Counters’ jobs harder. It is, of course, on the Counters to save their partners, and it is on So Mun to save his team.

All the while, a young man who has lost everything is taken over by an evil spirit and is threatening So Mun’s family and neighbors, because, of course, he is!

There are a lot of tears in this story. Terrified tears, sad tears, tears of rage, frustration, melancholy, even of joy. Everyone cries at least once, and So Mun cries basically through the whole story.

I read The Uncanny Counter webcomic when I watched Season one, and was a little sad that that season did not borrow the ending of the comic. Well, here it did, and with the set-up of the story, it worked even better. I was glad to see that callout to the source material, used in a way that made actual sense for the story.

Once again, the acting by our principals was excellent. Jin Sun Kyu as Ma Ju Seok did a fantastic job of morphing a friendly, helpful, loving man into a psychopathic spirit who still had to play the good guy. Pil-gwang’s team was less wonderful, as he and Gelly mostly just gloated, which got real tired, real fast.

While it took what felt like a lot of time to get there, being able to learn more about —and spend more time with—Chu Mae Ok, Mo Tak, and Do Ha Na were some of the very best moments of the story, proving that, once again, the best part of any narrative about a team is the parts about the team. Everyone got to have their moment of pathos, forgiveness, and renewal in this season

Overall, Season two was less fun to watch, with a lot more psychopathic cruelty in the torture scenes, but the strengths of the first season remain and keep you tuning in. Great acting, good action in the fight scenes, and a team of sympathetic weirdos who do their best to save the world…and serve yummy noodles.

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Hideaki Anno, Yutaka Izubuchi Co-Direct ‘Uchuu Senkan Yamato √2199’ Anime Movie

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An official website opened for the new Uchuu Senkan Yamato (Space Battleship Yamato) anime project on Tuesday, revealing its official title, main staff, and a teaser visual (pictured). Titled Uchuu Senkan Yamato √2199 (Cosmoship Yamato √2199), the project will be a feature-length anime movie. A premiere date has yet to be announced.

Staff

Original Work: Yoshinobu Nishizaki (Uchuu Senkan Yamato original co-creator)

Director, Design Works: Hideaki Anno (Shinseiki Evangelion), Yutaka Izubuchi (RahXephon)

Planning: Hideaki Anno, Mitsuhisa Ishikawa (Ginga Eiyuu Densetsu: Die Neue These)

Executive Producer: Hideaki Anno

Studio: Production I.G, Khara

Production: Shin Office Academy

Hideaki Anno stated that Uchuu Senkan Yamato √2199 is being developed separately and will take a different path from the remakes.

Leiji Matsumoto launched the original Uchuu Senkan Yamato (Space Battleship Yamato) manga in October 1974 alongside the original television anime, ending it after three volumes in December 1979. Matsumoto serialized the Shin Uchuu Senkan Yamato manga from April 2000 to April 2001. Seven Seas Entertainment licensed the original manga in English and released it as an omnibus in April 2019.

Michio Murakawa began serializing the Uchuu Senkan Yamato 2199 remake in March 2012. Dark Horse Comics licensed the remake in English in January 2019 and released the second omnibus volume in March 2020.

The original Uchuu Senkan Yamato (Star Blazers: The Quest for Iscandar) television anime aired in 26 episodes from October 1974 to March 1975, followed by the sequel anime Uchuu Senkan Yamato 2 (Star Blazers: The Comet Empire) from October 1978 to April 1979.

The new Uchuu Senkan Yamato (Space Battleship Yamato) project—rebooting the 1974 anime series—began with the Uchuu Senkan Yamato 2199 (Star Blazers: Space Battleship Yamato 2199) original video anime series that ran in 2012–2013. The Hoshimeguru Hakobune (Odyssey of the Celestial Ark) side story movie opened in December 2014.

The 26-episode Uchuu Senkan Yamato 2202: Ai no Senshi-tachi (Star Blazers: Space Battleship Yamato 2202) OVA ran between February 2017 and March 2019. The Seireki 2202-nen no Sentaku (Star Blazers Chronicle 2202) compilation movie, reconstructing Yamato 2199 and Yamato 2202 from a new perspective, screened in June 2021.

The remake project continued with Uchuu Senkan Yamato 2205: Aratanaru Tabidachi, which released in two parts theatrically in October 2021 and February 2022.

The latest installment in the franchise, Yamato yo, Towa ni: Rebel 3199 (Star Blazers: Space Battleship Yamato 3199), debuted in July 2024, served as a sequel to Aratanaru Tabidachi. Reconstructing Yamato yo Towa ni (Be Forever Yamato) and Uchuu Senkan Yamato III (Star Blazers: The Bolar Wars), the movie project will screen in seven parts for 26 episodes, with the seventh and final part scheduled to premiere on October 30.

Official site: https://yamato-r2199.jp/

Official X: @yamato_r2199

Source: Comic Natalie

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Voice Actor Haruka Fukuhara Announces Marriage – Interest

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Voice actor Haruka Fukuhara, Kaguya-sama: Love is War‘s Tsubame Koyasu, announced on Saturday that she had gotten married to professional soccer player and Japanese National team member Takefusa Kubo. In a joint statement released to their Instagram pages, the couple thanked their fans and supporters.

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Image via Haruka Fukuhara’s Instagram account

As of press time, Fukuhara and Kubo’s announcement has received over 5 million likes and over 18,000 replies combined, most of which are congratulations from the couple’s respective fans and colleagues.

Fukuhara’s first starring role was Main Hiiragi in the 2009 hybrid anime/live-action television series Cookin’ Idol Ai! Mai! Main! She also played Tsubame Koyasu in the Kaguya-sama: Love is War series and Himari Arisugawa/Cure Custard in the Kirakira Precure a la Mode anime series. She performed ending theme songs for the anime Boruto: Naruto Next Generations and Kaguya-sama: Love is War. She has appeared in After the Rain as Yui Nishida, Hula Fulla Dance as Hiwa Natsunagi, Hello World as Mirei Kadenokōji, and Sing a Bit of Harmony as Satomi Amano.

Sources: Haruka Fukuhara‘s Instagram account, Takefusa Kubo’s Instagram account, Ken On via Otakomu


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Hideaki Anno, Yutaka Izubuchi Co-Direct Yamato √2199 Film at I.G, Khara – News

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A website opened on Tuesday to announce that Hideaki Anno and Yutaka Izubuchi are directing the feature-length anime film Cosmoship Yamato √2199 at Production I.G and Studio Khara. (The film’s Japanese title uses the same “Uchū Senkan” prefix previously also translated as “Space Battleship” or “Space Cruiser,” and the √ symbol is pronounced “Root.”)

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Image via Cosmoship Yamato √2199 anime’s website

The project also credits Anno for planning with Production I.G founder Mitsuhisa Ishikawa, as the production executive producer, and for design works with Izubuchi. “Shin Office Academy” is presenting the project.

The website quotes Anno (“a huge Yamato fan since the second year of junior high school”): “I want to keep making Yamato not only to fulfill a childhood dream, but also to imbue our proyers and wishes for the next generation and our own. It is with that resolve that we produce this.”

Anno had announced after the 50th anniversary screening for Yoshinobu Nishizaki and Leiji Matsumoto‘s Space Battleship Yamato anime in October 2024 that he and his Studio Khara are producing a Yamato project with new anime footage. Anno said that Khara received license approvals from Yamato’s rights holders Voyager Holdings and Tohokushinsha Film Corporation to produce new anime footage. Izubuchi, the chief director of the remake projects launched by the Space Battleship Yamato 2199 anime, also appeared at the screening and confirmed his involvement.

Anno, arguably best known for co-creating Neon Genesis Evangelion and working on the Shin Godzilla, Shin Ultraman, and Shin Kamen Rider films, has frequently cited Yamato as inspiring his interest in anime. He previously planned the opening sequence to the Space Battleship Yamato 2199 series. Anno stated in a comment about the 50th anniversary project that he has been a fan of the franchise for 49 years, since his second year in middle school. He added that he did not think he would be the same person he is today without the franchise. He reminisced about how he missed the first episode when it was first broadcast, but how he watched the second through final episode, sacrificing even watching Great Mazinger and running home after cram school to do so.

The original anime follows the voyages of the World War II battleship Yamato after it is resurrected as a space-faring ship to fend off alien threats to Earth. The first television series premiered in October of 1974. The first animated film then opened in 1977 and earned 2.1 billion yen (about US$23 million) at the box office. The anime franchise later garnered a record instantaneous television rating of 50% in 1978.

Yamato yo Towa ni: Rebel 3199 (Be Forever Yamato: Rebel 3199), the current project in the Space Battleship Yamato 2199 remakes, is opening as seven films, beginning with the first film “Kuro no Shinryaku” (Dark Invasion) this past July. The final film will open in Japan on October 30.

Sources: Cosmoship Yamato √2199 anime’s website, Comic Natalie

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