
Randall Park at the 35th CAPE gala
CAPE
Robert Kelker-Kelly, known best for his role as Bo Brady on NBC soap Days Of Our Lives and for his work on Another World, died October 3 at his home in St. Peters, Missouri. He was 62.
St. Peters police officers responded to his home at aound 8:16 p.m. for a report of an unconscious man who was not breathing, as paramedics and other EMS were en route, according to a police statement.. Kelker-Kelly had reportedly complained of chest pain shortly before becoming unresponsive and the circumstances appeared consistent with a medical event, police said.
Officers and paramedics administered life-saving measures, but were unsuccessful.
Kelker-Kelly’s acting career began in 1987 when he was cast as Sam Fowler on NBC soap Another World, appearing in the daytime drama for three years until 1990. Two years later his big break came when he landed the established role of Bo Brady on Days Of Our Lives, taking over for Peter Recksell who had exited. He portray Bo Brady opposite Kristian Alfonso’s Hope Brady and Lisa Rinna’s Billie Reed before Recksell returned to the role in 1995.
In 1996, he returned to Another World playing the role of professional race car driver Bobby Reno, who was later discovered to actually be Dr. Shane Roberts. He played the role until 1998.
He also portrayed Stavros Cassadine on General Hospital
He also portrayed Stavros Cassadine on General Hospital in 2001, appearing in guest spots from 2002-2014.
Kelker-Kelly was back in the headlines recently after Rinna revealed in her new memoir, You Better Believe I’m Gonna Talk About It, that she and Kelker-Kelly had a difficult relationship off-screen.
“Behind the scenes, we hated each other,” Rinna wrote, adding, “Remember when Kathy Hilton said I was the biggest bully in Hollywood? Not true. Not even close! I have legit stories about the real bullies in this town. Robert Kelker-Kelly is one of those bullies.”
“He made my life a living hell on the set of Days. He was horrible to me,” she continued. “I’d go so far as to say verbally abusive. He was passive-aggressive, manipulative and played weird mind games.”
Kelker-Kelly did not publicly respond to Rinna’s allegations.
Rinna and Kelker-Kelly earned a Soap Opera Digest Award for Hottest Soap Couple in 1995 for their work on Days, the same year they both exited the show.
Kelker-Kelly later became a professional pilot, working in the field from 2003 to 2015.
TMZ was first to report Kelker-Kelly’s death.
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EXCLUSIVE: Nyle DiMarco has joined the recurring cast of Hulu‘s legal drama All’s Fair for Season 2. The role he will play, which is currently under wraps, was originally written as a hearing character and is being adapted specifically for DiMarco, who is deaf.
A prominent advocate for authentic deaf representation in media, DiMarco joins Kim Kardashian, Naomi Watts, Niecy Nash-Betts, Teyana Taylor, Matthew Noszka, Sarah Paulson, and Glenn Close, as well as new Season 2 series regular Cauã Reymond.
All’s Fair follows Allura Grant (Kardashian), who sets up a female divorce attorney firm with Liberty Ronson (Watts) and Emerald Greene (Nash-Betts) — as well as assistant Milan (Taylor), who is also sleeping with Grant’s NFL husband Chase Munroe (Noszka) — after leaving a male-dominated firm with the support of Dina Standish (Close). The group navigates high-stakes breakups, scandalous secrets and shifting allegiances — both in the courtroom and within their own ranks — as well as a fierce rivalry with competitor Carrington Lane (Paulson).
Season 1 also featured Judith Light, O-T Fagbenle, Armani Barrett, Jemarcus Kilgore, Joshua Suiter, Ed O’Neill and Hari Nef in recurring roles, and guest stars including Grace Gummer, Kate Berlant, Elizabeth Berkley Lauren, Jack Davenport, Jessica Simpson, Jennifer Jason Leigh and Brooke Shields.
Season 2 of the Ryan Murphy series will see the lawyers of Grant, Ronson & Greene back for another season of scandals, secrets, and stilettos. As new allegiances form, friendships are tested, and a shocking revelation threatens the very existence of the firm.
All’s Fair, produced by 20th Television in association with Ryan Murphy Television, is executive produced by Murphy, Kardashian, Kris Jenner, Nina Jacobson, Brad Simpson, Joe Baken, Nissa Diederich, Scott Robertson, Eric Kovtun, Anthony Hemingway, Louise Shore, Tanase Popa, Close, Watts, Paulson, Nash-Betts, Taylor and Lyn Greene.
DiMarco arrives on the series following a year behind the camera. His feature documentary directorial debut, Deaf President Now!, premiered at the 2025 Sundance Film Festival before being released by Apple TV+ in May 2025. The film went on to earn a Humanitas Prize nomination and two Emmy nods, including Outstanding Documentary or Nonfiction Special and Outstanding Directing for a Documentary/Nonfiction Program. The directing nomination made DiMarco the first deaf filmmaker nominated for an Emmy in the category. His producing credits include the Oscar-nominated documentary short Audible, and acting credits include appearances in Queer as Folk, Station 19, Difficult People, and Switched at Birth. DiMarco is repped by Independent Artist Group, managed by Atlas and Hertz Lichtenstein Young & Polk LLP.
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David Zaslav, Warner Bros. Discovery CEO (for a few more hours, anyway) has started his goodbyes, thanking employees in a memo posted Monday on the company’s internal portal.
“It’s been a great honor to be alongside all of you,” says Zaslav speaking to the camera from a director’s chair in the at Warner Bros. Studios’ Ranch facility in Burbank. “I hope you take pride in what you’ve built, what you’ve created, and the role you’ve played in shaping an extraordinary history.”
The executive will be riding int the sunset with a large gold parachute when the Paramount-WBD deal closes on Tuesday. He and the WBD board inked a deal to sell the company to David Ellison’s studio in February. That’s four and half years after Zaslav-run Discovery acquired what was then called Warner Media from AT&T.
He set about paring down the company’s massive debt – a remaining substantial amount of which will be absorbed by the new Skydance – and pushing to turn a streaming profit. The company had planned to split in half, separating studios and streaming from cable networks and later agreed to sell the former to Netflix. Ellison continued to bid for the combined company and was ultimately able to pry the two apart and seal the deal, valued at $110 billion.
It was a rich transaction for WBD stockholders, who will get a $31 a share payout. (WBD finished its last day as a publicly traded stock at $30.95.) Zaslav in particular stands to reap hundreds of billions from his shepherding of the deal, with the official figure to be disclosed in SEC filings over the coming days.
Other sweeteners included a ticking fee from Paramount that kicked in Oct. 1 and an equity financing backstop by Larry Ellison.
“I can’t wait to see what you do in the years ahead,” Zaslav says in the video. “I’m so grateful for all these years at Warner Bros. Discovery, for the wonderful experiences creating content, telling stories and getting to know so many of you.”
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The Coalition of Asian Pacifics in Entertainment (CAPE) celebrated 35 years of advancing Asian American and Pacific Islander representation in film, television and media Saturday night at Downtown Los Angeles’ Vibiana, honoring a group of actors, creators and executives while raising more than $350,000 to support the organization’s continued work.
Presented by Lexus, CAPE’s 35th Anniversary Gala marked its first anniversary celebration in a decade. The organization traditionally holds its anniversary gala every five years, but the schedule was disrupted by the Covid-19 pandemic.
The evening brought plenty of laughs, but also a recognition that the progress CAPE and the broader AAPI entertainment community have made remains vulnerable amid an industry facing contraction, layoffs, and shrinking opportunities.
Host Asif Ali opened the ceremony with a series of jokes about the current state of AAPI representation and the entertainment business, thanking donors for supporting the arts rather than “building data centers and Flock cameras and sending folks into space.”
“This is a big year, a big occasion for CAPE,” Ali said, pointing to recent AAPI successes across television, film and music that included references to KPop Demon Hunters and Forgotten Island. “But the point is that CAPE’s work is proving that we can be anything; we need all of it to make change. We need everybody, we need CEOs, and we need Street Fighter. We can do it all.” He later added, “People are starting to be able to tell the difference between Asians, and that is progress.”

Randall Park at the 35th CAPE gala
CAPE
CAPE Executive Director and CEO Michelle K. Sugihara offered a more sobering assessment of the current industry landscape ahead of the evening’s fundraising push. “Tonight is a celebration of the advances we have made. It is also a moment to take stock of where we are today,” Sugihara said, pointing to milestone wins in representation at award shows and the box office.
“When CAPE started, there seemed to be a ceiling on how much we could ask for. Then for a brief time in the past few years, it seemed that the ceiling had shattered, but it was short-lived. Unless we stay vigilant, that ceiling will descend upon us again.”
Sugihara cited cuts to arts funding, shifting corporate priorities, industry contractions, mass layoffs and shrinking writers’ rooms. “The truth is, it is a strange and concerning time, but nobody ever said a career in the arts would be stable,” she said. “If I can think about what CAPE can try to be, I hope we can provide some measure of stability and strength in this rapidly changing industry.”
Since taking the helm in 2015, Sugihara said CAPE has grown from one fellowship program to nine fellowships and grants. The organization also consults with major studios and streamers on scripts, content and promotion, conducts research, creates resources for writers’ rooms and creative executives, and awards production grants.
The gala’s fundraising reflected the organization’s need for continued support. The evening began with approximately $150,000 raised and reached $181,000 before Ali and his Delhi Boys co-star Saagar Shaikh took the stage for a 10- to 15-minute fundraising break.
The pair made playful appeals to the “many rich people” in the room and referenced The Pitt’s recent Emmy haul as they pushed toward CAPE’s goal of raising at least $350,000 by the end of the night.
Several donations exceeding $20,000, including contributions from Netflix, STARZ and Paramount, quickly pushed the total past the goal to $351,118.
One donor also got in on the corporate humor, contributing $35 and identifying the gift as coming from the newly merged Paramount-Warner Bros. company, Skydance, after Paramount made its sizable donation.

CAPE donation screen
Destiny Jackson/Deadline
Looking back on his two decades-plus in the industry, Randall Park, the second honoree of the evening, accepting the Renaissance Award, delivered one of the night’s biggest laughs when he compared his career as an actor, writer and director to the great Renaissance figures Leonardo da Vinci and Michelangelo. “I say this with humility. I can’t think of anyone who deserves this award more than me,” Park joked. After describing da Vinci and Michelangelo’s accomplishments, Park offered his own resume: “The man who played Asian Jim in one scene of The Office. Kim Jung Un in a movie that almost started a war. And in an episode of House, M.D., I played a man who tried to circumcise himself. Look it up, it’s a real thing.”
But his speech eventually moved away from the joke and toward the community that has supported him throughout his career. “Look, all of this career stuff is great, but the best stuff happens amongst our family and friends and our community,” Park said. “So I want to take this time to thank my family and thank my friends and thank you all because you all are my community.”
Accepting the Radiance Award for the women of The Pitt, executive producer and writer Simran Baidwan was joined onstage by members of the cast and crew, including Isa Briones and Tal Anderson. The series’ AAPI talent also includes Supriya Ganesh, Amielynn Abellera and Krista Villanueva.
“This means more to me than I can adequately express,” Baidwan said. “Yes, it is a recognition of all the hard work that comes from behind the camera to in front of the camera, but it’s also a recognition that representation matters. Our stories matter. We matter,” she continued. “Gina Prince-Bythewood once said: ‘Cultural specificity doesn’t yell your name, it brings you in.’ And in The Pitt, we truly take that to heart by spending great time and care to tell authentic, meaningful, complex stories from the very perspectives of AAPI women and non-binary folks working in the healthcare industry, all of whom are too often tokenized or cast aside from television.”
Baidwan added: “But as API writers, actors, directors and producers, we’ve been given the privileged platform with which we can not only entertain, but also educate, elevate and effectuate positive change in the way the world sees us.”
Baidwan also credited showrunner and creator R. Scott Gemmill, along with John Wells and Noah Wyle, as “fearless allies” in that effort.
Jacinto closed the ceremony by looking back at his first CAPE gala 10 years ago. He recalled seeing actors and creatives he had admired from afar, including Ali Wong, Bing Chen and Daniel Dae Kim. He also remembered that the invitation gave him an excuse to ask a woman out on a date. “Being invited also gave me an excuse to ask a girl out on a date as well, so thank you, CAPE, for that, for being my wing man,” Jacinto said of his then-girlfriend, now wife Dianne Doan.

The women of The Pitt at the 35th CAPE gala
CAPE
Jacinto joked about how much his peers had accomplished over the past decade, from Wong’s Emmy win for Beef to Kim’s ever-sharp cheekbones, but said one thing had remained consistent: CAPE’s support for the community. “They continue to push diverse stories to connect all of us and provide resources to upcoming talent, especially to those who don’t necessarily feel like this industry is meant for them,” he said.
Other honorees of the night included Walt Disney Studios’ Kalikolehua Hurley, who received the Changemaker Award; Ben Wang, who received the Rising Star Award; Kitao Sakurai, who received the Visionary Award; Netflix executive Jinny Howe, who was honored with the Decision Maker Award; and filmmaker Cami Kwan, who spoke on behalf of CAPE’s Julia S. Gouw Short Film Challenge program.
The evening also featured presenters including Auliʻi Cravalho, Nisha Ganatra, Ali Ahn, Sherry Cola, Lilly Singh, and Callina Liang, as well as the indie band Chanpan.
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