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Anonymous Content Partners Tony Lipp & Dara Gordon Leaving Company

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EXCLUSIVE: Tony Lipp and Dara Gordon, talent managers and partners at Anonymous Content, will be leaving at the end of the year when their contracts are up after the company opted not to renew them. Darren Walker, who took the reins of Anonymous Content in January as President and CEO, announced Lipp and Gordon’s pending departures in an internal memo, a copy of which was obtained by Deadline.

“Saying goodbye to colleagues who have been such a longstanding part of the company is never easy, and on behalf of myself and the Board, I would like to thank them both for their many contributions,” Walker wrote.

Lipp and Gordon are both Anonymous Content veterans. Los Angeles-based Lipp joined the company as partner in 2011 from CAA. New York-based Gordon came to Anonymous Content in 2015 from Authentic Talent and Literary Management and was promoted to partner in November 2021.

Most recently, Lipp produced the Emmy-nominated Netflix film Remarkably Bright Creatures starring clients Sally Field, who won an Emmy for her performance, and Lewis Pullman, the latter also managed by Gordon.

Two other newly minted Emmy winners also are managed by Lipp, Widow’s Bay‘s Kate O’Flynn, and Lipp and Gordon, Widow’s Bay‘s Betty Gilpin.

Lipp’s roster of clients (some of them shared) also includes Patrick Wilson, Michelle Monaghan, Jonathan Bailey, Jack Quaid, Matt Bomer, Joshua Jackson and John Lithgow.

Tony has played an important role over the course of his tenure, stepping up during challenging periods and leading his team through both internal changes and industry headwinds,” Walker said. “A terrific manager and mentor, he is beloved by his clients – many of whom have been with him for decades.”

Gordon also manages/co-manages Lili Reinhart, Aaron Pierre, Leo Woodall, Adria Arjona, Winona Ryder, Billy Magnussen, Taissa Farmiga, and Melissa Benoist.

“Dara has been an integral part of our New York office and has built strong relationships with colleagues and clients alike,” Walker said. “As a partner, she brings impeccable taste, steering her clients with grace and sophistication.”

Management and production company Anonymous Content signaled shifting growth priorities with the recent minority stake investment by Laurene Powell Jobs’ Emerson Collective, committing to making at least eight films a year. The company’s recent/upcoming releases include Musk, Possible Love, In Waves, A Statement and TV series East of Eden, 12 12 12 and Neuromancer.

Here is Walker’s memo:

Dear Colleagues,

I wanted to share some news about Tony and Dara.

With great appreciation for their service and huge admiration for all of their accomplishments, they will be leaving Anonymous at the end of the year.

Saying goodbye to colleagues who have been such a longstanding part of the company is never easy, and on behalf of myself and the Board, I would like to thank them both for their many contributions.

Tony has played an important role over the course of his tenure, stepping up during challenging periods and leading his team through both internal changes and industry headwinds. A terrific manager and mentor, he is beloved by his clients – many of whom have been with him for decades.

Dara has been an integral part of our New York office and has built strong relationships with colleagues and clients alike. As a partner, she brings impeccable taste, steering her clients with grace and sophistication.

Please join me in wishing Tony and Dara the very best in their next chapter.

Sincerely,

Darren

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Renny Harlin, Keith Kjarval Reteaming On ‘Athina’ (EXCLUSIVE)

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EXCLUSIVE: Keith Kjarval and Renny Harlin, the producer and director of the upcoming The Beast, have set another feature collaboration in Athina, an action thriller to shoot in Europe next spring.

Written by Kjarval, who produces via his Unified Pictures banner, the film sees two estranged brothers descend into Athens’ criminal underworld in search of a missing young woman. In the process, the pair get caught between two powerful families and the violent past that once tore them apart.

Kjarval and Harlin’s current film The Beast stars Samuel L. Jackson as a U.S. President who must unlock the offensive capabilities of his armored presidential car in a bid to save an injured Secret Service Agent, played by Joel Kinnaman, along with the world. Aura Entertainment locked down U.S. rights at this year’s Cannes Film Festival and will release the film in theaters on Friday.

Finnish filmmaker Harlin’s recent credits include the shark thriller Deep Water, starring Aaron Eckhart and Ben Kingsley, and Lionsgate’s horror trilogy The Strangers. Also known for titles like The Bricklayer and Cliffhanger, he is repped by M3 Global Strategy.

Kjarval is in post on The Swimming Lesson, with Heidi Gardner and William H. Macy, while prepping The Smack with David M. Rosenthal set to direct. Otherwise known for work on films like Dragged Across Concrete, What They Had and Rudderless, he is repped by attorney Elsa Ramo.

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Comedian Mark “Lil Mo Mozzarella” Brucato Signs With UTA

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EXCLUSIVE: UTA has signed stand-up comedian Mark “Lil Mo Mozzarella” Brucato for global representation in all areas.

The signing comes amid the New York-based comic’s newly launched Major Problems tour, which has him taking to club stages across the U.S. and Canada through March 2027, with stops including Boston, Toronto, Vancouver, Washington, D.C., Chicago, and more.

Born in Brooklyn and raised in Queens, Brucato grew up in his family’s HVAC business. Now, with nearly two million followers across Instagram and TikTok, that blue-collar background remains at the heart of his act.

Brucato’s projects include the digital series Lil Mo Eats, spotlighting New York restaurants and the people who run them. He performed as a guest on a Kill Tony episode filmed at Madison Square Garden in August.

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Skydance Credit Rating Cut By Fitch Citing Heavy Debt Load

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Fitch has cut its debt rating on the new Skydance citing “significant execution and integration risks” and higher leverage of a merged Paramount and Warner Bros. Discovery.

The deal formally closed Tuesday.

The downgrade Monday evening followed a similar move by S&P Global in late September. Ratings agencies and investors are fretting about leverage as the combined company enters a shifting media landscape with $80 billion in debt after one of the biggest leveraged buyouts in corporate history.

Skydance insisted in its closing announcement today that it is “built on a strong financial foundation,” enough to capitalize on growth opportunities, deliver on its commitments and drive shareholder value. It has nearly $70 billion in revenue and has targeted over $6 billion in cost savings. CEO David Ellison believes the company can — and has committed family resources if needed — reduce leverage significantly by 2028.

Skydance brass has insisted that the bulk of the anticipated cost savings would not come from layoffs but elsewhere, like unifying tech stacks in streaming and optimizing real estate assets and marketing spend.

However, Ellison and co-CEO Ynon Kreiz said in a memo to staff today that, “Integrating two companies will bring change, including difficult decisions that effect our workforce.”

Leverage is a ratio of the amount of debt a company carries compared to its assets or equity. A dramatic $42.5 billion bond sale over the past week provided critical financing for the merger. But the fresh debt will also hike the company’s annual interest expense up to $500 million more a year than initially anticipated, with interest rates on some of the notes topping 9%.

Sources familiar with the situation say Paramount hedged U.S. Treasuries, which will offset some of the additional interest expense.

Chalk up the added cost to attorneys general who sued to block the Paramount-WBD merger. They never got to trial and the settlement is widely widely viewed by the industry as a win for Paramount. But AGs led by California’s Rob Bonta did make the deal more costly, delaying the close by several months in a period of rising interest rates.

“The bond market asked for a far greater premium than [Paramount] was probably looking for. So the overall interest expense that they’re going to have to pay went up dramatically,” said Naveen Sarma, U.S. Media and Telecom Sector Lead at S&P Global Ratings. “The problem they ran into was the timing – it was here, and here’s where the economy is, and they were kind of out on a limb and had to take what they could get.”

The total $52 billion debt financing included $30 billion in U.S. dollar investment grade bonds, $11.4 billion in U.S. junk-rated bonds and $1 billion in euro-denominated junk bonds. Also in the package, an $8.5 billion U.S. dollar loan and a $1 billion euro loan. A debt sale of this magnitude in such a compressed time period is a major feat.

Fitch said its downgrade reflects materially higher leverage after the acquisition — 7.8x in fiscal 2026, falling to 6.2x in 2027 and 4.5x in 2028 — and uncertainty about the merged company’s ability to achieve its stated synergies, “which are material to its deleveraging target.”

“The combined company faces structural pressure on linear revenues, streaming competition and hit-driven content risk,” Fitch said.

It noted that the Ellison family has stated a commitment to reduce net leverage below 3.75x in fiscal 2028 and 3.0x in fiscal 2029. But “believes these targets would require incremental debt repayment through equity issuance or asset sales, in addition to synergy realization and FCF [free cash flow] generation.”

The agency said its “base case does not include equity-funded debt reduction or asset sales. Such actions would be incremental to Fitch’s analysis and could support faster deleveraging.”

The equity portion of the deal is about $47 billion in equity financing, largely backstopped by Larry Ellison. The company was at one point said to be eying Elon Musk and other high net worth individuals as potential equity investors.

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