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Jonah Hill on Drama of Filming David O. Russell’s ‘I Heart Huckabees’

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Jonah Hill turned up as the surprise guest at SiriusXM’s Smartless LIVE on Saturday night at Hollywood’s Palladium for an appearance that marked his first lengthy (and very public) solo interview in years. And he was super stoked to be there.

“I’ve been gone for a while, so I’m kind of coming back, and I’m excited because I got all, like, serious for a while and I wasn’t as happy,” Hill explained to the Smartless trio of a quiet few years before returning to the spotlight with his recent Apple TV film Outcome. “And then I had my family and I got happy, and now all I want to do is be funny again. That’s why I said yes [to being on Smartless]. I’m, like, I want to go fucking be funny in front of a crowd and that’d be awesome.”

Hill appeared to have an awesome time with Smartless hosts Jason Bateman (a close friend he called a mentor), Will Arnett and Sean Hayes. The hour-plus conversation covered nearly his entire career, from his debut film role in David O. Russell’s I Heart Huckabees to breakout turns in Judd Apatow’s Knocked Up and Superbad opposite Michael Cera and Oscar-nominated turns in Moneyball opposite Brad Pitt and Martin Scorsese’s The Wolf of Wall Street opposite Leonardo DiCaprio.

And before they really dug into the details, Hill joked that “people think I’m a nepo baby.” He said that he and his wife, Olivia Millar, were “just laughing” about that sentiment the other day. “My dad’s a fucking accountant,” he quipped of his father, Richard Feldstein, who has worked as a high-profile business manager for bands like Guns N’ Roses and Maroon 5.

But he did credit a real nepo baby, Jake Hoffman, for helping him land a part in Russell’s I Heart Huckabees, which starred Jake’s father, Dustin Hoffman. “Jake’s dad, Dustin, was like, ‘You should be a comedic actor,’” Hill recalled. “I was just trying to be funny all the time. … So, Dustin was like, ‘I’m doing this movie. I got you an audition.’”

The audition turned into a real part, and Hill found himself on set of the comedy starring alongside heavyweights like Hoffman, Jason Schwartzman, Lily Tomlin, Jude Law, Mark Wahlberg, Naomi Watts, Isabelle Huppert, Jean Smart and more.

“What was that like being on a set?” Bateman asked Hill of his freshman outing on what became a highly publicized production after leaked audio surfaced revealing an intense conflict between Russell and Tomlin as the filmmaker berated her in front of the crew. She later told The Hollywood Reporter that she was “stoic in her suffering” and that it eventually dissipated.

To answer Bateman’s question, Hill said, “David O. was fucking nuts at the time.” But he was quick to ground the statement with a series of compliments.

“He was buck wild and I’m like homies with him. He’s awesome. Super nice guy. But in that moment in life, and I’ve had my own, trust me, he was buck wild, dude. He was screaming at Lily Tomlin. It’s online and shit. And he’ll talk about it. He’s cool. He’s one of the best directors ever. I mean Flirting With Disaster and Three Kings, he’s so goated. It’s insane.”

Not only did Russell scream at Tomlin, but Hill claimed that on his first day on set, he witnessed a fight between the filmmaker and a high-ranking member of his creative team. “Everyone’s screaming at each other,” he stated. “The first time I walked on set, him and K.K. Barrett, the production designer, were joking around wrestling and then it turned into a real fight. It was like joking that turned into a fight, and these guys were fighting and they were setting up my first scene to act. I was like, Hollywood is so tight.”

For his part, Russell once told IndieWire that the production was like “a party” except for the day of the explosive fight, “but then that was the day that gets remembered.” He added, “I became a better filmmaker because of it, but it was painful. It was six years of losing my way a little bit.”

To bring the story full circle, Hill said that he made a commitment back then that if he were ever to find himself in a director’s chair, he would hire Barrett. And he did. “He did my newest movie, Outcome,” Hill said. “Full circle, 20 years later. The greatest production designer ever.”

In Hill’s Outcome, he also had a pinch-me moment by hiring Scorsese for a cameo in what marked a reunion after the two worked together on Scorsese’s Wolf of Wall Street. “He came in so prepared. Honestly, the whole thing was so psychedelic,” Hill said of having him make a cameo in the Hollywood satire, playing a representative of Keanu Reeves’ character. “Him coming to set and me directing him. It was so psychedelic. It was like childbirth. [I was like], ‘This is so trippy.’”

He said as an actor you “go through withdrawal” being directed by Scorsese “because the poor unfortunate other directors you have to work with after cannot compare, no matter how wonderful, prepared and amazing they are.”

Russell has a new movie out by year’s end, Madden, starring Nicolas Cage, Christian Bale, Shane Gillis, Will Ferrell, Sienna Miller and Kathryn Hahn. Hill has a new movie out this summer, Cut Off, which he wrote, directed and stars in opposite Kristen Wiig.

New episodes of SiriusXM’s Smartless drop every Monday.

Hayes, Arnett, Hill and Bateman at SiriusXM’s SmartLess LIVE at Avalon Hollywood on April 25, 2026.

(Photo by Rodin Eckenroth/Getty Images for SiriusXM)

Hayes, Bateman, Hill and Arnett during Smartless LIVE, sponsored by Ashley Furniture and SkinnyPop.

(Photo by Rodin Eckenroth/Getty Images for SiriusXM)

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‘The Assassin(s)’ Tops Korea’s Holiday Box Office With 1.5M Admissions

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Hur Jin-ho’s historical thriller The Assassin(s) topped the Korean box office over the Chuseok holiday weekend pulling in more than 1.5 million admissions since its release on September 23.

Fresh from its world premiere at Toronto International Film Festival, the film has grossed $11.3M (KRW15.3BN) from 1,546,614 admissions over the first five days of release, according to data from the Korean Film Council (KOFIC). The Chuseok holiday officially ran for three days from Thursday, September 24 to Saturday, September 27.

Starring Lee Min-ho (Gangnam 1970), Park Hae-il (Decision To Leave), and Yoo Hai-jin (A Taxi Driver), The Assassin(s) revolves around the attempted assassination of South Korean President Park Chung-hee in 1974 that resulted in the death of the First Lady. A senior inspector (Yoo), veteran journalist (Park) and rookie reporter (Lee) set out to uncover exactly what happened and who was responsible, despite threats against their careers and their lives.

Coming in second over the holiday week (September 21-27) was Tazza: The Song of Beelzebub, a long-awaited sequel to a popular gambling franchise, which also opened on September 23 and took just over $6M from 813,842 admissions.

Christopher Nolan’s The Odyssey took third place in the weekly chart, adding another $5M to it record-breaking tally from 565,696 admissions. Released on August 5, the film has grossed just over $98M from 11.7 million admissions in the Korean market, making it the biggest import of the year so far.

Warner Bros Korea’s The Intern, a remake of the 2015 hit Hollywood comedy, came in fourth with an additional $2.6M for a cumulative total of $5.5M since its September 16 release. The film stars Choi Min-sik and Han So-hee in the roles originally played by Robert De Niro and Anne Hathaway in the original film.

Looking at figures for the entire week, The Intern was followed by US horror hit Obsession with $1.6M for a cume of $6.7M since its September 2 release. But looking solely at the weekend, Lee Chang-dong’s Venice winner Possible Love debuted in fifth position. Also opening on September 23, the Netflix-backed film, which is Korea’s official submission for Best International Feature at the Oscars, grossed around $1M in its first five days.

Historical drama The King’s Warden continues to hold Korea’s box office crown for the year to date, with box office of $120M from 16.9 million admissions; followed by The Odyssey, Spider-Man: Brand New Day ($69M from 9 million admissions), and two titles that debuted at this year’s Cannes film festival: Yeon Sang-ho’s Colony and Na Hong-jin’s Hope.

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Benjamin Satterley Dead: AEW Wrestler Known As Pac Passes Day After Match

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Benjamin Satterley, the high-flying champion wrestler known variously to AEW and WWE fans as Pac, Bastard, Adrian Neville and Neville, has died. That, according to an announcement from All Elite Wrestling. He was 40.

Details surrounding his passing are unclear. Pac was featured at AEW’s All Out pay-per-view from Chicago on Saturday night. He challenged Andrade El Idolo for the AEW National Championship, but lost.

The statement from AEW reads in part, “A native of Newcastle upon Tyne, England, Satterley began his wrestling career in 2004 and went on to perform for wrestling organizations all over the world, captivating fans with innovative high-flying moves and incredible in-ring ability. Pac signed with All Elite Wrestling in 2019 and held multiple AEW Championships and competed in some of the most memorable matches in AEW history. Our condolences go out to Satterley’s family, friends and fans.”

In the AEW, Satterley was the outfit’s All-Atlantic Champion and a two-time World Trios Champion.

He won the NXT Championship in the WWE’s developmental adjunct and later became a two-time WWE Cruiserweight Champion.

Satterley was known as “The Man that Gravity Forgot” for his signature finishing move, a spectacular corkscrew shooting star press off the top rope. You can see it in the video below.

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MTV VMAs 2026 Winners: Madonna Dominates, Taylor Swift Wins Special Honor

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It was like 1998 all over again. Madonna won six Video Music Awards that year for Ray of Light.

Flash forward to tonight, and the pop icon won seven awards, including Artist of the Year, for Confessions II, the sequel to her 2005 album.

Also winning were Sabrina Carpenter for Best Editing and for her collab with the Material Girl on “Bring Your Love.” The duo appeared onstage together to accept.

Taylor Swift won Video of the Year for “The Fate of Ophelia” and Best Director for “Opalite,” as well as a special “Artist Director” honor.

Full Winners List

VIDEO OF THE YEAR (presented in show)

Taylor Swift – “The Fate of Ophelia” – Republic Records

ARTIST OF THE YEAR (presented in show)

Madonna – Warner Records

BEST COLLABORATION (presented in show)

Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records

BEST DANCE, presented by BACARDÍ® Rum (presented in show)

Madonna – “Confessions II – The Film” – Warner Records

BEST NEW ARTIST, presented by The General Insurance® (presented in show)

Sienna Spiro – Capitol Records

BEST POP (presented in show)

LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co. / RCA Records

SONG OF THE YEAR

BTS – “Swim” – BIGHIT MUSIC

BEST HIP-HOP

Cardi B ft. Kehlani – “Safe” – Atlantic Records

BEST R&B

Bruno Mars – “I Just Might” – Atlantic Records

BEST ALTERNATIVE

Olivia Rodrigo – “the cure” – Geffen Records

BEST LATIN

Bad Bunny – “NUEVAYoL” – Rimas Entertainment

BEST K-POP

BTS – “SWIM” – BIGHIT MUSIC

BEST COUNTRY

Ella Langley – “Choosin’ Texas” – Columbia Records

BEST DIRECTION

Taylor Swift – “Opalite” – Republic Records

BEST ART DIRECTION

PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK / Atlantic Records

BEST CINEMATOGRAPHY

Madonna – “Confessions II – The Film” – Warner Records

BEST EDITING

Sabrina Carpenter – “House Tour” – Island

BEST CHOREOGRAPHY

Madonna – “Confessions II – The Film” – Warner Records

BEST VISUAL EFFECTS

Ariana Grande – “hate that i made you love me” – Republic Records

SOCIAL CATEGORIES:

BEST GROUP

BTS

BEST LONG FORM VIDEO

Madonna – “Confessions II – The Film” – Warner Records

BEST ALBUM

Madonna – Confessions II – Warner Records

SONG OF SUMMER –

Ariana Grande – “hate that i made you love me” – Republic Records

SPECIAL AWARDS:

VIDEO VANGUARD – Nirvana

MTV VMA ARTIST DIRECTOR HONORS – Taylor Swift

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