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Nexstar Slams Injunction Pausing Tegna Merger in Expedited Appeal Request

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Not only did Nexstar hit back at a lawsuit filed by DirecTV and multiple state attorneys general that sought to disrupt its $6.2 billion merger with Tegna, the company also slammed the injunction pausing the deal.

The multimedia conglomerate requested an expedited appeal with the Ninth Circuit on Wednesday evening, where Nexstar slammed the federal judge’s preliminary injunction freezing the merger. In the document, the company railed against the injunction as a “straightjacket” that risked “profound harms” to Tegna. The request also suggested that a lengthy legal fight “locks Tegna stations into an outdated structure that was already under substantial strain, making it more likely Tegna will not survive while waiting for the transaction to be vindicated.”

Additionally, Nexstar, in a companion brief filed alongside the request, blasted the U.S. District Court’s decision as a blatant overstep, adding that it impacts “stations, operations and corporate functions that have nothing to do with plaintiffs’ alleged harms.”

“This Court should narrow the preliminary injunction to match the law and what plaintiffs actually allege,” it stated. “Plaintiffs fell far short of their burden for the extraordinary relief of a preliminary injunction of any kind, let alone one this sweeping.”

Nexstar also claimed that during the trial “the full evidentiary record will defeat plaintiffs’ claims,” adding that “defendants cannot wait for trial to challenge the scope of the injunction. With each passing day, the injunction’s unnecessary breadth inflicts unrecoverable harm. Worse still, it degrades the very assets it purports to protect.”

Nexstar’s filing came a month after U.S. District Judge Troy Nunley put the $6.2 billion merger on ice, in which he concluded that the deal would hinder competition by violating antitrust laws.

At the time, a Nexstar spokesperson said the company would appeal the decision, telling TheWrap, “This transaction closed more than four weeks ago following receipt of all required regulatory approvals from the Federal Communications Commission and the U.S. Department of Justice. Nexstar Media Group now owns TEGNA and has taken steps consistent with the Court order that has been in effect.”

“For nearly thirty years, Nexstar has provided free over-the-air access to all its broadcast stations — local news, weather, and community-focused programming alongside major network programming,” the statement continued. “This pro- competitive transaction will make local stations stronger and support continued investment in local journalism and fact-based news.”

Under the original terms of the deal, Nexstar would have had 265 television stations in 44 states and the District of Columbia, representing a reach of 80% of U.S. television households, adding Big-4 affiliate stations in Phoenix, Atlanta, Toledo and Portland. The combined company would have also had stations in nine of the top 10 markets, and in 41 of the top 50.

In order to close the deal, Nexstar agreed to divest six stations across six different DMAs and made commitments to affordability and localism.

Its approval was also subject to raising or eliminating the 39% national TV ownership cap put in place by Congress in 2004 to protect viewpoint diversity, as well as prevent monopolization. However, instead of modifying the ownership rules, FCC Chairman Brendan Carr granted the companies a waiver and defended that the decision would empower broadcast TV stations and foster local journalism.

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Canada’s Big Canary Options Horror ‘Elise’; Sets Distribution

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EXCLUSIVE: Canadian producer Kim Yu is expanding her development and production activities at Big Canary Productions, an offshoot of her Toronto-based production services company Blue Moon Communications.

Yu has optioned the original screenplay for psychological horror Elise by Guyanese Canadian screenwriter Amir Bacchus; attached Chris Alexander to direct, and also sealed a deal for Equinoxe Films to release the finished film in Canada.

Alexander, whose credits include arthouse indie genre films Blood for Irina, Queen of Blood, Necropolis: Legion, Space Vampire, Parasite Lady and Drakulon, is also known as a former editor-in-chief of horror fanzine Fangoria.

Currently in development in Canada, Elise blends supernatural and psychological horror with an emotionally driven story about grief, obsession and the inability to let go.

The film follows Marlon Reid, who, while recovering in hospital after near-fatal heart surgery, forms an unexpected connection with fellow survivor Elise Carter, a woman whose life becomes inexplicably intertwined with his own.

When that connection is shattered by loss, Marlon’s grief opens the door to something far more malevolent. Haunted by memory, guilt and an unknown presence, he is forced to confront the terrifying consequences of refusing to let go of the person he loves.

“What drew me to Elise was the way Amir uses the language of horror to explore something painfully universal, the fear of losing someone and the dangerous places that pain can take us,” said Alexander. “There’s a tragic romance beating at the heart of this story, but surrounding it is something increasingly strange, surreal and nightmarish.

The deals were struck during the 2026 Toronto Internation Film Festival’s inaugural TIFF: The Market.

“Shifting more of my focus to Big Canary feels like a natural next chapter for me,” said Yu. “My career has allowed me to work across so many different parts of the filmmaking process, and I’ve always enjoyed working closely with filmmakers and helping build projects from the ground up.

“Elise represents exactly the kind of project I want Big Canary to champion: distinctive, character-driven storytelling with a strong creative point of view and the potential to connect with audiences well beyond Canada.”

Equinoxe Films has acquired the Canadian distribution rights to Elise, targeting a theatrical release in Q4 of next year.

“Elise is a chilling and moving story and I am excited to be a part of this journey, with this team. Equinoxe is looking forward to sharing this dark, elegant film with audiences across the country,” says Michael Mosca, President of Equinoxe Films.

Yu’s career spans publicity and distribution, production and unit management, and line producing and producing across film and television.

Her recent credits include Finch & Midland, the Hong Kong-Canadian collaboration written and directed by Timothy Yeung and starring Anthony Wong, Nina Paw and Patrick Tam. The film premiered at the Vancouver International Film Festival and later opened in the Top 5 at the Hong Kong box office before receiving a Canadian theatrical release in 2026.

Yu’s other work includes unit management on the Netflix limited series I Will Find You; line producing The Swearing Jar and producing a slate of Tubi Originals.

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Sam Altman Insists He Did Not Interfere With ‘Artificial’ Release

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Sam Altman Insists He Did Not Interfere With ‘Artificial’ Release







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BBC Poirot Series Casts Katherine Parkinson & Toby Stephens

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EXCLUSIVE: The BBC and BritBox’s Poirot series Hercule has unveiled more cast including Katherine Parkinson (Rivals), Omari Douglas (Black Doves) and Toby Stephens (Jane Eyre).

As with previous cast releases, the trio’s roles are being kept under wraps, but they come as the BBC and BritBox reveal the second book to be adapted for Mammoth Screen’s TV show will be Agatha Christie’s Peril at End House, following Lord Edgware Dies. The third novel the show will be part-based on is still to be revealed.

Other new cast include Jessica Alexander (The Beauty), Honor Swinton Byrne (The Souvenir), Paul Forman (Emily in Paris), Arthur Hughes (Shardlake), Ralf Little (Death in Paradise), River Medway (RuPaul’s Drag Race UK) and Natalie Quarry (Call the Midwife).

Deadline revealed earlier this year that Hercule was in the works and Edward Bluemel is playing the lead. The six-episode show is billed as “an intimate study of Hercule Poirot” while introducing the world’s greatest fictional detective to “future friends, allies and one particular nemesis.” Intrigue surrounds who will play which roles, and the identity of the nemesis. Peril at End House features Christie fan favorites like Arthur Hustings and Chief Inspector Japp and is set in Cornwall, where Poirot and Hastings meet a young woman who is persuaded that someone is out to kill her.

The show is currently filming in Liverpool and comes as Christie adaptations continue to rate, with Netflix’s Agatha Christie’s Seven Dials recently drawing in big audiences.

Written by Benji Walters (Code of Silence), the first two episodes are being directed by Jonny Campbell (Am I Being Unreasonable?), with Chanya Button (Code of Silence) and Alrick Riley (Bridgerton) directing the second two episodes and the final two episodes respectively. The executive producers are Walters and Campbell, James Prichard for Agatha Christie Limited, Rebecca Durbin and Damien Timmer for Mammoth Screen, Nick Lambon for the BBC, and Robert Schildhouse, Jon Farrar, and Stephen Nye for BritBox. Charlie Palmer (A Woman Of Substance) serves as series producer. Fifth Season is handling global distribution.

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