
Andrew Reich
For those lamenting the slow pace of the TV development process, how about one that spans 11 years? That is how long it took for Joe Port and Joe Wiseman‘s new CBS vampire comedy series Eternally Yours, starring Ed Weeks and Allegra Edwards. Their pilot script, written in 2015, got a table read in 2019, a development room in 2024, a pilot order in 2025, and a series pickup in 2026.
The 2019 table read was staged on Andrew Reich and Ben Blacker’s Dead Pilots Society podcast, with Weeks as the male lead. Six years later, he would be cast in the same role in the CBS pilot that went to series for 2026-27. The podcast helped keep Eternally Yours alive through the various twists and turns that included an animation incarnation.
The 2015 script of Eternally Yours also landed Port and Wiseman a job as developers and executive producers for CBS’ adaptation of the UK comedy series Ghosts. Next season, the duo will serve as executive producers and showrunners on Ghosts and Eternally Yours, both of which have 18-episode orders.
Here is the story of Eternally Yours, the first-ever busted script featured on Dead Pilots Society to subsequently make it to series. Its journey is intertwined with another vampire title, What We Do In the Shadows.
Eternally Yours centers on vampire couple Charles (Weeks) and Liz (Edwards) whose once-passionate romance has devolved into a pulseless marriage after 500 years together. Port and Wiseman, a writing team since meeting as assistants on the UPN animated series Dilbert in 1999, first came up with the idea for the show in 2015.
At the time, they were not aware of Jemaine Clement and Taika Waititi’s movie What We Do In the Shadows, which had been released in the U.S. in February of that year, but were quickly alerted to it. “We watched it and loved it because it was incredible,” Port said.
As for how Eternally Yours came about, Port and Wiseman were developing something else when the conversation turned to their 16 years together as writing partners.
“We started talking about writing partnerships and the idea of a marriage and people stuck together forever, so the idea of a marriage on steroids, like vampires who never die, and what it would be like to be truly together forever is how we came up with that,” Port said.
The duo teamed with Two and a Half Men executive producers Eric and Kim Tannenbaum after working together on CBS’ Odd Couple reboot. All four were under overall deals at CBS Studios at the time.
“What we loved most about the kernel of this idea, which is a couple trapped in an endless marriage. It came from Joe and Joe, as a writing team, feeling like a married couple, and we loved the fact that it came in with the Tannenbaums, producers who not only are married, but work together,” CBS Studios’ longtime head of comedy Kate Adler said. “It was super relatable to just about everybody, married or otherwise, but we loved that it came from such a real place.”
The pitch went to the usual suspects at that time, the four broadcast networks. CBS Studios’ main buyer, sibling CBS, was the most interested and already had an existing relationship with Port, Wiseman and the Tannenbaums, so the project was set there for development in September 2015.
Eternally Yours had been conceived and sold as single-camera. While CBS introduced a single-camera comedy series during the 2015-16 season, Life In Pieces, its half-hour slate at the time was dominated by multi-camera sitcoms.
When pilot pickup time came in early 2016, Eternally Yours got a pass. Its format likely was a factor; CBS ultimately went with four new comedy series for the 2016-17 season, all of them multi-cam.
CBS Studios made a Hail Mary attempt, sending the finished script to other networks, broadcast and cable, including smaller outlets like TV Land, but there were no takers, with Eternally Yours headed to the dead pilot script graveyard.
That’s where it was found by Reich.

Andrew Reich
Like Port and Wiseman, Reich was a network comedy writer-producer and part of a writing team in the 2000s and 2010s with former writing partner Ted Cohen. The duo came out of Friends, where they rose to executive producers and co-showrunners and subsequently worked on a string of comedy series, creating the 2012 ABC sitcom Work It.
The same 2015-16 development season, during which Eternally Yours was bought, written and passed on, was brutal to Reich and Cohen too — they sold three projects and none of them got made.
“It’s just feeling bad, and there was one especially where I was just really feeling like, I just wish I’d gotten to hear it read out loud, I just wish I’d gotten to have a table read,” Reich said.
That’s how the idea was born for the Dead Pilots Society, which gives scripts developed by studios and networks but never produced “the table reads they deserve,” per its manifesto.
The podcast was launched in September 2016 with three table reads, including one for the rejected 2015-16 script Reich and Cohen were particularly fond of. It had two female leads for which the duo recruited Molly Shannon and Sarah Chalke.
Since then, Reich has been reaching out to well-known comedy writers — many of them friends of his — to get some of their favorite unproduced scripts, cast them and stage table reads that are taped for the podcast, often at The Hollywood Improv. In 2019, he approached Port and Wiseman about Eternally Yours and quickly got their blessing.
“It’s amazing that they do that, because it’s really fun,” Wiseman said. “Even if it doesn’t become a pilot and a series, it’s really nice to hear your pilot that you’ve worked so hard on come to life.”
It was Reich who suggested Weeks for Charles. A couple of other actors had passed on the part, and Reich was friends with The Mindy Project alum who had done another Dead Pilots Society table read for him. (This is not a paying gig; the actors who participate in the table reads volunteer their time and do it for free.)
“We weren’t thinking it was a British guy for some reason but after hearing him do it, it seemed like it was written like that,” Port said about their reaction to hearing the Charles character interpreted by Englishman Weeks in his native accent.
The rest of the table read cast included Briga Heelan as Liz; she was brought in by Port and Wiseman, who had just worked with her on a pilot, as well as Matt Walsh playing one of the children, Asif Ali, Vella Lovell, Tony Cavalero, Yassir Lester, Mindy Sterling, Brendan Scannell and David Fumero.
“It was a fun night, and it was very useful to us,” Port said about attending the table read. “In the years to come, we started using that recorded table read as a calling card for Eternally Yours.”
The table read made an impression on Reich too.
“There’s pilots we’ve done that I think are great, but I totally see why they didn’t get on, they’re just too out there, there’s other issues, but they’re still worth doing a table read of,” he said. “But this was one where it was like, oh, this was so good, and I can totally see it as a show.”
While the Dead Pilots Society table reads are largely designed to give writers closure, Port and Wiseman would go on to use theirs as a valuable tool, not only sending it out to people but also using the feedback to punch up their script over the coming years.

‘Ghosts’ (L-R): Brandon Scott Jones as Isaac, Danielle Pinnock as Alberta, Devan Chandler Long as Thorfinn, Rebecca Wisocky as Hetty, Utkarsh Ambudkar as Jay, Asher Grodman as Trevor, Rose McIver as Samantha, Richie Moriarty as Pete, and Román Zaragoza as Sasappis.
Bertrand Calmeau/CBS
Taped in late 2019, the Eternally Yours episode of Dead Pilots Society was released on March 17, 2020, just a couple of days before the world was shut down by the pandemic.
Also in 2019, the Eternally Yours script helped Port and Wiseman land the job of adapting the UK series Ghosts, another single-camera supernatural comedy for CBS. They were top of mind for both the network and CBS Studios who pitched the duo to co-producing entities Lionsgate TV and BBC Studios L.A. (Port and Wiseman’s writing samples at the time also included an out-there spec they had handed to the studio in May 2016, shortly after Eternally Yours’ initial rejection, for People vs. O.J. Simpson Episode 201, envisioning a comedic second season of Ryan Murphy’s limited series about the Simpson trial.)
Ghosts was picked up to pilot in February 2020, just a few weeks before Dead Pilots Society‘s Eternally Yours episode was released, but its production was delayed by the pandemic.
Meanwhile, looking to capitalize on the attention Eternally Yours received from the table read, CBS Studios set out to repackage the show as an animated comedy, using the podcast table read as part of the pitch, along with Port and Wiseman’s script and concept art.
“We were able to hire an animator, Arthur Jones, who was great,” Wiseman said. “He did drawings of all the characters and big pictures of the family together.”
By the time the project was ready to be taken out in 2021, Port and Wiseman were working on Ghosts, which had been picked up to series in March of that year. The two did some Zoom pitch meetings for the animated version from a trailer on the set of Ghosts in Montreal.
Once again, What We Do In The Shadows came into play, this time FX’s series version of the movie, which had premiered in 2019 but broke out in a major way in 2021 with its third season that earned the vampire show its first Outstanding Comedy Series Emmy nomination.
And once again, there were no takers for the animated Eternally Yours, with Hulu reportedly referencing the fact that it already had a vampire comedy with What We Do In the Shadows, which streams on the platform.
Looking back, Port is relieved by the outcome.
“The story of this pilot, and series now, is that things worked out for a reason,” he said. “Even as we were pitching it as the animated thing, we were starting to do Ghosts. It hadn’t premiered yet but once that came out and did well, I was kind of relieved we hadn’t sold it as this animated thing, because I was like, this seems like such a good Ghosts companion. It seems like there’s an appetite for this single-camera genre, comedy with heart, for network TV now.”

‘Eternally Yours’: (L-R) Allegra Edwards as Liz, Ed Weeks as Charles, Helen J Shen as Emma and Jaren Lewison as Max
Bertrand Calmeau/CBS
While CBS Studios executives would periodically bring up Eternally Yours in meetings with CBS executives, the project’s comeback did not kick off in earnest until around April 2023, a few months after Amy Reisenbach was named CBS Entertainment President in November 2022. She championed the script which, a year later, emerged as a top comedy contender at the network. A development room was commissioned in August of that year, followed by a pilot order in July 2025.
The series’ second stint in CBS development took longer as Port and Wiseman juggled it alongside their showrunner duties on Ghosts, now headed into its sixth season. The Dead Pilots Society podcast made a cameo during the process with an unexpected January 2025 Eternally Yours episode re-release in the wake of the devastating Los Angeles wildfires.
“It was really a sentimental favorite of mine,” Reich said. “In fact, the one time we’ve done a rerun, it was January of last year. With the fires and everything, it was just too hard to get an episode out. And so the one rerun we’ve ever done was Eternally Yours.”
While the rerun did not necessarily impact the TV show’s momentum, the podcast table read did influence the casting of the Eternally Yours pilot. Port and Wiseman, who kept hearing Weeks’ voice as Charles in their heads, invited him and Heelan to audition for the roles they had performed at the table read. (The producers wanted to bring others too but a lot of them were unavailable, like Ali, who stars on Hulu’s Deli Boys, Lovell, who is a series regular on Fox’s Animal Control, and Cavalero, who was a series regular on CBS’ DMV.)
“Both Ed and Briga read, and they both did fantastic, Briga is an incredible actress,” Wiseman said. “Allegra Edwards, who ultimately got the part, just came in and made it undeniable. But having Ed and Briga in was fantastic.”
Like Weeks and Heelan, Edwards was invited to test for Eternally Yours because of a pre-existing connection.
“She was in two or three episodes of Ghosts, and was fantastic,” Wiseman said. “Everyone loved working with her, she was inventive. So, yeah, she was very much on our radar.”
The cast of CBS’ Eternally Yours, which Reisenbach calls “a big hearted, clever take on relationships, family and the fact that eternal love takes work,” also includes Helen J. Shen, Jaren Lewison, Parker Young, Rose Abdoo, Tristan Michael Brown and Shylo Molina.

(L-R): Tristan Michal Brown, Parker Young, Rose Abdoo, Ed Weeks, Allegra Edwards, Helen J. Shen, Jaren Lewison and Shylo Molina of ‘Eternally Yours’ attend the CBS Fest 2026-2027
Francis Specker/CBS
Earlier this month, Eternally Yours was picked up to series by CBS 11 years after Port and Wiseman first came up with the idea, 10 years after getting the first rejection from the network, 6 years after the script was featured on the Dead Pilots Society podcast and 3 years after the project re-entered development.
“For us, Eternally Yours was a project that never went away, it was merely hibernating,” Adler said. “We were always deeply in love with it, I guess you could say our love was eternal. We always promise creators we won’t give up on their projects, and we remain hopeful that a great project will ultimately find a home. Obviously, no one knew this one would take 11 years!”
Port and Wiseman, who have had their fair share of rejected pilots, also thought there was something special about Eternally Yours.
“There’s a lot of dead pilots, but this one felt like it kept trying to come back; every few years, the studio would ask us about it and say, what about this?,” Wiseman said. “Most shows don’t go, and most dead pilots don’t go, so I can’t say I knew this was going to happen but it did feel like people were supporting this project for a long time.”
Befitting the supernatural nature of Ghosts and Eternally Yours, Port got a premonition once the former got off the ground.
“I have a picture in my home office of the Ghosts poster,” he said. “I moved it over to the left, and I left an empty space for it for the past few years because I was envisioning putting up an Eternally Yours poster next to it.”
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Hot on the heels of his Golden Eye award ceremony on Saturday night, John Turturro entertained another crowd at a Zurich Film Festival masterclass on Sunday.
The Emmy-winning U.S. star has been recognized for his performance in Noah Segan’s The Only Living Pickpocket in New York, a project that is already garnering awards buzz. In the film, Turturro plays Harry, a seasoned pickpocket whose carefully controlled life is thrown into turmoil when a job goes wrong, setting off a tense chain of events that unfolds over the course of 36 hours.
In a career-spanning conversation with Deadline‘s Melanie Goodfellow — the actor’s shining Golden Eye trophy neatly nestled between them — Turturro discussed growing up in an immigrant household, his decades-long friendship with Spike Lee, and the transition from acting to filmmaking.
Turturro, who has steadily become one of the industry’s most formidable actors yet to put “Oscar nominee” on his resume, was asked about joining the best actor race this year with the Sundance success The Only Living Pickpocket in New York. “I never really have gone the whole hog with it,” he responded about the upcoming awards campaign. “But now I’m the lead in the film, so I’m going to support the film because I love the film.”
He explained that being pulled into awards conversations is “helpful to help you do the next thing.” Turturro continued: “Is it nice to be acknowledged? Great, but that’s not why you do it. […] Just because a film is really popular doesn’t mean it will have staying power, but it’s nice to be in the conversation. I don’t look upon myself as being a competitive person. I’m competitive with myself,” he added. “I want to get the most out of what I can do, but it’s not sports!”
However, he admitted to feeling surprised by the positive critic reaction out of Sundance. “Finally,” he thought, “I’m in something that people will see… My job is I like to try to improve, and I feel like being an actor is one of the few things you can improve in. You may not be able to run as fast as you did when you were younger, but I have a lot of life experience, and as you get older, you accumulate that, and you can distill things in a way that you couldn’t do when you were young, because you didn’t really experience all those things. And now I’ve experienced life, death, loss, being a parent, being married — what it is to really love someone versus falling in love. That’s a huge difference,” he giggled.
Turturro regaled attendees with stories about his impressive stage career. He naturally came on to two major TV performances of his in the last decade: HBO’s The Night Of and Apple’s Severance.
He coyly confirmed a return for his character, Irving Bailiff, in season three of the Emmy-winning Severance with Adam Scott. “Yeah,” he (eventually) told the room. “As long as they give me interesting things to do, then I’m interested.” He swiftly took the opportunity to gush over friend and colleague Christopher Walken, whose character, Burt Goodman, began a romance with Turturro’s Irving in season one. “‘Who’s going to be my love interest?’” Turturro asked before joining the show. “And they were like, ‘All these younger guys.’ I said, ‘Well no, I’ve worked with Chris Walken,’ and I said, ‘I want Chris, because I love Chris.’ And I don’t have to act that I love him because I love him.”
Though Walken “didn’t understand a lot of the show,” Turturro was able to guide him through their authentic, real-life friendship. “I said, ‘Don’t worry about it. You just look at me.’ We have so much fun because I directed him like three times, and we’ve acted, and we’ve worked together a lot. And he’s a wonderful theater actor, and people obviously think he plays only strange [characters] but he can do a lot of different things. He’s also very sensitive, but he has a childlike joy in his work, and when that happens, anything is possible.”
Turturro received a round of applause when discussing the HBO crime drama The Night Of, which ran for one season in 2016 and co-starred Riz Ahmed. It would later win five Emmys, and Turturro was nominated for his role as the eczema-stricken defense lawyer John Stone. “The Night Of is something I’m very proud of,” said Turturro on Sunday. “It was originally a BBC thing, which I actually never watched because I didn’t want to be influenced.”
He even confirmed that he actually wanted to do another season of it. “But they couldn’t agree on what the story would be,” revealed the actor. “But I loved doing it. It was one of those great experiences in my life.”
Turturro’s career spans four decades, having worked with acclaimed directors such as Spike Lee, the Coen brothers, Martin Scorsese, Robert Redford, Robert De Niro, Nanni Moretti and Pedro Almodóvar.
He first gained international recognition through his collaborations with Lee, appearing in Do the Right Thing and Jungle Fever. With Joel and Ethan Coen, he acted in Miller’s Crossing, Barton Fink, O Brother, Where Art Thou? and The Big Lebowksi, in which Turturro created the iconic Jesus Quintana. For his lead performance in Barton Fink, he won best actor at the 1991 Cannes Film Festival, an experience that Turturro reflected on at his Zurich masterclass. He even confessed to feeling like he lands “more normal” roles in Europe than across the Atlantic, and said he has turned down scripts “again and again” that involve his character being violent towards women.
At his Zurich Golden Eye ceremony Saturday night, Turturro collected the award and quoted Italian novelist Cesare Pavese. “[He] once said that the only great thing in life is to begin. I still consider myself a beginner in many ways,” said the star. “I’m very fortunate. I wanted to make a living doing something that interested me and to do interesting work — to share that with an audience, [and that] wouldn’t diminish their intelligence at the same time,” he laughed. “I consider this an encouragement to continue.”
Turturro joins 2026 Zurich honorees Julianne Moore and Tom Hiddleston. The 22nd edition runs Sept. 24-Oct. 4.
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Following the Knicks’ big win at Madison Square Garden, Jalen Brunson took the stage at 30 Rockefeller Center for his Saturday Night Live hosting debut.
On Saturday’s Season 52 premiere, the NBA Finals 2026 MVP showed off some comedic chops in an otherwise business-as-usual episode of the NBC sketch comedy show, which featured Katseye as its musical guest.
Introducing new cast members Grace Reiter and Saidah Belo-Osagie, Katseye returned to a parody season of The Debut: Dream Academy to crown a new girl group. The quartet also performed in a mini music video with the awkward group of ladies, also featuring Jane Wickline and Veronika Slowikowska.
The next sketch was a support group featuring Brunson as one of several men whose spouses were grinded on at Usher and Chris Brown’s The R&B Tour.
“When I spent $1,200 on that meet-and-greet, I never expected her to actually greet his meat,” said Brunson as the other group members comforted him.

Katseye on ‘Saturday Night Live’

Jeremy Culhane and Jalen Brunson in ‘Saturday Night Live’

Jalen Brunson, Jeremy Culhane and Ben Marshall on ‘Saturday Night Live’
Brunson also starred in the parody sketch High School Musical: The New Generation as an athletically gifted new student who hilariously keeps dunking on the new Troy Bolton stand-in (Jeremy Culhane) and steals his girlfriend (Slowikowska).
As Shark Tank judge Daymond John, Brunson asked if the invention Respectacles, a pair of glasses that sounds an alarm when the wearer looks at breasts, “works for ass.” The inventors’ (Culhane and Ben Marshall) presentation keeps getting interrupted as they check out Lori Greiner.
Saturday Night Live kicked off its 52nd season this weekend on NBC with host Brunson and musical guest Katseye. The season continues with guest hosts Dakota Johnson, Shane Gillis and Inde Navarrette, along with musical guests Turnstile, Rosalía and Gracie Abrams.
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For those wondering how SNL‘s new cast members factored into tonight’s season premiere, the answer is: not much.
The two new featured players, Saidah Belo-Osagie and Grace Reiter, were introduced together, as part of an early sketch on the search for reality competition The Debut: Dream Academy‘s next breakout girl group.
Belo-Osagie played Neelsa Boyce, a 17-year-old entrant who sought to become a pop star after playing Young Nala in The Lion King on Broadway when she was a kid.
Reiter got more screen time as Margle, who “only wear [s] flip flops because I keep passing out when I try to tie my shoes.”
After she’s first introduced onscreen, Margle shows up fully nude to a dance choreography session. We later learn that she and another eccentric contestant on the series named Duff (Jane Wickline) were only invited to participate after witnessing an executive behind the show, played by Ashley Padilla, committing a hit and run.
Margle is surprised to learn what Dream Academy is actually about, as a show: She says she thought it was a “show where you learned to control dreams.”
Subsequently, she pitches “Moose Knuckle” as a band name and the line “Newton’s Cradle, come and get it” during a songwriting exercise.
The sketch culminates with a performance by the final girl group, featuring Margle, who performs the hot new single “Newton’s Cradle” alongside The Debut Season 1’s KATSEYE (who happened to be the SNL season premiere’s musical guest).
Reiter made one other appearance tonight in the night’s final sketch, which opens on host Jalen Brunson (of the recent NBA Finals-winning New York Knicks) in the locker room. He won’t be meeting with reporters after tonight’s game, he says — though he’s visited regardless by a grey-haired Kenan Thompson, who reveals himself to be the NBA star’s third-grade coach — you know, the one who had a “really bad drinking problem”?
Coach Dennis has come around seeking a “small loan” and in hopes of getting Brunson to read his porno screenplay. Thompson introduces Reiter as Tonya, an immigrant who came to the U.S. eight years ago with a dream, who he hopes to rope into his porn. Kam Patterson also features in the sketch, which culminates in his, Reiter and Thompson’s characters stealing jerseys from the empty locker room and running away.
That was all the night had in the cards for Belo-Osagie and Reiter. Often, SNL will use its Weekend Update segment to help break in its new talent, though special segments of tonight’s presentation were instead devoted to special panelists Dario Amodei (played by Wickline) and Tucker Carlson (played by Jeremy Culhane).
Before returning for the new season, SNL said goodbye to Chloe Fineman and writer-performer Martin Herlihy, who was first introduced on the show as part of the trio Please Don’t Destroy. Other returning cast includes Kenan Thompson, Michael Che, Colin Jost, Mikey Day, Sarah Sherman, Marcello Hernández, James Austin Johnson, Andrew Dismukes, Ben Marshall, Tommy Brennan, Kam Patterson and Veronika Slowikowska.
Jalen Brunson, point guard for the 2026 NBA Finals-winning New York Knicks, hosted the kickoff episode for Season 52. Upcoming episodes will pair Dakota Johnson & Turnstile (October 3), Shane Gillis & Rosalía (October 10) and Inde Navarette & Gracie Abrams (October 31).
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