
Henry Ashton as Max Hastings
Netflix
A Good Girl’s Guide To Murder presents a new mystery to Emma Myers’ Pip Fitz-Amobi, girl detective who solved the Andie Bell case in Season 1, in the newly released Season 2 trailer from Netflix.
The second season of the YA mystery series based on Holly Jacksons’ trilogy, specifically the second book — Good Girl, Bad Blood — will arrive on the streamer May 27. Season 2 will contain six 45 minute episodes.
Pip (Emma Myers) is determined to fix the fallout from solving the mystery of Andie Bell’s disappearance and Sal Singh’s murder – and stay away from any more investigations. But with Max Hastings’ (Henry Ashton) trial approaching and Connor’s (Jude Morgan-Collie) brother Jamie (Eden H Davies) suddenly disappearing, Pip finds herself in the middle of a new investigation, hoping to save Jamie. She wanted to move on along with her hometown, but not so fast.
“I’m ready for this to be over. No more murder,” Pip plays back from a podcast recording as Ravi Singh (Zain Iqbal) scares her from behind, greeting her with his signature nickname, “Sarge.”
Then Morgan-Collier’s Connor Reynolds shows up on Pip’s doorstep and informs her that his older brother, Davies’ Jaime, has gone missing.
“Welcome to Season Two of ‘A Good Girl’s Guide To Murder: The Disappearance of Jamie Reynolds,” Pip records. “Jamie’s giving evidence in Max’s trial, and then he goes missing two days before the trial starts. Well, this has to be connected somehow.”

Henry Ashton as Max Hastings
Netflix
Henry Ashton’s Max Hastings, who is being tried for sexual assault of multiple girls as Pip dug up in Season 1, appears first in a bright pink hoodie with airpods and then in a formal suit with glasses and slicked back hair in court.
“What evidence do you have Pip?” he says to her one night. “It’s your word against mine.”
Asha Banks returns as Pip’s friend Cara. Yali Topol Margalith and Freddie England also star as Lauren and Robin Hastings.

(L-R) Emma Myers as Pip Fitz-Amobi, Asha Banks as Cara Ward, Yali Topol Margalith as Lauren Gibson, and Jude Morgan-Collie as Connor Reynolds
Netflix
“Someone knows what happened to Jamie, and they’re trying to warn me off,” Pip says, looking at a poster with bold Sharpie writing spelling out “Who will look for you when you disappear?” on it.
“Not everything is a conspiracy, Pip,” Lauren says to her friend.
“If the police don’t find someone after 72 hours, they stop looking for a body,” Pip bites out after Ravi assures her she’s not alone, and she heads up a search in a meadow.
The clip ends with a high-speed car chase and Pip, hands over ears, flashing between two versions of herself.
RELATED: ‘A Good Girl’s Guide To Murder’ Author and Star Unpack Season 1 Ending
Season two was adapted for the screen by Holly Jackson and Poppy Cogan. Executive producers include Matthew Read, Simon Crawford Collins and Frith Tiplady for Moonage Pictures; Lucy Richer, Danielle Scott-Haughton and Katherine Bond for the BBC; alongside Holly Jackson and Poppy Cogan.
A Good Girl’s Guide to Murder will launch on Netflix globally, excluding Germany, Austria and Switzerland where it will be available exclusively on ZDFneo. It will premiere in the UK and Ireland on BBC Three and BBC iPlayer. In Australia it will be exclusively on Stan.
Watch the trailer above.
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Robert Pattinson doesn’t see his version of Batman interacting with other DC superheroes within James Gunn‘s cinematic universe.
While Batman and Superman have one of the most famous friendships in DC Comics, the Primetime star recently explained to LADbible why it would be “tough” for director Matt Reeves’ version of Bruce Wayne to exist in Gunn’s DCU, such as with David Corenswet’s Superman.
“I think it would be kind of tough to have this version of Bruce outside of that world. It’s one of the only characters, I guess because of the length of the shoots but also it’s such a specific kind of [style], the tone of it gets inside you,” Pattinson said. “I remember that happened to me the last time I did it, it took a while. You’re just in the dark, the whole time. Both mood-wise and light-wise, I can’t see anything for like months. It does affect you; like you feel strange afterwards.”
Reeves’ The Batman, released in 2022, is a darker take on the iconic character, as it’s a grounded psychological crime noir rather than a typical superhero action pic. The film sees Pattinson’s Batman investigate Gotham’s hidden corruption after a sadistic serial killer begins murdering key political figures.
Pattinson reprised his character for Reeves’ The Batman Part II, which is currently in production and set to hit theaters on Feb. 18, 2028.
The Odyssey actor recently teased to Collider that the sequel is “a real left turn from the first” movie, adding that “it’s so ambitious.”
“The first one was a different take on a Batman movie, and this one is another… It’s a real left turn from the first one, but somehow it keeps elements of the kind of feel of it,” he explained. “But it just feels really ambitious, and I’m excited to see how it turns out.”
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As Trump brushes off the need for additional guardrails around artificial intelligence, Bill Gates is sounding the alarm.
In a recent interview, the Microsoft co-founder urged the U.S. government to implement regulations around the development of AI, following a meeting with CEOs of several of biggest AI companies, who agreed it’s necessary to slow down the pace of the growing tech.
“No one thinks self-regulation is enough,” he said on NBC News’ Meet the Press. “You need law enforcement and the politicians to get into the discussion about what safeguards and monitoring look like. And that has to be a required thing. And it will be a little bit of overhead for the industry, but not a dramatic slowing of what they’re doing.”
Gates added, “AI is certainly powerful enough to drive events that, you know, cause a billion deaths. You know, so even though it’s pretty hard to get to 100%, there’s never been a weapon as powerful as the combination of people with ill intent using the latest AI tools.”
Following recent warnings from those working in AI, California Gov. Gavin Newsom signed an executive order this month to fast-track stringent oversight and control of AI. Convening “a group of world-leading experts” within the next 60 days, the order lays out a discussion of “safety plans” and “an emergency shutoff, or ‘kill switch,’ for frontier models.”
On a federal level, Trump has brushed off concerns about AI as “a hoax,” insisting the U.S. government “already have tremendous CRIMINAL and REGULATORY power” over AI companies.
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Although Paramount was one of several companies to roll back their DEI initiative when Trump was re-elected, Survivor continues to operate by it.
Host Jeff Probst recently noted that “nothing has changed” with how the reality competition series approaches diversity, equity and inclusion, noting that it was “one of the biggest positive changes ever” for the CBS show that launched in 2000.
“And if you watch our show, you know that we’re so diverse — and it’s not just skin color or ethnicity. It goes much deeper than that. It’s one of the biggest positive changes ever,” he told The New York Times. “Our stories are so much more interesting now because we have people from completely different walks of life.”
Probst continued, “I feel no pressure. No one ever says, can you count the numbers again? But Jesse Tannenbaum, who runs our casting team, knows: There’s no stopping, not because we’re told to do it. This is what we need. We need diversity. It’s for narrative. All those differences matter in the story when you throw people together and force them to rely on each other while conspiring against each other. The more diverse, the more interesting.”
In 2020, Paramount implemented a DEI initiative to make CBS and its other brands more inclusive, which the company rolled back last year amid the Trump administration’s attacks on such programs. Months later, Skydance pledged there would be no DEI policies under the Ellison’s reign as they sought the FCC’s approval of the merger.
Following its milestone 50th season, Probst returns to host Survivor for Season 51, airing Wednesdays at 8pm ET/PT on CBS and streaming live on Paramount+.
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