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Mortal Kombat II Box Office Could Launch a New Franchise

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With “Michael” holding strong and “The Devil Wears Prada 2” expected to have a big second weekend from Mother’s Day audiences, the box office is expected to stay burning hot. But it’s going to get some more fuel courtesy of Warner Bros./New Line’s gory video game film “Mortal Kombat II.”

With two films driven by female moviegoers replacing “The Super Mario Galaxy Movie” and “Project Hail Mary” — part of the fruits of Hollywood’s recent streak of more films for women — the market is wide open for a straight-down-the-middle fanboy-driven summer blockbuster. It’s a reason why Warner Bros. moved “Mortal Kombat II” from its original October 2025 release date to a mid-May slot where, one year ago, it launched New Line’s “Final Destination: Bloodlines” to a franchise record $317.8 million global theatrical run.

It’s quite possible that “Mortal Kombat II” could enjoy similar success. Warner is keeping its projections conservative at $35 million domestic and $65 million worldwide this weekend. But exhibitor sources and rival distributors tell TheWrap they believe “MK II” has a chance to open closer to the $51 million domestic opening of “Final Destination: Bloodlines,” which would put it well on its way to turning a theatrical profit against its reported $68 million budget before marketing costs.

Reviews are fairly positive with 75% positive on Rotten Tomatoes at time of writing, and the buzz from “Kombat” fans who have attended advance screenings has been strong, with the consensus being that the sequel is a marked improvement from the previous “Kombat” film released in 2021 during the early stages of theaters’ pandemic reopening process.

Karl Urban as Johnny Cage in ‘Mortal Kombat II’ (Warner Bros.)

Released while theaters had caps on attendance to allow for social distancing and while Warner Bros. was experimenting with day-and-date releasing on HBO Max, “Mortal Kombat” got mixed reviews from critics with a 55% Rotten Tomatoes score and grossed $84.4 million worldwide.

While fans appreciated the film’s fight scenes, criticism was leveled at the film’s plot for not showing the actual Mortal Kombat tournament that the video game franchise takes its name from, as well as basing the film on an original protagonist, an MMA fighter named Cole Lewis who is pulled by the thunder god Raiden into the deadly battle between Earthrealm and Outworld.

But “Mortal Kombat II” moves Cole out of the protagonist role and replaces him with two of the most popular characters from the games: the washed up and dryly humorous martial arts movie star Johnny Cage, played by Karl Urban, and the Outworld princess Kitana, played by Adeline Rudolph, who seeks to avenge her father and liberate her people from the Outworld overlord Shao Kahn.

As Johnny is pulled into the Mortal Kombat tournament that was teased in the first film, other characters from the games are added into the sequel like Jade, Baraka, Quan Chi and Sindel. And of course, the game’s signature “fatalities” are sprinkled throughout, escalating in gruesomeness until they reach a gory climax with a final kill that feels like it is lifted directly from the recent “Kombat” games.

The early reception suggests that “Mortal Kombat” is taking a similar path to the “Sonic the Hedgehog” series when it comes to adding in increasingly more references, characters and story elements from the source material to the delight of fans. Given its well-earned R rating, “Mortal Kombat II” probably won’t reach the $492 million global total of the more family friendly “Sonic the Hedgehog 3,” but it could set this franchise up as another dependable IP for Warner and New Line if it builds fan goodwill and interest in future installments.

Another advantage of “MK II” is that while it helps to have seen the previous film, the sequel is designed to be newcomer-friendly thanks to Cage’s introduction to the world of Mortal Kombat and Kitana’s self-contained narrative arc. If that becomes a part of the post-release word-of-mouth, the film may draw in moviegoers who aren’t into fighting games but who enjoy other New Line movies like “Evil Dead Rise” and “Final Destination: Bloodlines” and are down for a bloody good time at the movies.

Hugh Jackman in ‘The Sheep Detectives’ (Amazon MGM Studios)

Of course, fatalities are not family-friendly, and the theatrical market is also open for another offering for kids even with “Super Mario Galaxy” still going strong. So Amazon MGM will provide with “The Sheep Detectives,” a bestseller adaptation starring Hugh Jackman as a friendly shepherd who reads murder mystery novels to his sheep and is mysteriously murdered. As it turns out, his sheep have taken those novels to heart, and they take it upon themselves to solve the crime.

“Sheep Detectives” is projected for a modest $12-15 million opening, which would make this a rough follow-up for Amazon MGM after the great success of “Project Hail Mary” considering that this film filled with CGI animals has a reported production budget of at least $65 million.

But the good news for “Sheep Detectives” is that critics have been near unanimous in their praise for the film, bestowing upon it a 96% Rotten Tomatoes score as it has praised its strong voice acting and surprising amount of heart. The movie will have just two weeks to build off of that acclaim before it gets major competition for four-quadrant moviegoers from Disney/Lucasfilm’s “The Mandalorian & Grogu,” so it will need to have found a foothold with the masses before then.

Finally, Paramount will release Billie Eilish’s concert film “Hit Me Hard & Soft,” which is directed by James Cameron and will be released in 3D. The film is currently projected for a $6-9 million opening weekend, with Paramount projecting a start on the lower end of that total.

A $6 million opening would be roughly on par with the $5.7 million opening of the K-Pop concert film “Stray Kids: the dominATE Experience” released by Bleecker Street this past February. But there’s a strong chance of upside given Eilish’s larger fanbase as well as the promise of a deeper kind of concert film with Cameron bringing his “Avatar”-fueled expertise with 3D to this project.

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Benjamin Satterley Dead: AEW Wrestler Known As Pac Passes Day After Match

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Benjamin Satterley, the high-flying champion wrestler known variously to AEW and WWE fans as Pac, Bastard, Adrian Neville and Neville, has died. That, according to an announcement from All Elite Wrestling. He was 40.

Details surrounding his passing are unclear. Pac was featured at AEW’s All Out pay-per-view from Chicago on Saturday night. He challenged Andrade El Idolo for the AEW National Championship, but lost.

The statement from AEW reads in part, “A native of Newcastle upon Tyne, England, Satterley began his wrestling career in 2004 and went on to perform for wrestling organizations all over the world, captivating fans with innovative high-flying moves and incredible in-ring ability. Pac signed with All Elite Wrestling in 2019 and held multiple AEW Championships and competed in some of the most memorable matches in AEW history. Our condolences go out to Satterley’s family, friends and fans.”

In the AEW, Satterley was the outfit’s All-Atlantic Champion and a two-time World Trios Champion.

He won the NXT Championship in the WWE’s developmental adjunct and later became a two-time WWE Cruiserweight Champion.

Satterley was known as “The Man that Gravity Forgot” for his signature finishing move, a spectacular corkscrew shooting star press off the top rope. You can see it in the video below.

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MTV VMAs 2026 Winners: Madonna Dominates, Taylor Swift Wins Special Honor

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It was like 1998 all over again. Madonna won six Video Music Awards that year for Ray of Light.

Flash forward to tonight, and the pop icon won seven awards, including Artist of the Year, for Confessions II, the sequel to her 2005 album.

Also winning were Sabrina Carpenter for Best Editing and for her collab with the Material Girl on “Bring Your Love.” The duo appeared onstage together to accept.

Taylor Swift won Video of the Year for “The Fate of Ophelia” and Best Director for “Opalite,” as well as a special “Artist Director” honor.

Full Winners List

VIDEO OF THE YEAR (presented in show)

Taylor Swift – “The Fate of Ophelia” – Republic Records

ARTIST OF THE YEAR (presented in show)

Madonna – Warner Records

BEST COLLABORATION (presented in show)

Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records

BEST DANCE, presented by BACARDÍ® Rum (presented in show)

Madonna – “Confessions II – The Film” – Warner Records

BEST NEW ARTIST, presented by The General Insurance® (presented in show)

Sienna Spiro – Capitol Records

BEST POP (presented in show)

LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co. / RCA Records

SONG OF THE YEAR

BTS – “Swim” – BIGHIT MUSIC

BEST HIP-HOP

Cardi B ft. Kehlani – “Safe” – Atlantic Records

BEST R&B

Bruno Mars – “I Just Might” – Atlantic Records

BEST ALTERNATIVE

Olivia Rodrigo – “the cure” – Geffen Records

BEST LATIN

Bad Bunny – “NUEVAYoL” – Rimas Entertainment

BEST K-POP

BTS – “SWIM” – BIGHIT MUSIC

BEST COUNTRY

Ella Langley – “Choosin’ Texas” – Columbia Records

BEST DIRECTION

Taylor Swift – “Opalite” – Republic Records

BEST ART DIRECTION

PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK / Atlantic Records

BEST CINEMATOGRAPHY

Madonna – “Confessions II – The Film” – Warner Records

BEST EDITING

Sabrina Carpenter – “House Tour” – Island

BEST CHOREOGRAPHY

Madonna – “Confessions II – The Film” – Warner Records

BEST VISUAL EFFECTS

Ariana Grande – “hate that i made you love me” – Republic Records

SOCIAL CATEGORIES:

BEST GROUP

BTS

BEST LONG FORM VIDEO

Madonna – “Confessions II – The Film” – Warner Records

BEST ALBUM

Madonna – Confessions II – Warner Records

SONG OF SUMMER –

Ariana Grande – “hate that i made you love me” – Republic Records

SPECIAL AWARDS:

VIDEO VANGUARD – Nirvana

MTV VMA ARTIST DIRECTOR HONORS – Taylor Swift

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MTV VMAs: Taylor Swift Dedicates Video Of The Year Award To Dolly Parton “The Ultimate Showgirl”

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Taylor Swift won the night’s top award at the MTV Video Music Awards, taking home a Moonperson trophy for Video of the Year for “The Fate of Ophelia.”

Swift took the stage to accept the award and said she was “proud” of the work she did on the video, as it was “one continuous shot” and she had to learn “a lot about hiding cuts” in strategic places.

The singer also made a special mention to Dolly Parton, whom she called “the ultimate showgirl.”

“I want to thank and dedicate this award to one person, without whom just this wouldn’t be happening, and that person is the ultimate showgirl, Dolly Parton,” Swift said in her speech. “Every single song that she wrote, her storytelling was so vivid and so rich. It was like listening to her songs. It’s like watching the best music video you have ever seen in your life every single time you hear what she has written, and she handled this thing with such grace and joy and love and gratitude for the fact that she got to do this, and everything that happened in her life or her career, she channeled back into love, and gratitude and appreciation for her fans.”

She continued, “I am lucky I got to be one of them, and I will always be one of them. I love you all so very much, and I think that we were all very, very… I think we were all very lucky to share this planet with Dolly Parton for a time, and thank you for this amazing moment. I love you all.”

Watch Swift’s speech in the video below.

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