movies
2026 Sound & Screen Television: Lineup, Panelists, More
The latest edition of Deadline’s Sound & Screen Television event is underway Wednesday evening, bringing into focus one of the most vital and yet often unseen elements of storytelling: music. From sweeping, orchestral themes to more intimate, character-driven pieces, a project’s score and songs are integral parts of the puzzle when it comes to shaping how audiences connect with what they see on screen.
Sound & Screen, which has quickly become one of Deadline’s most popular events, is back at UCLA’s Royce Hall for the 2026 edition, featuring another fantastic lineup of musicians and their scores from this year’s most striking television offerings, with the music performed live with the backing of a full orchestra.
This year’s roster is an excellent one. We’ve got Jeff Russo, a founder of Tonic and previous member of Low Stars, who is the composer behind FX’s Alien: Earth; as well as Emmy-winning composer and musician Amanda Jones, who is behind the sound of Apple TV’s Murderbot. Siddhartha Khosla will also join us onstage to showcase his score for Imperfect Women starring Elisabeth Moss, Kerry Washington and Kate Mara.
Netflix is in the house tonight with two shows: Beef and Wednesday. Finneas O’Connell, who has already won two Oscars, two Golden Globes and 11 Grammys, is the mastermind behind the score for the much anticipated second season of Beef, and he’ll outline his approach for us this evening in front of the packed house of awards-season voters. Meanwhile, two-time Emmy nominee Chris Bacon, whose credits include Source Code, Heretic and Alpha and Omega, will talk how he’s built on Wednesday‘s gothic score for the show’s latest season.
Renowned composer Jeff Beal, whose credits include House of Cards and The Newsroom, is also in the building, where he’ll walk us through the process of writing the music for Peacock’s hit All Her Fault that stars Sarah Snook and Dakota Fanning.
Meanwhile, Christopher Lennertz and Matt Bowen are returning this year to talk about their approach to composing the score for Prime Video’s wild superhero series The Boys, while Tyler Strickland will walk us through the emotional journey of scoring John Candy: I Like Me, which explores the life and legacy of the iconic Canadian funnyman.
Breton Vivian, who earned an Emmy nomination for his prominent work on Taylor Sheridan’s Yellowstone, also returns this year to talk composing Sheridan’s follow-up Paramount+ series The Madison.
HBO Max series The Pitt is coming off the back of winning the Emmy for Outstanding Drama Series, and composers Gavin Brivik and Andrew Bird are on hand to break down crafting the show’s original song “Need Someone.”
And last, but certainly not least, David Archuleta, Sophie Rose and Michael Blum are here to talk about their original song “Wish That You Were Me” for Hulu’s Only Murders in the Building.
Check back Thursday for our Sound & Screen coverage, and on Monday when Deadline launches the event’s streaming site featuring all the panel videos. In the meantime, here’s the full lineup of who’s hitting the stage.
Sound & Screen Television 2026
PRIME VIDEO
The Boys
Christopher Lennertz (Composer)
Matt Bowen (Composer)
PARAMOUNT+
The Madison
Breton Vivian (Composer)
APPLE TV
Murderbot
Amanda Jones (Composer)
HBO MAX
The Pitt
Gavin Brivik (Composer/Songwriter)
Andrew Bird (Songwriter)
PEACOCK
All Her Fault
Jeff Beal (Composer)
FX
Alien: Earth
Jeff Russo (Composer)
APPLE TV
Imperfect Women
Siddhartha Khosla (Composer)
HULU
Only Murders in the Building
David Archuleta (Co-Writer)
Sophie Rose (Co-Writer/Singer)
Michael Blum (Co-Writer/Producer)
PRIME VIDEO
John Candy: I Like Me
Tyler Strickland (Composer)
NETFLIX
Wednesday
Chris Bacon (Composer)
Beef
Finneas O’Connell (Composer)
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movies
Benjamin Satterley Dead: AEW Wrestler Known As Pac Passes Day After Match
Benjamin Satterley, the high-flying champion wrestler known variously to AEW and WWE fans as Pac, Bastard, Adrian Neville and Neville, has died. That, according to an announcement from All Elite Wrestling. He was 40.
Details surrounding his passing are unclear. Pac was featured at AEW’s All Out pay-per-view from Chicago on Saturday night. He challenged Andrade El Idolo for the AEW National Championship, but lost.
The statement from AEW reads in part, “A native of Newcastle upon Tyne, England, Satterley began his wrestling career in 2004 and went on to perform for wrestling organizations all over the world, captivating fans with innovative high-flying moves and incredible in-ring ability. Pac signed with All Elite Wrestling in 2019 and held multiple AEW Championships and competed in some of the most memorable matches in AEW history. Our condolences go out to Satterley’s family, friends and fans.”
In the AEW, Satterley was the outfit’s All-Atlantic Champion and a two-time World Trios Champion.
He won the NXT Championship in the WWE’s developmental adjunct and later became a two-time WWE Cruiserweight Champion.
Satterley was known as “The Man that Gravity Forgot” for his signature finishing move, a spectacular corkscrew shooting star press off the top rope. You can see it in the video below.
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movies
MTV VMAs 2026 Winners: Madonna Dominates, Taylor Swift Wins Special Honor
It was like 1998 all over again. Madonna won six Video Music Awards that year for Ray of Light.
Flash forward to tonight, and the pop icon won seven awards, including Artist of the Year, for Confessions II, the sequel to her 2005 album.
Also winning were Sabrina Carpenter for Best Editing and for her collab with the Material Girl on “Bring Your Love.” The duo appeared onstage together to accept.
Taylor Swift won Video of the Year for “The Fate of Ophelia” and Best Director for “Opalite,” as well as a special “Artist Director” honor.
Full Winners List
VIDEO OF THE YEAR (presented in show)
Taylor Swift – “The Fate of Ophelia” – Republic Records
ARTIST OF THE YEAR (presented in show)
Madonna – Warner Records
BEST COLLABORATION (presented in show)
Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records
BEST DANCE, presented by BACARDÍ® Rum (presented in show)
Madonna – “Confessions II – The Film” – Warner Records
BEST NEW ARTIST, presented by The General Insurance® (presented in show)
Sienna Spiro – Capitol Records
BEST POP (presented in show)
LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co. / RCA Records
SONG OF THE YEAR
BTS – “Swim” – BIGHIT MUSIC
BEST HIP-HOP
Cardi B ft. Kehlani – “Safe” – Atlantic Records
BEST R&B
Bruno Mars – “I Just Might” – Atlantic Records
BEST ALTERNATIVE
Olivia Rodrigo – “the cure” – Geffen Records
BEST LATIN
Bad Bunny – “NUEVAYoL” – Rimas Entertainment
BEST K-POP
BTS – “SWIM” – BIGHIT MUSIC
BEST COUNTRY
Ella Langley – “Choosin’ Texas” – Columbia Records
BEST DIRECTION
Taylor Swift – “Opalite” – Republic Records
BEST ART DIRECTION
PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK / Atlantic Records
BEST CINEMATOGRAPHY
Madonna – “Confessions II – The Film” – Warner Records
BEST EDITING
Sabrina Carpenter – “House Tour” – Island
BEST CHOREOGRAPHY
Madonna – “Confessions II – The Film” – Warner Records
BEST VISUAL EFFECTS
Ariana Grande – “hate that i made you love me” – Republic Records
SOCIAL CATEGORIES:
BEST GROUP
BTS
BEST LONG FORM VIDEO
Madonna – “Confessions II – The Film” – Warner Records
BEST ALBUM
Madonna – Confessions II – Warner Records
SONG OF SUMMER –
Ariana Grande – “hate that i made you love me” – Republic Records
SPECIAL AWARDS:
VIDEO VANGUARD – Nirvana
MTV VMA ARTIST DIRECTOR HONORS – Taylor Swift
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movies
MTV VMAs: Taylor Swift Dedicates Video Of The Year Award To Dolly Parton “The Ultimate Showgirl”
Taylor Swift won the night’s top award at the MTV Video Music Awards, taking home a Moonperson trophy for Video of the Year for “The Fate of Ophelia.”
Swift took the stage to accept the award and said she was “proud” of the work she did on the video, as it was “one continuous shot” and she had to learn “a lot about hiding cuts” in strategic places.
The singer also made a special mention to Dolly Parton, whom she called “the ultimate showgirl.”
“I want to thank and dedicate this award to one person, without whom just this wouldn’t be happening, and that person is the ultimate showgirl, Dolly Parton,” Swift said in her speech. “Every single song that she wrote, her storytelling was so vivid and so rich. It was like listening to her songs. It’s like watching the best music video you have ever seen in your life every single time you hear what she has written, and she handled this thing with such grace and joy and love and gratitude for the fact that she got to do this, and everything that happened in her life or her career, she channeled back into love, and gratitude and appreciation for her fans.”
She continued, “I am lucky I got to be one of them, and I will always be one of them. I love you all so very much, and I think that we were all very, very… I think we were all very lucky to share this planet with Dolly Parton for a time, and thank you for this amazing moment. I love you all.”
Watch Swift’s speech in the video below.
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